memo (overseas): Jan20,2020

ex-chamber memo (overseas): Jan20,2020

In Focus: Teresita Fernández
@Lehmann Maupin, New York, W 24th Street
501 W 24th Street
New York, NY 10011
USA
November 7, 2019 – January 4, 2020

installation views







TERESITA FERNÁNDEZ
Dark Earth (Subterranean), 2019 (detail)
Solid charcoal and mixed media on chromed panel
80 x 64 x 2 inches
203.2 x 162.6 x 5.1 cm





Robert Bordo: crackup (crackdown)
@BORTOLAMI
39 Walker Street
New York, NY 10013
USA
15 NOV – 20 DEC 2019

installation views

















Robert Bordo, crackup #1 (oil field), 2019, Oil on canvas, 63 x 84 in (160 x 213.4cm)


Robert Bordo, crackup #11 (crackup/crackdown), 2019, Oil on canvas, 80 x 60 in (203.2 x 152.4cm)


Robert Bordo, crackup #13 (witch), 2019, Oil on canvas, 63 x 84 in (160 x 213.4cm)


Robert Bordo, crackup #15 (monster mash), 2019, Oil on canvas, 84 x 63 in (213.4 x 160cm)


Robert Bordo, bird/window #4, 2019, Oil on linen, 20 x 16 in (50.8 x 40.6cm)


Robert Bordo, crackup #10 (frost), 2019, Oil on canvas, 75 x 56 in (190.5 x 142.2cm)


Robert Bordo, crackup #12 (Frida), 2019, Oil on canvas, 84 x 63 in (213.4 x 160cm)


Robert Bordo, crackup #14, 2019, Oil on canvas, 75 x 56 in (190.5 x 142.2cm)


Robert Bordo, crackup #8 (beast), 2019, Oil on canvas over panel, 84 x 63 in (213.4 x 160cm)





Kim Cadmus Owens: Forced Perspective
@Holly Johnson Gallery
1845 Levee St. #100
Dallas, TX 75207
USA
Sep 7 – Nov 16, 2019

installation views























Kim Cadmus Owens, Les Poupees , 2017-2019 Oil and acrylic on wood panel, 24 x 24 in.


Kim Cadmus Owens, Joyce , 2017-2019 Oil and acrylic on wood, 24 x 24 in.


Kim Cadmus Owens, Mirage: Desert/Ocean , 2016 motion raster graphics, led lcd monitor, plywood


Kim Cadmus Owens, Good Luck, Car, Drive Thru, Wash, Beer, Wine, Best, ₵), , 2019 Oil and acrylic on wood, 24 x 24 in.


Kim Cadmus Owens, New Standard , 2004 Oil and acrylic on canvas, 48 x 48 in. (121.9 x 121.9 cm)


Kim Cadmus Owens, New New Standard , 2003-2019 custom software, micro computer and controller, wiring, lcd screen, wood, enamel, potentiometer, ABS plastic, steel, 23 x 15 3/4 in.


Kim Cadmus Owens, New Standards Set of 16 , 2018-2019 ink and UVLS acrylic on cotton paper, 60 x 60 in.


Kim Cadmus Owens, Say Nothing , 2018 Oil and acrylic on wood panel, 36 x 36 in.


Kim Cadmus Owens, Datum , 2018-2019 oil, enamel, and acrylic on canvas, 34 x 90 in.


Kim Cadmus Owens, Mirage: Mexico/Texas , 2016 Overhead projector, metal taboret, ink on polyester film, map pencils on paper, plywood, elastic straps


Kim Cadmus Owens, A not so Fixed Starting Point (nothing to say) , 2018-2019 oil, enamel, and acrylic on wood, 12 x 12 in.


Kim Cadmus Owens, A not so Fixed Starting Point (Crippler, Sonora) , 2017-2019 oil, acrylic, ink on canvas mounted to wood, 12 x 16 in.


Kim Cadmus Owens, A not so Fixed Starting Point (J.O. and Bastrop) , 2017-2019 Oil on wood panel, 12 x 12 in.


Kim Cadmus Owens, A not so Fixed Starting Point (head in clouds) , 2017-2019 oil, enamel, and acrylic on canvas, 12 x 12 in.


Kim Cadmus Owens, A not so Fixed Starting Point (S. Hampton entrance I30 East) , 2018 Oil on wood panel, 12 x 16 in.


Kim Cadmus Owens, A not so Fixed Starting Point (Santa Elena Canyon) , 2019 Oil on canvas, 12 x 12 in.


Kim Cadmus Owens, A not so Fixed Starting Point (Castle Chinati) , 2019 Oil on wood panel, 12 x 16 in.


Kim Cadmus Owens, A not so Fixed Starting Point (I30 West Hampton exit North) , 2018 Oil on wood panel, 12 x 16 in.


Kim Cadmus Owens, A not so Fixed Starting Point (FTW Ave ABST) , 2017-2019 Oil and acrylic on wood, 12 x 12 in.


Kim Cadmus Owens, A not so Fixed Starting Point (H's favorite p.o. Lounge) , 2018-2019 Oil and acrylic on canvas, 12 x 12 in.





Yigal Ozeri: A New York Story
@RUTGER BRANDT GALLERY
Bethaniënstraat 39
1012 BZ Amsterdam
The Netherlands
18 MAY - 22 JUNE / 2019

installation views















UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
45 x 30 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; NEW YORK, 2019
oil on paper on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; NEW YORK, 2019
oil on paper on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on canvas
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm


UNTITLED; NEW YORK, 2019
oil on paper on wood
30 x 45 cm





Jonathan Schipper “At Any Given Moment”
@Pierogi
155 Suffolk Street
New York, NY 10002
USA
16 Nov, 2019−12 Jan, 2020

installation views



















UV Cured Resin










Jonathan Schipper
2019, Laser etching on wood with acrylic paint, 18 x 25.125 inches


Jonathan Schipper
2019, Laser etching on wood with acrylic paint, 13 x 11 inches


Jonathan Schipper
2019, Laser etching on wood with acrylic paint, 17.375 x 14 inches


Jonathan Schipper
2019, Laser etching on wood with acrylic paint, 23 x 18 inches


Jonathan Schipper
2019, Laser etching on wood with acrylic paint, 20.25 x 16.875 inches


Jonathan Schipper
2019, Laser etching on wood with acrylic paint,15.625 x 25 inches


Jonathan Schipper
2019, Laser etching on wood with acrylic paint, 23.5 x 23.5 inches





Sonny Assu: TLAKWA
@Equinox Gallery
#110 - 525 Great Northern Way
Vancouver, BC V5T 1E1
Canada
NOVEMBER 30, 2019 - JANUARY 11, 2019

installation views

























The Treasury Edition: Space Opera #5
Acrylic ink, Star Wars comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019


The Treasury Edition: Space Opera #6
Acrylic ink, Star Wars comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019


Torment: Copper Variant #1
Acrylic ink, Spider Man comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019


On the Warpath: Issue #8
Acrylic ink, X-Force comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019


Torment: Copper Variant #2
Acrylic ink, Marvel comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019


On the Warpath: Issue #4
Acrylic ink, X-Force comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019


On the Warpath: Issue #2
Acrylic ink, X-Force comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019


Torment: Copper Variant #4
Acrylic ink, Marvel comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019


On the Warpath: Issue #3
Acrylic ink, X-Force comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019


Torment: Copper Variant #3
Acrylic ink, Marvel comic book pages on Stonehenge paper
Framed size 25 1/4" x 17"
2019


On the Warpath: Issue #9
Acrylic ink, X-Force comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019


On the Warpath: Issue #6
Acrylic ink, X-Force comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019

memo (overseas): Jan19,2020

ex-chamber memo (overseas): Jan19,2020

Hernan Bas: TIME LIFE
@Lehmann Maupin, New York, W 24th Street
501 West 24th Street
New York, NY 10011
USA
November 7, 2019 – January 4, 2020

installation views













HERNAN BAS
The GloFish Enthusiast, 2019
Acrylic on linen
84 x 72 inches
213.3 x 182.8 cm


HERNAN BAS
Conspiracy Screen, 2019
Six panel folding screen, acrylic on linen mounted in a birch-wood frame with fabric backing on pedestal with Cuban tiles
72 x 108 inches
182.8 x 274.3 cm


HERNAN BAS
The Great and Powerful OZ's AV Guy (Or, Behind the Other Curtain), 2019
Acrylic and charcoal on linen
84 x 72 inches
213.3 x 182.8 cm


HERNAN BAS
The Occult Enthusiast, 2019
Acrylic on linen
84 x 108 inches
213.4 x 274.3 cm


HERNAN BAS
The Sip In, 2019
84 x 108 inches
213.4 x 274.3 cm


HERNAN BAS
The Pundit, 2019
84 x 72 inches
213.3 x 182.8 cm


HERNAN BAS
A Moment Eclipsed #1, 2019
Acrylic on linen
108 x 84 inches
274.3 x 213.4 cm


HERNAN BAS
A Moment Eclipsed #2, 2019
Acrylic on linen
108 x 84 inches
274.3 x 213.4 cm





Madeline Hollander: Heads/Tails
@BORTOLAMI
39 Walker Street
New York, NY 10013
USA
10 JAN – 15 FEB 2020

installation views











































Madeline Hollander, Stopping Sequence #1, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)


Madeline Hollander, Slowing Sequence #2, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)


Madeline Hollander, Walker & Broadway Weekly Schedule, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)


Madeline Hollander, Intersection Parallax Dance, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)


Madeline Hollander, Choreography for the Kinetic Theory of Vehicular Traffic, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)


Madeline Hollander, Choreography for Orienting North South East West, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)


Madeline Hollander, Fog/Brights Sunrise/Sunset, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)


Madeline Hollander, Braking Behaviors, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)





William Steiger: Inventor
@Holly Johnson Gallery
1845 Levee St. #100
Dallas, TX 75207
USA
Oct 19 – Dec 28, 2019

installation views































William Steiger, Mill Bridge Reflection , 2018 Oil on linen, 30 x 45 in.


William Steiger, Waycar III , 2013 Oil on linen, 60 x 48 in.


William Steiger, Meandering , 2019 Oil on linen, 20 x 30 in.


William Steiger, Tank Capacity 2400 bbls , 2010 Oil on linen, 60 x 48 in.


William Steiger, Mill River Bridge , 2018 Oil on linen, 20 x 30 in.


William Steiger, Cyclone no. 2 , 2014 Oil on linen, 20 x 30 in.


William Steiger, Dirigible , 2015 Oil on linen, 16 x 20 in.


William Steiger, Manufactory II , 2011 Oil on linen, 40 x 60 in.


William Steiger, Aerial Survey no. 2 , 2011-2019 Oil on linen, 20 x 30 in.


William Steiger, Goose Rocks Lighthouse , 2016 Oil on linen, 20 x 30 in.


William Steiger, Center Pivot , 2019 collage of found and cut paper, hand marbled paper, gouache, glue, 18 3/4 x 25 3/4 in.


William Steiger, Watertank/Wiindmill , 2019 Collage of found paper, gouache, and vintage map, 27 x 22 1/2 in.


William Steiger, Coastal Islands , 2019 collage of found and cut paper, vintage nautical chart, gouche, glue, 24 1/2 x 20 3/4 in.


William Steiger, Aerial Tramway , 2019 collage of found and cut paper, gouache, glue, 29 1/4 x 25 1/4 in.


William Steiger, Oil Derricks , 2019 Collage of found paper, gouache, and vintage map, 24 1/2 x 20 3/4 in.


William Steiger, Semaphore Dallas , 2019 collage of found and cut paper, archival inkjet (map), gouache, glue, 30 3/4 x 24 1/4 in.


William Steiger, Thirty Small Collages , 2019 Collage of found paper, gouache, and vintage map, 8 x 10 in.


William Steiger, The Basin , 2019 collage of found cut and torn paper, wood, gouache, glue, 8 x 10 in.


William Steiger, Bend in the River , 2019 collage of found cut and torn paper, washi paper, gouache, glue, 8 x 10 in.


William Steiger, Caution No 4 , 2019 collage of found cut and torn paper, gouache, ink, glue, 8 x 10 in.


William Steiger, Aerial Tram , 2019 collage of found and cut paper, ink, gouache, glue, 8 x 10 in.


William Steiger, Under the Bridge , 2019 collage of found and cut paper, vintage map, goauche, glue, 8 x 10 in.


William Steiger, Derricks , 2019 collage of found and cut paper, vintage map, goauche, glue, 8 x 10 in.


William Steiger, Armillary , 2019 collage of found and cut paper, vintage map, goauche, glue, 8 x 10 in.


William Steiger, Blue Tramway , 2019 collage of found and cut linen pulp paint, vintage map, color pencil, glue, 8 x 10 in.


William Steiger, Cylinder , 2019 collage of found and cut paper, cyanotype, gouache, glue, 8 x 10 in.


William Steiger, Rotation , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Stateline Route , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Revolver , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Inventor , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Caboose , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Whistle Stop , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Perseus , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Two Buoys , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Fixed Bridge , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Miles to Go , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Aerial View , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Speed of Sound , 2019 collage of found cut and torn paper, vintage nautical chart, gouache, glue, 8 x 10 in.


William Steiger, Scorpius , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Collector , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.


William Steiger, Progress in the 20th Century , 2019 collage of found and cut paper, hand marbled paper, gouache, glue, 8 x 10 in.


William Steiger, Dallas Flyover , 2019 collage of found and cut paper, vintage map, goauche, glue, 8 x 10 in.


William Steiger, The Narrows , 2019 collage of found cut and torn paper, gouache, glue, 8 x 10 in.


William Steiger, In Between Days , 2019 collage of found cut and torn paper, vintage nautical chart, gouache, glue, 8 x 10 in.


William Steiger, Lone Tree , 2019 collage of found cut and torn paper, vintage nautical chart, gouache, glue, 8 x 10 in.


William Steiger, Estuary , 2019 collage of found cut and torn paper, gouache, glue, 8 x 10 in.


William Steiger, River Mill , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.





Johan de Wit: Solid Air
@RUTGER BRANDT GALLERY
Bethaniënstraat 39
1012 BZ Amsterdam
The Netherlands
26 OCTOBER - 23 NOVEMBER / 2019

installation views











UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic
118 x 146 x 5 cm


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic
300 x 45 x 42 cm


UNTITLED, 2019
Paper, Resins, Acrylic
75 x 42 x 22 cm


UNTITLED, 2019
Paper, Resins, Acrylic
24 x 18,5 x 6 cm


UNTITLED, 2019
Paper, Resins, Acrylic
25 x 23 x 6 cm


UNTITLED, 2019
Paper, Resins, Acrylic
31 x 26 x 6 cm


UNTITLED, 2019
Paper, Resins, Acrylic
40 x 68 x 5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
40 x 68 x 4,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
18,5 x 16 x 3,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
24 x 20,5 x 6 cm


UNTITLED, 2019
Paper, Resins, Acrylic
15 x 24 x 3,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
45 x 39 x 6 cm


UNTITLED, 2019
Paper, Resins, Acrylic
26,5 x 22,5 x 3,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
45 x 38,8 x 5,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
23 x 21 x 4 cm


UNTITLED, 2019
Paper, Resins, Acrylic
21 x 19 x 5,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
46 x 42 x 4 cm


UNTITLED, 2019
Paper, Resins, Acrylic
23,5 x 21 x 6 cm


UNTITLED, 2019
Paper, Resins, Acrylic
23,5 x 20 x 6,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
28,5 x 23,5 x 4,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
23,5 x 23,5 x 4,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
45 x 39 x 5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
29,5 x 25,5 x 5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
35 x 29,5 x 6,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
13 x 40 x 2,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
15 x 41 x 2,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
13 x 40 x 2,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
33 x 28 x 3,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
31 x 25,5 x 5,5 cm


UNTITLED, 2019
Paper, Resins, Acrylic
26 x 22 x 5,5


UNTITLED, 2019
Paper, Resins, Acrylic
26 x 22 x 4 cm


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic


UNTITLED, 2019
Paper, Resins, Acrylic
20 x 20 x 93 cm


UNTITLED, 2019
Paper, Resins, Acrylic
20 x 20 x 81 cm


UNTITLED, 2019
Paper, Resins, Acrylic


RED BUTTON, 2019
Paper, Resins, Acrylic
104 x 50 x 88 cm


UNTITLED, 2019
Paper, Resins, Acrylic


COMFORTING STASH (DETAIL), 2015-2019
Paper, Resins, Acrylic
230 x 160 x 45cm


COMFORTING STASH, 2015-2019
Paper, Resins, Acrylic
230 x 160 x 45cm


COMFORTING STASH, 2015-2019
Paper, Resins, Acrylic
230 x 160 x 45cm





TADAAKI KUWAYAMA: Construction / Material
@David Richard Gallery
211 E 121st, New York NY, 10035
USA
December 4 - December 20, 2019

installation views









































TK3945-5/8’74, 1974
Acrylic on canvas, aluminum strips
45.5 x 45.5 in
117 x 117 cm
Framed
Photo by Yao Zu Lu


TK4935-1/2-'65, 1965
Acrylic on canvas, aluminum strips
35.5 x 35.5 in
91 x 91 cm
Framed
Photo by Yao Zu Lu


TK586-.5-2-1/2’99, 1999
Anodized Aluminum
86.5 x 84 x 2.5 in
221 x 213 x 8 cm
Framed
12 aluminum planks each 86.5 x 7 inches, alternating pink and silver colors.
Photo by Yao Zu Lu


Untitled, 1973
Acrylic on canvas with aluminum strip
83.75 x 83.75 in
213 x 213 cm
Framed
Photo by Yao Zu Lu


TK4835-1/2-'65, 1965
Acrylic on canvas, aluminum strips
35.5 x 35.5 in
91 x 91 cm
Framed
Photo by Yao Zu Lu


TK3945-5/8, 1992
Metallic paint, Bakelite board, Aluminum angle
23.5 x 282 in
61 x 61 x 716 cm
Framed
Series of 12 units; 3 sets of 4 colors pink, yellow, green, blue. Each panel 23.5 x 23.5.

memo (overseas): Jan18,2020

ex-chamber memo (overseas): Jan18,2020

Casey Ruble: RED SUMMER
@Foley Gallery
59 Orchard Street, New York, NY 10002
USA
May 15 – June 23, 2019


Casey Ruble
Untitled (Telegram), 2019
Carbon Ink on Paper
31h x 43w in
CR095


Casey Ruble
Woodrow Wilson (IX), 2018
Carbon Ink on Paper
12h x 12w in
CR093


Casey Ruble
Woodrow Wilson (VIII), 2016
Carbon Ink on Paper
12h x 12w in
CR092


Casey Ruble
Woodrow Wilson (VII), 2018
Carbon Ink on Paper
12h x 12w in
CR091


Casey Ruble
Woodrow Wilson (VI), 2018
Carbon Ink on Paper
12h x 12w in
CR090


Casey Ruble
Woodrow Wilson (V), 2018
Carbon Ink on Paper
12h x 12w in
CR089


Casey Ruble
Woodrow Wilson (IV), 2017
Carbon Ink on Paper
12h x 12w in
CR088


Casey Ruble
Woodrow Wilson (III), 2017
Carbon Ink on Paper
12h x 12w in
CR087


Casey Ruble
Woodrow Wilson (II), 2016
Carbon Ink on Paper
12h x 12w in
CR086


Casey Ruble
Woodrow Wilson (I), 2018
Carbon Ink on Paper
12h x 12w in
CR085


Casey Ruble
Winold Reiss, 2016
Carbon Ink on Paper
12h x 12w in
CR084


Casey Ruble
William Sowden Sims, 2018
Carbon Ink on Paper
12h x 12w in
CR083


Casey Ruble
Walter Hampden (II), 2016
Carbon Ink on Paper
12h x 12w in
CR082


Casey Ruble
Walter Hampden (I), 2018
Carbon Ink on Paper
12h x 12w in
CR081


Casey Ruble
Thornton Niven Wilder, 2016
Carbon Ink on Paper
12h x 12w in
CR080


Casey Ruble
Theodore Roosevelt, 2016
Carbon Ink on Paper
12h x 12w in
CR079


Casey Ruble
Tasker Howard Bliss, 2017
Carbon Ink on Paper
12h x 12w in
CR078


Casey Ruble
Richard Alexander Penrose, 2017
Carbon Ink on Paper
12h x 12w in
CR077


Casey Ruble
Mary Harris Jones, 2018
Carbon Ink on Paper
12h x 12w in
CR076


Casey Ruble
Lillian Wald, 2017
Carbon Ink on Paper
12h x 12w in
CR075


Casey Ruble
Katherine Stinson Otero, 2016
Carbon Ink on Paper
12h x 12w in
CR074


Casey Ruble
John Muir, 2016
Carbon Ink on Paper
12h x 12w in
CR072


Casey Ruble
John Joseph Pershing (IV), 2018
Carbon Ink on Paper
12h x 12w in
CR071


Casey Ruble
John Joseph Pershing (III), 2016
Carbon Ink on Paper
12h x 12w in
CR070


Casey Ruble
John Joseph Pershing (II), 2016
Carbon Ink on Paper
12h x 12w in
CR069


Casey Ruble
John Joseph Pershing (I), 2016
Carbon Ink on Paper
12h x 12w in
CR068


Casey Ruble
John Ferguson Weir, 2018
Carbon Ink on Paper
12h x 12w in
CR067



Casey Ruble
Irene Foote Castle, 2016
Carbon Ink on Paper
12h x 12w in
CR066


Casey Ruble
Herbert Hoover, 2016
Carbon Ink on Paper
12h x 12w in
CR065


Casey Ruble
Henry White (II), 2017
Carbon Ink on Paper
12h x 12w in
CR064


Casey Ruble
Henry White (I), 2018
Carbon Ink on Paper
12h x 12w in
CR063


Casey Ruble
Gloria May Josephine Swanson, 2018
Carbon Ink on Paper
12h x 12w in
CR062


Casey Ruble
Geraldine Farrar, 2017
Carbon Ink on Paper
12h x 12w in
CR061


Casey Ruble
George Arliss, 2017
Carbon Ink on Paper
12h x 12w in
CR060


Casey Ruble
Frederic William Goudy, 2016
Carbon Ink on Paper
12h x 12w in
CR059


Casey Ruble
Frank Lyon Polk, 2017
Carbon Ink on Paper
12h x 12w in
CR058


Casey Ruble
Ethel Barrymore, 2016
Carbon Ink on Paper
12h x 12w in
CR057


Casey Ruble
Enrico Caruso, 2016
Carbon Ink on Paper
12h x 12w in
CR056


Casey Ruble
Edward Vernon Rickenbacker, 2016
Carbon Ink on Paper
12h x 12w in
CR055


Casey Ruble
Edward Mandell House, 2016
Carbon Ink on Paper
12h x 12w in
CR054


Casey Ruble
Edna St. Vincent Millay, 2018
Carbon Ink on Paper
12h x 12w in
CR053


Casey Ruble
Edgar Allan Poe, 2016
Carbon Ink on Paper
12h x 12w in
CR052


Casey Ruble
David Franklin Houston, 2017
Carbon Ink on Paper
12h x 12w in
CR051


Casey Ruble
Charles Martin Loeffler, 2016
Carbon Ink on Paper
12h x 12w in
CR050


Casey Ruble
Cecil B. DeMille (II), 2018
Carbon Ink on Paper
12h x 12w in
CR049


Casey Ruble
Cecil B. DeMille (I), 2016
Carbon Ink on Paper
12h x 12w in
CR048


Casey Ruble
Bernard Mannes Baruch, 2016
Carbon Ink on Paper
12h x 12w in
CR047


Casey Ruble
Alexander Graham Bell, 2016
Carbon Ink on Paper
12h x 12w in
CR046





Lee Bul: Interlude: Perdu
@Lehmann Maupin, New York, W 22 Street
536 West 22nd Street
New York, NY 10011
USA
November 7, 2019 – January 18, 2020

installation views















LEE BUL
Perdu XXII, 2019
Mother of pearl, acrylic paint on lacquered wooden base panel, steel frame
Diptych, 89.29 x 64.29 x 2.6 inches (framed)
226.8 x 163.3 x 6.6 cm


LEE BUL
Perdu XX, 2019
Mother of pearl, acrylic paint on lacquered wooden base panel, steel frame
64.29 x 44.61 x 2.6 inches
163.3 x 113.3 x 6.6 cm


LEE BUL
Perdu XVIII, 2019
Mother of pearl, acrylic paint on lacquered wooden base panel, steel frame
Triptych, 74.61 x 32.8 x 2.6 inches (framed)
189.5 x 83.3 x 6.6 cm





Troels Wörsel: Maleri - Paintings from the 80s
@GALLERI SUSANNE OTTESEN
Gothersgade 49
1123 Copenhagen K - Denmark
16 May - 10 Aug 2019

installation views











Troels Wörsel, Untitled, 1984, acrylic on canvas, 180 x 150 cm


Troels Wörsel, Untitled, 1981, acrylic on canvas and object, 180 x 150 cm


Troels Wörsel, Titel Bild, 1983, acrylic on canvas, 180 x 150 cm


Troels Wörsel, Mirepoix, 1981, acrylic on canvas, 180 x 150 cm


Troels Wörsel, Untitled, 1987, acrylic on canvas, 200 x 250 cm


Troels Wörsel, Untitled (Mühldorf), 1981, acrylic on canvas, 180 x 450 cm


Troels Wörsel, Quotationmarks, 1989, acrylic on canvas, 200 x 200 cm


Troels Wörsel, Untitled, 1982, acrylic on canvas, 200 x 180 cm





Caitlin Keogh: Knots Knot Knots
@BORTOLAMI
39 Walker Street
New York, NY 10013
USA
10 JAN – 15 FEB 2020

installation views

















































Caitlin Keogh, Ornamental Riband, 2019, Acrylic on linen, 96 x 72 in (243.8 x 182.9cm)


Caitlin Keogh, Ribbons, 2019, Acrylic on linen, 90 x 67 1/2 in (228.6 x 171.5cm)


Caitlin Keogh, Embroidered Surface, 2019, Acrylic on linen, 96 x 72 in (243.8 x 182.9cm)


Caitlin Keogh, Pearls, 2019, Acrylic on linen, 96 x 72 in (243.8 x 182.9cm)


Caitlin Keogh, Legs, 2019, Acrylic on linen, 84 x 63 in (213.5 x 160 cm)


Caitlin Keogh, Reading Figure, 2019, Acrylic on linen, 84 x 63 in (213.4 x 160cm)


Caitlin Keogh, Legs, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)


Caitlin Keogh, Knots Knot Knots, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)


Caitlin Keogh, Pearls (Nocturne) Miniature, 2019, Acrylic on panel, 22 3/4 x 17 in (57.8 x 43.2cm)


Caitlin Keogh, Knots Knot Knots, 2020, Acrylic on panel, 22 3/4 x 17 in (57.8 x 43.2cm)


Caitlin Keogh, Rose/Mirror 1, 2019, Acrylic and colored pencil on paper mounted to mirror, Artwork: 25 5/8 x 19 1/2 in (65.1 x 49.5cm), Framed: 26 5/8 x 20 7/8 in (67.6 x 53cm)


Caitlin Keogh, Rose/Mirror 2, 2019, Acrylic and colored pencil on paper mounted to mirror, Artwork: 25 5/8 x 19 1/2 in (65.1 x 49.5cm), Framed: 26 5/8 x 20 7/8 in (67.6 x 53cm)


Caitlin Keogh, Rose/Mirror 3, 2019, Acrylic and colored pencil on paper mounted to mirror, Artwork: 25 5/8 x 19 1/2 in (65.1 x 49.5cm), Framed: 26 5/8 x 20 7/8 in (67.6 x 53cm)


Caitlin Keogh, Rose/Mirror 4, 2019, Acrylic and colored pencil on paper mounted to mirror, Artwork: 25 5/8 x 19 1/2 in (65.1 x 49.5cm), Framed: 26 5/8 x 20 7/8 in (67.6 x 53cm)


Caitlin Keogh, Rose/Mirror 5, 2019, Acrylic and colored pencil on paper mounted to mirror, Artwork: 25 5/8 x 19 1/2 in (65.1 x 49.5cm), Framed: 26 5/8 x 20 7/8 in (67.6 x 53cm)


Caitlin Keogh, Rose/Mirror 6, 2019, Acrylic and colored pencil on paper mounted to mirror, Artwork: 25 5/8 x 19 1/2 in (65.1 x 49.5cm), Framed: 26 5/8 x 20 7/8 in (67.6 x 53cm)


Caitlin Keogh, Roses #8, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)


Caitlin Keogh, Roses #4, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)


Caitlin Keogh, Roses #6, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)


Caitlin Keogh, Roses #5, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)


Caitlin Keogh, Roses #14, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)


Caitlin Keogh, Roses #2, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)


Caitlin Keogh, Roses #13, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)


Caitlin Keogh, Roses #3, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)





Tommy Fitzpatrick: Superflux
@Holly Johnson Gallery
1845 Levee St. #100
Dallas, TX 75207
USA
Nov 23, 2019 – Feb 1, 2020

installation views

























Tommy Fitzpatrick, Network , 2019 Oil and acrylic on canvas, 40 x 32 in.


Tommy Fitzpatrick, Cross Platform , 2019 Oil, acrylic on canvas on panel, 24 x 20 in.


Tommy Fitzpatrick, Module , 2019 Oil and acrylic on canvas, 22 x 22 in.


Tommy Fitzpatrick, Base Startion , 2019 Oil and acrylic on canvas, 24 x 18 in.


Tommy Fitzpatrick, Upload , 2019 Oil, acrylic on canvas on panel, 14 x 16 in.


Tommy Fitzpatrick, Active Matrix , 2019 Oil and acrylic on canvas, 48 x 48 in.


Tommy Fitzpatrick, Dual Core , 2019 Oil, acrylic on canvas on panel, 14 x 16 in.


Tommy Fitzpatrick, Super Structure , 2019 Oil, acrylic on canvas on panel, 60 x 48 in.


Tommy Fitzpatrick, Open Source , 2019 Oil and acrylic on canvas, 18 x 18 in.


Tommy Fitzpatrick, Bitmap , 2019 Oil and acrylic on canvas, 18 x 18 in.


Tommy Fitzpatrick, Main Frame , 2019 Oil and acrylic on canvas, 48 x 48 in.


Tommy Fitzpatrick, Simulated Structure , 2019 Oil, acrylic on canvas on panel, 14 x 14 in.

memo (overseas): Jan17,2020

ex-chamber memo (overseas): Jan17,2020

Claudia Larcher: HABITAT
@22,48 m2
30 rue des envierges
75020 paris
France
16/11/2018 - 22/12/2018

installation views







imprimée, 40 x 61 cm"


Habitat (Silver tower)
2018, 4K video animation, 2'40'', loop


Collapse #10 \/ Villa Savoye
(series 'Collapse'), 2018, aluminium, print on canvas, 20 x 20 x 3.1 inches


Collapse #5 \/ Silver towers
(series 'Collapse'), 2018, aluminium, print on canvas, 20 x 20 x 3.1 inches


Floppy (Schlapp)
2018, print on canvas, steel, 96.4 x 19.2 x 19.2 inche


Collapse #8 \/ Villa Savoye
(series 'Collapse'), 2018, aluminium, print on canvas, 36.6 x 36.6 x 3.1 inches


Ornament is crime
2018, magazine, paper, acrylic, glass and steel base, 9.8 x 11.4 inches


Ornament is crime
(series 'Urban landscapes'), 2018, photo print, 15.7 x 24 inches
with Artivive application: Habitat (ornament is crime), 2018 (excerpt)
video, 48 sec


Collapsing MIES
2018, HD video animation, 10 min, loop


Collapse #9 \/ Seagram Building
(series 'Collapse'), 2018, aluminium, print on canvas, 36.6 x 36.6 x 3.1 inches, unique


The new Indonesian house
2018, book, 9.3 x 12.4 inches, unique





Bethany Johnson: We Live on a Planet
@Moody Gallery
2815 COLQUITT
HOUSTON, TX 77098
USA
Saturday, June 29, 2019 - Saturday, August 10, 2019

installation views













Bethany Johnson
We Live on a Planet: Untitled 2019
collage on paper
19 1/2" x 15"
BJ 115


Bethany Johnson
We Live on a Planet: MC 125 2019
collage on paper
9 3/4" x 7 1/4"
BJ 110


Bethany Johnson
We Live on a Planet: The Earth the Tides 2018
collage on paper
9 3/4" x 7 1/4"
BJ 108


Bethany Johnson
We Live on a Planet No. 15 2017
collage on paper
9 3/4" x 7 1/4"
BJ 82


Bethany Johnson
We Live on a Planet No. 18 2017
collage and ink on paper
9 3/4" x 7 1/4"
BJ 85


Bethany Johnson
We Live on a Planet No. 36 2017
collage on paper
9 3/4" x 7 1/4"
BJ 103


Bethany Johnson
We Live on a Planet No. 29 2017
collage and ink on paper
9 3/4" x 7 1/4"
BJ 96


Bethany Johnson
We Live on a Planet: Untitled 2019
collage and ink on paper
19 1/2" x 15"
BJ 116


Bethany Johnson
We Live on a Planet: 01234567 2019
collage on paper
9 3/4" x 7 1/4"
BJ 112


Bethany Johnson
We Live on a Planet No. 16 2017
collage on paper
9 3/4" x 7 1/4"
BJ 83


Bethany Johnson
We Live on a Planet: Untitled 2019
collage on paper
9 3/4" x 7 1/4"
BJ 113


Bethany Johnson
We Live on a Planet: 15 20 00 2019
collage on paper
19 1/2" x 15"
BJ 119


Bethany Johnson
We Live on a Planet: Weather 2018
collage on paper
9 3/4" x 7 1/4"
BJ 106


Bethany Johnson
We Live on a Planet 2018
collage on paper
9 3/4" x 7 1/4"
BJ 109


Bethany Johnson
We Live on a Planet No. 10 2017
collage on paper
9 3/4" x 7 1/4"
BJ 77


Bethany Johnson
We Live on a Planet: Untitled 2019
collage on paper
19 1/2" x 15"
BJ 118


Bethany Johnson
We Live on a Planet No. 38 2017
collage on paper
9 3/4" x 7 1/4"
BJ 105


Bethany Johnson
We Live on a Planet No. 37 2017
collage on paper
9 3/4" x 7 1/4"
BJ 104


Bethany Johnson
We Live on a Planet No. 35 2017
collage on paper
9 3/4" x 7 1/4"
BJ 102


Bethany Johnson
We Live on a Planet No. 14 2017
collage on paper
9 3/4" x 7 1/4"
BJ 81


Bethany Johnson
We Live on a Planet: 27° 55 2019
collage on paper
19 1/2" x 15"
BJ 117


Bethany Johnson
We Live on a Planet No. 25 2017
collage on paper
9 3/4" x 7 1/4"
BJ 92


Bethany Johnson
We Live on a Planet No. 30 2017
collage on paper
9 3/4" x 7 1/4"
BJ 97


Bethany Johnson
We Live on a Planet No. 7 2017
collage on paper
9 3/4" x 7 1/4"
BJ 74


Bethany Johnson
We Live on a Planet No. 34 2017
collage on paper
9 3/4" x 7 1/4"
BJ 101


Bethany Johnson
We Live on a Planet No. 9 2017
collage on paper
9 3/4" x 7 1/4"
BJ 76


Bethany Johnson
We Live on a Planet No. 11 2017
collage on paper
9 3/4" x 7 1/4"
BJ 78





Karen Margolis: IN THE PRECIPICE
@Foley Gallery
59 Orchard Street, New York, NY 10002
USA
October 16 – November 17, 2019


Karen Margolis
Paris, 2019
Cotton covered wire, acrylic, annealed wire, maps, thread
16h x 9w in
KM024


Karen Margolis
Miami, 2019
cotton covered wire, acrylic, annealed wire, maps, thread
16h x 13w x 19d in
KM025


Karen Margolis
Farouche, 2019
Watercolor, gouache, maps
14h x 11w in
KM026


Karen Margolis
Oblique, 2014
cotton covered wire, acrylic, annealed wire
28h x 10w in
KM023


Karen Margolis
New York, 2019
Cotton covered wire, acrylic, annealed wire, maps, thread
15h x 12w in
KM022


Karen Margolis
Scattered Reflections, 2017
Watercolor, Gouache, Thread, Map Fragments on Abaca
14h x 11w in
KM004


Karen Margolis
Breach, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 18w in
KM020


Karen Margolis
Querulous, 2016
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 18w in
KM006


Karen Margolis
Cathexis, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 18w in
KM008


Karen Margolis
Pending, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 18w in
KM009


Karen Margolis
Splat, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 18w in
KM010


Karen Margolis
The Way is a Void I, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
14h x 11w in
KM011


Karen Margolis
The Way is a Void III, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
14h x 11w in
KM012


Karen Margolis
The Way is a Void II, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
14h x 22w in
KM013


Karen Margolis
Slump, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 36w in
KM014


Karen Margolis
Separation Anxiety, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 36w in
KM015


Karen Margolis
Combustion, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
48h x 36w in
KM016


Karen Margolis
Xanthic, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 18w in
KM017


Karen Margolis
Big Bear, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
14h x 11w in
KM018





Helen Pashgian
@Lehmann Maupin, Hong Kong
407 Pedder Building
12 Pedder Street, Hong Kong
November 12, 2019 – February 29, 2020

installation views

























HELEN PASHGIAN
Untitled (orange), 2009
Formed orange acrylic with acrylic elements
91 x 17.5 x 20 inches
231.1 x 44.5 x 50.8 cm


HELEN PASHGIAN
Untitled, 2019
cast epoxy with artist made pedestal
26 inches diameter
66 cm
51.5 x 5.125 inches (pedestal)
130.8 x 13 cm
Photo by Joshua White


HELEN PASHGIAN
Untitled, circa 2006
Formed acrylic
13 x 20 x 10 inches
33 x 50.8 x 25.4 cm





Bjørn Nørgaard: Kontemplation tre rum
@GALLERI SUSANNE OTTESEN
Gothersgade 49
1123 Copenhagen K - Denmark
23 Aug - 2 Nov 2019

installation views











Bjørn Nørgaard, Uden titel, 2019, colored glass, 17 x 36 x 34 cm


Bjørn Nørgaard, Scientia, 2017, stainless steel, 250 x 74 x 65 cm


Bjørn Nørgaard, Ars, 2017, patinated bronze, 300 x 74 x 55 cm


Bjørn Nørgaard, Justitia, 2017, cast iron, 200 x 70 x 55 cm

memo (overseas): Jan16,2020

ex-chamber memo (overseas): Jan16,2020

Estrid Lutz, Kristof Kintera, Julie Villard & Simon Brossard: TRANSNATURA
@22,48 m2
30 rue des envierges
75020 paris
France
06/06/2019 - 27/07/2019


Exhibition view


Estrid Lutz, Fading Sea
Fade Away series, epoxy resine, UV sensitive pigments, fibreglass, mesh, printing on polyester, 59,05 x 41,3 inches


Estrid Lutz, Fading Light
Fade Away series, epoxy resine, UV sensitive pigments, fibreglass, mesh, printing on polyester, 59,05 x 41,3 inches


Simon Brossard & Julie Villard


Simon Brossard & Julie Villard


Simon Brossard & Julie Villard


Exhibition view


Krištof Kintera


Krištof Kintera, Siliconum Urbanum
2018, mixed media, 65,7 x 37,4 x 43,3 inches


Krištof Kintera


Siliconum Urbanum (detail)


Siliconum Urbanum (detail)


Siliconum Urbanum (detail)


Exhibition view


Exhibition view


Exhibition view


Exhibition view


Julie Villard & Simon Brossard
Beefcake Blossom II, 2019, metal, painted polyuréthane, resin, fabric, 25,5 x 47,2 x 27,5 inches


Beefcake Blossom I
2019, metal, painted polyuréthane, resin, fabric, 57,08 x 47,2 x 27,5 inches


Luximena Cupra
2016-19, mixed media, 40,5 x 28,7 inches


Typha Aluminia Volta
2016-18, mixed media, 40,5 x 28,7 inches


Fading Sea (detail)


Beefcake Blossom II (detail)


Beefcake Blossom I (detail)





Dornith Doherty: Atlas of the Invisible
@Moody Gallery
2815 COLQUITT
HOUSTON, TX 77098
USA
Saturday, October 19, 2019 - Wednesday, November 27, 2019

installation views

















Dornith Doherty
Mote 2019
archival pigment print, ed: 3
37 1/2" x 50"
DD 39


Dornith Doherty
Crosswind 2019
archival pigment print, ed: 3
60" x 32"
DD 47


Dornith Doherty
Gyrfalcon 2019
archival pigment print, ed: 3
37 1/2" x 50"
DD 45


Dornith Doherty
Float 2019
archival pigment print, ed: 3
29" x 70"
DD 44


Dornith Doherty
Drift 2019
archival pigment print, ed: 3
70" x 26"
DD 46


Dornith Doherty
Rachis 2019
archival pigment print, ed: 3
29" x 70"
DD 43


Dornith Doherty
Turbulent 2019
archival pigment print, ed: 3
32" x 60"
DD 42


Dornith Doherty
Sandhill Crane 2019
archival pigment print, ed: 3
60" x 30"
DD 41


Dornith Doherty
Atlas of the Invisible 2019
video installation, ed: 3
repeating duration: 1 minute
DD 48


Dornith Doherty
Cedar Waxwing 2019
scanning electron microscope mount, cedar waxwing feather, unique
50" x 14" x 14" installed
DD 49





Mike Jackson: BIRDSONG
@Foley Gallery
59 Orchard Street, New York, NY 10002
USA
October 16, 2019 – February 9, 2020


Mike Jackson
Birdsong, Spring #10, 2019
Gelatin Silver Luminogram Print
18h x 13.50w in
MJ010


Mike Jackson
Birdsong, Winter #59, 2019
Gelatin Silver Luminogram Print
16h x 11w in
MJ011


Mike Jackson
Birdsong, Summer #19, 2019
Gelatin Silver Luminogram Print
18h x 14w in
MJ016


Mike Jackson
Yellow Study, 2019
Gelatin Silver Luminogram Print
24h x 20w in
MJ003


Mike Jackson
Birdsong, Summer 2018, 2018
Gelatin Silver Luminogram Print
24h x 20w in
MJ005


Mike Jackson
Yellow Study #2, 2019
Gelatin Silver Luminogram Print
24h x 20w in
MJ002


Mike Jackson
Birdsong, Winter #6, 2019
Gelatin Silver Luminogram Print
14h x 11.50w in
MJ001


Mike Jackson
Birdsong, Winter #34, 2019
Gelatin Silver Luminogram Print
16h x 13w in
MJ009


Mike Jackson
Birdsong, Winter #70, 2019
Gelatin Silver Luminogram Print
16h x 9w in
MJ013


Mike Jackson
Birdsong, Spring #26, 2019
Gelatin Silver Luminogram Print
17h x 13w in
MJ014


Mike Jackson
Birdsong, Winter #50, 2019
Gelatin Silver Luminogram Print
18h x 14.50w in
MJ012


Mike Jackson
Birdsong, Spring #24, 2019
Gelatin Silver Luminogram Print
11.50h x 9.50w in
MJ015


Mike Jackson
Birdsong, Winter #3, 2019
Gelatin Silver Luminogram Print
18h x 14w in
MJ007


Mike Jackson
Birdsong, Summer #20, 2019
Gelatin Silver Luminogram Print
17.50h x 15w in
MJ017





Helen Pashgian
@Lehmann Maupin, Seoul
74-18, Yulgok-ro 3-gil
Jongno-gu, Seoul
Korea
September 10 – October 26, 2019

installation views









HELEN PASHGIAN
Untitled, 2019
Cast epoxy with artist made pedestal
26 inches diameter
66 cm
51.5 x 5.125 inches (pedestal)
130.8 x 13 cm
Photo by Joshua White


HELEN PASHGIAN
Untitled, 2019
Cast epoxy with resin
6 inches (diameter)
15.2 cm
48.5 x 4 x 4 inches (pedestal)
123.2 x 10.2 x 10.2 cm
Photo by Joshua White


HELEN PASHGIAN
Untitled, circa 2010
Cast epoxy
12 x 12 x 2 inches (framed)
30.5 x 30.5 x 5.1 cm





Martin Erik Andersen: Borrowed Scenery
@GALLERI SUSANNE OTTESEN
Gothersgade 49
1123 Copenhagen K - Denmark
15 Nov 2019 - 18 Jan 2020

installation views





Martin Erik Andersen, Yuan, literati, 2019, silver bronze, steel, silver, obsidian, silk, glass beads, miyuki seed beads, 83 x 9 x 14 cm


Martin Erik Andersen, Yuan, literati, 2019, silver bronze, steel, silver, obsidian, silk, glass beads, miyuki seed beads, 83 x 9 x 14 cm, detail


Martin Erik Andersen, Whitethorn (...révolte contre le poids) I, 2019, silver leaf, lacquer, UV-print on brushed aluminium, 190 x 122 cm


Martin Erik Andersen,Tree (How One Sees), 2019, silver bronze, 30 x 29 x 26 cm


Martin Erik Andersen, Brachytion, the pestle grinds the mortar, 2019, silver bronze, 51 x 38 x 10 cm


Martin Erik Andersen, Primordal Heatsink, 2019, steel, swimming pool ladders, heat sink, silk, rock crystal, obsidian, jesmonite, grafite, glass beads, miyuki seed beads, 210 x 73 x 85 cm


Martin Erik Andersen, Primordal Heatsink, 2019, steel, swimming pool ladders, heat sink, silk, rock crystal, obsidian, jesmonite, grafite, glass beads, miyuki seed beads, 210 x 73 x 85 cm, detail


Martin Erik Andersen, Quarry (Serapeum mining), 2019, jesmonite, grafite, painted steel, knitting, silker bronze, obsidian, silver, silk, glass beads, miyuki seed beads, 240 x 271 x 208 cm


Martin Erik Andersen, Quarry (Serapeum mining), 2019, jesmonite, grafite, painted steel, knitting, silker bronze, obsidian, silver, silk, glass beads, miyuki seed beads, 240 x 271 x 208 cm, detail


Martin Erik Andersen, Turtles all the way down, 2019, silver bronze, 31 x 18 x 4 cm


Martin Erik Andersen, Turtles all the way down, 2019, silver bronze, 31 x 18 x 4 cm





Israel Aten, Michel Majerus, Jana Schröder: Endless
@NATALIA HUG
Jülicher Straße 14
50674 Köln, Germany
November 29, 2019 − January 18, 2020

installation views













Jana Schröder, Untitled, 2019, Acrylic and oil on canvas, 200 × 160 cm (78 3/4 × 63 inches)


Michel Majerus, Untitled (Endless Series) no. 450, 1999, acrylic on canvas, 60 × 60 cm (23 5/8 × 23 5/8 inches)


Israel Aten, SNTNTS, 2019, Acrylic, spray paint on linen, 150 × 65 cm (59 × 25 5/8 inches)


Michel Majerus, Untitled (Endless Series) no. 469, 1999, acrylic on canvas, 60 × 60 cm (23 5/8 × 23 5/8 inches)


Israel Aten, Agon, 2019 Acrylic, spray paint on linen, 165 × 108 cm (65 × 42 1/2 inches)

memo (overseas): Jan15,2020

ex-chamber memo (overseas): Jan15,2020

Regina Silveira: Unrealized / Não feito
@Alexander Gray Associates
510 West 26 Street, New York NY 10001
USA
June 6 – July 26, 2019

installation views































Model for Reflexus (Museu de Arte Moderna, São Paulo, Brazil), 1985
Industrial paint, screen print, and wood
5.25h x 39.25w x 17.63d in (13.34h x 99.70w x 44.77d cm)


Preparatory drawing for Reflexus (Museu de Arte Moderna, São Paulo, Brazil), 1985
Ink and pencil on graph paper
25.50h x 19.75w in (64.77h x 50.17w cm)


Preparatory drawing for Reflexus (Museu de Arte Moderna, São Paulo, Brazil), 1985
Ink and pencil on graph paper
25.50h x 19.75w in (64.77h x 50.17w cm)


Preparatory drawing for Reflexus (Museu de Arte Moderna, São Paulo, Brazil), 1985
Ink and pencil on graph paper
25.50h x 19.75w in (64.77h x 50.17w cm)


Model for Supersonic Goal (Pacaembu Stadium, São Paulo, Brazil), 2004
Enamel, adhesive vinyl, paper, and wood
10.25h x 33.63w x 21d in (26.04h x 85.41w x 53.34d cm)


Digital rendering for Supersonic Goal (Pacaembu Stadium, São Paulo, Brazil), 2004


Digital rendering for Supersonic Goal (Pacaembu Stadium, São Paulo, Brazil), 2004


Model for Animália (Metrô Vila Madalena, São Paulo, Brazil), 2001
Ink, digital print, adhesive vinyl, acrylic, and wood
13.75h x 56.25w x 29d in (34.93h x 142.88w x 73.66d cm)


Digital rendering for Animália (Metrô Vila Madalena, São Paulo, Brazil), 2001


Digital rendering for Animália (Metrô Vila Madalena, São Paulo, Brazil), 2001


Digital rendering for Animália (Metrô Vila Madalena, São Paulo, Brazil), 2001


Preparatory renderings for Iluminada (Barrio Las Aguas, Bogotá, Colombia), 2015/2019


Digital rendering for Stray Bullet (Kunstmuseum Stuttgart, Germany), 2018/2019


Digital rendering for Double II (Alexander Gray Associates, New York), 2019


Model for All Nights (Museo de Arte Contemporáneo de Monterrey, Mexico), 1999
Wood, enamel, and styrofoam
7.50h x 31.50w x 8.75d in (19.05h x 80.01w x 22.23d cm)


Digital rendering for All Nights (Museo de Arte Contemporáneo de Monterrey, Mexico), 1999


Model for Wild Elevator (Centro Universitário Maria Antônia, Universidade de São Paulo, Brazil), 2016/2019
Acrylic, digital print, adhesive vinyl, and wood
29.50h x 11.88w x 11.88d in (74.93h x 30.16w x 30.16d cm)


Digital rendering for Wild Elevator (Centro Universitário Maria Antônia, Universidade de São Paulo, Brazil), 2016/2019


Model for Bronx Borough Center Library, New York, 2003
Enamel, acrylic, adhesive vinyl, and wood
20.50h x 46.63w x 29.38d in (52.07h x 118.43w x 74.61d cm)


Preparatory drawing for Stairs into Space (Bronx Borough Center Library, New York), 2003
Mixed media on collaged graph paper
18.25h x 36w in (46.36h x 91.44w cm)


Preparatory drawing for Paving the Way (Bronx Borough Center Library, New York), 2003
Mixed media on collaged graph paper
19.75h x 39.81w in (50.17h x 101.12w cm)


Preparatory studies for Paving the Way (Bronx Borough Center Library, New York), 2003/2019


Preparatory studies for Paving the Way (Bronx Borough Center Library, New York), 2003/2019


Preparatory studies for Stairs into Space (Bronx Borough Center Library, New York), 2003/2019


Digital rendering for Reading in the Sky (Bronx Borough Center Library, New York), 2003/2019


Model for Clouds (Santa Maria Novella Station, Florence, Italy), 2012/2019
Acrylic, digital print, adhesive vinyl, and wood
16.38h x 29.13w x 21.25d in (41.59h x 73.98w x 53.98d cm)


Studies for Clouds (Santa Maria Novella Station, Florence, Italy), 2012/2019





KATI HECK: All my friends are wild
@TIM VAN LAERE GALLERY
​Jos Smolderenstraat 50, 2000 Antwerp, Belgium
23 May - 6 July, 2019

installation views























KATI HECK, Meisterengelchen: Pufff, 2019
oil and crayon on canvas, artist frame with wooden sculpture
250 x 180 cm


KATI HECK, Verspätete Sitzung, 2019
oil on canvas, artist frame with wooden sculpture
200 x 160 cm


KATI HECK, Probe Pflanzung, 2019
oil on canvas, artist frame with painting
250 x 350 cm


KATI HECK, Gepäck, 2019
oil and crayon on canvas, artist frame
120 x 120 cm


KATI HECK, Sâhfrau, 2018 - 2019
bronze


KATI HECK, Tafelrunde: Wässerung, 2019
oil, crayon, charcoal and feather on canvas, artist frame with doorbell
180 x 280 cm


KATI HECK, Festplakat (All my friends are wild), 2019
cotton
296 x 701 cm


KATI HECK, Vorbesprechung, 2019
oil on canvas, artist frame with wooden sculpture
200 x 200 cm


KATI HECK, Orakel Jean-Jaques Trudelski, 2019
oil, ink and gouache on photograph, artist frame
120 x 93 cm


KATI HECK, Neue Freunde (Orakel) , 2019
oil and ink on photograph, artist frame
180 x 140 cm


KATI HECK, Orakel Hotschott, 2019
oil on photograph, artist frame
120 x 93 cm


KATI HECK, Klop, klop, klack klack klack, 2018
gouache, color pencil, collage on paper, artist frame
120 x 121,5 x 3,5 cm


KATI HECK, Briefkasten I, 2019
oil and crayon on canvas, artist frame
60 x 70 cm


KATI HECK, Bingo, 2019
oil and cardboard on canvas, artist frame with wooden sculptures
90 x 70 cm


KATI HECK, Liebling piece, 2019
cotton, artist frame
85 x 65 cm


KATI HECK, Selbst mit Vogel, 2019
oil on stitched canvas, artist frame
120 x 120 cm


KATI HECK, Piece, 2019
cotton
183 x 144 cm





Alexandra Grant: Born to Love
@LOWELL RYAN PROJECTS
4851 West Adams Blvd.
Los Angeles, CA 90016
USA
June 1 - July 6, 2019

installation views























Alexandra Grant
She said to Creon (8), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
80h x 72w in
203.20h x 182.88w cm
AG-012


Alexandra Grant
She said to Creon (2), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
80h x 72w in
203.20h x 182.88w cm
AG-008


Alexandra Grant
She said to Creon (5), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
80h x 72w in
203.20h x 182.88w cm
AG-010


Alexandra Grant
She said to Creon (1), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
80h x 72w in
203.20h x 182.88w cm
AG-007


Alexandra Grant
She said to Creon (6), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
80h x 72w in
203.20h x 182.88w cm
AG-011


Alexandra Grant
She said to Creon (9), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
80h x 72w in
203.20h x 182.88w cm
AG-013


Alexandra Grant
Antigone 3000 (6), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
106h x 72w in
269.24h x 182.88w cm
AG-002


Alexandra Grant
Antigone 3000 (5), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
106h x 72w in
269.24h x 182.88w cm
AG-001





JAVIER PELÁEZ: BROKEN TREE
@WILLIAM TURNER GALLERY
2525 Michigan Ave. E-1
Santa Monica, 90404
USA
JULY 13 - SEPTEMBER 7, 2019

installation views

















Broken Tree #1, 2019
Oil on linen
63 × 47 in
160 × 119.4 cm




Broken Tree #2, 2019
Oil on linen
63 × 47 in
160 × 119.4 cm




Broken Tree #3, 2019
Oil on linen
63 × 47 in
160 × 119.4 cm




Broken Tree #4, 2019
Oil on linen
63 × 47 in
160 × 119.4 cm




Vapor #1, 2019
Oil on linen
63 in diameter
160 cm diameter










Split Triptych, 2019
Oil on paper
34 × 26 × 1 1/2 in
86.4 × 66 × 3.8 cm








Broken Tree #9, 2019
Oil on paper
21 × 17 × 1 1/2 in
53.3 × 43.2 × 3.8 cm




Broken Tree #7, 2019
Oil on linen
59 × 74 4/5 × 1 37/100 in
149.9 × 190 × 3.5 cm




Broken Tree #6, 2019
Oil on linen
62 9/10 × 47 1/2 × 1 37/100 in
159.8 × 120.7 × 3.5 cm
















Broken Tree #10, 2019
Oil on stainless steel
13 × 8 × 6 in
33 × 20.3 × 15.2 cm





Vera Kox: footprints to fingertips
@22,48 m2
30 rue des envierges
75020 paris
France
21/11/2019 - 21/12/2019


footprint to fingertips, 2019
plaster,pigments,ssilica gel, insulation mat, aluminium modular system, copper pipe, hair extention, styrofoam, ceramic, aluminium cast rice cracker, ubblewarp 252 x 235 x 248 cm


footprint to fingertips, 2019
plaster,pigments,ssilica gel, insulation mat, aluminium modular system, copper pipe, hair extention, styrofoam, ceramic, aluminium cast rice cracker, ubblewarp 252 x 235 x 248 cm


footprint to fingertips, 2019
plaster,pigments,ssilica gel, insulation mat, aluminium modular system, copper pipe, hair extention, styrofoam, ceramic, aluminium cast rice cracker, ubblewarp 252 x 235 x 248 cm


footprint to fingertips, 2019
plaster,pigments,ssilica gel, insulation mat, aluminium modular system, copper pipe, hair extention, styrofoam, ceramic, aluminium cast rice cracker, ubblewarp 252 x 235 x 248 cm


footprint to fingertips, 2019
engobe ceramic 93x25x5 cm


footprint to fingertips, 2019
engobe ceramic 93x25x5 cm


footprint to fingertips, 2019
engobe ceramic 93x25x5 cm


footprint to fingertips, 2019
insulation panels, foam, ceramic, aluminium cast pot noodles, paster, pigments, silica gel, copper pipe, hair extension 126x138x87 cm


footprint to fingertips, 2019
insulation panels, foam, ceramic, aluminium cast pot noodles, paster, pigments, silica gel, copper pipe, hair extension 126x138x87 cm


footprint to fingertips, 2019
insulation panels, foam, ceramic, aluminium cast pot noodles, paster, pigments, silica gel, copper pipe, hair extension 126x138x87 cm


footprint to fingertips, 2019
insulation panels, foam, ceramic, aluminium cast pot noodles, paster, pigments, silica gel, copper pipe, hair extension 126x138x87 cm


footprint to fingertips, 2019
insulation panels, foam, ceramic, aluminium cast pot noodles, paster, pigments, silica gel, copper pipe, hair extension 126x138x87 cm


footprint to fingertips, 2019
insulation panels, foam, ceramic, aluminium cast pot noodles, paster, pigments, silica gel, copper pipe, hair extension 126x138x87 cm


footprint to fingertips, 2019
plaster,pigments,ssilica gel, insulation mat, aluminium modular system, copper pipe, hair extention, styrofoam, ceramic, aluminium cast rice cracker, ubblewarp 252 x 235 x 248 cm


footprint to fingertips, 2019
plaster,pigments,ssilica gel, insulation mat, aluminium modular system, copper pipe, hair extention, styrofoam, ceramic, aluminium cast rice cracker, ubblewarp 252 x 235 x 248 cm


footprint to fingertips, 2019
insulation panels, plaster, pigments, foam, ceramic, 160x160 x20 cm


footprint to fingertips, 2019
insulation panels, plaster, pigments, foam, ceramic, 160x160 x20 cm


footprint to fingertips, 2019
insulation panels, plaster, pigments, foam, ceramic, 160x160 x20 cm


along_the_line,_2018
ceramic, polyurethane foam, stainless steel bolts 87x96x7cm


along_the_line,_2018
ceramic, polyurethane foam, stainless steel bolts 87x96x7cm

memo (overseas): Jan14,2020

ex-chamber memo (overseas): Jan14,2020

Teresa Burga
@Alexander Gray Associates
510 West 26 Street, New York NY 10001
USA
September 5 – October 12, 2019

installation views



























23 / Marzo / 2019, 2019
Mixed media on paper
8.31h x 11.69w in (21.10h x 29.70w cm)


11 / Marzo / 2019, 2019
Mixed media on paper
8.31h x 11.69w in (21.10h x 29.70w cm)


10 / Febrero / 2019, 2019
Mixed media on paper
11.69h x 8.31w in (29.70h x 21.10w cm)


Untitled (Acqua Alta VI), 2019
Mixed media on paper
16.50h x 11.50w in (41.91h x 29.21w cm)


Untitled (Narizones), 2019
Mixed media on collaged paper
16.50h x 11.50w in (41.91h x 29.21w cm)


Untitled (Acqua Alta II), 2019
Mixed media on collaged paper
16.50h x 11.50w in (41.91h x 29.21w cm)


Serie Máquinas Inútiles. Florero, 1974/2019
Welded steel
71.63h x 48.50w x 25.38d in (181.93h x 123.19w x 64.45d cm)
Edition of 3 with 1 AP (Ed. 1 / 3)


Serie Máquinas Inútiles. Florero, 1974/2019, detail
Welded steel
71.63h x 48.50w x 25.38d in (181.93h x 123.19w x 64.45d cm)
Edition of 3 with 1 AP (Ed. 1 / 3)


Serie Máquinas Inútiles. Florero, 1974/2019, detail
Welded steel
71.63h x 48.50w x 25.38d in (181.93h x 123.19w x 64.45d cm)
Edition of 3 with 1 AP (Ed. 1 / 3)


Serie Máquinas Inútiles. Lámpara, 1974/2019
Welded steel
72.25h x 21.13w x 22d in (183.52h x 53.66w x 55.88d cm)
Edition of 3 with 1 AP (Ed. 1 / 3)


Serie Máquinas Inútiles. Lámpara, 1974/2019, detail
Welded steel
72.25h x 21.13w x 22d in (183.52h x 53.66w x 55.88d cm)
Edition of 3 with 1 AP (Ed. 1 / 3)


Serie Máquinas Inútiles. Lámpara, 1974/2019, detail
Welded steel
72.25h x 21.13w x 22d in (183.52h x 53.66w x 55.88d cm)
Edition of 3 with 1 AP (Ed. 1 / 3)


Serie Máquinas Inútiles. Manual de instalación de avioneta, 1974
Pen on paper
13.03h x 8.58w in (33.10h x 21.80w cm)


Serie Máquinas Inútiles. Lámpara, 1974
Pen on paper
11.02h x 8.46w in (28h x 21.50w cm)


Juguete Inútil. Viernes (20 Octubre 1972), 1972
Pen on paper
8.27h x 12.80w in (21h x 32.50w cm)


Serie Máquinas Inútiles. Florero, 1974
Pen on paper
12.95h x 8.46w in (32.90h x 21.50w cm)


Insomnia Drawing (8), 1981
Black and red pen on paper
11.63h x 8.13w in (29.53h x 20.64w cm)


Insomnia Drawing (9), 1981
Pen on paper
3.50h x 6.13w in (8.89h x 15.56w cm)


Insomnia Drawing (42), 2001
Black, red, and blue pen on paper
4.38h x 4.38w in (11.11h x 11.11w cm)


Insomnia Drawing (13), 1989
Pen on paper
8.63h x 6.50w in (21.91h x 16.51w cm)


Insomnia Drawing (44), 2001
Black, red, and blue pen on found paper
5.75h x 8.13w in (14.61h x 20.64w cm)


Insomnia Drawing (23), 1990
Black and red pen on paper
8.38h x 6.50w in (21.27h x 16.51w cm)


Insomnia Drawing (14), 1990
Black and red pen on paper
8.38h x 6.50w in (21.27h x 16.51w cm)


Insomnia Drawing (10), 1989
Pen on found paper
3.50h x 6.63w in (8.89h x 16.83w cm)


Insomnia Drawing (5), 1978
Felt-tip pen and pencil on paper
8.38h x 11w in (21.27h x 27.94w cm)


Insomnia Drawing (41), 2001
Black and red pen on paper
4h x 5.25w in (10.16h x 13.34w cm)


Insomnia (10) Wall Drawing, 1989/2019
Graphite and colored pencil on wall
Dimensions variable





RINUS VAN DE VELDE: The Villagers
@TIM VAN LAERE GALLERY
​Jos Smolderenstraat 50, 2000 Antwerp, Belgium
05 September - 12 October, 2019

installation views

























RINUS VAN DE VELDE, Prop, Diner, 2017 - 2019
cardboard, paint, wood and mixed media
410 x 690 x 290 cm


RINUS VAN DE VELDE, These villagers,..., 2019
charcoal on canvas, artist frame
210 x 353 cm


RINUS VAN DE VELDE, Please, come back next Thursday., 2019
charcoal on canvas, artist frame
103 x 76 cm


RINUS VAN DE VELDE, In this small town..., 2019
charcoal on canvas, artist frame
86 x 103 cm


RINUS VAN DE VELDE, They call him the wall of the village., 2019
charcoal on canvas, artist frame
159 x 153 cm


RINUS VAN DE VELDE I was in charge of all the outgoing invoices..., 2018
color pencil on paper
15,7 x 18,5 cm


RINUS VAN DE VELDE, They're an artist couple working with the abstract expressionist legacy..., 2019
color pencil on paper
11,7 x 29,7 cm


RINUS VAN DE VELDE, The assistants working in this department..., 2019
color pencil on paper
23,6 x 16 cm


RINUS VAN DE VELDE, He is on his way to steal an interesting identity..., 2019
color pencil on paper
12,1 x 24,7 cm


RINUS VAN DE VELDE, On these guided tours..., 2018
color pencil on paper
12,2 x 19,9 cm


RINUS VAN DE VELDE, Hey Joe, could you bring me two cokes..., 2019
color pencil on paper
20,3 x 16 cm


RINUS VAN DE VELDE, He constantly watches sport on television..., 2018
color pencil on paper
13,9 x 26,8 cm


RINUS VAN DE VELDE, This is their headquarter, ..., 2018
color pencil on paper
15,5 x 19,4 cm


RINUS VAN DE VELDE, Grandpa is pretty busy today, ..., 2019
color pencil on paper
20,8 x 16,7 cm


RINUS VAN DE VELDE, What are we looking at?..., 2019
color pencil on paper
14 x 18,7 cm


RINUS VAN DE VELDE, During those years..., 2018
color pencil on paper
12,6 x 22,2 cm


RINUS VAN DE VELDE, Prop, Hotel Corridor, 2017 - 2019
cardboard, paint, wood and mixed media
250 x 840 x 180 cm

RINUS VAN DE VELDE, The Villagers, 2017- 2019
single channel video installation, color, sound, duration 40 minutes


























Erin Trefry: If The Moon Turns Green
@LOWELL RYAN PROJECTS
4851 West Adams Blvd.
Los Angeles, CA 90016
USA
September 7 - October 12, 2019

installation views



























Erin Trefry
impermanent time that weeps
2018
Stoneware, wicker handbag handles, and leather on denim
106h x 50w x 4d inches
ET-001


Erin Trefry
as though a certain knowledge returns (after Pina Bausch)
2019
Glazed stoneware, wicker and resin handbag handles, leather shoes, fabric, wire, thread, and zip ties
27h x 20w x 10 1/2d inches
ET-014


Erin Trefry
inversely from the beginning
2019
Glazed stoneware, sweatshirt, drawer pull, fabric and rope on pleather
106h x 50w x 3 1/2d inches
ET-007


Erin Trefry
arch placement shaped phrases
2019
Oil, ceramic fragments, fabric, and pins on canvas
90h x 62 1/2w x 4d inches
ET-009


Erin Trefry
cloaked in a gaze of affection and wounded symmetry
2019
Oil, fabric, shoelaces, ceramic fragment, and pins on canvas
90h x 60w x 3d inches
ET-008


Erin Trefry
with contrasting brace or column
2019
Glazed stoneware and fabric
24 1/2h x 12w x 11d inches
ET-022


Erin Trefry
ceremony of interdependence and light
2019
Deconstructed handbag, shoe, bracelet parts, and pins on fabric
39 1/2h x 21 1/2w x 3 1/2d inches
ET-011


Erin Trefry
conjuring force with mask-like readiness
2018
Glazed stoneware, wicker handbag handles, fabric, leather tassel, and zip ties
22h x 14 1/2w x 6 1/2d in
ET-016


Erin Trefry
fleeting gestural elements and ways of the warrior
2017-2019
Glazed stoneware, deconstructed shoe, dress and handbag parts, shagreen, oil paint and pins, on pleather
32 1/4h x 22 1/2w x 3d inches
ET-006


Erin Trefry
with harmonic interdependence
2019
Glazed stoneware and fabric
25 1/2h x 14w x 10d inches
ET-020


Erin Trefry
shelter of acceptance and transience
2019
Glazed stoneware and fabric
11h x 9w x 7d inches
ET-021


Erin Trefry
within the empty spaces
2019
Glazed stoneware and fabric
31h x 17w x 9d inches
ET-019


Erin Trefry
source of shaped union
2017-2019
Glazed and unglazed stoneware, metal drawer pulls, resin handbag handles, and plastic and metal zip ties
28h x 18w x 9d inches
ET-015


Erin Trefry
sustained motion factor readiness
2019
Oil, ceramic fragments, rope, fabric, shoelace, and pins on canvas with wood frame
72h x 60w x 2 1/2d inches
ET-023


Erin Trefry
spirits muse and envelop the torso with winged victory
2017-2019
Glazed and unglazed stoneware, wood, bamboo and resin handbag handles, fabric, metal and wooden drawer pulls, pleather sandal part, and zip ties
25h x 24w x 9d inches
ET-013


Erin Trefry
shadows walk like itinerant performers
2017-2019
Deconstructed t-shirt, shoe, and handbag parts, brass, pins, and bleach on linen
48h x 36w x 4d inches
ET-002


Erin Trefry
transitory acceptance and wholeness
2018
Glazed and unglazed stoneware, metal bookends, resin and wooden handbag handles and fabric
17h x 16w x 6 1/4d inches
ET-004


Erin Trefry
fragments of cadence and rare lineage
2019
Oil, ceramic fragments, and fabric on canvas
83 3/4h x 53 1/4w x 3d inches
ET-010





Jimi Gleason: Cross/Reference
@WILLIAM TURNER GALLERY
2525 Michigan Ave. E-1
Santa Monica, 90404
USA
September 21 - November 30, 2019

installation views



























Revenant Kine, 2019
Acrylic on canvas
88 × 76 × 1 1/2 in
223.5 × 193 × 3.8 cm










Volume of Light, 2019
Acrylic on canvas
88 × 76 × 1 1/2 in
223.5 × 193 × 3.8 cm








Slanted/Enchanted, 2019
Acrylic on canvas
36 × 86 × 1 1/2 in
91.4 × 218.4 × 3.8 cm




Clear Kine, 2019
Acrylic on canvas
72 × 60 × 1 1/2 in
182.9 × 152.4 × 3.8 cm






Crooked Rain, 2019
Acrylic, silver nitrate
60 × 28 × 2 in
152.4 × 71.1 × 5.1 cm








Pearlescent Evocation, 2019
Acrylic on canvas
72 × 60 × 1 1/2 in
182.9 × 152.4 × 3.8 cm






McKenzie GirL, 2019
Acrylic on canvas
68 × 47 in
172.7 × 119.4 cm








White Light, 2019
Acrylic on canvas
84 × 60 × 1 1/2 in
213.4 × 152.4 × 3.8 cm






Rogue Wave, 2019
Acrylic on canvas
88 × 76 × 1 1/2 in
223.5 × 193 × 3.8 cm










Mystic Painting, 2019
Acrylic on canvas
60 × 48 × 1 1/2 in
152.4 × 121.9 × 3.8 cm




Ocean Park with Bell, 2019
Acrylic on canvas
18 × 16 × 1 1/2 in
45.7 × 40.6 × 3.8 cm




Pink and Blue, 2019
Acrylic on canvas
36 × 48 × 1 1/2 in
91.4 × 121.9 × 3.8 cm




Untitled, 2019
Acrylic on canvas
18 × 16 × 1 1/2 in
45.7 × 40.6 × 3.8 cm






Green Means Growth, 2019
Acrylic on canvas
60 × 48 × 1 1/2 in
152.4 × 121.9 × 3.8 cm




Untitled, 2019
Acrylic on canvas
18 × 16 × 1 1/2 in
45.7 × 40.6 × 3.8 cm




Ocean Muse (Pacific), 2019
Acrylic on canvas
48 × 36 × 1 1/2 in
121.9 × 91.4 × 3.8 cm




DeLaps Vertex, 2019
Acrylic on canvas
60 × 48 × 1 1/2 in
152.4 × 121.9 × 3.8 cm




Luxe/Redux, 2019
Acrylic on canvas
59 × 54 × 1 1/2 in
149.9 × 137.2 × 3.8 cm






Untitled, 2019
Acrylic and silver nitrate on canvas
66 × 64 × 1 1/2 in
167.6 × 162.6 × 3.8 cm








Terre Verte with Reveal, 2019
Acrylic on canvas
88 × 76 × 1 1/2 in
223.5 × 193 × 3.8 cm






Untitled, 2019
Acrylic and silver nitrate on canvas
16 × 60 × 1 1/2 in
40.6 × 152.4 × 3.8 cm






Untitled, 2019
Acrylic and silver nitrate on canvas
18 × 15 × 1 1/2 in
45.7 × 38.1 × 3.8 cm






Untitled, 2019
Acrylic and silver nitrate on canvas
36 × 156 × 1 1/2 in
91.4 × 396.2 × 3.8 cm






Untitled, 2019
Acrylic and silver nitrate on canvas
18 × 15 × 1 1/2 in
45.7 × 38.1 × 3.8 cm






Untitled, 2019
Acrylic and silver nitrate on canvas
20 × 16 × 1 1/2 in
50.8 × 40.6 × 3.8 cm

memo (overseas): Jan13,2020

ex-chamber memo (overseas): Jan13,2020

MARTIN MULL | HARVEST
@IRIS PROJECT
953 AMOROSO PLACE, VENICE, CALIFORNIA
USA
Sep 21st – Nov 3rd 2019

installation views

















Sidewalk Cafe, 2019
Oil on Linen
24 × 18 × 2 3/4 in
61 × 45.7 × 7 cm


Negative Space, 2019
Oil on Linen
14 × 17 3/4 × 2 1/2 in
35.6 × 45.1 × 6.4 cm


Angels, 2016
Acrylic on Paper
8 1/2 × 20 in
21.6 × 50.8 cm


Basement Playroom, 2019
Oil on Linen
37 1/2 × 31 1/2 × 2 1/4 in
95.3 × 80 × 5.7 cm


City Scene, 2016
Oil on Linen
10 × 20 in
25.4 × 50.8 cm


Clown Car, 2019
Acrylic on Paper
27 × 15 1/2 × 1 in
68.6 × 39.4 × 2.5 cm


Creating Work Where None Exist, 2018
Graphite on Paper
9 × 16 in
22.9 × 40.6 cm


Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Hopscotch, 2019
Oil on Panel
18 × 242 1/4 in
45.7 × 615.3 cm


Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Hopscotch, 2019
Oil on panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Summer, 2018
Oil on Panel
24 × 18 × 2 1/4 in
61 × 45.7 × 5.7 cm


Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Anniversary Waltz, 2018
Oil on Linen
20 × 20 in
50.8 × 50.8 cm


Man of the Hour, ca. 2018
Oil on Panel
24 × 18 × 2 1/4 in
61 × 45.7 × 5.7 cm


Sunday Morning, 2014
Oil on Linen
40 × 30 × 2 1/4 in
101.6 × 76.2 × 5.7 cm


Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm


Playing with Fire , 2019
Acrylic and Graphite on Paper
8 × 25 in
20.3 × 63.5 cm


The Wall II, 2015
Graphite on paper
7 3/4 × 15 1/4 in
19.7 × 38.7 cm





Melvin Edwards: Painted Sculpture
@Alexander Gray Associates
510 West 26 Street, New York NY 10001
USA
October 24 – December 14, 2019

installation views























Luxor-Top, 1983
Painted welded steel
40.50h x 42w x 37d in (102.87h x 106.68w x 93.98d cm)


Luxor-Top, 1983
Painted welded steel
40.50h x 42w x 37d in (102.87h x 106.68w x 93.98d cm)


Luxor-Top, 1983, detail
Painted welded steel
40.50h x 42w x 37d in (102.87h x 106.68w x 93.98d cm)


Felton, 1974
Painted welded steel in 2 parts
Part 1: 23h x 95w x 80d in, Part 2: 59.75h x 68w x 64.5d in


Felton, 1974
Painted welded steel in 2 parts
Part 1: 23h x 95w x 80d in, Part 2: 59.75h x 68w x 64.5d in


Felton, 1974, detail
Painted welded steel in 2 parts
Part 1: 23h x 95w x 80d in, Part 2: 59.75h x 68w x 64.5d in


Felton, 1974
Painted welded steel in 2 parts
Part 1: 23h x 95w x 80d in, Part 2: 59.75h x 68w x 64.5d in


Mozambique, c.1974
Painted welded steel
92h x 71w x 16.50d in (233.68h x 180.34w x 41.91d cm)


Mozambique, c.1974
Painted welded steel
92h x 71w x 16.50d in (233.68h x 180.34w x 41.91d cm)


Mozambique, c.1974, detail
Painted welded steel
92h x 71w x 16.50d in (233.68h x 180.34w x 41.91d cm)


Mozambique, c.1974
Painted welded steel
92h x 71w x 16.50d in (233.68h x 180.34w x 41.91d cm)


Tan Ton Dyminns, 1974
Painted welded steel in 2 parts
Part 1: 84.5h x 36w x 37d in, Part 2: 66.36h x 78.5w x 34d in


Tan Ton Dyminns, 1974
Painted welded steel in 2 parts
Part 1: 84.5h x 36w x 37d in, Part 2: 66.36h x 78.5w x 34d in


Tan Ton Dyminns, 1974, detail
Painted welded steel in 2 parts
Part 1: 84.5h x 36w x 37d in, Part 2: 66.36h x 78.5w x 34d in


Tan Ton Dyminns, 1974
Painted welded steel in 2 parts
Part 1: 84.5h x 36w x 37d in, Part 2: 66.36h x 78.5w x 34d in


Ntrytry, 1981
Painted welded steel and chain
57h x 132w x 60.75d in (144.78h x 335.28w x 154.31d cm)


Ntrytry, 1981
Painted welded steel and chain
57h x 132w x 60.75d in (144.78h x 335.28w x 154.31d cm)


Ntrytry, 1981, detail
Painted welded steel and chain
57h x 132w x 60.75d in (144.78h x 335.28w x 154.31d cm)


Ntrytry, 1981
Painted welded steel and chain
57h x 132w x 60.75d in (144.78h x 335.28w x 154.31d cm)


"Lines" for John Coltrane and other Creative People, 1974
Spray paint on newspaper in 5 parts
Each: 22.5h x 29.13w in


"Lines" for John Coltrane and other Creative People, 1974, part 1 of 5
Spray paint on newspaper in 5 parts
Each: 22.5h x 29.13w in


"Lines" for John Coltrane and other Creative People, 1974, part 2 of 5
Spray paint on newspaper in 5 parts
Each: 22.5h x 29.13w in


"Lines" for John Coltrane and other Creative People, 1974, part 3 of 5
Spray paint on newspaper in 5 parts
Each: 22.5h x 29.13w in


"Lines" for John Coltrane and other Creative People, 1974, part 4 of 5
Spray paint on newspaper in 5 parts
Each: 22.5h x 29.13w in


"Lines" for John Coltrane and other Creative People, 1974, part 5 of 5
Spray paint on newspaper in 5 parts
Each: 22.5h x 29.13w in


Untitled, c.1974
Watercolor on paper
23h x 35w in (58.42h x 88.90w cm)





ANTON HENNING: Pink Period
@TIM VAN LAERE GALLERY
​Jos Smolderenstraat 50, 2000 Antwerp, Belgium
5 December, 2019 - 18 January, 2020

installation views

























ANTON HENNING, Liegende No. 2, 2007
wood, synthetic resin, car paint
37 x 95 x 46 cm


ANTON HENNING, Interieur No. 560, 2018
oil on canvas
220 x 240 cm


ANTON HENNING, Skizze No. 3 für Pin-up, 2019
pastel and oil pastel on paper
107 x 85,5 cm, 134 x 111 x 4,5 cm (frame)


ANTON HENNING, Mintrex (Künstler-Leuchtmöbel), 2013
wood, glass, light element, collage, gel mat
50 x 92,5 x 52,2 cm


ANTON HENNING, Blumenstilleben No. 383, 2008
painted bronze
57 x 76 x 77 cm, 8 x 59 x 62 cm, 96 x 95 x 35 cm
edition of 3 and 1 A.P.


ANTON HENNING, Skizze No. 2 für Pin-up mit Früchten, 2019
pastel on paper
86 x 59 cm, 111,5 x 82 x 4 cm (frame)


ANTON HENNING, Blumenstilleben mit Früchten No. 108, 2019
oil on canvas
150 x 120 cm


ANTON HENNING, Skizze No. 4 für Pin-up mit Früchten, 2019
pastel on paper
107 x 85,5 cm, 134 x 111 x 4,5 cm (frame


ANTON HENNING, Interieur mit Pin-up, Blumenstilleben und Früchten, No. 3, 2019
oil on canvas
240 x 260 cm


ANTON HENNING, Interieur No. 561 (The Conversation), 2019
oil on canvas
180 x 200,3 cm


ANTON HENNING, Interieur mit Pin-up und Früchten, No. 2, 2019
oil on canvas
160,3 x 150 cm


ANTON HENNING, Interieur mit Pin-up und Blumenstilleben, No. 1, 2019
oil on canvas
180 x 150 cm


ANTON HENNING, Stehlampe No. 10, 2019
metal, plastic, printed paper, marker and pastel on paper
152 x ø29 cm


ANTON HENNING, Stehlampe No. 12, 2019
metal, plastic, printed paper, marker on paper
138 x ø19 cm


ANTON HENNING, Stehlampe No. 11, 2019
metal, plastic, printed paper, marker and pastel on paper
152 x ø29 cm




ANTON HENNING, Stehlampe No. 8, 2019
metal, plastic, printed paper, marker on paper
152 x ø29 cm


ANTON HENNING, Stehlampe No. 13, 2019
metal, plastic, printed paper, marker on paper
138 x ø19 cm


ANTON HENNING, Skizze No. 2 für Pin-up mit Blumenstilleben und Früchten, 2019
pastel on paper
39,7 x 30 cm, 59 x 48 x 3,5 cm (frame)


ANTON HENNING, Interieur mit Pin-up, No. 10, 2019
oil on canvas
160,5 x 150 cm


ANTON HENNING, Möbelstück für Ausstellungsraum mit Oberlicht, 2009
wood, steel, foam and textile
300 x 146 x 80 cm


ANTON HENNING, Pin-up No. 240, 201
oil on canvas
100 x 80 cm


ANTON HENNING, Pin-up No. 267, 2019
oil on canvas
50 x 40 cm


ANTON HENNING, Mintrex (Künstler-Leuchtmöbel), 2013
wood, glass, light element, collage, gel mat
50 x 92,5 x 52,2 cm


ANTON HENNING, Pin-up No. 243, 2019
oil on canvas
120,2 x 150,3 cm


ANTON HENNING, Portrait No. 545, 2019
oil on canvas
60 x 50,3 cm


ANTON HENNING, Pin-up No. 266, 2019
oil on canvas
50 x 40 cm


ANTON HENNING, Liegende No. 7, 2008
wood, epoxy resin and lacquer
41 x 113,5 x 35 cm


ANTON HENNING, Pin-up No. 259, 2019
oil on canvas
180,2 x 150 cm


ANTON HENNING, Pin-up No. 238 (Leda), 2018
oil on canvas
120 x 100 cm


ANTON HENNING, Stehende No. 3, 2007
wood, epoxy resin and lacquer
251,5 x 43 x 37 cm, 20 x 54 x 50 cm (plinth)


ANTON HENNING, Portrait No. 543, 2019
oil on canvas
60 x 50,4 cm


ANTON HENNING, Interieur No. 561, 2019
oil on canvas
280 x 460 cm


ANTON HENNING Das Paradies No.2, 2019
oil on canvas, 18,7 x 24 cm


ANTON HENNING, Blumenstilleben No. 396, 2008
patinated bronze
138 x 74 x 85 cm, 8 x 44 x 50 cm (plinth), 110 x 55 x 60 cm (plinth 2)
edition of 3 and 1 A.P.





Alicia Piller: Spirit of the Times
@LOWELL RYAN PROJECTS
4851 West Adams Blvd.
Los Angeles, CA 90016
USA
October 19 - December 21, 2019

installation views































Alicia Piller
Nature of a stately being. Outstretched arms, bursting with newborn stars.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, recycled paper, recycled plastic bags, dried plants, green safety netting, spray paint, coral, and agate
135h x 107w x 53d in
342.90h x 271.78w x 134.62d cm
AP-012


Alicia Piller
Second nature. Looking for obstacles. Air hangs heavy with promise.
2019
Plexiglas, latex balloons, resin, digital prints on recycled paper, gel medium, vinyl, recycled plastic bags, recycled paper, metal, amazonite, coconut shells, recycled batteries, shell, broken porcelain, sequins, and acrylic paint
75 1/5h x 43w x 48d in
191.01h x 109.22w x 121.92d cm
AP-014


Alicia Piller
Bulging veins. Stately being in its forthright mood, mottled with a tortured history.
2019
Latex and Mylar balloons, resin, digital prints on recycled paper, gel medium, vinyl, sycamore seeds, opals, metal, recycled plastic, wood, cue ball, and carbon screen
117h x 125w x 79d in
297.18h x 317.50w x 200.66d cm
AP-020


Alicia Piller
Saturated. Mirror neurons. Clouded possibilities.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, yarn, vinyl, string, electrical cords, and EEG cords
105h x 105w x 116d in
266.70h x 266.70w x 294.64d cm
AP-016


Alicia Piller
America herself. Music of fragments. Void of course.
2015 - 2019
Latex balloons, resin, digital prints on recycled paper, digital prints on wood, gel medium, slides, leather, wood, glass beads, plastic, National Geographic magazine pages, foam, monofilament, clock spring, and film reels
83h x 45w x 11 1/2d in
210.82h x 114.30w x 29.21d cm
AP-017


Alicia Piller
Deep Space to navigate. States of magic.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, vinyl, shells, mica, beads, straws, yarn, coral, sand, metal, recycled plastic, leather, shellac chips, and string
86h x 33w x 64d in
218.44h x 83.82w x 162.56d cm
AP-010


Alicia Piller
Spirit of the Past.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, bullet casing, human tooth, cowrie shells, clock spring, and cardboard
25h x 16w x 6 1/2d in
63.50h x 40.64w x 16.51d cm
AP-018


Alicia Piller
Spirit of the Present.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, leather, porcupine quills, plastic, beads, metal, and string
11 1/2h x 10 1/2w x 7 1/2d in
29.21h x 26.67w x 19.05d cm
AP-019


Alicia Piller
Spirit of the Present.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, leather, porcupine quills, plastic, beads, metal, and string
11 1/2h x 10 1/2w x 7 1/2d in
29.21h x 26.67w x 19.05d cm
AP-019


Alicia Piller
Spirit of the Future.
2019
Latex balloons, resin, digital prints on recycled paper, vinyl, metal chain, beads, shell, and string
19h x 8w x 6d in
48.26h x 20.32w x 15.24d cm
AP-011


Alicia Piller
Anticipates her future. Pearls and fruits, bows and arrows.
2004 - 2019
Latex balloons, resin, digital prints on recycled paper, gel medium, oil paint, canvas, wood, cardboard, vinyl, shellac chips, green screen, yarn, Alicia Piller’s prom dress, glass, leather, metal, and beads
left side: 85 1/2h x 84w x 10d inches
right side: 43h x 56w x 15d inches
AP-015


Alicia Piller
Across the wasteland, a twisted melody. Matter and spirit.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, wood, vinyl, leather, human and fake teeth, plastic, wood, bullet casing, sycamore seeds
96 1/2h x 156w x 225d in
245.11h x 396.24w x 571.50d cm
AP-021


Alicia Piller
Shapes and phantoms. Stars of heaven. Portraits of statues.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, vinyl, leather, Christmas lights, toy gun, human tooth, plastic, metal, plastic tubing, monofilament, LED blubs, and electric wiring
30h x 14 1/2w x 31d in
76.20h x 36.83w x 78.74d cm
AP-022


Alicia Piller
Along the wavy edge of this penumbra. Emerging from the depths. Transformation trajectories.
2019
Latex and Mylar balloons, resin, digital prints on paper, gel medium, beads, vinyl, leather, crystal, recycled paper & plastic, metal, wood, carnelian, olive jade, ceramic, shell, plastic tubing, and nylon straps
86h x 77w x 83d in
218.44h x 195.58w x 210.82d cm
AP-013





SCULPTURES
@Selma Feriani Gallery
8 Place Sidi Hassine
Sidi Bou Said 2026
Tunisia
24 February 2019 - 31 March 2019

installation views













An Arch Never Sleeps. Nick Hornby. 2011. HD Video. 16 :12 mn. Edition 1 of 3. Courtesy of the artist


Muse Offcut (Reduction I). Nick Hornby. 2018. Marble-resin. 150h x 66w x 56d cm. Edition 1 of 3. Courtesy of the artist


6° Takes One Minute. Nick Hornby. 2013/2014. Marble-resin, Paint, Shellac and wax. 90h x 29w x 19d cm. AP. Courtesy of the artist


Effondrement:10 Arcs. Bernar Venet. 2016. Turned steel and black patina on base. 12h x 37w cm on 50h x 50w. Signed and numbered XX/XXVII


Untitled No.I. Mohamed Namou. 2019. Sewing on velvet & shaped marble. 30h x 90w cm/ Unique. Light Blow series


Untitled No.II. Mohamed Namou. 2019. Sewing on velvet & shaped marble. 30h x 90w cm. Unique. Light Blow series


Retired From Fantasy No.II. Mohamed Namou. 2019. Acrylic on canvas , sewing and marble. 160 x 140 cm. Unique. Pocket series


Rise & Fall. Raja Aissa. 2019. Blown glass neon & a rock. Variable dimensions. Unique


Esaida Carthage No.I. Malek Gnaoui. 2018. Lithograph and red brick dust. 50h x 72w cm. Edition 2 of 3


Esaida Carthage No.II. Malek Gnaoui. 2018. Lithograph and red brick dust. 50h x 72w cm. Edition 2 of 3


Untitied. Malek Gnaoui. 2019. Red brick and metal bars. 66h x 19w x 20d cm each. Unique


La Brique. Malek Gnaoui. 2019. Marble. 18,5h x 30,5 x 14,4d cm. Unique


Nana Assise sur un Serpent. Niki de Saint Phalle. 1984. Hand painted resin. 16h x 13w x 11d cm. Original work from edition of 7 dated and signed by Niki de Saint Phalle


Marker No.I. Elena Damiani. 2013. Collage on found bookplate. 23,5h x 29,5w cm. Unique. A Succession of Markers Placed out of Field series


Marker No.II. Elena Damiani. 2013. Collage on found bookplate. 23,5h x 29,5w cm. Unique. A Succession of Markers Placed out of Field series

memo (overseas): Jan12,2020

ex-chamber memo (overseas): Jan12,2020

microwave, x
@Josée Bienvenu Gallery
529 West 20th Street
(between 10th & 11th Avenues)
New York, NY 10011
USA
December 22, 2018 – January 26, 2019

installation views













Richard Tuttle
New Mexico. New York. E # 8, 1998
Acrylic on fir plywood
26h x 14.25w in
66.04h x 36.20w cm
RT001


Jonathan Callan
Hope (1970), 2018
Paper
20.50h x 12w x 2.50d in
52.07h x 30.48w x 6.35d cm
JC004


Jonathan Callan
Michelangelo, 2018
Paper
48.26h x 34.29w x 10.16d cm
19h x 13.50w x 4d in
JC005


Beto De Volder
Untitled, 2018
Acrylic and graphite on clayboard
12h x 12w in
30.48h x 30.48w cm
BDV008


Beto De Volder
Untitled, 2018
Acrylic and graphite on clayboard
11h x 14w in
27.94h x 35.56w cm
BDV009


Beto De Volder
Untitled, 2018
Acrylic and graphite on clayboard
11h x 14w in
27.94h x 35.56w cm
BDV007


Anne Lindberg
murmur, 2018
cotton thread, staples
60h x 140w x 16d in
152.40h x 355.60w x 40.64d cm
ALi007


Romany Eveleigh
One Liners, 2017
Oil pastel on paper
13.98h x 85.04w in
35.50h x 216w cm
RE004


Marco Maggi
Question Mark, 2018
Cut self adhesive archival stickers on roller
6h x 4w in
15.24h x 10.16w cm
MM052


Marco Maggi
Label Lab (on Black), 2018
Cuts on self adhesive archival paper on museum board
14h x 11w in
35.56h x 27.94w cm
MM027


Celeste Fitcher
Run on Sentence, 2016
Graphite on grid paper
12h x 9w in
30.48h x 22.86w cm
CF003


Luis Urculo
Atlas, 2018
Watercolor and ink on paper
14.50h x 10.50w in
36.83h x 26.67w cm
LU005


Adam Henry
"Days of Envelope Filter", 2018
Watercolor, ink on paper
11h x 14w in
27.94h x 35.56w cm
AdH010


Luis Urculo
Atlas, 2018
Watercolor and ink on paper
14.50h x 10.50w in
36.83h x 26.67w cm
LU005


Ana Tiscornia
Green Diamond, 2018
collage on manifold file cards
17h x 25.75w in
43.18h x 65.41w cm
AT001


Sam Roeck
The Outsider, 2018
Graphite on paper
30h x 22w in
76.20h x 55.88w cm
SR001


Alicia Mihai Gazcue
Punto cruz, 1972
Pencil and thread on notebook
4.25h x 5.50w in
10.79h x 13.97w cm
AMG001


Cy Twombly
Untitled, 1961
Ink & colored pencil on paper
13.50h x 9.25w in
34.29h x 23.50w cm
CT001


Jonathan Rider
Untitled, 2018
Cardboard on wood
8.50h x 5.10w in
21.59h x 12.95w cm
JR001


Liliana Porter
To hold the string (with white tshirt)
29h in
73.66h x 1.98w x 2.31d cm
LPo001


Liliana Porter
To hold the string (with white tshirt)
29h in
73.66h x 1.98w x 2.31d cm
LPo001


Ana Bidart
Tiro Al Blanco, 2018
Acrylic paint and graphite on canvas
64h x 12w in
162.56h x 30.48w cm
ANB35ASX002





Christiane Feser
@Gitterman Gallery
41 East 57th Street
Suite 1103
New York, NY 10022
USA
Apr 4 – May 25, 2019


Christiane Feser , Partition 120 , 2019
Photo object with archival pigment print , 55 1/8 x 39 3/8 in. (140 x 100 cm)
price includes framing with museum glass


Christiane Feser, Partition 120, 2019
Photo object with archival pigment print, 55 1/8 x 39 3/8 in. (140 x 100 cm)
price includes framing with museum glass


Christiane Feser, Partition 125, 2019
Photo object with archival pigment print, 39 3/8 x 55 1/8 in. (100 x 140 cm)
price includes framing with museum glass


Christiane Feser, Partition 92, 2018
Photo object with archival pigment print, 39 3/8 x 55 1/8 in. (100 x 140 cm)
price includes framing with museum glass


Christiane Feser, Partition 124, 2019
Photo object with archival pigment print, 55 1/8 x 39 3/8 in. (140 x 100 cm)
price includes framing with museum glass


Christiane Feser, Partition 119, 2019
Photo object with archival pigment print, 55 1/8 x 39 3/8 in. (140 x 100 cm)
price includes framing with museum glass


Christiane Feser, Partition 123, 2019
Photo object with archival pigment print, 39 3/8 x 55 1/8 in. (100 x 140 cm)
price includes framing with museum glass


Christiane Feser, Partition 127, 2019
Photo object with archival pigment print, 39 3/8 x 55 1/8 in. (100 x 140 cm)
price includes framing with museum glass


Christiane Feser, Partition 126, 2019
Photo object with archival pigment print, 39 3/8 x 55 1/8 in. (100 x 140 cm)
price includes framing with museum glass





KIRSTINE REINER HANSEN: GLORIOUS REJECTS
@Jack Fischer Gallery, 311 Potrero Avenue
311 Potrero Ave
San Francisco, CA 94103
USA
September 14th - October 26, 2019


Disguises No-One
By Kirstine Reiner Hansen
2019, oil on canvas, 28.8" x 39.5"


Pathways
By Kirstine Reiner Hansen
2019, oil on canvas, 23.6" x 31.5"


Imperial Mess
By Kirstine Reiner Hansen
2019, oil on canvas, 27.6" x 35.4"


Cross Out
By Kirstine Reiner Hansen
2019, oil on linen, 43.3" x 47.4"


Percolate
By Kirstine Reiner Hansen
2018, oil on linen, 12" x 12"


Rewind
By Kirstine Reiner Hansen
2018, Oil on linen, 42" x 46"


Krishna Babe
By Kirstine Reiner Hansen
2019, oil on canvas, 27.6" x 23.6"


Ego Sunset (diptych)
By Kirstine Reiner Hansen
2017, oil on linen, 20" x 32"


Borderspace (diptych)
By Kirstine Reiner Hansen
2017, oil on linen, 20" x 32"


Nightwatch
By Kirstine Reiner Hansen
2017, oil on linen, 50" x 31.5"


Twinset No. 5
By Kirstine Reiner Hansen
2018, oil on canvas, 30" x 40"


Twinset No. 6
By Kirstine Reiner Hansen
2018, oil on linen, 22" x 28"


Twinset No. 7
By Kirstine Reiner Hansen
2019, oil on canvas, 27.6" x 35.4"


Ziplocked (diptych)
By Kirstine Reiner Hansen
2018, oil on canvas, 30" x 31"


Looking Back
By Kirstine Reiner Hansen
2018, oil on linen, 12.12" x 9.75"


Hollow Isn't
By Kirstine Reiner Hansen
2016, oil on paper, 14" x 10"


Chameleon Transversal
By Kirstine Reiner Hansen
2016, oil on paper, 10" x 14"


Wealth Interference
By Kirstine Reiner Hansen
2016, oil on paper, 14" x 10"


Poker Face
By Kirstine Reiner Hansen
2016, oil on paper, 14" x 10"


Soft Bomb
By Kirstine Reiner Hansen
2016, oil on paper, 14" x 10"


Starlet Syndrome
By Kirstine Reiner Hansen
2018, oil on paper, 10" x 14"





JENENE NAGY | THE FUTURE DOES NOT EXIST
@IRIS PROJECT
953 AMOROSO PLACE, VENICE, CALIFORNIA
USA
Nov 9th – Dec 21st 2019

installation views















tiny banner, 2019
Tarnished silver and graphite on folded paper
45 × 30 in
114.3 × 76.2 cm


The weight of water (palm), 2019
Pigmented and cast palm frond pulp, salt
80 × 44 × 10 in
203.2 × 111.8 × 25.4 cm


untitled (palm drawing silver), 2018
Acrylic on artist-made palm frond paper
25 × 21 1/2 in
63.5 × 54.6 cm


untitled (palm drawing black), 2018
Flashe on artist-made palm frond paper
25 × 21 1/2 in
63.5 × 54.6 cm


heavy sunshine 2, 2017
Graphite on paper in chromed frame
68 1/2 × 43 1/2 in
174 × 110.5 cm


palm grid 6, 2019
Gouache and graphite on artist-made palm frond paper
26 × 26 in
66 × 66 cm


palm grid 7, 2019
Gouache and graphite on artist-made palm frond paper
43 × 30 in
109.2 × 76.2 cm


palm grid 9, 2019
Gouache and graphite on artist-made palm frond paper
71 1/4 × 46 1/4 in
181 × 117.5 cm


palm grid 8, 2019
Gouache and graphite on artist-made palm frond paper
43 × 30 in
109.2 × 76.2 cm


mass (future), 2019
Graphite and torn paper mounted on paper
33 × 33 in
83.8 × 83.8 cm


mass (past), 2019
Graphite and torn paper mounted on paper
33 × 33 in
83.8 × 83.8 cm


mass 10, 2017
Torn paper and graphite mounted on paper
11 × 11 in
27.9 × 27.9 cm


mass 12, 2017
Torn paper and graphite mounted on paper
11 × 11 in
27.9 × 27.9 cm


mass 14, 2017
Torn paper and graphite mounted on paper
11 × 11 in
27.9 × 27.9 cm





Luis Camnitzer: Towards an Aesthetic of Imbalance
@Alexander Gray Associates
510 West 26 Street, New York NY 10001
USA
January 9 – February 15, 2020

installation views

































Leer es resucitar ideas sepultadas en el papel. Cada palabra es un epitafio., 1992
Mixed media
13h x 10.50w x 2.38d in (33.02h x 26.67w x 6.03d cm)


Objects Covered by Their Own Image; Ripping Open an Incredible Scandal, 1973
Ink and whiteout on paper
11h x 8.30w in (27.94h x 21.08w cm)


Objects Covered by Their Own Image; Watergate Widening Waves of Scandal, 1973
Ink and whiteout on paper
11h x 8w in (27.94h x 20.32w cm)


Twin Towers, 2002
3.50h x 2.60w in (8.89h x 6.60w cm)
Edition of 3 + 1 AP


Twin Towers, 2002
3.50h x 2.60w in (8.89h x 6.60w cm)
Edition of 3 + 1 AP


El Mirador, 1996
Mixed media
78.74h x 157.48w x 157.48d in (200h x 400w x 400d cm)


Territorio Libre, 2018
Razor wire and projection
Dimensions variable

memo (overseas): Jan11,2020

ex-chamber memo (overseas): Jan11,2020

Sean Micka: Fine Silver and Extraordinary Diamonds from the Estate of an Important Collection
@Josée Bienvenu Gallery
529 West 20th Street
(between 10th & 11th Avenues)
New York, NY 10011
USA
January 31 – March 2, 2019

installation views



























Sean Micka
KATHRYN ALLEN WAIT WELDON (1908-1997), Fine Jewels, Silver, Decorative Art and Paintings, Property of Various Owners, including Property from the Estate of Kathryn A. Weldon, SOTHEBY’S, (123 WELDON)., 2019
Charcoal on Paper
14h x 11w in
35.56h x 27.94w cm


Sean Micka
WILLIAM A. MCCARTY-COOPER (1936-1991), Important Furniture, Silver, Books and Decorative Arts from the Collection of William A. McCarty-Cooper, New York Saturday, January 25, 1992. CHRISTIE’S, (ORIOLE-7402), 2019
Charcoal on Paper
14h x 11w in
35.56h x 27.94w cm


Sean Micka
• 608 EXTRAODINARY FANCY PINK DIAMOND RING, Of marquise shape, weighing 5.65 carats, within a simple mounting. Unmounted in illustration. Accompanied by G.I.A. report no. 8530078 stating that the diamond is Fancy Pink, Natural Color and Internally Flawless. Estimate on request. EXTRAORDINARY JEWELS, New York, April 10 and 11, 1995, SOTHEBY’S, New York (Sale Code: 6685 SPECTRUM)., 2018
Oil on Canvas
24h x 24w in
60.96h x 60.96w cm


Sean Micka
• 548 FINE FANCY BLUE DIAMOND, The round diamond weighing .90 carat, unmounted. Accompanied by G.I.A. report no. 8337297 stating that the diamond is Fancy Blue, Natural Color and VS1 clarity. $45,000-50,000. MAGNIFICENT JEWELRY, October 20 and 21, 1993, SOTHEBY’S, New York (Sale Code: 6479-REX), 2017
Oil on canvas
24h x 24w in
60.96h x 60.96w cm


Sean Micka
• 449 THE PORTER RHODES DIAMOND, Magnificent Jewelry, Sotheby’s New York, Tuesday, October 20, 1987. 5619 “PAUL”, 2017
Oil on canvas
36h x 36w in
91.44h x 91.44w cm


Sean Micka
• 577 IMPORTANT FANCY BLUE DIAMOND RING, Extraordinary Jewels, SOTHEBY’S, New York, April 10 and 11, 1995. 6685 SPECTRUM, 2018
Oil on canvas
24h x 24w in
60.96h x 60.96w cm


Sean Micka
• 578 IMPORTANT FANCY PINK DIAMOND RING, Extraordinary Jewels, SOTHEBY’S, New York, April 10 and 11, 1995. 6685 SPECTRUM, 2018
Oil on canvas
24h x 24w in
60.96h x 60.96w cm


Sean Micka
• 193 UNMOUNTED PEAR-SHAPED FANCY GRAY DIAMOND, Magnificent Jewels, CHRISTIE’S, New York, Wednesday, April 20, 1988. 6578 LYON, 2018
Oil on canvas
24h x 24w in
60.96h x 60.96w cm


Sean Micka
• 578A IMPORTANT FANCY COLORED DIAMOND RING, The emerald-cut diamond of fancy purplish-pink color weighing 4.92 carats, within a simple white gold mounting. Unmounted in illustration. Accompanied by G.I.A. report no. 8450635 stating that the diamond is Fancy Purplish-Pink, Natural Color and VVS2 clarity. $1,000,000-1,200,000. EXTRAORDINARY JEWELS, New York, April 10 and 11, 1995, SOTHEBY’S, New York (Sale Code: 6685 SPECTRUM)., 2018
Oil on Canvas
24h x 24w in
60.96h x 60.96w cm


Sean Micka
• 334 FINE CEYLAN SAPPHIRE, Important Jewelry, and Rare & Exotic Gemstones, Antiqorium Auctioneers, New York, Grand Havana Room, Thursday, September 30, 1999., 2018
Oil on canvas
24h x 24w in
60.96h x 60.96w cm


Sean Micka
• 453 THE LESOTHO III DIAMOND, HARRY WINSTON, The marque-shaped diamond weighing 40.42 carats, flanked by tapered baguette diamonds weighing approximately 1.50 carats, mounted in platinum, signed Winston. Together a brooch attachment (diamonds detaches from ring mounting). Accompanied by G.I.A. report no 8682475 stating that the diamond is L color (Faint Brown), VS2 clarity; together with original working diagram stating that the stone may by potentially flawless. This ring was an engagement present from Aristotle Onassis. $500,000-600,000. THE ESTATE OF JACQUELINE KENNEDY ONASSIS, April 23-26, 1996, SOTHEBY’S (Sale Code: 6834-JKO), 2018
Oil on Canvas
24h x 24w in
60.96h x 60.96w cm


Sean Micka
• 597 EXTRAODINARY FANCY INTENSE YELLOWISH GREEN DIAMOND, The marquise-shape diamond of fancy intense yellowish green color, weighing 2.15 carats, unmounted. Accompanied by G.I.A. report no. 8567033 stating that the diamond is Fancy Intense Yellowish Green, Natural Color and VS 2 clarity. Estimate on request. EXTRAORDINARY JEWELS, New York, April 10 and 11, 1995, SOTHEBY’S, New York (Sale Code: 6685 SPECTRUM)., 2018
Oil on canvas
24h x 24w in
60.96h x 60.96w cm


Sean Micka
• 547 FINE FANCY PINK DIAMOND, The cut-cornered rectangular modified brilliant-cut diamond weighing 1.12 carats, unmounted. Accompanied by G.I.A. report no. 8364983 stating that the diamond is Fancy Pink, Natural Color. $40,000-50,000. MAGNIFICENT JEWELRY, October 20 and 21, 1993, SOTHEBY’S, New York (Sale Code: 6479-REX)., 2018
Oil on Canvas
24h x 24w in
60.96h x 60.96w cm


Sean Micka
• 359 EMERALD RING, The emerald-cut emerald weighing 5.53 carats, within a simple gold mounting. Unmounted in illustration. $20,000-30,000 Extraordinary Jewels, New York, April 10 and 11, 1995, SOTHEBY’S, New York (6685 SPECTRUM)., 2018
Oil on Canvas
24h x 24w in
60.96h x 60.96w cm


Sean Micka
• 35 TWO AMERICAN SILVER SERVING SPOONS AND FOUR SOUP LADLES, PENNSYLVANIA, CIRCA 1780-1810, 30 ozs. 6 pieces Length 11 5/8 in. (29.5 cm) to 14 in. (35.6 cm.) $2,500-3,500; • 36 THREE AMERICAN SILVER SOUP LADLES, CIRCA 1780-1815, 18 ozs. D dwts. 3 pieces Lengths 13 in. (33 cm.), 14 ½ in. (36.8 cm.), 15 in. (38.1 cm.), $1,500-2,000; • 37 FOUR AMERICAN SILVER TABLESPOONS AND THREE SOUP LADLES, PENNSYLVANIA, DELAWARE, CIRCA, 1790; 25 ozs. 2 dwts. 7 pieces. $2,000-2,500, HIGHLY IMPORTANT AMERICANA FROM STANLEY PAUL SAX COLLECTION, January 16th-17th, 1998, SOTHEBY’S, New York (Sale Code: 7087-SAX)., 2018
Oil on Canvas
36h x 60w in
91.44h x 152.40w cm


Sean Micka
• 102 A RARE PAIR OF TABLESPOONS BY ADAM LYNN, ALEXANDRIA VIRGINIA, CIRCA 1800, Each with a pointed oval handle and a pointed oval bowl, the handle engraved “W” in script on front and “DL” on back (marks partially-struck), each marked -7 ¼ in. long (3 oz.) (2) $300-400, IMPORTANT AMERICAN FURNITURE, SILVER, FOLK ART AND DECORATIVE ARTS, Saturday, October 21 1989 CHRISTIE’S, New York (Sale Code: RAWSON 6922)., 2018
Oil on Canvas
30h x 30w in
76.20h x 76.20w cm


Sean Micka
• 48 A SET OF TWELVE TABLESPOONS BY STEPHEN RICHARD, NEW YORK, CIRCA 1810, Fine American Furniture, Silver, Folk Art and Decorative Arts, CHRISTIES, New York, Saturday, January 24, 1987. TOWNSEND 6320, 2018
Oil on canvas
30h x 30w in
76.20h x 76.20w cm


Sean Micka
• 56 A RARE SET OF THREE BASTING SPOONS BY BLADWIN GARDINER, PHILADELPHIA OR NEW YORK, EARLY 19TH CENTURY, Each with fiddle-thread handle engraved with a coat-of-arms, marked on back of handle -13 ½ long (22 oz.) $700-1,000, FINE AMERICAN FURNITURE, SILVER, FOLK ART AND DECORATIVE ARTS, Saturday, January 24, 1987, CHRISTIE’S, New York (Sale Code: TOWNSEND 6320), 2018
Oil on canvas
30h x 30w in
76.20h x 76.20w cm


Sean Micka
Silver Crystals, 1978, Refined by Handy & Harman, Fairfield Connecticut L. approx. 1 5/8” (41 mm). Gift of Handy & Harman. Silver In American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, 1979., 2019
Charcoal on paper
11h x 14w in
27.94h x 35.56w cm


Sean Micka
Silver-lead Ore, Leadville, Colorado, Joseph Reynolds and General James I. Gilbert, Proprietors, w. 5 3/4“ (146 mm); wt. 13 oz., 3 dwt. (408 gm), Economic Geology Collection, Yale University; American Arts Purchase Fund 1978.80; Silver In American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, 1979., 2018
Charcoal on paper
14h x 11w in
35.56h x 27.94w cm


Sean Micka
1878-1880, Free American Mine, Georgetown Colorado, Joseph Reynolds and General James I. Gilbert, Proprietors, L. 2 15/16” (75 mm); wt. 7 oz (217 gm), American Arts Purchase Fund 1978.80; Silver In American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, 1979., 2018
Charcoal on paper
14h x 11w in
35.56h x 27.94w cm


Sean Micka
Ingot, 1978, Engelhard Minerals & Chemicals Corporation, Iselin New Jersey, w. 6 1⁄4” (159 mm); wt. 100 oz (3100 gm); Silver In American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, 1979., 2018
Charcoal on paper
14h x 11w in
35.56h x 27.94w cm


Sean Micka
• Silver, 1978, Engelhard Minerals & Chemicals Corporation, Iselin New Jersey, w. 6” (152 mm); wt. 2 oz, 15 dwt. (85 gm); Silver In American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, 1979., 2018
Charcoal on paper
14h x 11w in
35.56h x 27.94w cm


Sean Micka
MAKERS MARK OF JOHN COBURN, BOSTON, CIRCA 1750 (613 A PAIR OF FINE AMERICAN SILVER SAUCEBOATS, base engraved with block initials S*H, each marked under base, 8 ½ in long, 5 in high (29 oz) - $30,000-40,000, PROVENANCE: Woodbury Family of Beverly Massachusetts; One, The Estate of Allan Winslow Furber, sold in these Rooms, January 24, 1987, lot 81; One, Firestone & Parson, Boston), 2019
Oil on Canvas
14h x 11w in
35.56h x 27.94w cm


Sean Micka
Detail of mark on Sugar Bowl: H Anvil S (HANDICRAFT SHOP), L Mark (LEINONEN), Hot Beverage Set, Boston, 1906, Karl F Leinonen (1866-1957), H. pot 8 1/16” (205 mm); WT. pot 13 oz, 17 dwt (429 gm). Gift of Mrs. Alfred E Bissel and Mrs. Edward Leisenring in memory of Alfred Elliott Bissell, B.A., 1925-1978.6A-D, Silver In American Life: Selections from the Mabel Brady Garvan and Other Collections at YALE University, 1979., 2019
Charcoal on paper
14h x 11w in
35.56h x 27.94w cm


Sean Micka
• Gen. US Grant and his party visiting the Comstick Lode, 1879. [The Magnificent Mackey Dinner Service] Sale Code: CHIPPENDALE 7000, 2018
Charcoal on paper
14h x 11w in
35.56h x 27.94w cm





MARC BIJL. After Dark.
@GALERIE REINHARD HAUFF
Paulinenstr. 47
D - 70178 Stuttgart
Germany
09.11.2018 – 25.01.2019

installation views









































Addiction, 2018,
powder coated aluminum, 100 x 70 cm


Father, Mother, Children (glitched version), 2018,
powder coated aluminum and spray paint, 94 x 58 cm


Gradient Decorum, 2018,
powder coated aluminum, 100 x 70 cm


Structure / Chaos (Icosahedron), 2018,
deco light tubes, power cables, gaffa tape and cable ties, diameter: appr. 250 cm


Retro wars, 2018,
powder coated aluminum, 124 x 200 cm


Sculpture, 2016,
powder coated aluminum, 98 x 60 x 60 cm


Paris, 2015,
powder coated aluminum, 150 x 100 cm





Mark Sheinkman: New Paintings
@Von Lintel Gallery
1206 Maple Ave # 212
Los Angeles, CA 90015
USA
September 7 – October 12, 2019


Mark Sheinkman, Dewey, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)


Mark Sheinkman, Elton, 2019,
oil on linen, 32 x 54 inches (81.3 x 137.2 cm)


Mark Sheinkman, Kingston, 2019,
oil on linen, 55 x 72 inches (139.7 x 182.9 cm)


Mark Sheinkman, Van Buren, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)


Mark Sheinkman, Hegeman, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)


Mark Sheinkman, Schroeders, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)


Mark Sheinkman, Wyona, 2019,
oil on linen, 42 x 34 inches (106.7 x 86.4 cm)


Mark Sheinkman, Logan, 2019,
oil on linen, 42 x 34 inches (106.7 x 86.4 cm)


Mark Sheinkman, Bradford, 2019,
oil on linen, 42 x 34 inches (106.7 x 86.4 cm)


Mark Sheinkman, Doscher, 2019,
oil on linen, 32 x 54 inches (81.3 x 137.2 cm)


Mark Sheinkman, Snedicker, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)


Mark Sheinkman, Warwick, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)


Mark Sheinkman, Saratoga, 2019,
oil on linen, 42 x 34 inches (106.7 x 86.4 cm)


Mark Sheinkman, Sheperd, 2019,
oil on linen, 32 x 24 inches (81.3 x 61.0 cm)


Mark Sheinkman, Glenmore, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)


Mark Sheinkman, Auburn, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)


Mark Sheinkman, Atkins, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)





Jean-Pierre Sudre
@Gitterman Gallery
41 East 57th Street
Suite 1103
New York, NY 10022
USA
Sep 11 – Nov 9, 2019


Jean-Pierre Sudre , Soleil , 1965-1967
Vintage toned gelatin silver print; Mordançage , 19 7/8 x 14 3/4 in. (50.5 x 37.5 cm)


Jean-Pierre Sudre, Soleil, 1965-1967
Vintage toned gelatin silver print; Mordançage, 19 7/8 x 14 3/4 in. (50.5 x 37.5 cm)


Jean-Pierre Sudre, Untitled, c. 1967
Vintage toned gelatin silver print, 15 9/16 x 10 7/8 in. (39.5 x 27.6 cm)


Jean-Pierre Sudre, Diamantine, 1964
Vintage gelatin silver print, 15 11/16 x 11 15/16 in. (39.9 x 30.3 cm)


Jean-Pierre Sudre, Apocalypse, Révélation, c. 1965-1967
Vintage toned gelatin silver print; Mordançage, 11 3/4 x 9 3/8 in. (29.8 x 23.8 cm)


Jean-Pierre Sudre, Apocalypse, Révélation, 1967
Vintage gelatin silver print, 20 3/8 x 16 in. (51.8 x 40.6 cm)


Jean-Pierre Sudre, Apocalypse, Révélation, 1967
Vintage gelatin silver print, 15 3/4 x 8 11/16 in. (40 x 22.1 cm)


Jean-Pierre Sudre, Apocalypse, Révélation, 1967
Vintage toned gelatin silver print, 15 5/8 x 9 7/8 in. (39.7 x 25.1 cm)


Jean-Pierre Sudre, Untitled, 1965
Vintage gelatin silver print, 11 7/8 x 9 1/2 in. (30.2 x 24.1 cm)


Jean-Pierre Sudre, Apocalypse, Révélation, 1967
Vintage toned gelatin silver print, 15 11/16 x 12 in. (39.9 x 30.5 cm)


Jean-Pierre Sudre, Apocalypse, Révélation, 1965
Vintage gelatin silver print, 15 9/16 x 11 3/4 in. (39.5 x 29.8 cm)


Jean-Pierre Sudre, Matériographie, 1965-67
Vintage toned gelatin silver print, 23 7/8 x 19 3/4 in. (60.6 x 50.2 cm)


Jean-Pierre Sudre, Matériographie, c. 1965-67
Vintage gelatin silver print, 19 5/8 x 23 15/16 in. (49.9 x 60.8 cm)


Jean-Pierre Sudre, Apocalypse, Révélation, 1965
Vintage gelatin silver print, 15 3/4 x 12 in. (40 x 30.5 cm)


Jean-Pierre Sudre, Soleil, c. 1965-67
Vintage gelatin silver print, 23 1/2 x 19 5/8 in. (59.7 x 49.9 cm)


Jean-Pierre Sudre, Matériographie, c. 1960-65
Vintage toned gelatin silver print; Mordançage, 12 1/8 x 16 1/2 in. (30.8 x 41.9 cm)


Jean-Pierre Sudre, Soleil, 1975
Vintage toned gelatin silver print; Mordançage, 15 11/16 x 11 1/4 in. (39.9 x 28.6 cm)


Jean-Pierre Sudre, Untitled, c. 1968
Vintage toned gelatin silver print; Mordançage, 6 5/8 x 8 7/8 in. (16.8 x 22.5 cm)


Jean-Pierre Sudre, Matériographie, 1970
Vintage toned gelatin silver print; Mordançage, 15 5/8 x 11 1/8 in. (39.7 x 28.3 cm)


Jean-Pierre Sudre, Matériographie, 1970
Vintage toned gelatin silver print; Mordançage, 11 1/4 x 15 5/8 in. (28.6 x 39.7 cm)





Christofer Churchill / Mike Kelley
@PARRASCH HEIJNEN GALLERY
1326 S Boyle Ave, Los Angeles, CA 90023, United States of America
September 7 – October 12, 2019

installation views












works

memo (overseas): Jan10,2020

ex-chamber memo (overseas): Jan10,2020

Heather Day + Kathryn Macnaughton: Pour
@Joshua Liner Gallery
540 West 28th Street
New York, NY 10001
USA
January 24 to February 23, 2019

installation views

















Heather Day
Peripheries #2
Acrylic, soft-pastel, charcoal, graphite on canvas
2018
56 x 72 inches


Heather Day
I Read Them All #2
Acrylic, graphite, spray paint on canvas
2018
48 x 56 inches


Heather Day
I Read Them All
Acrylic, spray paint on canvas
2018
48 x 56 inches


Heather Day
Peripheries
Acrylic, soft-pastel, ink, spray paint on canvas
2018
56 x 48 inches


Kathryn Macnaughton
Ripple
Acrylic on canvas
2018
60 x 48 inches


Kathryn Macnaughton
Cascade
Acrylic on canvas
2018
60 x 48 inches


Kathryn Macnaughton
Agile
Acrylic on canvas
2019
48 x 48 inches


Kathryn Macnaughton
Push Through
Acrylic on canvas
2018
48 x 48 inches


Heather Day
Notes for Later #3
Acrylic, soft-pastel, charcoal, spray paint on canvas
2018
48 x 36 inches


Kathryn Macnaughton
Nestle
Acrylic on canvas
2019
36 x 42 inches


Kathryn Macnaughton
Drift
Acrylic on canvas
2019
36 x 42 inches


Heather Day
Chatham #4
Acrylic, soft-pastel, graphite on paper
2018
30 x 22 inches


Heather Day
Are You Serious #6
Acrylic, soft-pastel on paper
2018
30 x 22 inches


Heather Day
Chatham #3
Acrylic, charcoal, graphite on paper
2018
30 x 22 inches


Heather Day
Chatham #7
Acrylic, soft-pastel on paper
2018
30 x 22 inches





MARIE BUSKOV / This Particular Place / New Sculptures
@Galleri Riis, Oslo
Arbins gate 7, NO-0253 Oslo
Norway
January 24 – March 02, 2019

installation views











This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP




This Particular Place III, 2018. Patinated bronze, 94,5 x 63,5 x 16 cm. Ed. 2 + 1 AP
















This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP


This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP


This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP


This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP


This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP


This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP


This Particular Place I, 2018. Detail


This Particular Place I, 2018. Detail


This Particular Place III, 2018. Patinated bronze, 94,5 x 63,5 x 16 cm. Ed. 2 + 1 AP


This Particular Place III, 2018. Patinated bronze, 94,5 x 63,5 x 16 cm. Ed. 2 + 1 AP


This Particular Place III, 2018. Patinated bronze, 94,5 x 63,5 x 16 cm. Ed. 2 + 1 AP


This Particular Place II, 2018. Patinated bronze, 58,5 x 106,5 x 21 cm. Ed. 2 + 1AP


This Particular Place II, 2018. Patinated bronze, 58,5 x 106,5 x 21 cm. Ed. 2 + 1AP


This Particular Place II, 2018. Patinated bronze, 58,5 x 106,5 x 21 cm. Ed. 2 + 1AP


This Particular Place II, 2018. Patinated bronze, 58,5 x 106,5 x 21 cm. Ed. 2 + 1AP


Into This Space III, 2019. Watercolor and color pencil on paper, 43,2 x 34,3 cm


Into This Space I, 2019. Watercolor and crayon on paper, 40 x 25,8 cm


Scarpa #I, 2019. Watercolor, crayon and casein on paper, 32,5 x 49,4 cm


Scarpa #II, 2019. Watercolor, crayon and casein on paper, 32,5 x 49,2 cm


Into This Space II, 2019. Watercolor and crayon on paper, 40,3 x 29 cm


Sequence, 2018. Bronze, 24,7 x 25,5 x 12,4 cm. Ed. 9 + 1 AP


Sequence, 2018. Bronze, 24,7 x 25,5 x 12,4 cm. Ed. 9 + 1 AP


Sequence, 2018. Bronze, 63,5 x 66,5 x 34 cm. Ed. 3 + 1 AP


Sequence, 2018. Bronze, 63,5 x 66,5 x 34 cm. Ed. 3 + 1 AP





Johanna Calle: The Absence
@Josée Bienvenu Gallery
529 West 20th Street
(between 10th & 11th Avenues)
New York, NY 10011
USA
March 7 – April 13, 2019

installation views





Johanna Calle
Cachés II, 2018
Cardboard on paper
10h x 12w in
25.40h x 30.48w cm
Framed: 10.50h x 12.50w in
26.67h x 31.75w cm


Johanna Calle
Cachés, 2018
Cardboard on Paper
10h x 12w in
25.40h x 30.48w cm
Framed: 10.50h x 12.50w in
26.67h x 31.75w cm


Johanna Calle
Nispero (Árbol), 2016
Typed text on vintage paper
32.48h x 32.48w in
82.50h x 82.50w cm


Johanna Calle
LAPSUS (1962), 2013
Cuts on anonymous C-prints
20h x 27.80w in
50.80h x 70.61w cm


Johanna Calle
Compendium: Los Ballentos son Algo Sensacional: Chavela Vargas, 2014
Graphite, ink, letraset on cut newspapers and negatives mounted on museum board
20h x 16w in
50.80h x 40.64w cm
Framed: 20.50h x 16.50w in
52.07h x 41.91w cm





Monica Bonvicini: bind me! torture me!
@Galerie Peter Kilchmann
Zahnradstrasse 21
CH-8005 Zurich
Switzerland
June 8 - July 26, 2019

installation views













Furious Knitting #1, 2019
Silkscreen print on aluminium
Ed. of 5 (+ 2 AP)
75 x 100.5 cm (29 1/2 x 39 5/8 in.)
BONV23231


Marlboro Man, 2019
Silkscreen print on aluminium
Ed. of 5 (+ 2 AP)
100 x 150 cm (39 3/8 x 59 in.)
BONV23227


from the series bind me! torture me! #6, 2019
Ink drawing and pigment print on Hahnemühle paper
Unique
37.5 x 51 cm (14 3/4 x 20 1/8 in.), framed
BONV23108


3rd Act / Never Die for Love, 2019
Installation, consisting of two objects, Glenos LED light, stainless steel, cable, wheels
Unique
199 x 91 x 91 cm
135 x 115 x 115 cm
BONV23134


Anger is the Best, 2019
Tempera and spray paint on Fabriano paper
200 x 150 cm (78 3/4 x 59 in.)
BONV23216




Fleurs du Mal (droop), 2019
Hand-blown glass, bronze
Unique
60.5 x 60 x 60 cm (23 7/8 x 23 5/8 x 23 5/8 in.)
BONV23123


Anger is Like, 2019
Tempera on Fabriano paper
200 x 150 cm (78 3/4 x 59 in.)
BONV23215


Grab Them by the Balls #2, 2019
Bronze
30 x 14 x 8.5 cm (11 3/4 x 5 1/2 x 3 3/8 in.)
BONV23242





WOLFGANG FLAD. Butterfly Effect.
@GALERIE REINHARD HAUFF
Paulinenstr. 47
D - 70178 Stuttgart
Germany
08.02.2019 – 29.03.2019

installation views

















UNTITLED (# Y503), 2019,
aluminum, appr. 54 x 43 x 3 cm


UNTITLED (# W921), 2019,
aluminum, appr. 107 x 86,5 x 3 cm





Joe Rudko: Tiny Mirrors
@Von Lintel Gallery
1206 Maple Ave # 212
Los Angeles, CA 90015
USA
October 26 – December 21, 2019


Joe Rudko, Blue Album, 2019,
Hand embellishment on found photographs, photo corners, on paper, 50 x 38 inches, Unique


Joe Rudko, Flower Filter, 2019,
Found book plate on paper, 15 x 11 inches, Unique


Joe Rudko, Tangled Loop, 2019,
Found photographs on paper, 30 x 22 inches, Unique


Joe Rudko, White Web, 2019,
Found photographs on paper, 30 x 22 inches, Unique


Joe Rudko, Web, 2019,
Found photographs on paper, 30 x 22 inches, Unique


Joe Rudko, Shapeshifter, 2019,
Found photographs on paper, 50 x 38 inches, Unique


Joe Rudko, Rainbow Lean, 2019,
Found photographs on paper, 30 x 22 inches, Unique


Joe Rudko, Quadruple Portrait, 2017,
Found photographs on paper, 15 x 11 inches, Unique


Joe Rudko, Picture in Picture, 2019,
Found photographs on paper, 30 x 22 inches, Unique


Joe Rudko, Double Image, 2019,
Found photographs on paper, 22 x 30 inches, Unique


Joe Rudko, Color Profile, 2019,
Found photographs on paper, 15 x 11 inches, Unique


Joe Rudko, RGB Venn Diagram, 2019,
Found photographs on paper, 30 x 22 inches, Unique


Joe Rudko, Casual Man, 2019,
Found book plate on paper, 15 x 11 inches, Unique

memo (overseas): Jan09,2020

ex-chamber memo (overseas): Jan09,2020

Ted Larsen: Future Living In Yesterday's Tomorrow
@Joshua Liner Gallery
540 West 28th Street
New York, NY 10001
USA
April 4 to May 4, 2019

installation views















Ted Larsen
Young Adult
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2018
24 1/2 x 21 x 3 inches


Ted Larsen
Office Park
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2018
24 1/2 x 21 x 3 inches


Ted Larsen
Outer Core
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2018
24 1/2 x 21 x 3 inches


Ted Larsen
Cold Fever
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
13 x 10 1/4 x 8 inches


Ted Larsen
Clean Boy
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
10 x 12 1/2 x 8 inches


Ted Larsen
Bird Dog
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
9 1/2 x 8 1/2 x 6 1/2 inches


Ted Larsen
Horse Fly
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
11 x 8 x 6 1/8 inches


Ted Larsen
Weekday
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
10 x 11 x 5 1/8 inches


Head Butt
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
9 x 6 x 4 1/4 inches


Ted Larsen
Graduate Student
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
8 x 6 1/2 x 4 1/4 inches


Ted Larsen
Good Grief
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
7 x 8 x 4 3/4 inches


Ted Larsen
Designer Jeans
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
7 x 7 x 2 1/8 inches


Ted Larsen
Big Sip
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
7 x 6 3/4 x 2 1/8 inches


Ted Larsen
Bad Sport
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
7 1/2 x 7 x 2 1/8 inches





FREDRIK SÖDERBERG: I stepped into an avalanche, It covered up my soul / New paintings
@Galleri Riis, Oslo
Arbins gate 7, NO-0253 Oslo
Norway
January 24 – March 02, 2019

installation views







































Altaret, 2018. Oil on canvas, 120 x 90 x 2,5 cm


Den sanna knuten, 2019. Oil on canvas, 77,5 x 61,5 x 2,5 cm


Den nattlige, 2018. Oil on canvas, 190 x 160 x 3 cm


Natten, 2019. Watercolor and varnish on paper in artist´s frame, 74 x 54 x 4,2 cm


De mörka timmarna, 2018. Oil on canvas, 70 x 55 x 1,5 cm


Ljuset, 2019. Oil on canvas, 55,5 x 35,5 x 2 cm


Ett rum med utsikt, 2018. Oil on canvas, 120 x 90 x 2,5 cm


Bygnaden, 2019. Oil on canvas, 190 x 160 x 3 cm


Det äventyrliga hjärtat, 2018. Watercolor and varnish on paper in artist´s frame, 158 x 108 x 5,2 cm


Nöten, 2019. Oil on canvas, 34 x 24,5 x 2 cm


Vägen, 2019. Oil on canvas, 38,5 x 28,5 x 2 cm


Albert Speers gatlyckta, 2019. Watercolor and pencil on paper in artists frame, 227 x 79 x 5,2 cm





SUPERFLEX: Connect With Us
@von Bartha, Basel
Kannenfeldplatz 6
CH-4056 Basel
Switzerland
Nov 16 2018 – Jan 19 2019

installation views







Connect With Me, 2018
Painted steel Total dimensions variable
Object A: 159 x 297 cm


Connect With Me, 2018
Painted steel Total dimensions variable
Object C: 147 x 160 cm


Connect With Me, 2018
Painted steel Total dimensions variable
Object D: 86 x 423 cm


Connect With Me, 2018
Painted steel Total dimensions variable
Object B: 317 x 287 cm





Marco Maggi INITIALISM (From Obscurantism to Enlightenment) photo c Ugo Carmeni
@Josée Bienvenu Gallery
529 West 20th Street
(between 10th & 11th Avenues)
New York, NY 10011
USA
September 12 – November 16, 2019


Photograph by Ugo Carmeni @ugocarmeni_studio


Marco Maggi
INITIALISM (From Obscurantism to Enlightenment), Installation View
photo c Ugo Carmeni


Marco Maggi
INITIALISM (From Obscurantism to Enlightenment), Installation View
photo c Ugo Carmeni


Marco Maggi
INITIALISM (From Obscurantism to Enlightenment), Installation View
photo c Ugo Carmeni


Marco Maggi
INITIALISM (From Obscurantism to Enlightenment), Installation View
photo c Ugo Carmeni


Marco Maggi
Waiting to Surface (U), 2019
Self-Adhesive paper on paper
24h x 18 in
60.96h x 45.72w cm
photo c Ugo Carmeni


Marco Maggi
Waiting to Surface (U), 2019 Detail View
photo c Ugo Carmeni


Marco Maggi
Waiting to Surface (E), 2019
Self-Adhesive paper on paper
24h x 18 in
60.96h x 45.72w cm
photo c Ugo Carmeni


Marco Maggi
Waiting to Surface (E), 2019 Detail View
photo c Ugo Carmeni





DAGOBERTO RODRIGUEZ: PUENTES INVERTIDOS
@Galerie Peter Kilchmann
Zahnradstrasse 21
CH-8005 Zurich
Switzerland
Sept. 6 - Oct. 12, 2019

installation views













Cocaina y Comunismo, 2019
Chrome bronze and rubber
Each
Unique
73 x 73 x 12 cm (28 3/4 x 28 3/4 x 4 3/4 in.)
RODRI23338


Emblema Ruso, 2019
Chrome bronze
Ed. 1/5 (+ 2 AP)
23 x 64 x 4 cm (9 x 25 1/4 x 1 5/8 in.)
RODRI23404





FRANK AHLGRIMM. nourish your doubt.
@GALERIE REINHARD HAUFF
Paulinenstr. 47
D - 70178 Stuttgart
Germany
21.09.2019 – 15.11.2019

installation views











































too big to fail (diptych), 2019,
oil and acrylic on printed vinyl, 260 x 400 cm


Untitled, 2019,
mixed media, image: 81 x 122 cm, frame: 92 x 132,5 cm


Untitled, 2019,
mixed media, image: 81 x 122 cm, frame: 92 x 132,5 cm


Untitled, 2019,
mixed media, image: 81 x 122 cm, frame: 92 x 132,5 cm


First time real 1, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm


Pflege deinen Zweifel, 2019,
acrylic and lacquer on printed vinyl, 180 x 128 cm


SECRETLY, 2019,
acrylic spray and lacquer on canvas, 160 x 140 cm


NOURISH YOUR DOUBT, 2019,
acrylic spray and lacquer on canvas, 160 x 140 cm


Untitled, 2019,
acrylic on canvas, 150 x 150 cm


First time real 3, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm


First time real 11, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm


First time real 12, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm


First time real 4, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm


First time real 5, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm


First time real 7, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm


First time real 8, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm


First time real 9, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm


First time real 10, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm


Untitled, 2019,
acrylic on canvas, 124,5 x 102,5 cm


PLACEBO, 2019,
acrylic spray and lacquer on canvas, 160 x 140 cm


SEE TRUE, 2019,
acrylic spray and lacquer on canvas, 160 x 140 cm


Der Morgen stirbt nie, 2019,
acrylic and lacquer on printed vinyl, 170 x 260 cm


Forward Message 7, 2018,
acrylic on canvas, 126 x 103 cm


Forward Message 4, 2018,
acrylic on canvas, 260 x 200 cm


Kick Orange I, 2017,
oil and spray paint on canvas, 127 x 104 cm


O.T., 2017,
oil and spray paint on canvas, 145 x 115 cm


Young Gray, 2017,
oil and spray paint on canvas, 160 x 133 cm


Cuts #1, 2017,
oil and acrylic on canvas, 160 x 140 cm


Quid pro Quo, 2016,
oil and spray paint on canvas, 260 x 200 cm


Cuts, Nr. 7, 2012,
oil and acrylic on canvas, 86 x 70 cm


Paloma Picasso, 2011,
mixed media and collage on paper, 29,5 x 21 cm, frame: 37,2 x 30,3 cm


immer cremen, 2011,
mixed media and collage on paper, 29,5 x 21 cm, frame: 37,2 x 30,3 cm


Point, 2010,
mixed media on canvas, 260 x 200 cm


Social Jetlag 1, 2010,
oil and acrylic on printed vinyl, 260 x 200 cm


Social Jetlag 2, 2010,
oil and acrylic on printed vinyl, 260 x 200 cm


Untitled (from the series „Stylen kann Strapazieren“), 2009,
collage on metallic paper, 69,5 x 49 cm


transit 3, 2008,
acrylic, oil and lacquer on canvas, 260 x 200 cm


Blockade, 2007,
acrylic, oil and lacquer on canvas, 210 x 280 cm


Support, 2007,
mixed media and collage on paper, 29,5 x 21 cm, frame: 33,3 x 24,5 cm


charakter & talent, 2007,
mixed media and collage on paper, 29,5 x 21 cm, frame: 33,3 x 24,5 cm


Selektion, 2005,
acrylic, oil and industrial lacquer on canvas, 270 x 210 cm


Farben der Saison, 2001,
oil, acrylic, and fluorescent spray paint on canvas, 250 x 210 cm

memo (overseas): Jan08,2020

ex-chamber memo (overseas): Jan08,2020

Louise Blyton: All the Birds are Singing
@Joshua Liner Gallery
540 West 28th Street
New York, NY 10001
USA
April 4 to May 4, 2019

installation views

















Louise Blyton
Breath of the Mountain
Pigment on linen
2019
35 1/2, 23 1/2, and 19 3/4 inch diameters


Louise Blyton
Perfume Shadows
Pigment on linen
2019
38 x 66 1/4 inches


Louise Blyton
The Long Red Line
Acrylic on linen
2018
75 x 2 x 10 1/4 inches


Louise Blyton
The Joyous Boat
Acrylic on linen
2018
55 x 2 x 10 inches


Louise Blyton
Silent Glades
Pigment on linen
2019
42 x 12 inches each


Louise Blyton
Yesterday and Tomorrow
Acrylic on linen
2019
23 3/4 x 27 1/2 inches each


Louise Blyton
Daydreamer
Acrylic on linen
2018
20 x 16 x 2 1/2 inches each


Louise Blyton
Memory and Memory
Pigment on linen
2018
20 x 11 3/4 inches each


Louise Blyton
Be the Blossoms
Acrylic on linen
2019
16 x 21 3/4 x 12 inches


Louise Blyton
Long Love Days
Acrylic on linen
2019
8 x 17 1/2 inches each


Louise Blyton
Deep Under the Sea
Acrylic on linen
2017
12 x 20 inches


Louise Blyton
Days Sliding By
Pigment on linen
2019
5 x 26 inches


Louise Blyton
Almost with You
Acrylic on linen
2018


Louise Blyton
Some Fragrant Night
Acrylic on linen
2019
12 x 28 x 3 inches


Louise Blyton
The Sky goes Wandering By
Acrylic on linen
2019
10 x 28 x 3 1/2 inches


Louise Blyton
In Sunshine and in Shadow
Acrylic on linen
2018
12 x 2 x 10 inches each


Louise Blyton
Wall Kiss
Acrylic on linen
2017
18 x 8 x 5 inches


Louise Blyton
Three Ways
Acrylic on linen
2018
18 1/4 x 12 x 9 3/4 inches


Louise Blyton
My Friend the Sea
Acrylic on linen
2019
10 x 16 x 2 1/2 inches


Louise Blyton
Dear Sweet Idle Time
Acrylic on linen
2019
8 x 24 x 2 1/4 inches


Louise Blyton
A Hundred Turns Left to Go
Acrylic on linen
2018
15 x 12 x 12 inches


Louise Blyton
Sugarcube
Acrylic on linen
2019
12 x 10 3/4 x 12 inches


Louise Blyton
Never and Forever
Acrylic on linen
2018
19 1/2 x 2 x 2 inches


Louise Blyton
Take This Kiss
Acrylic on linen
2018


Louise Blyton
Sugarcube (Sitting Pretty)
Acrylic on linen
2018
10 x 8 1/2 x 8 inches


Louise Blyton
Moment by Moment by Moment
Acrylic on linen
2019
15 x 4 x 3 inches


Louise Blyton
Little Goings
Acrylic on linen
2018
8 x 6 1/2 x 2 1/2 inches


Louise Blyton
Hot Box
Acrylic on linen
2018
4 x 14 1/2 x 7 1/2 inches


Louise Blyton
Love's Track
Pigment on linen
2019
12 x 12 inches
2019 framed





BENJAMIN KING: Homeland
@Freight + Volume
97 Allen St. (storefront)
New York, NY 10002
USA
January 24 – February 24, 2019


Benjamin King
Untitled VII, 2018
acrylic on paper
19h x 24w in
BK039


Benjamin King
Untitled VI, 2018
acrylic on paper
19h x 24w in
BK018


Benjamin King
Untitled V, 2018
acrylic on paper
19h x 24w in
BK038


Benjamin King
Untitled III, 2017
acrylic on canvas
14h x 14w in
BK037


Benjamin King
Untitled II, 2018
acrylic on canvas
16h x 20w in
BK036


Benjamin King
Untitled I, 2018
acrylic on canvas
20h x 20w in
BK032


Benjamin King
Rebel Run, 2018
acrylic and sand on canvas
50h x 60w in
BK035


Benjamin King
Buy Baby, 2018
acrylic on canvas
40h x 60w in
BK034


Benjamin King
The Big System, 2018
acrylic on canvas
72h x 72w in
BK033


Benjamin King
East of West, 2017
acrylic on canvas
48h x 60w in
BK030


Benjamin King
The Fundamentals, 2018
acrylic, sand, ceramic paste and hot glue on canvas
72h x 90.50w in
BK027


Benjamin King
As It Ever Was, 2016
acrylic and glitter on canvas
70h x 54w in
BK026


Benjamin King
Travelers, 2017
acrylic on canvas
24h x 30w in
BK023


Benjamin King
Magic Carpet, 2017
acrylic on canvas
36h x 36w in
BK022


Benjamin King
Relative Displacement, 2018
acrylic and sand on canvas
72h x 72w in
BK021


Benjamin King
Strategies to Build the Financial Sustainability of Your Institution, 2018
acrylic on canvas
72h x 72w in
BK017


Benjamin King
Affliction of Separation, 2018
acrylic on canvas
36h x 30w in
BK015


Untitled IV, 2018, acrylic on paper, 19 x 24 inches





STEIN RØNNING: 40 Pictures
@Galleri Riis, Oslo
Arbins gate 7, NO-0253 Oslo
Norway
March 09 – March 30, 2019

installation views







































40 Pictures No 34/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 30,8 x 27,2 cm. Ed. 5 + 2AP


40 Pictures No 24/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 35,5 x 33 cm. Ed. 5 + 2AP


40 Pictures No 27/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 40 x 42,2 cm. Ed. 5 + 2AP


40 Pictures No 25/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 36 x 33,4 cm. Ed. 5 + 2AP


40 Pictures No 26/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 38 x 31 cm. Ed. 5 + 2AP


40 Pictures No 33/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 44,8 x 42,7 cm. Ed. 5 + 2AP


40 Pictures No 35/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 33,4 x 32,5 cm. Ed. 5 + 2AP


40 Pictures No 28/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 36,8 x 36,2 cm. Ed. 5 + 2AP


40 Pictures No 38/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 31,7 x 34,4 cm. Ed. 5 + 2AP


40 Pictures No 37/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 36 x 38,3 cm. Ed. 5 + 2AP


40 Pictures No 29/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 36 x 24 cm. Ed. 5 + 2AP


40 Pictures No 30/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 39,8 x 27,4 cm. Ed. 5 + 2AP


40 Pictures No 31/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 40 x 30,7 cm. Ed. 5 + 2AP


40 Pictures No 32/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 42,8 x 40,5 cm. Ed. 5 + 2AP


40 Pictures No 22/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 35,5 x 38,5 cm. Ed. 5 + 2AP


40 Pictures No 39/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 35,6 x 37,2 cm. Ed. 5 + 2AP





ANN IREN BUAN: STAY
@APALAZZOGALLERY
Piazza Tebaldo Brusato
35 25121 Brescia
Italy
JANUARY 19, 2019 - MARCH 10, 2019

installation views




































MARIANNE EIGENHEER
@von Bartha, Basel
Kannenfeldplatz 6
CH-4056 Basel
Switzerland
Mar 23 – May 11 2019

installation views















Objektive Malerei, 1982
Acrylic on panel
147 x 280 x 2.5 cm

memo (overseas): Jan07,2020

ex-chamber memo (overseas): Jan07,2020

Jen Stark: Dimensionality
@Joshua Liner Gallery
540 West 28th Street
New York, NY 10001
USA
June 20 to July 19, 2019

installation views

















Jen Stark
Perception
Mirrored stainless steel, acrylic paint
2019
64 x 85 x 1 inches


Jen Stark
Squared
Powder coated aluminum
2019
29 1/2 x 23 3/4 x 10 inches


Jen Stark
Prismatic Iridescence
Iridescent acrylic paint on wood
2019
57 x 46 x 1/2 inches


Jen Stark
Ember
Acrylic on wood
2018
48 x 59 x 1/2 inches


Jen Stark
Spirit Molecule #1
Laser cut mirrored acrylic on wood
2019
24 inch diameter (3/4 inch depth)


Jen Stark
Reflective Cascade #4
Laser cut mirrored acrylic on wood
2019
24 inch diameter


Jen Stark
Dimensional Shift
11 color silkscreen with color shifting pigment
2019
24 3/4 × 20 3/4 in
Edition of 35


Jen Stark
30 Cubed
Powder coated aluminum and monofilament
2019
30 x 30 x 30 inches


Jen Stark
30 Cubed (Back)
Powder coated aluminum and monofilament
2019
30 x 30 x 30 inches


Jen Stark
Gradial Continuum (Front)
Mirrored stainless steel, acrylic paint, and monofilament
2019
36 x 36 x 48 inches


Jen Stark
Gradial Continuum (Back)
Mirrored stainless steel, monofilament & acrylic paint
2019
36 x 36 x 48 inches


Jen Stark
Ethereal Vortex
Acrylic on wood with Lightform projections
2019
60 x 60 x 1/2 inches





NICHOLAS CUEVA: Sex Wax
@Freight + Volume
97 Allen St. (storefront)
New York, NY 10002
USA
April 11 – May 19, 2019


Ecclesiastes (Kohelet) 1:7, 2018, acrylic on fabric, 12h x 9w in


Peak Shift (after Niko Tinbergen), 2019, acrylic on hand woven fabric, 12h x 9w in


Head Injury, 2018, acrylic on fabric, 56h x 56w in


Q, 2018, acrylic on fabric, 106h x 52w in


Phtheosophical, 2018, acrylic on fabric, 12h x 9w in


Walking Away, 2018, acrylic on fabric, 30h x 36w in


All's Quiet on the Western Front, 2018, acrylic on fabric, 8h x 10w in





HANNELINE RØGEBERG / zerosandones
@Galleri Riis, Oslo
Arbins gate 7, NO-0253 Oslo
Norway
April 04 – April 27, 2019

installation views

















Zeroandones V, 2018. Oil on canvas, 76 x 61 cm


Zeroandones VII, 2018. Oil on canvas, 76 x 61 cm


Bigger Half, raised (general assembly), 2013. Oil on canvas, 274 x 203 cm


Bigger Half, raised (general assembly), 2013. Detail


Zeroandones I, 2018. Oil on canvas, 76 x 61 cm


Zeroandones VI, 2018. Oil on canvas, 76 x 61 cm


Zeroandones III, 2018. Oil on canvas, 76 x 61 cm


Bigger Half, flat, 2013. Oil on canvas, 274 x 203 cm


Bigger Half, flat, 2013. Detail





John Baldessari: Prints
@Brooke Alexander Gallery
59 Wooster Street
New York, NY 10012
USA
September 12 – November 2, 2019

installation views















Paradise, 1989-90
photogravure with color aquatint
28 x 53 1/2 inches / 71.1 x 135.9 cm
Edition of 45


Six Rooms, 1993
colo