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ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
Gallery Jinとシェア)(google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
(sharing the space with Gallery Jin)(google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
佐藤明日香 Asuka Satow
須賀悠介 Yusuke Suga
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2017年07月26日

memo (overseas): Jul26,2017

ex-chamber memo (overseas): Jul26,2017

Björn Drenkwitz: Meaningful Silence
@GALERIE HEIKE STRELOW
Schwedlerstraße 1-5
D-60314 Frankfurt am Main
Germany
Jan 28 - Mar 4 2017

installation views
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Pale Blue Dot, 2016, digital print on Forex, 100 x 50 cm (left) Black Square, 2014, digital print, 79 x 79 cm (right)

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Meaningful Silence, 2013, modified screenshots, UV-directprint on aluminium dibond, 222 x 50 cm (left) Origami (B-2 Stealth Bomber), 2016, acryl and flip-flop varnish on vat paper, 55 x 55 cm (right)

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Meaningful Silence, 2013 modified screenshots, UV-directprint on aluminium dibond, 222 x 50 cm

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Origami (B-2 Stealth Bomber), 2016 acryl and flip-flop varnish on vat paper, 55 x 55 cm

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National Anthems, 2014 Audioinstallation, 12 Inch record, gold plating, record player

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Oregami (BS2 Stealth Bomber), 2016, acryl and flip-flop varnish on vat paper, 55 x 55 cm

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Oregami (BS2 Stealth Bomber), 2016, acryl and flip-flop varnish on vat paper, 55 x 55 cm

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Pale Blue Dot, 2016, digital print on Forec, 100 x 50 cm

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Nationalhymnen, 2014, Audioinstallation, 12 Inch Schallplatte vergoldet, Plattenspieler

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The Rest Is Silence, 2015, four engraved bats, ca. 400 x 10 x 10 cm

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Black Square, 2014, digital print, 79 x 79 cm

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OK, 2012, Diasec, 100 x 60 cm

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As Time Goes By, 2014, twelve engraved pocket watches

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Ikebana WWI, 2016, photography, diasec, 80 x 80 cm

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Ikebana WW2, 2016, photography, diasec, 80 x 80 cm





KYONG AE KIM AND STEPHANIE METZ: AGAINST THE GRAIN
@Jack Fischer Gallery, 311 Potrero Avenue
311 Potrero Ave
San Francisco, CA 94103
USA
January 14th - February 25th, 2017

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Calamus Dorsus
By Stephanie Metz
Wool and porcupine quills, 6” x 5.5” x 2.5”, 2014

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Amorphozoa #3
By Stephanie Metz
Wool and hair, 8” x 5.25” x 6”, 2009

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Amorphozoa #3 (Detail)
By Stephanie Metz
Wool and hair, 8” x 5.25” x 6”, 2009

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Avicular #9
By Stephanie Metz
Wool and hair, 3.75” x 4.5” x 9.75”, 2009

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Avicular #12
By Stephanie Metz
Wool and hair, 5.75” x 4.25” x 8.25”, 2009

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Amorphozoa #1.2
By Stephanie Metz
Wool, 5.75” x 6.5” x 10.5”, 2014

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Pink Checkered Dress
By Stephanie Metz
Wool and found textiles, 20” x 18” x 1.5”, 2009

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Apron
By Stephanie Metz
Wool and found textiles, 23” x 31” x 2”, 2009

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Hair Petticoat
By Stephanie Metz
Wool and found textiles, 12” x 12” x 11”, 2009

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X-Ray Dress
By Stephanie Metz
Wool, found textiles, LED lights, 36.5” x 28.5” x 2”, 2009

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Pink Checkered Dress (Detail)
By Stephanie Metz
Wool and found textiles, 20” x 18” x 1.5”, 2009

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Apron (Detail)
By Stephanie Metz
Wool and found textiles, 23” x 31” x 2”, 2009

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Hair Petticoat (Detail)
By Stephanie Metz
Wool and found textiles, 12” x 12” x 11”, 2009

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X-Ray Dress (Detail)
By Stephanie Metz
Wool, found textiles, LED lights, 36.5” x 28.5” x 2”, 2009

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Flesh & Bone Drawing #3 (Detail)
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #3
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #3 (Detail 2)
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #1
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #1 (detail)
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #2
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #2 (detail)
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #2 (detail 2)
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #3
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #3 (detail)
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #3 (detail 2)
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #4
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #4 (detail)
By Stephanie Metz
Wool Through Paper 30” x 22”, 2017

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Flesh & Bone Drawing #4 (detail 2)
By Stephanie Metz
Wool Through Paper 30” x 22”, 2017

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Flesh & Bone Drawing #5
By Stephanie Metz
Wool Through Paper, 22” x 15”, 2016

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Flesh & Bone Drawing #4 (detail)
By Stephanie Metz
Wool Through Paper 30” x 22”, 2017

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Flesh & Bone Drawing #4 (detail 2)
By Stephanie Metz
Wool Through Paper 30” x 22”, 2017

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Flesh & Bone Panel Study #2
By Stephanie Metz
Wool, industrial felt, and wood , 21” x 21” x 6”, 2013

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Flesh & Bone Study #8 (bone side)
By Stephanie Metz
Wool and wood, 10.5” x 6.25” x 3.5”, 2014

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Flesh & Bone Study #8 (flesh side)
By Stephanie Metz
Wool and wood, 10.5” x 6.25” x 3.5”, 2014

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Flesh & Bone Study #11 (flesh side)
By Stephanie Metz
Wool, 6.5” x 7.75” x 6.5”, 2016

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Flesh & Bone Study #11 (detail)
By Stephanie Metz
Wool, 6.5” x 7.75” x 6.5”, 2016

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Flesh & Bone Study #11 (bone side)
By Stephanie Metz
Wool, 6.5” x 7.75” x 6.5”, 2016

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Flesh & Bone Study #12 (flesh side)
By Stephanie Metz
Wool and plexiglass stand, 11.5” x 7” x 4”, 2017

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Flesh & Bone Study #12 (detail)
By Stephanie Metz
Wool and plexiglass stand, 11.5” x 7” x 4”, 2017

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Flesh & Bone Study #12 (detail 2)
By Stephanie Metz
Wool and plexiglass stand, 11.5” x 7” x 4”, 2017

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Flesh & Bone Study #12 (bone side)
By Stephanie Metz
Wool and plexiglass stand, 11.5” x 7” x 4”, 2017

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Flesh & Bone Study #13 (view 1)
By Stephanie Metz
Wool, 13” x 5.25” x 4.5”, 2017

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Flesh & Bone Study #13 (view 2)
By Stephanie Metz
Wool, 13” x 5.25” x 4.5”, 2017

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Flesh & Bone Study #13 (view 3)
By Stephanie Metz
Wool, 13” x 5.25” x 4.5”, 2017

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Flesh & Bone Study #13 (view 4)
By Stephanie Metz
Wool, 13” x 5.25” x 4.5”, 2017

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Large Flesh & Bone #1 (side)
By Stephanie Metz
Wool and industrial felt, 30” x 55” x 30”, 2012

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Large Flesh & Bone #1 (detail)
By Stephanie Metz
Wool and industrial felt, 30” x 55” x 30”, 2012

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Large Flesh & Bone #1 (flesh side 2)
By Stephanie Metz
Wool and industrial felt, 30” x 55” x 30”, 2012

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Large Flesh & Bone #2 (bone side)
By Stephanie Metz
Wool and industrial felt, 30” x 40” x 36”, 2013

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Large Flesh & Bone #2 (flesh side)
By Stephanie Metz
Wool and industrial felt, 30” x 40” x 36”, 2013

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Large Flesh & Bone #4 (bone side)
By Stephanie Metz
Wool, industrial felt, and polyurethane, 30” x 12” x 16, 2015

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Large Flesh & Bone #4 (flesh side)
By Stephanie Metz
Wool, industrial felt, and polyurethane, 30” x 12” x 16, 2015

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The Skulls 7
By Kyong Ae Kim
hand cut drafting film, 48”x33”, 2016

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The Skulls 6
By Kyong Ae Kim
hand cut drafting film, 48”x36”, 2016

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Paper Stroke 9 - Metamorphosis of Hanging Pod
By Kyong Ae Kim
hand cut paper and drafting film, 2016

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The Skulls 1
By Kyong Ae Kim
hand cut drafting film, 30”x24”, 2015

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The Skulls 2
By Kyong Ae Kim
hand cut drafting film, 30”x24”, 2015

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The Skulls 3
By Kyong Ae Kim
hand cut drafting film, 30”x24”, 2015

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Paper Stroke 5
By Kyong Ae Kim
hand cut drafting film, 24”x18”, 2015

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Paper Stroke 4
By Kyong Ae Kim
hand cut paper, 19”x16”, 2015

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Paper Stroke 8
By Kyong Ae Kim
hand cut drafting film, 12”x36”, 2015





Aiko Cuneo: No Postage Necessary
@Rena Bransten Gallery
Minnesota Street Project
1275 Minnesota St.
San Francisco, CA 94107
USA
September 10 – October 22, 2016

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Installation View
Photo credit: John Janca

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New Yorkers
2016
No Postage Necessary barcodes
11 x 11 inches (framed)

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Circles to Zig Zag
2014
No Postage Necessary barcodes
10 3/4 x 10 3/4 inches (framed)

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Hot Pink Lipstick
2016
Paint sample chips
11 x 11 1/2 inches (framed)

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Harper's to Horticulture
2014
No Postage Necessary barcodes
10 1/2 x 10 1/2 inches (framed)

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Anni and Josef
2014
No Postage Necessary barcodes
11 1/2 x 11 1/2 inches (framed)

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Ginger Root and More Pittsburgh Paints
2012
Sample paint chips
12 x 12 inches (framed)





Geissler & Sann: KNOWLEDGE COMES WITH DEATH’S RELEASE
@taubert contemporary
Lindenstraße 34
D – 10969 Berlin
Germany
1 Jul – 2 Sep 2017

installation views
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AGUS SUWAGE: Room of Mine
@Tyler Rollins Fine Art
529 WEST 20 STREET, 10W
NEW YORK, NY 10011
USA
February 16, 2017 − April 1, 2017

installation views
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Fragmen Pustaka - After Raden Saleh, 2016 | watercolor, ink and tobacco juice on paper | 48 x 66 in. (122 x 168 cm)

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Fragmen Tempat Tidur - After Raden Saleh, 2016 | watercolor, ink and tobacco juice on paper | 48 x 66 in. (122 x 168 cm)

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Icono Fascismo II - After Wakidi, 2016 | watercolor, ink and tobacco juice on paper | 48 x 88 ½ in. (122 x 225 cm)

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No Evil and Co. II - After Soedjojono, 2016 | watercolor, ink and tobacco juice on paper | 48 x 88 ½ in. (122 x 225 cm)

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Dogma Bertumpuk, 2016 | papier-mâché, ink, tobacco juice and acrylic | 76 ¾ x 56 x 37 ½ in. (195 x 142 x 95 cm)

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Kama Sutra II, 2016 | papier-mâché, gouache, watercolor and tobacco juice | 87 x 95 ¼ x 2 ¾ in. (223 x 242 x 7 cm)

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Room of Mine, 2016 | papier-mâché, dentures, watercolor and tobacco juice | 63 x 114 x 16 in. (160 x 290 x 41 cm)

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Song Without Sound, 2016 | used bottles, ink jet print, ink, tobacco juice | 108 x 177 x 2 ¾ in. (274 x 450 x 7 cm)

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The Anatomy of Desire, 2016 | papier-mâché, gold leaf, graphite and found objects | 67 x 22 ½ x 15 ¾ in. (170 x 57 x 40 cm)
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