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upcoming exhibiton

current exhibiton
静物2017
猪瀬直哉 後藤勇治 龍口経太
鶴友那 村松英俊 山口英紀
@ex-chamber museum
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
070-5567-1513
9/9(土)〜9/24(日)9/11,12,13,19,20休(9/18開廊)
12:00〜18:00(9/15:16:00〜)
インスタレーションビュー

Still Life 2017
Naoya Inose Yuji Goto Keita Tatsuguch
Yuna Tsuru Hidetoshi Muramatsu Hidenori Yamaguchi
@ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, CHiyoda-ku, Tokyo, Japan
81-70-5567-1513
9 Sep(Sat)〜24 Sep(Sun)closed on 11,12,13,19,20 Sep(18 Sep is open)
12:00〜18:00(15 Sep:16:00〜)
installation views

past exhibiton

ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
MORITAKAとシェア)(google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
(sharing the space with MORITAKA)(google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
佐藤明日香 Asuka Satow
須賀悠介 Yusuke Suga
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2017年09月21日

memo (overseas): Sep21,2017

ex-chamber memo (overseas): Sep21,2017

ROD PENNER
@Ameringer | McEnery | Yohe
525 W 22nd Street New York, NY 10011
USA
27 April - 26 May 2017

installation views
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View of San Saba, 2017, Acrylic on canvas, 5 x 7 1/2 inches, 12.7 x 19.1 cm, AMY#29035

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San Saba Butane, 2017, Acrylic on canvas, 6 x 6 inches, 15.2 x 15.2 cm. AMY#28872

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G & R Grocery, 2016, Acrylic on canvas, 5 x 7 1/2 inches, 12.7 x 19.1 cm, AMY#28867

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Yard Inflatables, 2016, Acrylic on canvas, 6 x 6 inches, 15.2 x 15.2 cm, AMY#28868

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Buy Pecans Here, 2017, Acrylic on canvas, 5 x 7 1/2 inches, 12.7 x 19.1 cm, AMY#28869

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The Studio, 2017, Acrylic on canvas, 5 x 7 1/2 inches, 12.7 x 19.1 cm, AMY#28870

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Station, 2017, Acrylic on canvas, 6 x 6 inches, 15.2 x 15.2 cm, AMY#28871

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Commie's Tacos, 2017, Acrylic on canvas, 5 x 7 1/2 inches, 12.7 x 19.1 cm, AMY#28886





Ivan Morley
@Bortolami Gallery
39 Walker Street
New York, NY 10013
b/w Church St and Broadway
USA
12 JAN – 18 FEB 2017

installation views
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Ivan Morley, A True Tale, 2016, thread on canvas, 51 1/2 x 31 1/4 in / 130.8 x 79.4cm

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Ivan Morley, A True Tale, 2016, thread on canvas, 36 1/2 x 29 1/2 in / 92.7 x 74.9cm

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Ivan Morley, A True Tale, 2016, thread on canvas, 33 x 29 in / 83.8 x 73.7cm

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Ivan Morley, A True Tale, 2016, thread on canvas, 72 x 39 in / 182.9 x 99.1cm

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Ivan Morley, A True Tale, 2016, thread on canvas, 50 x 43 in / 127 x 109.2cm

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Ivan Morley, A True Tale, 2016, acrylic and dye on tooled leather, 70 x 41 in / 177.8 x 104.1cm

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Ivan Morley, A True Tale, 2016, oil, wax, and KY jelly on panel, 70 1/2 x 42 in / 179.1 x 106.7cm

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Ivan Morley, A True Tale, 2016, thread on canvas, 67 1/2 x 39 1/2 in / 171.5 x 100.3cm

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Ivan Morley, Tehachepi (sic), A True Tale, 2016, watercolor, charcoal, graphite, gouache and pastel on kraft paper, Artwork: 75 3/4 x 47 1/2 in / 192.4 x 120.7cm, Framed: 80 3/4 x 52 1/2 in / 205.1 x 133.4cm

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Ivan Morley, Emblem, 2005, acrylic and dye on tooled leather over panel, 44 x 25 1/2 in / 111.8 x 64.8cm

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Ivan Morley, Tehachepi (sic), 2003, acrylic, oil, thread, batik and u.v. varnish on denim, 60 x 45 in / 152.4 x 114.3cm

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Ivan Morley, Logo, 2005, oil, acrylic dye, wax, KY jelly and u.v. varnish on linen over panel, 43 1/4 x 36 in / 109.9 x 91.4cm

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Ivan Morley, From Don, George, and Diane, 2010, oil, wax, and KY Jelly on polyester over panel, 33 x 27 in / 83.8 x 68.6cm

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Ivan Morley, Tehachepi (sic), 2016, oil with gold, and mother of pearl on glass, 32 x 24 in / 81.3 x 61cm





TXOMIN BADIOLA: Demasiado cercana como para ignorarla, demasiado remota como para poder intervenir
@Carreras Múgica
Calle Heros 2 | E-48009 BILBAO
Spain
30.01.2016 − 24.03.2016

installation views
1Txomin_Badiola.jpg

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LA PRÁCTICA INCONDICIONAL DE LA RAZON, 2015.
Construcción en madera parcialmente pintada, acero galvanizado, perfiles de acero pintados, lámpara de pie metálico con electricidad y fotografía, 305 × 470 × 350 cm.

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LO QUE LLAMAN SOMBRA AQUÍ, 2015.
Pintura y collage sobre fotografía. Dos elementos de 70 × 50 cm cada uno.

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I DECLINE, 2015.
Pintura y collage sobre fotografía. Tres elementos de 70 × 50 cm cada uno.

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CONTRA-GOODVIBES-RELIEVE (LET HER PAINT), 2009-2015.
Construcción en madera, impresión sobre chapa galvanizada, 245 × 185 x100 cm.

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CONJETURA (OBJETO MALO), 2014-2015.
Pintura sobre papel y fotografía, 120 × 70 cm (dos unidades de 70 × 50 cm).

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DADA LA ACUMULACIÓN DE PRUEBAS (BASTARDO) 4, 2009-2015.
Construcción en madera con pintura estucada y fundición en bronce, 122 × 90 × 30 cm.

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EL REPARTO DE LO SENSIBLE, 2015.
Pintura y collage sobre fotografía. Dos elementos de 70 × 50 cm cada uno.

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DADA LA ACUMULACIÓN DE PRUEBAS (BASTARDO) 2, 2009-2015.
Construcción en madera con pintura estucada y fundición en aluminio, 75 × 45 × 34 cm.

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TRABAJO, 2015.
Pintura y collage sobre fotografía, 70 × 50 cm.

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MITOLOGÍAS. TODOS SABEMOS YA QUIENES SOMOS, 2015.
Construcción en madera parcialmente pintada sobre chapa de aluminio impresa, 160 × 300 × 31 cm.

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CONJETURA (OBJETO MALO), 2014-2015.
Construcción en madera, impresiones sobre papel, fotografía.

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DADA LA ACUMULACIÓN DE PRUEBAS (BASTARDO) 1, 2009-2015.
Construcción en madera con pintura estucada y fundición en aluminio, 76 × 45 × 35,5 cm.

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IMPORTA SABER QUIÉN MANDA, 2015.
Construcción en madera pintada, metal y plástico acero. Impresión sobre acero galvanizado, 280 × 280 × 134 cm.

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DADA LA ACUMULACIÓN DE PRUEBAS (BASTARDO) 3, 2009-2015.
Construcción en madera con pintura estucada y fundición en aluminio, 83 × 58 × 38 cm.

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DADA LA ACUMULACIÓN DE PRUEBAS (BASTARDO) 3, 2009-2015.
Construcción en madera con pintura estucada y fundición en aluminio, 83 × 58 × 38 cm.

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LE RADEAU (¿QUÉ ES LO QUE VEO?, ¿QUÉ ES LO QUE NO VES?), 2015.
Construcción en madera parcialmente pintada, acero galvanizado y pintado, plexiglás con marco de aluminio, materiales impresos, silla tubular, 150 × 261 × 185 cm.

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LE RADEAU (¿QUÉ ES LO QUE VEO?, ¿QUÉ ES LO QUE NO VES?), 2015.
Construcción en madera parcialmente pintada, acero galvanizado y pintado, plexiglás con marco de aluminio, materiales impresos, silla tubular, 150 × 261 × 185 cm.





KENDELL CARTER: MARVEL
@Edward Cella Art + Architecture
2754 S. La Cienega Blvd
Los Angeles, CA 90034
USA
MARCH 11, 2017 – MAY 6, 2017

installation views
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Kendell Carter, Waves for McQueen, 2017
Cast latex and aerosol float mounted in frame, 80 x 56 1/2 in. (203.2 x 143.5 cm)

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Kendell Carter, Effigy for a New Normalcy VI (Accepting Greatness), 2017
Gold-plated sneakers

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Kendell Carter, Sewing and Reaping, 2017
Gold-plated sewing machine on custom plinth, 19th century quilt, denim, sewing pattern

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Kendell Carter, Waves for My People, 2017
Cast latex and aerosol float mounted in frame, 28 1/4 x 22 3/4 in. (71.8 x 57.8 cm)

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Kendell Carter, Thai Waves in Scandinavia, 2017
Cast latex and aerosol float mounted in frame, 39 3/4 x 33 1/2 in. (101 x 85.1 cm)

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Kendell Carter, Cranes for Solange, 2017
Denim jeans, lightbox, ephemera, locks, brackets

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Kendell Carter, Drunk, 2017
Cast latex, float mounted, 15 x 15 in. (38.1 x 38.1 cm)

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Kendell Carter, In Love, 2017
Cast latex, float mounted, 14 x 14 in. (35.6 x 35.6 cm)

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Kendell Carter, Meditation on Team (Waves for Scottie), 2017
Color Duratran photograph and lightbox, 36 x 48 x 5 in. (91.4 x 121.9 x 12.7 cm)

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Kendell Carter, Waves on Beverly, 2017
Cast latex and aerosol float mounted in frame, 51 x 35 in. (129.5 x 88.9 cm)

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Kendell Carter, Waves for Amit, 2017
Cast latex and aerosol float mounted in frame, 60 1/2 x 49 1/4 in. (153.7 x 125.1 cm)

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Kendell Carter, Reversing Service (The Good China), 2017
Cast latex and enamel

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Kendell Carter, Reversing Service (Snacks with Sophia), 2017
Cast latex and mixed media, 8 x 10 x 15 in. (20.3 x 25.4 x 38.1 cm)

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Kendell Carter, Reversing Service (Oreo), 2017
Cast latex, 15 x 15 x 2 in. (38.1 x 38.1 x 5.1 cm)

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Kendell Carter, Reversing Service (Vanilla Wafer), 2017
Cast latex with enamel, 15 x 15 x 2 in. (38.1 x 38.1 x 5.1 cm)

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Kendell Carter, Waves for Breakfast, 2017
Cast latex and aerosol float mounted in frame, 46 3/4 x 37 3/4 in. (118.8 x 95.9 cm)

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Kendell Carter, Making America's Restrooms Great Again, 2017
Cast latex, shoes, framed ephemera, Band-Aids, candles

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Kendell Carter, Dirty Waves, 2017
Cast latex and aerosol float mounted in frame, 54 x 48 in. (137.2 x 121.9 cm)





Sculpture - Works by Nahum Tevet, Richard Long, Alan Saret
@James Cohan - Lower East Side
291 Grand Street
New York NY 10002
USA
JUNE 9 - JULY 28, 2017

installation views
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NAHUM TEVET
Replay #1
2017
Acrylic and industrial paint on wood, veneer, Plexiglas
64 1/8 x 53 7/8 x 16 1/2 in.
163 x 137 x 42 cm

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NAHUM TEVET
Two Small Details
2013
Acrylic and industrial paint on wood, veneer, metallic mirror
15 5/8 x 14 1/2 x 10 3/4 in.
40 x 37 x 27.5

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NAHUM TEVET
Double Mirror (BD)
2015
Acrylic and industrial paint on wood, veneer, metallic mirror
19 5/8 x 16 1/2 x 13 3/8 in.
50 x 42 x 34 in.

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NAHUM TEVET
Double Mirror (SLDB)
2015
Acrylic and industrial paint on wood, veneer, metallic mirror
19 5/8 x 16 1/2 x 13 3/8 in.
50 x 42 x 34 cm

13Sculpture.jpg
RICHARD LONG
Red Ring
2017
Red slate
169 i/4 in (diameter)
430 cm (diameter)

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RICHARD LONG
Untitled
2007
River Avon mud with acrylic medium and paint on wood
86 5/8 x 49 1/4 in.
220 x 125 cm

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ALAN SARET
Heptarch’s World
1985-2017
Various wires; stainless steel, rusted spring steel, magnet wire and tin coated copper
34 x 34 x 21 in.
86.4 x8 6.4 x 53.3 cm

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ALAN SARET
Infinity Cluster
c. 1980
Metal wire
29 x 16 1/2 x 14 in.
73.7 x 41.9 x 35.6 cm

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ALAN SARET
Untitled
1985
Mixed media on paper
25 x 18 in.
63.5 x 45.7 cm
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