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ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
小坂学 Manabu Kosaka
後藤勇治 Yuji Goto
坂本睦美 Mutsumi Sakamoto
佐藤明日香 Asuka Satow
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
照井譲 Yuzuru Terui
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2020年01月20日

memo (overseas): Jan20,2020

ex-chamber memo (overseas): Jan20,2020

In Focus: Teresita Fernández
@Lehmann Maupin, New York, W 24th Street
501 W 24th Street
New York, NY 10011
USA
November 7, 2019 – January 4, 2020

installation views
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TERESITA FERNÁNDEZ
Dark Earth (Subterranean), 2019 (detail)
Solid charcoal and mixed media on chromed panel
80 x 64 x 2 inches
203.2 x 162.6 x 5.1 cm





Robert Bordo: crackup (crackdown)
@BORTOLAMI
39 Walker Street
New York, NY 10013
USA
15 NOV – 20 DEC 2019

installation views
1crackup-crackdown.jpg

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Robert Bordo, crackup #1 (oil field), 2019, Oil on canvas, 63 x 84 in (160 x 213.4cm)

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Robert Bordo, crackup #11 (crackup/crackdown), 2019, Oil on canvas, 80 x 60 in (203.2 x 152.4cm)

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Robert Bordo, crackup #13 (witch), 2019, Oil on canvas, 63 x 84 in (160 x 213.4cm)

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Robert Bordo, crackup #15 (monster mash), 2019, Oil on canvas, 84 x 63 in (213.4 x 160cm)

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Robert Bordo, bird/window #4, 2019, Oil on linen, 20 x 16 in (50.8 x 40.6cm)

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Robert Bordo, crackup #10 (frost), 2019, Oil on canvas, 75 x 56 in (190.5 x 142.2cm)

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Robert Bordo, crackup #12 (Frida), 2019, Oil on canvas, 84 x 63 in (213.4 x 160cm)

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Robert Bordo, crackup #14, 2019, Oil on canvas, 75 x 56 in (190.5 x 142.2cm)

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Robert Bordo, crackup #8 (beast), 2019, Oil on canvas over panel, 84 x 63 in (213.4 x 160cm)





Kim Cadmus Owens: Forced Perspective
@Holly Johnson Gallery
1845 Levee St. #100
Dallas, TX 75207
USA
Sep 7 – Nov 16, 2019

installation views
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Kim Cadmus Owens, Les Poupees , 2017-2019 Oil and acrylic on wood panel, 24 x 24 in.

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Kim Cadmus Owens, Joyce , 2017-2019 Oil and acrylic on wood, 24 x 24 in.

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Kim Cadmus Owens, Mirage: Desert/Ocean , 2016 motion raster graphics, led lcd monitor, plywood

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Kim Cadmus Owens, Good Luck, Car, Drive Thru, Wash, Beer, Wine, Best, ₵), , 2019 Oil and acrylic on wood, 24 x 24 in.

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Kim Cadmus Owens, New Standard , 2004 Oil and acrylic on canvas, 48 x 48 in. (121.9 x 121.9 cm)

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Kim Cadmus Owens, New New Standard , 2003-2019 custom software, micro computer and controller, wiring, lcd screen, wood, enamel, potentiometer, ABS plastic, steel, 23 x 15 3/4 in.

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Kim Cadmus Owens, New Standards Set of 16 , 2018-2019 ink and UVLS acrylic on cotton paper, 60 x 60 in.

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Kim Cadmus Owens, Say Nothing , 2018 Oil and acrylic on wood panel, 36 x 36 in.

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Kim Cadmus Owens, Datum , 2018-2019 oil, enamel, and acrylic on canvas, 34 x 90 in.

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Kim Cadmus Owens, Mirage: Mexico/Texas , 2016 Overhead projector, metal taboret, ink on polyester film, map pencils on paper, plywood, elastic straps

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Kim Cadmus Owens, A not so Fixed Starting Point (nothing to say) , 2018-2019 oil, enamel, and acrylic on wood, 12 x 12 in.

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Kim Cadmus Owens, A not so Fixed Starting Point (Crippler, Sonora) , 2017-2019 oil, acrylic, ink on canvas mounted to wood, 12 x 16 in.

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Kim Cadmus Owens, A not so Fixed Starting Point (J.O. and Bastrop) , 2017-2019 Oil on wood panel, 12 x 12 in.

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Kim Cadmus Owens, A not so Fixed Starting Point (head in clouds) , 2017-2019 oil, enamel, and acrylic on canvas, 12 x 12 in.

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Kim Cadmus Owens, A not so Fixed Starting Point (S. Hampton entrance I30 East) , 2018 Oil on wood panel, 12 x 16 in.

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Kim Cadmus Owens, A not so Fixed Starting Point (Santa Elena Canyon) , 2019 Oil on canvas, 12 x 12 in.

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Kim Cadmus Owens, A not so Fixed Starting Point (Castle Chinati) , 2019 Oil on wood panel, 12 x 16 in.

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Kim Cadmus Owens, A not so Fixed Starting Point (I30 West Hampton exit North) , 2018 Oil on wood panel, 12 x 16 in.

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Kim Cadmus Owens, A not so Fixed Starting Point (FTW Ave ABST) , 2017-2019 Oil and acrylic on wood, 12 x 12 in.

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Kim Cadmus Owens, A not so Fixed Starting Point (H's favorite p.o. Lounge) , 2018-2019 Oil and acrylic on canvas, 12 x 12 in.





Yigal Ozeri: A New York Story
@RUTGER BRANDT GALLERY
Bethaniënstraat 39
1012 BZ Amsterdam
The Netherlands
18 MAY - 22 JUNE / 2019

installation views
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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
45 x 30 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; NEW YORK, 2019
oil on paper on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; NEW YORK, 2019
oil on paper on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on canvas
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; A NEW YORK STORY, 2019
oil on paper mounted on wood
30 x 45 cm

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UNTITLED; NEW YORK, 2019
oil on paper on wood
30 x 45 cm





Jonathan Schipper “At Any Given Moment”
@Pierogi
155 Suffolk Street
New York, NY 10002
USA
16 Nov, 2019−12 Jan, 2020

installation views
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UV Cured Resin

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Jonathan Schipper
2019, Laser etching on wood with acrylic paint, 18 x 25.125 inches

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Jonathan Schipper
2019, Laser etching on wood with acrylic paint, 13 x 11 inches

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Jonathan Schipper
2019, Laser etching on wood with acrylic paint, 17.375 x 14 inches

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Jonathan Schipper
2019, Laser etching on wood with acrylic paint, 23 x 18 inches

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Jonathan Schipper
2019, Laser etching on wood with acrylic paint, 20.25 x 16.875 inches

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Jonathan Schipper
2019, Laser etching on wood with acrylic paint,15.625 x 25 inches

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Jonathan Schipper
2019, Laser etching on wood with acrylic paint, 23.5 x 23.5 inches





Sonny Assu: TLAKWA
@Equinox Gallery
#110 - 525 Great Northern Way
Vancouver, BC V5T 1E1
Canada
NOVEMBER 30, 2019 - JANUARY 11, 2019

installation views
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The Treasury Edition: Space Opera #5
Acrylic ink, Star Wars comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019

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The Treasury Edition: Space Opera #6
Acrylic ink, Star Wars comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019

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Torment: Copper Variant #1
Acrylic ink, Spider Man comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019

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On the Warpath: Issue #8
Acrylic ink, X-Force comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019

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Torment: Copper Variant #2
Acrylic ink, Marvel comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019

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On the Warpath: Issue #4
Acrylic ink, X-Force comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019

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On the Warpath: Issue #2
Acrylic ink, X-Force comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019

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Torment: Copper Variant #4
Acrylic ink, Marvel comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019

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On the Warpath: Issue #3
Acrylic ink, X-Force comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019

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Torment: Copper Variant #3
Acrylic ink, Marvel comic book pages on Stonehenge paper
Framed size 25 1/4" x 17"
2019

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On the Warpath: Issue #9
Acrylic ink, X-Force comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019

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On the Warpath: Issue #6
Acrylic ink, X-Force comic book pages on Stonehenge paper
Framed size: 25 1/4" x 17"
2019
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2020年01月19日

memo (overseas): Jan19,2020

ex-chamber memo (overseas): Jan19,2020

Hernan Bas: TIME LIFE
@Lehmann Maupin, New York, W 24th Street
501 West 24th Street
New York, NY 10011
USA
November 7, 2019 – January 4, 2020

installation views
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HERNAN BAS
The GloFish Enthusiast, 2019
Acrylic on linen
84 x 72 inches
213.3 x 182.8 cm

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HERNAN BAS
Conspiracy Screen, 2019
Six panel folding screen, acrylic on linen mounted in a birch-wood frame with fabric backing on pedestal with Cuban tiles
72 x 108 inches
182.8 x 274.3 cm

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HERNAN BAS
The Great and Powerful OZ's AV Guy (Or, Behind the Other Curtain), 2019
Acrylic and charcoal on linen
84 x 72 inches
213.3 x 182.8 cm

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HERNAN BAS
The Occult Enthusiast, 2019
Acrylic on linen
84 x 108 inches
213.4 x 274.3 cm

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HERNAN BAS
The Sip In, 2019
84 x 108 inches
213.4 x 274.3 cm

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HERNAN BAS
The Pundit, 2019
84 x 72 inches
213.3 x 182.8 cm

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HERNAN BAS
A Moment Eclipsed #1, 2019
Acrylic on linen
108 x 84 inches
274.3 x 213.4 cm

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HERNAN BAS
A Moment Eclipsed #2, 2019
Acrylic on linen
108 x 84 inches
274.3 x 213.4 cm





Madeline Hollander: Heads/Tails
@BORTOLAMI
39 Walker Street
New York, NY 10013
USA
10 JAN – 15 FEB 2020

installation views
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Madeline Hollander, Stopping Sequence #1, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)

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Madeline Hollander, Slowing Sequence #2, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)

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Madeline Hollander, Walker & Broadway Weekly Schedule, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)

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Madeline Hollander, Intersection Parallax Dance, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)

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Madeline Hollander, Choreography for the Kinetic Theory of Vehicular Traffic, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)

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Madeline Hollander, Choreography for Orienting North South East West, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)

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Madeline Hollander, Fog/Brights Sunrise/Sunset, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)

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Madeline Hollander, Braking Behaviors, 2019, Watercolor, graphite, and ink on archival paper, Artwork: 18 x 24 in (45.7 x 61cm), Framed: 20 3/4 x 26 3/4 in (52.7 x 67.9cm)





William Steiger: Inventor
@Holly Johnson Gallery
1845 Levee St. #100
Dallas, TX 75207
USA
Oct 19 – Dec 28, 2019

installation views
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William Steiger, Mill Bridge Reflection , 2018 Oil on linen, 30 x 45 in.

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William Steiger, Waycar III , 2013 Oil on linen, 60 x 48 in.

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William Steiger, Meandering , 2019 Oil on linen, 20 x 30 in.

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William Steiger, Tank Capacity 2400 bbls , 2010 Oil on linen, 60 x 48 in.

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William Steiger, Mill River Bridge , 2018 Oil on linen, 20 x 30 in.

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William Steiger, Cyclone no. 2 , 2014 Oil on linen, 20 x 30 in.

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William Steiger, Dirigible , 2015 Oil on linen, 16 x 20 in.

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William Steiger, Manufactory II , 2011 Oil on linen, 40 x 60 in.

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William Steiger, Aerial Survey no. 2 , 2011-2019 Oil on linen, 20 x 30 in.

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William Steiger, Goose Rocks Lighthouse , 2016 Oil on linen, 20 x 30 in.

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William Steiger, Center Pivot , 2019 collage of found and cut paper, hand marbled paper, gouache, glue, 18 3/4 x 25 3/4 in.

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William Steiger, Watertank/Wiindmill , 2019 Collage of found paper, gouache, and vintage map, 27 x 22 1/2 in.

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William Steiger, Coastal Islands , 2019 collage of found and cut paper, vintage nautical chart, gouche, glue, 24 1/2 x 20 3/4 in.

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William Steiger, Aerial Tramway , 2019 collage of found and cut paper, gouache, glue, 29 1/4 x 25 1/4 in.

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William Steiger, Oil Derricks , 2019 Collage of found paper, gouache, and vintage map, 24 1/2 x 20 3/4 in.

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William Steiger, Semaphore Dallas , 2019 collage of found and cut paper, archival inkjet (map), gouache, glue, 30 3/4 x 24 1/4 in.

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William Steiger, Thirty Small Collages , 2019 Collage of found paper, gouache, and vintage map, 8 x 10 in.

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William Steiger, The Basin , 2019 collage of found cut and torn paper, wood, gouache, glue, 8 x 10 in.

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William Steiger, Bend in the River , 2019 collage of found cut and torn paper, washi paper, gouache, glue, 8 x 10 in.

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William Steiger, Caution No 4 , 2019 collage of found cut and torn paper, gouache, ink, glue, 8 x 10 in.

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William Steiger, Aerial Tram , 2019 collage of found and cut paper, ink, gouache, glue, 8 x 10 in.

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William Steiger, Under the Bridge , 2019 collage of found and cut paper, vintage map, goauche, glue, 8 x 10 in.

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William Steiger, Derricks , 2019 collage of found and cut paper, vintage map, goauche, glue, 8 x 10 in.

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William Steiger, Armillary , 2019 collage of found and cut paper, vintage map, goauche, glue, 8 x 10 in.

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William Steiger, Blue Tramway , 2019 collage of found and cut linen pulp paint, vintage map, color pencil, glue, 8 x 10 in.

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William Steiger, Cylinder , 2019 collage of found and cut paper, cyanotype, gouache, glue, 8 x 10 in.

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William Steiger, Rotation , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Stateline Route , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Revolver , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Inventor , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Caboose , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Whistle Stop , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Perseus , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Two Buoys , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Fixed Bridge , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Miles to Go , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Aerial View , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Speed of Sound , 2019 collage of found cut and torn paper, vintage nautical chart, gouache, glue, 8 x 10 in.

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William Steiger, Scorpius , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Collector , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.

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William Steiger, Progress in the 20th Century , 2019 collage of found and cut paper, hand marbled paper, gouache, glue, 8 x 10 in.

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William Steiger, Dallas Flyover , 2019 collage of found and cut paper, vintage map, goauche, glue, 8 x 10 in.

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William Steiger, The Narrows , 2019 collage of found cut and torn paper, gouache, glue, 8 x 10 in.

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William Steiger, In Between Days , 2019 collage of found cut and torn paper, vintage nautical chart, gouache, glue, 8 x 10 in.

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William Steiger, Lone Tree , 2019 collage of found cut and torn paper, vintage nautical chart, gouache, glue, 8 x 10 in.

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William Steiger, Estuary , 2019 collage of found cut and torn paper, gouache, glue, 8 x 10 in.

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William Steiger, River Mill , 2019 collage of found and cut paper, gouache, glue, 8 x 10 in.





Johan de Wit: Solid Air
@RUTGER BRANDT GALLERY
Bethaniënstraat 39
1012 BZ Amsterdam
The Netherlands
26 OCTOBER - 23 NOVEMBER / 2019

installation views
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UNTITLED, 2019
Paper, Resins, Acrylic

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UNTITLED, 2019
Paper, Resins, Acrylic

8johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

9johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

10johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

11johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

12johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

13johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
118 x 146 x 5 cm

14johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

15johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
300 x 45 x 42 cm

16johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
75 x 42 x 22 cm

17johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
24 x 18,5 x 6 cm

18johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
25 x 23 x 6 cm

19johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
31 x 26 x 6 cm

20johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
40 x 68 x 5 cm

21johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
40 x 68 x 4,5 cm

22johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
18,5 x 16 x 3,5 cm

23johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
24 x 20,5 x 6 cm

24johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
15 x 24 x 3,5 cm

25johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
45 x 39 x 6 cm

26johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
26,5 x 22,5 x 3,5 cm

27johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
45 x 38,8 x 5,5 cm

28johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
23 x 21 x 4 cm

29johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
21 x 19 x 5,5 cm

30johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
46 x 42 x 4 cm

31johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
23,5 x 21 x 6 cm

32johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
23,5 x 20 x 6,5 cm

33johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
28,5 x 23,5 x 4,5 cm

34johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
23,5 x 23,5 x 4,5 cm

35johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
45 x 39 x 5 cm

36johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
29,5 x 25,5 x 5 cm

37johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
35 x 29,5 x 6,5 cm

38johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
13 x 40 x 2,5 cm

39johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
15 x 41 x 2,5 cm

40johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
13 x 40 x 2,5 cm

41johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
33 x 28 x 3,5 cm

42johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
31 x 25,5 x 5,5 cm

43johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
26 x 22 x 5,5

44johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
26 x 22 x 4 cm

45johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

46johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

47johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

48johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

49johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

50johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

51johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

52johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

53johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

54johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

55johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
20 x 20 x 93 cm

56johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic
20 x 20 x 81 cm

57johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

58johan-de-wit.jpg
RED BUTTON, 2019
Paper, Resins, Acrylic
104 x 50 x 88 cm

59johan-de-wit.jpg
UNTITLED, 2019
Paper, Resins, Acrylic

60johan-de-wit.jpg
COMFORTING STASH (DETAIL), 2015-2019
Paper, Resins, Acrylic
230 x 160 x 45cm

61johan-de-wit.jpg
COMFORTING STASH, 2015-2019
Paper, Resins, Acrylic
230 x 160 x 45cm

62johan-de-wit.jpg
COMFORTING STASH, 2015-2019
Paper, Resins, Acrylic
230 x 160 x 45cm





TADAAKI KUWAYAMA: Construction / Material
@David Richard Gallery
211 E 121st, New York NY, 10035
USA
December 4 - December 20, 2019

installation views
1TadaakiKuwayma.jpg

2TadaakiKuwayma.jpg

3TadaakiKuwayma.jpg

4TadaakiKuwayma.jpg

5TadaakiKuwayma.jpg

6TadaakiKuwayma.jpg

7TadaakiKuwayma.jpg

8TadaakiKuwayma.jpg

9TadaakiKuwayma.jpg

10TadaakiKuwayma.jpg

11TadaakiKuwayma.jpg

12TadaakiKuwayma.jpg

13TadaakiKuwayma.jpg

14TadaakiKuwayma.jpg

15TadaakiKuwayma.jpg

16TadaakiKuwayma.jpg

17TadaakiKuwayma.jpg

18TadaakiKuwayma.jpg

19TadaakiKuwayma.jpg

20TadaakiKuwayma.jpg

21TadaakiKuwayma.jpg
TK3945-5/8’74, 1974
Acrylic on canvas, aluminum strips
45.5 x 45.5 in
117 x 117 cm
Framed
Photo by Yao Zu Lu

22TadaakiKuwayma.jpg
TK4935-1/2-'65, 1965
Acrylic on canvas, aluminum strips
35.5 x 35.5 in
91 x 91 cm
Framed
Photo by Yao Zu Lu

23TadaakiKuwayma.jpg
TK586-.5-2-1/2’99, 1999
Anodized Aluminum
86.5 x 84 x 2.5 in
221 x 213 x 8 cm
Framed
12 aluminum planks each 86.5 x 7 inches, alternating pink and silver colors.
Photo by Yao Zu Lu

24TadaakiKuwayma.jpg
Untitled, 1973
Acrylic on canvas with aluminum strip
83.75 x 83.75 in
213 x 213 cm
Framed
Photo by Yao Zu Lu

25TadaakiKuwayma.jpg
TK4835-1/2-'65, 1965
Acrylic on canvas, aluminum strips
35.5 x 35.5 in
91 x 91 cm
Framed
Photo by Yao Zu Lu

26TadaakiKuwayma.jpg
TK3945-5/8, 1992
Metallic paint, Bakelite board, Aluminum angle
23.5 x 282 in
61 x 61 x 716 cm
Framed
Series of 12 units; 3 sets of 4 colors pink, yellow, green, blue. Each panel 23.5 x 23.5.
posted by makuuchi at 09:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2020年01月18日

memo (overseas): Jan18,2020

ex-chamber memo (overseas): Jan18,2020

Casey Ruble: RED SUMMER
@Foley Gallery
59 Orchard Street, New York, NY 10002
USA
May 15 – June 23, 2019

1caseyruble.jpeg
Casey Ruble
Untitled (Telegram), 2019
Carbon Ink on Paper
31h x 43w in
CR095

2caseyruble.jpeg
Casey Ruble
Woodrow Wilson (IX), 2018
Carbon Ink on Paper
12h x 12w in
CR093

3caseyruble.jpeg
Casey Ruble
Woodrow Wilson (VIII), 2016
Carbon Ink on Paper
12h x 12w in
CR092

4caseyruble.jpeg
Casey Ruble
Woodrow Wilson (VII), 2018
Carbon Ink on Paper
12h x 12w in
CR091

5caseyruble.jpeg
Casey Ruble
Woodrow Wilson (VI), 2018
Carbon Ink on Paper
12h x 12w in
CR090

6caseyruble.jpeg
Casey Ruble
Woodrow Wilson (V), 2018
Carbon Ink on Paper
12h x 12w in
CR089

7caseyruble.jpeg
Casey Ruble
Woodrow Wilson (IV), 2017
Carbon Ink on Paper
12h x 12w in
CR088

8caseyruble.jpeg
Casey Ruble
Woodrow Wilson (III), 2017
Carbon Ink on Paper
12h x 12w in
CR087

9caseyruble.jpeg
Casey Ruble
Woodrow Wilson (II), 2016
Carbon Ink on Paper
12h x 12w in
CR086

10caseyruble.jpeg
Casey Ruble
Woodrow Wilson (I), 2018
Carbon Ink on Paper
12h x 12w in
CR085

11caseyruble.jpeg
Casey Ruble
Winold Reiss, 2016
Carbon Ink on Paper
12h x 12w in
CR084

12caseyruble.jpeg
Casey Ruble
William Sowden Sims, 2018
Carbon Ink on Paper
12h x 12w in
CR083

13caseyruble.jpeg
Casey Ruble
Walter Hampden (II), 2016
Carbon Ink on Paper
12h x 12w in
CR082

14caseyruble.jpeg
Casey Ruble
Walter Hampden (I), 2018
Carbon Ink on Paper
12h x 12w in
CR081

15caseyruble.jpeg
Casey Ruble
Thornton Niven Wilder, 2016
Carbon Ink on Paper
12h x 12w in
CR080

16caseyruble.jpeg
Casey Ruble
Theodore Roosevelt, 2016
Carbon Ink on Paper
12h x 12w in
CR079

17caseyruble.jpeg
Casey Ruble
Tasker Howard Bliss, 2017
Carbon Ink on Paper
12h x 12w in
CR078

18caseyruble.jpeg
Casey Ruble
Richard Alexander Penrose, 2017
Carbon Ink on Paper
12h x 12w in
CR077

19caseyruble.jpeg
Casey Ruble
Mary Harris Jones, 2018
Carbon Ink on Paper
12h x 12w in
CR076

20caseyruble.jpeg
Casey Ruble
Lillian Wald, 2017
Carbon Ink on Paper
12h x 12w in
CR075

21caseyruble.jpeg
Casey Ruble
Katherine Stinson Otero, 2016
Carbon Ink on Paper
12h x 12w in
CR074

22caseyruble.jpeg
Casey Ruble
John Muir, 2016
Carbon Ink on Paper
12h x 12w in
CR072

23caseyruble.jpeg
Casey Ruble
John Joseph Pershing (IV), 2018
Carbon Ink on Paper
12h x 12w in
CR071

24caseyruble.jpeg
Casey Ruble
John Joseph Pershing (III), 2016
Carbon Ink on Paper
12h x 12w in
CR070

25caseyruble.jpeg
Casey Ruble
John Joseph Pershing (II), 2016
Carbon Ink on Paper
12h x 12w in
CR069

26caseyruble.jpeg
Casey Ruble
John Joseph Pershing (I), 2016
Carbon Ink on Paper
12h x 12w in
CR068

27caseyruble.jpeg
Casey Ruble
John Ferguson Weir, 2018
Carbon Ink on Paper
12h x 12w in
CR067


28caseyruble.jpeg
Casey Ruble
Irene Foote Castle, 2016
Carbon Ink on Paper
12h x 12w in
CR066

29caseyruble.jpeg
Casey Ruble
Herbert Hoover, 2016
Carbon Ink on Paper
12h x 12w in
CR065

30caseyruble.jpeg
Casey Ruble
Henry White (II), 2017
Carbon Ink on Paper
12h x 12w in
CR064

31caseyruble.jpeg
Casey Ruble
Henry White (I), 2018
Carbon Ink on Paper
12h x 12w in
CR063

32caseyruble.jpeg
Casey Ruble
Gloria May Josephine Swanson, 2018
Carbon Ink on Paper
12h x 12w in
CR062

33caseyruble.jpeg
Casey Ruble
Geraldine Farrar, 2017
Carbon Ink on Paper
12h x 12w in
CR061

34caseyruble.jpeg
Casey Ruble
George Arliss, 2017
Carbon Ink on Paper
12h x 12w in
CR060

35caseyruble.jpeg
Casey Ruble
Frederic William Goudy, 2016
Carbon Ink on Paper
12h x 12w in
CR059

36caseyruble.jpeg
Casey Ruble
Frank Lyon Polk, 2017
Carbon Ink on Paper
12h x 12w in
CR058

37caseyruble.jpeg
Casey Ruble
Ethel Barrymore, 2016
Carbon Ink on Paper
12h x 12w in
CR057

38caseyruble.jpeg
Casey Ruble
Enrico Caruso, 2016
Carbon Ink on Paper
12h x 12w in
CR056

39caseyruble.jpeg
Casey Ruble
Edward Vernon Rickenbacker, 2016
Carbon Ink on Paper
12h x 12w in
CR055

40caseyruble.jpeg
Casey Ruble
Edward Mandell House, 2016
Carbon Ink on Paper
12h x 12w in
CR054

41caseyruble.jpeg
Casey Ruble
Edna St. Vincent Millay, 2018
Carbon Ink on Paper
12h x 12w in
CR053

42caseyruble.jpeg
Casey Ruble
Edgar Allan Poe, 2016
Carbon Ink on Paper
12h x 12w in
CR052

43caseyruble.jpeg
Casey Ruble
David Franklin Houston, 2017
Carbon Ink on Paper
12h x 12w in
CR051

44caseyruble.jpeg
Casey Ruble
Charles Martin Loeffler, 2016
Carbon Ink on Paper
12h x 12w in
CR050

45caseyruble.jpeg
Casey Ruble
Cecil B. DeMille (II), 2018
Carbon Ink on Paper
12h x 12w in
CR049

46caseyruble.jpeg
Casey Ruble
Cecil B. DeMille (I), 2016
Carbon Ink on Paper
12h x 12w in
CR048

47caseyruble.jpeg
Casey Ruble
Bernard Mannes Baruch, 2016
Carbon Ink on Paper
12h x 12w in
CR047

48caseyruble.jpeg
Casey Ruble
Alexander Graham Bell, 2016
Carbon Ink on Paper
12h x 12w in
CR046





Lee Bul: Interlude: Perdu
@Lehmann Maupin, New York, W 22 Street
536 West 22nd Street
New York, NY 10011
USA
November 7, 2019 – January 18, 2020

installation views
1lee-bul7.jpeg

2lee-bul7.jpeg

3lee-bul7.jpeg

4lee-bul7.jpeg

5lee-bul7.jpeg

6lee-bul7.jpeg

7lee-bul7.jpeg

8lee-bul7.jpeg
LEE BUL
Perdu XXII, 2019
Mother of pearl, acrylic paint on lacquered wooden base panel, steel frame
Diptych, 89.29 x 64.29 x 2.6 inches (framed)
226.8 x 163.3 x 6.6 cm

9lee-bul7.jpeg
LEE BUL
Perdu XX, 2019
Mother of pearl, acrylic paint on lacquered wooden base panel, steel frame
64.29 x 44.61 x 2.6 inches
163.3 x 113.3 x 6.6 cm

10lee-bul7.jpeg
LEE BUL
Perdu XVIII, 2019
Mother of pearl, acrylic paint on lacquered wooden base panel, steel frame
Triptych, 74.61 x 32.8 x 2.6 inches (framed)
189.5 x 83.3 x 6.6 cm





Troels Wörsel: Maleri - Paintings from the 80s
@GALLERI SUSANNE OTTESEN
Gothersgade 49
1123 Copenhagen K - Denmark
16 May - 10 Aug 2019

installation views
1troels-worsel.jpg

2troels-worsel.jpg

3troels-worsel.jpg

4troels-worsel.jpg

5troels-worsel.jpg

6troels-worsel.jpg
Troels Wörsel, Untitled, 1984, acrylic on canvas, 180 x 150 cm

7troels-worsel.jpg
Troels Wörsel, Untitled, 1981, acrylic on canvas and object, 180 x 150 cm

8troels-worsel.jpg
Troels Wörsel, Titel Bild, 1983, acrylic on canvas, 180 x 150 cm

9troels-worsel.jpg
Troels Wörsel, Mirepoix, 1981, acrylic on canvas, 180 x 150 cm

10troels-worsel.jpg
Troels Wörsel, Untitled, 1987, acrylic on canvas, 200 x 250 cm

11troels-worsel.jpg
Troels Wörsel, Untitled (Mühldorf), 1981, acrylic on canvas, 180 x 450 cm

12troels-worsel.jpg
Troels Wörsel, Quotationmarks, 1989, acrylic on canvas, 200 x 200 cm

13troels-worsel.jpg
Troels Wörsel, Untitled, 1982, acrylic on canvas, 200 x 180 cm





Caitlin Keogh: Knots Knot Knots
@BORTOLAMI
39 Walker Street
New York, NY 10013
USA
10 JAN – 15 FEB 2020

installation views
1knots-knot-knots.jpg

2knots-knot-knots.jpg

3knots-knot-knots.jpg

4knots-knot-knots.jpg

5knots-knot-knots.jpg

6knots-knot-knots.jpg

7knots-knot-knots.jpg

8knots-knot-knots.jpg

9knots-knot-knots.jpg

10knots-knot-knots.jpg

11knots-knot-knots.jpg

12knots-knot-knots.jpg

13knots-knot-knots.jpg

14knots-knot-knots.jpg

15knots-knot-knots.jpg

16knots-knot-knots.jpg

17knots-knot-knots.jpg

18knots-knot-knots.jpg

19knots-knot-knots.jpg

20knots-knot-knots.jpg

21knots-knot-knots.jpg

22knots-knot-knots.jpg

23knots-knot-knots.jpg

24knots-knot-knots.jpg

25knots-knot-knots.jpg
Caitlin Keogh, Ornamental Riband, 2019, Acrylic on linen, 96 x 72 in (243.8 x 182.9cm)

26knots-knot-knots.jpg
Caitlin Keogh, Ribbons, 2019, Acrylic on linen, 90 x 67 1/2 in (228.6 x 171.5cm)

27knots-knot-knots.jpg
Caitlin Keogh, Embroidered Surface, 2019, Acrylic on linen, 96 x 72 in (243.8 x 182.9cm)

28knots-knot-knots.jpg
Caitlin Keogh, Pearls, 2019, Acrylic on linen, 96 x 72 in (243.8 x 182.9cm)

29knots-knot-knots.jpg
Caitlin Keogh, Legs, 2019, Acrylic on linen, 84 x 63 in (213.5 x 160 cm)

30knots-knot-knots.jpg
Caitlin Keogh, Reading Figure, 2019, Acrylic on linen, 84 x 63 in (213.4 x 160cm)

31knots-knot-knots.jpg
Caitlin Keogh, Legs, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)

32knots-knot-knots.jpg
Caitlin Keogh, Knots Knot Knots, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)

33knots-knot-knots.jpg
Caitlin Keogh, Pearls (Nocturne) Miniature, 2019, Acrylic on panel, 22 3/4 x 17 in (57.8 x 43.2cm)

34knots-knot-knots.jpg
Caitlin Keogh, Knots Knot Knots, 2020, Acrylic on panel, 22 3/4 x 17 in (57.8 x 43.2cm)

35knots-knot-knots.jpg
Caitlin Keogh, Rose/Mirror 1, 2019, Acrylic and colored pencil on paper mounted to mirror, Artwork: 25 5/8 x 19 1/2 in (65.1 x 49.5cm), Framed: 26 5/8 x 20 7/8 in (67.6 x 53cm)

36knots-knot-knots.jpg
Caitlin Keogh, Rose/Mirror 2, 2019, Acrylic and colored pencil on paper mounted to mirror, Artwork: 25 5/8 x 19 1/2 in (65.1 x 49.5cm), Framed: 26 5/8 x 20 7/8 in (67.6 x 53cm)

37knots-knot-knots.jpg
Caitlin Keogh, Rose/Mirror 3, 2019, Acrylic and colored pencil on paper mounted to mirror, Artwork: 25 5/8 x 19 1/2 in (65.1 x 49.5cm), Framed: 26 5/8 x 20 7/8 in (67.6 x 53cm)

38knots-knot-knots.jpg
Caitlin Keogh, Rose/Mirror 4, 2019, Acrylic and colored pencil on paper mounted to mirror, Artwork: 25 5/8 x 19 1/2 in (65.1 x 49.5cm), Framed: 26 5/8 x 20 7/8 in (67.6 x 53cm)

39knots-knot-knots.jpg
Caitlin Keogh, Rose/Mirror 5, 2019, Acrylic and colored pencil on paper mounted to mirror, Artwork: 25 5/8 x 19 1/2 in (65.1 x 49.5cm), Framed: 26 5/8 x 20 7/8 in (67.6 x 53cm)

40knots-knot-knots.jpg
Caitlin Keogh, Rose/Mirror 6, 2019, Acrylic and colored pencil on paper mounted to mirror, Artwork: 25 5/8 x 19 1/2 in (65.1 x 49.5cm), Framed: 26 5/8 x 20 7/8 in (67.6 x 53cm)

41knots-knot-knots.jpg
Caitlin Keogh, Roses #8, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)

42knots-knot-knots.jpg
Caitlin Keogh, Roses #4, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)

43knots-knot-knots.jpg
Caitlin Keogh, Roses #6, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)

44knots-knot-knots.jpg
Caitlin Keogh, Roses #5, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)

45knots-knot-knots.jpg
Caitlin Keogh, Roses #14, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)

46knots-knot-knots.jpg
Caitlin Keogh, Roses #2, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)

47knots-knot-knots.jpg
Caitlin Keogh, Roses #13, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)

48knots-knot-knots.jpg
Caitlin Keogh, Roses #3, 2019, Colored pencil on paper mounted on panel, 16 1/2 x 11 1/2 in (41.9 x 29.2cm)





Tommy Fitzpatrick: Superflux
@Holly Johnson Gallery
1845 Levee St. #100
Dallas, TX 75207
USA
Nov 23, 2019 – Feb 1, 2020

installation views
1tommyfitzpatrick.jpg

2tommyfitzpatrick.jpg

3tommyfitzpatrick.jpg

4tommyfitzpatrick.jpg

5tommyfitzpatrick.jpg

6tommyfitzpatrick.jpg

7tommyfitzpatrick.jpg

8tommyfitzpatrick.jpg

9tommyfitzpatrick.jpg

10tommyfitzpatrick.jpg

12tommyfitzpatrick.jpg

11tommyfitzpatrick.jpg

13tommyfitzpatrick.jpg
Tommy Fitzpatrick, Network , 2019 Oil and acrylic on canvas, 40 x 32 in.

14tommyfitzpatrick.jpg
Tommy Fitzpatrick, Cross Platform , 2019 Oil, acrylic on canvas on panel, 24 x 20 in.

15tommyfitzpatrick.jpg
Tommy Fitzpatrick, Module , 2019 Oil and acrylic on canvas, 22 x 22 in.

16tommyfitzpatrick.jpg
Tommy Fitzpatrick, Base Startion , 2019 Oil and acrylic on canvas, 24 x 18 in.

17tommyfitzpatrick.jpg
Tommy Fitzpatrick, Upload , 2019 Oil, acrylic on canvas on panel, 14 x 16 in.

18tommyfitzpatrick.jpg
Tommy Fitzpatrick, Active Matrix , 2019 Oil and acrylic on canvas, 48 x 48 in.

19tommyfitzpatrick.jpg
Tommy Fitzpatrick, Dual Core , 2019 Oil, acrylic on canvas on panel, 14 x 16 in.

20tommyfitzpatrick.jpg
Tommy Fitzpatrick, Super Structure , 2019 Oil, acrylic on canvas on panel, 60 x 48 in.

21tommyfitzpatrick.jpg
Tommy Fitzpatrick, Open Source , 2019 Oil and acrylic on canvas, 18 x 18 in.

22tommyfitzpatrick.jpg
Tommy Fitzpatrick, Bitmap , 2019 Oil and acrylic on canvas, 18 x 18 in.

23tommyfitzpatrick.jpg
Tommy Fitzpatrick, Main Frame , 2019 Oil and acrylic on canvas, 48 x 48 in.

24tommyfitzpatrick.jpg
Tommy Fitzpatrick, Simulated Structure , 2019 Oil, acrylic on canvas on panel, 14 x 14 in.
posted by makuuchi at 09:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2020年01月17日

memo (overseas): Jan17,2020

ex-chamber memo (overseas): Jan17,2020

Claudia Larcher: HABITAT
@22,48 m2
30 rue des envierges
75020 paris
France
16/11/2018 - 22/12/2018

installation views
1claudialarcher.jpg

2claudialarcher.jpg

3claudialarcher.jpg

4claudialarcher.jpg
imprimée, 40 x 61 cm"

5claudialarcher.jpg
Habitat (Silver tower)
2018, 4K video animation, 2'40'', loop

6claudialarcher.jpg
Collapse #10 \/ Villa Savoye
(series 'Collapse'), 2018, aluminium, print on canvas, 20 x 20 x 3.1 inches

7claudialarcher.jpg
Collapse #5 \/ Silver towers
(series 'Collapse'), 2018, aluminium, print on canvas, 20 x 20 x 3.1 inches

8claudialarcher.jpg
Floppy (Schlapp)
2018, print on canvas, steel, 96.4 x 19.2 x 19.2 inche

9claudialarcher.jpg
Collapse #8 \/ Villa Savoye
(series 'Collapse'), 2018, aluminium, print on canvas, 36.6 x 36.6 x 3.1 inches

10claudialarcher.jpg
Ornament is crime
2018, magazine, paper, acrylic, glass and steel base, 9.8 x 11.4 inches

11claudialarcher.jpg
Ornament is crime
(series 'Urban landscapes'), 2018, photo print, 15.7 x 24 inches
with Artivive application: Habitat (ornament is crime), 2018 (excerpt)
video, 48 sec

12claudialarcher.jpg
Collapsing MIES
2018, HD video animation, 10 min, loop

13claudialarcher.jpg
Collapse #9 \/ Seagram Building
(series 'Collapse'), 2018, aluminium, print on canvas, 36.6 x 36.6 x 3.1 inches, unique

14claudialarcher.jpg
The new Indonesian house
2018, book, 9.3 x 12.4 inches, unique





Bethany Johnson: We Live on a Planet
@Moody Gallery
2815 COLQUITT
HOUSTON, TX 77098
USA
Saturday, June 29, 2019 - Saturday, August 10, 2019

installation views
1we-live-planet.jpg

2we-live-planet.jpg

3we-live-planet.jpg

4we-live-planet.jpg

5we-live-planet.jpg

6we-live-planet.jpg

7we-live-planet.jpg
Bethany Johnson
We Live on a Planet: Untitled 2019
collage on paper
19 1/2" x 15"
BJ 115

8we-live-planet.jpg
Bethany Johnson
We Live on a Planet: MC 125 2019
collage on paper
9 3/4" x 7 1/4"
BJ 110

9we-live-planet.jpg
Bethany Johnson
We Live on a Planet: The Earth the Tides 2018
collage on paper
9 3/4" x 7 1/4"
BJ 108

10we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 15 2017
collage on paper
9 3/4" x 7 1/4"
BJ 82

11we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 18 2017
collage and ink on paper
9 3/4" x 7 1/4"
BJ 85

12we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 36 2017
collage on paper
9 3/4" x 7 1/4"
BJ 103

13we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 29 2017
collage and ink on paper
9 3/4" x 7 1/4"
BJ 96

14we-live-planet.jpg
Bethany Johnson
We Live on a Planet: Untitled 2019
collage and ink on paper
19 1/2" x 15"
BJ 116

15we-live-planet.jpg
Bethany Johnson
We Live on a Planet: 01234567 2019
collage on paper
9 3/4" x 7 1/4"
BJ 112

16we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 16 2017
collage on paper
9 3/4" x 7 1/4"
BJ 83

17we-live-planet.jpg
Bethany Johnson
We Live on a Planet: Untitled 2019
collage on paper
9 3/4" x 7 1/4"
BJ 113

18we-live-planet.jpg
Bethany Johnson
We Live on a Planet: 15 20 00 2019
collage on paper
19 1/2" x 15"
BJ 119

19we-live-planet.jpg
Bethany Johnson
We Live on a Planet: Weather 2018
collage on paper
9 3/4" x 7 1/4"
BJ 106

20we-live-planet.jpg
Bethany Johnson
We Live on a Planet 2018
collage on paper
9 3/4" x 7 1/4"
BJ 109

21we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 10 2017
collage on paper
9 3/4" x 7 1/4"
BJ 77

22we-live-planet.jpg
Bethany Johnson
We Live on a Planet: Untitled 2019
collage on paper
19 1/2" x 15"
BJ 118

23we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 38 2017
collage on paper
9 3/4" x 7 1/4"
BJ 105

24we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 37 2017
collage on paper
9 3/4" x 7 1/4"
BJ 104

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Bethany Johnson
We Live on a Planet No. 35 2017
collage on paper
9 3/4" x 7 1/4"
BJ 102

26we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 14 2017
collage on paper
9 3/4" x 7 1/4"
BJ 81

27we-live-planet.jpg
Bethany Johnson
We Live on a Planet: 27° 55 2019
collage on paper
19 1/2" x 15"
BJ 117

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Bethany Johnson
We Live on a Planet No. 25 2017
collage on paper
9 3/4" x 7 1/4"
BJ 92

29we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 30 2017
collage on paper
9 3/4" x 7 1/4"
BJ 97

30we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 7 2017
collage on paper
9 3/4" x 7 1/4"
BJ 74

31we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 34 2017
collage on paper
9 3/4" x 7 1/4"
BJ 101

32we-live-planet.jpg
Bethany Johnson
We Live on a Planet No. 9 2017
collage on paper
9 3/4" x 7 1/4"
BJ 76

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Bethany Johnson
We Live on a Planet No. 11 2017
collage on paper
9 3/4" x 7 1/4"
BJ 78





Karen Margolis: IN THE PRECIPICE
@Foley Gallery
59 Orchard Street, New York, NY 10002
USA
October 16 – November 17, 2019

1in-the-precipice.jpeg
Karen Margolis
Paris, 2019
Cotton covered wire, acrylic, annealed wire, maps, thread
16h x 9w in
KM024

2in-the-precipice.jpeg
Karen Margolis
Miami, 2019
cotton covered wire, acrylic, annealed wire, maps, thread
16h x 13w x 19d in
KM025

3in-the-precipice.jpeg
Karen Margolis
Farouche, 2019
Watercolor, gouache, maps
14h x 11w in
KM026

4in-the-precipice.jpeg
Karen Margolis
Oblique, 2014
cotton covered wire, acrylic, annealed wire
28h x 10w in
KM023

5in-the-precipice.jpeg
Karen Margolis
New York, 2019
Cotton covered wire, acrylic, annealed wire, maps, thread
15h x 12w in
KM022

6in-the-precipice.jpeg
Karen Margolis
Scattered Reflections, 2017
Watercolor, Gouache, Thread, Map Fragments on Abaca
14h x 11w in
KM004

7in-the-precipice.jpeg
Karen Margolis
Breach, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 18w in
KM020

8in-the-precipice.jpeg
Karen Margolis
Querulous, 2016
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 18w in
KM006

9in-the-precipice.jpeg
Karen Margolis
Cathexis, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 18w in
KM008

10in-the-precipice.jpeg
Karen Margolis
Pending, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 18w in
KM009

11in-the-precipice.jpeg
Karen Margolis
Splat, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 18w in
KM010

12in-the-precipice.jpeg
Karen Margolis
The Way is a Void I, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
14h x 11w in
KM011

13in-the-precipice.jpeg
Karen Margolis
The Way is a Void III, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
14h x 11w in
KM012

14in-the-precipice.jpeg
Karen Margolis
The Way is a Void II, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
14h x 22w in
KM013

15in-the-precipice.jpeg
Karen Margolis
Slump, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 36w in
KM014

16in-the-precipice.jpeg
Karen Margolis
Separation Anxiety, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 36w in
KM015

17in-the-precipice.jpeg
Karen Margolis
Combustion, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
48h x 36w in
KM016

18in-the-precipice.jpeg
Karen Margolis
Xanthic, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
24h x 18w in
KM017

19in-the-precipice.jpeg
Karen Margolis
Big Bear, 2019
Watercolor, Gouache, Thread, Map Fragments on Abaca
14h x 11w in
KM018





Helen Pashgian
@Lehmann Maupin, Hong Kong
407 Pedder Building
12 Pedder Street, Hong Kong
November 12, 2019 – February 29, 2020

installation views
1helen-pashgian.jpeg

2helen-pashgian.jpeg

3helen-pashgian.jpeg

4helen-pashgian.jpeg

5helen-pashgian.jpeg

6helen-pashgian.jpeg

7helen-pashgian.jpeg

8helen-pashgian.jpeg

9helen-pashgian.jpeg

10helen-pashgian.jpeg

11helen-pashgian.jpeg

12helen-pashgian.jpeg

13helen-pashgian.jpeg
HELEN PASHGIAN
Untitled (orange), 2009
Formed orange acrylic with acrylic elements
91 x 17.5 x 20 inches
231.1 x 44.5 x 50.8 cm

14helen-pashgian.jpeg
HELEN PASHGIAN
Untitled, 2019
cast epoxy with artist made pedestal
26 inches diameter
66 cm
51.5 x 5.125 inches (pedestal)
130.8 x 13 cm
Photo by Joshua White

15helen-pashgian.jpeg
HELEN PASHGIAN
Untitled, circa 2006
Formed acrylic
13 x 20 x 10 inches
33 x 50.8 x 25.4 cm





Bjørn Nørgaard: Kontemplation tre rum
@GALLERI SUSANNE OTTESEN
Gothersgade 49
1123 Copenhagen K - Denmark
23 Aug - 2 Nov 2019

installation views
1bjoernnoergaard.jpg

2bjoernnoergaard.jpg

3bjoernnoergaard.jpg

4bjoernnoergaard.jpg

5bjoernnoergaard.jpg

6bjoernnoergaard.jpg
Bjørn Nørgaard, Uden titel, 2019, colored glass, 17 x 36 x 34 cm

7bjoernnoergaard.jpg
Bjørn Nørgaard, Scientia, 2017, stainless steel, 250 x 74 x 65 cm

8bjoernnoergaard.jpg
Bjørn Nørgaard, Ars, 2017, patinated bronze, 300 x 74 x 55 cm

9bjoernnoergaard.jpg
Bjørn Nørgaard, Justitia, 2017, cast iron, 200 x 70 x 55 cm
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2020年01月16日

memo (overseas): Jan16,2020

ex-chamber memo (overseas): Jan16,2020

Estrid Lutz, Kristof Kintera, Julie Villard & Simon Brossard: TRANSNATURA
@22,48 m2
30 rue des envierges
75020 paris
France
06/06/2019 - 27/07/2019

1TRANSNATURA.jpg
Exhibition view

2TRANSNATURA.jpg
Estrid Lutz, Fading Sea
Fade Away series, epoxy resine, UV sensitive pigments, fibreglass, mesh, printing on polyester, 59,05 x 41,3 inches

3TRANSNATURA.jpg
Estrid Lutz, Fading Light
Fade Away series, epoxy resine, UV sensitive pigments, fibreglass, mesh, printing on polyester, 59,05 x 41,3 inches

4TRANSNATURA.jpg
Simon Brossard & Julie Villard

5TRANSNATURA.jpg
Simon Brossard & Julie Villard

6TRANSNATURA.jpg
Simon Brossard & Julie Villard

7TRANSNATURA.jpg
Exhibition view

8TRANSNATURA.jpg
Krištof Kintera

9TRANSNATURA.jpg
Krištof Kintera, Siliconum Urbanum
2018, mixed media, 65,7 x 37,4 x 43,3 inches

10TRANSNATURA.jpg
Krištof Kintera

11TRANSNATURA.jpg
Siliconum Urbanum (detail)

12TRANSNATURA.jpg
Siliconum Urbanum (detail)

13TRANSNATURA.jpg
Siliconum Urbanum (detail)

14TRANSNATURA.jpg
Exhibition view

15TRANSNATURA.jpg
Exhibition view

16TRANSNATURA.jpg
Exhibition view

17TRANSNATURA.jpg
Exhibition view

18TRANSNATURA.jpg
Julie Villard & Simon Brossard
Beefcake Blossom II, 2019, metal, painted polyuréthane, resin, fabric, 25,5 x 47,2 x 27,5 inches

19TRANSNATURA.jpg
Beefcake Blossom I
2019, metal, painted polyuréthane, resin, fabric, 57,08 x 47,2 x 27,5 inches

20TRANSNATURA.jpg
Luximena Cupra
2016-19, mixed media, 40,5 x 28,7 inches

21TRANSNATURA.jpg
Typha Aluminia Volta
2016-18, mixed media, 40,5 x 28,7 inches

22TRANSNATURA.jpg
Fading Sea (detail)

23TRANSNATURA.jpg
Beefcake Blossom II (detail)

24TRANSNATURA.jpg
Beefcake Blossom I (detail)





Dornith Doherty: Atlas of the Invisible
@Moody Gallery
2815 COLQUITT
HOUSTON, TX 77098
USA
Saturday, October 19, 2019 - Wednesday, November 27, 2019

installation views
1dornithdoherty.jpg

2dornithdoherty.jpg

3dornithdoherty.jpg

4dornithdoherty.jpg

5dornithdoherty.jpg

6dornithdoherty.jpg

7dornithdoherty.jpg

8dornithdoherty.jpg

9dornithdoherty.jpg
Dornith Doherty
Mote 2019
archival pigment print, ed: 3
37 1/2" x 50"
DD 39

10dornithdoherty.jpg
Dornith Doherty
Crosswind 2019
archival pigment print, ed: 3
60" x 32"
DD 47

11dornithdoherty.jpg
Dornith Doherty
Gyrfalcon 2019
archival pigment print, ed: 3
37 1/2" x 50"
DD 45

12dornithdoherty.jpg
Dornith Doherty
Float 2019
archival pigment print, ed: 3
29" x 70"
DD 44

13dornithdoherty.jpg
Dornith Doherty
Drift 2019
archival pigment print, ed: 3
70" x 26"
DD 46

14dornithdoherty.jpg
Dornith Doherty
Rachis 2019
archival pigment print, ed: 3
29" x 70"
DD 43

15dornithdoherty.jpg
Dornith Doherty
Turbulent 2019
archival pigment print, ed: 3
32" x 60"
DD 42

16dornithdoherty.jpg
Dornith Doherty
Sandhill Crane 2019
archival pigment print, ed: 3
60" x 30"
DD 41

17dornithdoherty.jpg
Dornith Doherty
Atlas of the Invisible 2019
video installation, ed: 3
repeating duration: 1 minute
DD 48

18dornithdoherty.jpg
Dornith Doherty
Cedar Waxwing 2019
scanning electron microscope mount, cedar waxwing feather, unique
50" x 14" x 14" installed
DD 49





Mike Jackson: BIRDSONG
@Foley Gallery
59 Orchard Street, New York, NY 10002
USA
October 16, 2019 – February 9, 2020

1birdsong.jpeg
Mike Jackson
Birdsong, Spring #10, 2019
Gelatin Silver Luminogram Print
18h x 13.50w in
MJ010

2birdsong.jpeg
Mike Jackson
Birdsong, Winter #59, 2019
Gelatin Silver Luminogram Print
16h x 11w in
MJ011

3birdsong.jpeg
Mike Jackson
Birdsong, Summer #19, 2019
Gelatin Silver Luminogram Print
18h x 14w in
MJ016

4birdsong.jpeg
Mike Jackson
Yellow Study, 2019
Gelatin Silver Luminogram Print
24h x 20w in
MJ003

5birdsong.jpeg
Mike Jackson
Birdsong, Summer 2018, 2018
Gelatin Silver Luminogram Print
24h x 20w in
MJ005

6birdsong.jpeg
Mike Jackson
Yellow Study #2, 2019
Gelatin Silver Luminogram Print
24h x 20w in
MJ002

7birdsong.jpeg
Mike Jackson
Birdsong, Winter #6, 2019
Gelatin Silver Luminogram Print
14h x 11.50w in
MJ001

8birdsong.jpeg
Mike Jackson
Birdsong, Winter #34, 2019
Gelatin Silver Luminogram Print
16h x 13w in
MJ009

9birdsong.jpeg
Mike Jackson
Birdsong, Winter #70, 2019
Gelatin Silver Luminogram Print
16h x 9w in
MJ013

10birdsong.jpeg
Mike Jackson
Birdsong, Spring #26, 2019
Gelatin Silver Luminogram Print
17h x 13w in
MJ014

11birdsong.jpeg
Mike Jackson
Birdsong, Winter #50, 2019
Gelatin Silver Luminogram Print
18h x 14.50w in
MJ012

12birdsong.jpeg
Mike Jackson
Birdsong, Spring #24, 2019
Gelatin Silver Luminogram Print
11.50h x 9.50w in
MJ015

13birdsong.jpeg
Mike Jackson
Birdsong, Winter #3, 2019
Gelatin Silver Luminogram Print
18h x 14w in
MJ007

14birdsong.jpeg
Mike Jackson
Birdsong, Summer #20, 2019
Gelatin Silver Luminogram Print
17.50h x 15w in
MJ017





Helen Pashgian
@Lehmann Maupin, Seoul
74-18, Yulgok-ro 3-gil
Jongno-gu, Seoul
Korea
September 10 – October 26, 2019

installation views
1helen-pashgian2.jpeg

2helen-pashgian2.jpeg

3helen-pashgian2.jpeg

4helen-pashgian2.jpeg

5helen-pashgian2.jpeg
HELEN PASHGIAN
Untitled, 2019
Cast epoxy with artist made pedestal
26 inches diameter
66 cm
51.5 x 5.125 inches (pedestal)
130.8 x 13 cm
Photo by Joshua White

6helen-pashgian2.jpeg
HELEN PASHGIAN
Untitled, 2019
Cast epoxy with resin
6 inches (diameter)
15.2 cm
48.5 x 4 x 4 inches (pedestal)
123.2 x 10.2 x 10.2 cm
Photo by Joshua White

7helen-pashgian2.jpeg
HELEN PASHGIAN
Untitled, circa 2010
Cast epoxy
12 x 12 x 2 inches (framed)
30.5 x 30.5 x 5.1 cm





Martin Erik Andersen: Borrowed Scenery
@GALLERI SUSANNE OTTESEN
Gothersgade 49
1123 Copenhagen K - Denmark
15 Nov 2019 - 18 Jan 2020

installation views
1martinerikandersen.jpg

2martinerikandersen.jpg

3martinerikandersen.jpg
Martin Erik Andersen, Yuan, literati, 2019, silver bronze, steel, silver, obsidian, silk, glass beads, miyuki seed beads, 83 x 9 x 14 cm

4martinerikandersen.jpg
Martin Erik Andersen, Yuan, literati, 2019, silver bronze, steel, silver, obsidian, silk, glass beads, miyuki seed beads, 83 x 9 x 14 cm, detail

5martinerikandersen.jpg
Martin Erik Andersen, Whitethorn (...révolte contre le poids) I, 2019, silver leaf, lacquer, UV-print on brushed aluminium, 190 x 122 cm

6martinerikandersen.jpg
Martin Erik Andersen,Tree (How One Sees), 2019, silver bronze, 30 x 29 x 26 cm

7martinerikandersen.jpg
Martin Erik Andersen, Brachytion, the pestle grinds the mortar, 2019, silver bronze, 51 x 38 x 10 cm

8martinerikandersen.jpg
Martin Erik Andersen, Primordal Heatsink, 2019, steel, swimming pool ladders, heat sink, silk, rock crystal, obsidian, jesmonite, grafite, glass beads, miyuki seed beads, 210 x 73 x 85 cm

9martinerikandersen.jpg
Martin Erik Andersen, Primordal Heatsink, 2019, steel, swimming pool ladders, heat sink, silk, rock crystal, obsidian, jesmonite, grafite, glass beads, miyuki seed beads, 210 x 73 x 85 cm, detail

10martinerikandersen.jpg
Martin Erik Andersen, Quarry (Serapeum mining), 2019, jesmonite, grafite, painted steel, knitting, silker bronze, obsidian, silver, silk, glass beads, miyuki seed beads, 240 x 271 x 208 cm

11martinerikandersen.jpg
Martin Erik Andersen, Quarry (Serapeum mining), 2019, jesmonite, grafite, painted steel, knitting, silker bronze, obsidian, silver, silk, glass beads, miyuki seed beads, 240 x 271 x 208 cm, detail

12martinerikandersen.jpg
Martin Erik Andersen, Turtles all the way down, 2019, silver bronze, 31 x 18 x 4 cm

13martinerikandersen.jpg
Martin Erik Andersen, Turtles all the way down, 2019, silver bronze, 31 x 18 x 4 cm





Israel Aten, Michel Majerus, Jana Schröder: Endless
@NATALIA HUG
Jülicher Straße 14
50674 Köln, Germany
November 29, 2019 − January 18, 2020

installation views
1Endless.jpg

2Endless.jpg

3Endless.jpg

4Endless.jpg

5Endless.jpg

6Endless.jpg

7Endless.jpg
Jana Schröder, Untitled, 2019, Acrylic and oil on canvas, 200 × 160 cm (78 3/4 × 63 inches)

8Endless.jpg
Michel Majerus, Untitled (Endless Series) no. 450, 1999, acrylic on canvas, 60 × 60 cm (23 5/8 × 23 5/8 inches)

9Endless.jpg
Israel Aten, SNTNTS, 2019, Acrylic, spray paint on linen, 150 × 65 cm (59 × 25 5/8 inches)

10Endless.jpg
Michel Majerus, Untitled (Endless Series) no. 469, 1999, acrylic on canvas, 60 × 60 cm (23 5/8 × 23 5/8 inches)

11Endless.jpg
Israel Aten, Agon, 2019 Acrylic, spray paint on linen, 165 × 108 cm (65 × 42 1/2 inches)
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2020年01月15日

memo (overseas): Jan15,2020

ex-chamber memo (overseas): Jan15,2020

Regina Silveira: Unrealized / Não feito
@Alexander Gray Associates
510 West 26 Street, New York NY 10001
USA
June 6 – July 26, 2019

installation views
1regina-silveira5.jpeg

2regina-silveira5.jpeg

3regina-silveira5.jpeg

4regina-silveira5.jpeg

5regina-silveira5.jpeg

6regina-silveira5.jpeg

7regina-silveira5.jpeg

8regina-silveira5.jpeg

9regina-silveira5.jpeg

10regina-silveira5.jpeg

11regina-silveira5.jpeg

12regina-silveira5.jpeg

13regina-silveira5.jpeg

14regina-silveira5.jpeg

15regina-silveira5.jpeg

16regina-silveira5.jpeg
Model for Reflexus (Museu de Arte Moderna, São Paulo, Brazil), 1985
Industrial paint, screen print, and wood
5.25h x 39.25w x 17.63d in (13.34h x 99.70w x 44.77d cm)

17regina-silveira5.jpeg
Preparatory drawing for Reflexus (Museu de Arte Moderna, São Paulo, Brazil), 1985
Ink and pencil on graph paper
25.50h x 19.75w in (64.77h x 50.17w cm)

18regina-silveira5.jpeg
Preparatory drawing for Reflexus (Museu de Arte Moderna, São Paulo, Brazil), 1985
Ink and pencil on graph paper
25.50h x 19.75w in (64.77h x 50.17w cm)

19regina-silveira5.jpeg
Preparatory drawing for Reflexus (Museu de Arte Moderna, São Paulo, Brazil), 1985
Ink and pencil on graph paper
25.50h x 19.75w in (64.77h x 50.17w cm)

20regina-silveira5.jpeg
Model for Supersonic Goal (Pacaembu Stadium, São Paulo, Brazil), 2004
Enamel, adhesive vinyl, paper, and wood
10.25h x 33.63w x 21d in (26.04h x 85.41w x 53.34d cm)

21regina-silveira5.jpeg
Digital rendering for Supersonic Goal (Pacaembu Stadium, São Paulo, Brazil), 2004

22regina-silveira5.jpeg
Digital rendering for Supersonic Goal (Pacaembu Stadium, São Paulo, Brazil), 2004

23regina-silveira5.jpeg
Model for Animália (Metrô Vila Madalena, São Paulo, Brazil), 2001
Ink, digital print, adhesive vinyl, acrylic, and wood
13.75h x 56.25w x 29d in (34.93h x 142.88w x 73.66d cm)

24regina-silveira5.jpeg
Digital rendering for Animália (Metrô Vila Madalena, São Paulo, Brazil), 2001

25regina-silveira5.jpeg
Digital rendering for Animália (Metrô Vila Madalena, São Paulo, Brazil), 2001

26regina-silveira5.jpeg
Digital rendering for Animália (Metrô Vila Madalena, São Paulo, Brazil), 2001

27regina-silveira5.jpeg
Preparatory renderings for Iluminada (Barrio Las Aguas, Bogotá, Colombia), 2015/2019

28regina-silveira5.jpeg
Digital rendering for Stray Bullet (Kunstmuseum Stuttgart, Germany), 2018/2019

29regina-silveira5.jpeg
Digital rendering for Double II (Alexander Gray Associates, New York), 2019

30regina-silveira5.jpeg
Model for All Nights (Museo de Arte Contemporáneo de Monterrey, Mexico), 1999
Wood, enamel, and styrofoam
7.50h x 31.50w x 8.75d in (19.05h x 80.01w x 22.23d cm)

31regina-silveira5.jpeg
Digital rendering for All Nights (Museo de Arte Contemporáneo de Monterrey, Mexico), 1999

32regina-silveira5.jpeg
Model for Wild Elevator (Centro Universitário Maria Antônia, Universidade de São Paulo, Brazil), 2016/2019
Acrylic, digital print, adhesive vinyl, and wood
29.50h x 11.88w x 11.88d in (74.93h x 30.16w x 30.16d cm)

33regina-silveira5.jpeg
Digital rendering for Wild Elevator (Centro Universitário Maria Antônia, Universidade de São Paulo, Brazil), 2016/2019

34regina-silveira5.jpeg
Model for Bronx Borough Center Library, New York, 2003
Enamel, acrylic, adhesive vinyl, and wood
20.50h x 46.63w x 29.38d in (52.07h x 118.43w x 74.61d cm)

35regina-silveira5.jpeg
Preparatory drawing for Stairs into Space (Bronx Borough Center Library, New York), 2003
Mixed media on collaged graph paper
18.25h x 36w in (46.36h x 91.44w cm)

36regina-silveira5.jpeg
Preparatory drawing for Paving the Way (Bronx Borough Center Library, New York), 2003
Mixed media on collaged graph paper
19.75h x 39.81w in (50.17h x 101.12w cm)

37regina-silveira5.jpeg
Preparatory studies for Paving the Way (Bronx Borough Center Library, New York), 2003/2019

38regina-silveira5.jpeg
Preparatory studies for Paving the Way (Bronx Borough Center Library, New York), 2003/2019

39regina-silveira5.jpeg
Preparatory studies for Stairs into Space (Bronx Borough Center Library, New York), 2003/2019

40regina-silveira5.jpeg
Digital rendering for Reading in the Sky (Bronx Borough Center Library, New York), 2003/2019

41regina-silveira5.jpeg
Model for Clouds (Santa Maria Novella Station, Florence, Italy), 2012/2019
Acrylic, digital print, adhesive vinyl, and wood
16.38h x 29.13w x 21.25d in (41.59h x 73.98w x 53.98d cm)

42regina-silveira5.jpeg
Studies for Clouds (Santa Maria Novella Station, Florence, Italy), 2012/2019





KATI HECK: All my friends are wild
@TIM VAN LAERE GALLERY
​Jos Smolderenstraat 50, 2000 Antwerp, Belgium
23 May - 6 July, 2019

installation views
1kh.jpg

2kh.jpg

3kh.jpg

4kh.jpg

5kh.jpg

6kh.jpg

7kh.jpg

8kh.jpg

9kh.jpg

10kh.jpg

11kh.jpg

12kh.jpg
KATI HECK, Meisterengelchen: Pufff, 2019
oil and crayon on canvas, artist frame with wooden sculpture
250 x 180 cm

13kh.jpg
KATI HECK, Verspätete Sitzung, 2019
oil on canvas, artist frame with wooden sculpture
200 x 160 cm

14kh.jpg
KATI HECK, Probe Pflanzung, 2019
oil on canvas, artist frame with painting
250 x 350 cm

15kh.jpg
KATI HECK, Gepäck, 2019
oil and crayon on canvas, artist frame
120 x 120 cm

16kh.jpg
KATI HECK, Sâhfrau, 2018 - 2019
bronze

17kh.jpg
KATI HECK, Tafelrunde: Wässerung, 2019
oil, crayon, charcoal and feather on canvas, artist frame with doorbell
180 x 280 cm

18kh.jpg
KATI HECK, Festplakat (All my friends are wild), 2019
cotton
296 x 701 cm

19kh.jpg
KATI HECK, Vorbesprechung, 2019
oil on canvas, artist frame with wooden sculpture
200 x 200 cm

20kh.jpg
KATI HECK, Orakel Jean-Jaques Trudelski, 2019
oil, ink and gouache on photograph, artist frame
120 x 93 cm

28kh.jpg
KATI HECK, Neue Freunde (Orakel) , 2019
oil and ink on photograph, artist frame
180 x 140 cm

21kh.jpg
KATI HECK, Orakel Hotschott, 2019
oil on photograph, artist frame
120 x 93 cm

22kh.jpg
KATI HECK, Klop, klop, klack klack klack, 2018
gouache, color pencil, collage on paper, artist frame
120 x 121,5 x 3,5 cm

23kh.jpg
KATI HECK, Briefkasten I, 2019
oil and crayon on canvas, artist frame
60 x 70 cm

24kh.jpg
KATI HECK, Bingo, 2019
oil and cardboard on canvas, artist frame with wooden sculptures
90 x 70 cm

25kh.jpg
KATI HECK, Liebling piece, 2019
cotton, artist frame
85 x 65 cm

26kh.jpg
KATI HECK, Selbst mit Vogel, 2019
oil on stitched canvas, artist frame
120 x 120 cm

27kh.jpg
KATI HECK, Piece, 2019
cotton
183 x 144 cm





Alexandra Grant: Born to Love
@LOWELL RYAN PROJECTS
4851 West Adams Blvd.
Los Angeles, CA 90016
USA
June 1 - July 6, 2019

installation views
1alexandra-grant-born-to-love.jpg

2alexandra-grant-born-to-love.jpg

3alexandra-grant-born-to-love.jpg

4alexandra-grant-born-to-love.jpg

5alexandra-grant-born-to-love.jpg

6alexandra-grant-born-to-love.jpg

7alexandra-grant-born-to-love.jpg

8alexandra-grant-born-to-love.jpg

9alexandra-grant-born-to-love.jpg

10alexandra-grant-born-to-love.jpg

11alexandra-grant-born-to-love.jpg

12alexandra-grant-born-to-love.jpg
Alexandra Grant
She said to Creon (8), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
80h x 72w in
203.20h x 182.88w cm
AG-012

13alexandra-grant-born-to-love.jpg
Alexandra Grant
She said to Creon (2), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
80h x 72w in
203.20h x 182.88w cm
AG-008

14alexandra-grant-born-to-love.jpg
Alexandra Grant
She said to Creon (5), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
80h x 72w in
203.20h x 182.88w cm
AG-010

15alexandra-grant-born-to-love.jpg
Alexandra Grant
She said to Creon (1), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
80h x 72w in
203.20h x 182.88w cm
AG-007

16alexandra-grant-born-to-love.jpg
Alexandra Grant
She said to Creon (6), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
80h x 72w in
203.20h x 182.88w cm
AG-011

17alexandra-grant-born-to-love.jpg
Alexandra Grant
She said to Creon (9), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
80h x 72w in
203.20h x 182.88w cm
AG-013

18alexandra-grant-born-to-love.jpg
Alexandra Grant
Antigone 3000 (6), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
106h x 72w in
269.24h x 182.88w cm
AG-002

19alexandra-grant-born-to-love.jpg
Alexandra Grant
Antigone 3000 (5), 2018
Collage, wax rubbing, acrylic paint and ink, sumi ink and colored pencil on paper mounted on fabric
106h x 72w in
269.24h x 182.88w cm
AG-001





JAVIER PELÁEZ: BROKEN TREE
@WILLIAM TURNER GALLERY
2525 Michigan Ave. E-1
Santa Monica, 90404
USA
JULY 13 - SEPTEMBER 7, 2019

installation views
1javier-pelaez-broken-tree.jpg

2javier-pelaez-broken-tree.jpg

3javier-pelaez-broken-tree.jpg

4javier-pelaez-broken-tree.jpg

5javier-pelaez-broken-tree.jpg

7javier-pelaez-broken-tree.jpg

6javier-pelaez-broken-tree.jpg

8javier-pelaez-broken-tree.jpg

9javier-pelaez-broken-tree.jpg
Broken Tree #1, 2019
Oil on linen
63 × 47 in
160 × 119.4 cm

10javier-pelaez-broken-tree.jpg

11javier-pelaez-broken-tree.jpg
Broken Tree #2, 2019
Oil on linen
63 × 47 in
160 × 119.4 cm

12javier-pelaez-broken-tree.jpg

13javier-pelaez-broken-tree.jpg
Broken Tree #3, 2019
Oil on linen
63 × 47 in
160 × 119.4 cm

14javier-pelaez-broken-tree.jpg

15javier-pelaez-broken-tree.jpg
Broken Tree #4, 2019
Oil on linen
63 × 47 in
160 × 119.4 cm

16javier-pelaez-broken-tree.jpg

17javier-pelaez-broken-tree.jpg
Vapor #1, 2019
Oil on linen
63 in diameter
160 cm diameter

18javier-pelaez-broken-tree.jpg

19javier-pelaez-broken-tree.jpg

20javier-pelaez-broken-tree.jpg

21javier-pelaez-broken-tree.jpg

22javier-pelaez-broken-tree.jpg
Split Triptych, 2019
Oil on paper
34 × 26 × 1 1/2 in
86.4 × 66 × 3.8 cm

23javier-pelaez-broken-tree.jpg

24javier-pelaez-broken-tree.jpg

25javier-pelaez-broken-tree.jpg

26javier-pelaez-broken-tree.jpg
Broken Tree #9, 2019
Oil on paper
21 × 17 × 1 1/2 in
53.3 × 43.2 × 3.8 cm

27javier-pelaez-broken-tree.jpg

28javier-pelaez-broken-tree.jpg
Broken Tree #7, 2019
Oil on linen
59 × 74 4/5 × 1 37/100 in
149.9 × 190 × 3.5 cm

29javier-pelaez-broken-tree.jpg

30javier-pelaez-broken-tree.jpg
Broken Tree #6, 2019
Oil on linen
62 9/10 × 47 1/2 × 1 37/100 in
159.8 × 120.7 × 3.5 cm

33javier-pelaez-broken-tree.jpg

31javier-pelaez-broken-tree.jpg

32javier-pelaez-broken-tree.jpg

35javier-pelaez-broken-tree.jpg

34javier-pelaez-broken-tree.jpg

36javier-pelaez-broken-tree.jpg

37javier-pelaez-broken-tree.jpg

38javier-pelaez-broken-tree.jpg
Broken Tree #10, 2019
Oil on stainless steel
13 × 8 × 6 in
33 × 20.3 × 15.2 cm





Vera Kox: footprints to fingertips
@22,48 m2
30 rue des envierges
75020 paris
France
21/11/2019 - 21/12/2019

1verakox.jpg
footprint to fingertips, 2019
plaster,pigments,ssilica gel, insulation mat, aluminium modular system, copper pipe, hair extention, styrofoam, ceramic, aluminium cast rice cracker, ubblewarp 252 x 235 x 248 cm

2verakox.jpg
footprint to fingertips, 2019
plaster,pigments,ssilica gel, insulation mat, aluminium modular system, copper pipe, hair extention, styrofoam, ceramic, aluminium cast rice cracker, ubblewarp 252 x 235 x 248 cm

3verakox.jpg
footprint to fingertips, 2019
plaster,pigments,ssilica gel, insulation mat, aluminium modular system, copper pipe, hair extention, styrofoam, ceramic, aluminium cast rice cracker, ubblewarp 252 x 235 x 248 cm

4verakox.jpg
footprint to fingertips, 2019
plaster,pigments,ssilica gel, insulation mat, aluminium modular system, copper pipe, hair extention, styrofoam, ceramic, aluminium cast rice cracker, ubblewarp 252 x 235 x 248 cm

5verakox.jpg
footprint to fingertips, 2019
engobe ceramic 93x25x5 cm

6verakox.jpg
footprint to fingertips, 2019
engobe ceramic 93x25x5 cm

7verakox.jpg
footprint to fingertips, 2019
engobe ceramic 93x25x5 cm

8verakox.jpg
footprint to fingertips, 2019
insulation panels, foam, ceramic, aluminium cast pot noodles, paster, pigments, silica gel, copper pipe, hair extension 126x138x87 cm

9verakox.jpg
footprint to fingertips, 2019
insulation panels, foam, ceramic, aluminium cast pot noodles, paster, pigments, silica gel, copper pipe, hair extension 126x138x87 cm

10verakox.jpg
footprint to fingertips, 2019
insulation panels, foam, ceramic, aluminium cast pot noodles, paster, pigments, silica gel, copper pipe, hair extension 126x138x87 cm

11verakox.jpg
footprint to fingertips, 2019
insulation panels, foam, ceramic, aluminium cast pot noodles, paster, pigments, silica gel, copper pipe, hair extension 126x138x87 cm

12verakox.jpg
footprint to fingertips, 2019
insulation panels, foam, ceramic, aluminium cast pot noodles, paster, pigments, silica gel, copper pipe, hair extension 126x138x87 cm

13verakox.jpg
footprint to fingertips, 2019
insulation panels, foam, ceramic, aluminium cast pot noodles, paster, pigments, silica gel, copper pipe, hair extension 126x138x87 cm

14verakox.jpg
footprint to fingertips, 2019
plaster,pigments,ssilica gel, insulation mat, aluminium modular system, copper pipe, hair extention, styrofoam, ceramic, aluminium cast rice cracker, ubblewarp 252 x 235 x 248 cm

15verakox.jpg
footprint to fingertips, 2019
plaster,pigments,ssilica gel, insulation mat, aluminium modular system, copper pipe, hair extention, styrofoam, ceramic, aluminium cast rice cracker, ubblewarp 252 x 235 x 248 cm

16verakox.jpg
footprint to fingertips, 2019
insulation panels, plaster, pigments, foam, ceramic, 160x160 x20 cm

17verakox.jpg
footprint to fingertips, 2019
insulation panels, plaster, pigments, foam, ceramic, 160x160 x20 cm

18verakox.jpg
footprint to fingertips, 2019
insulation panels, plaster, pigments, foam, ceramic, 160x160 x20 cm

19verakox.jpg
along_the_line,_2018
ceramic, polyurethane foam, stainless steel bolts 87x96x7cm

20verakox.jpg
along_the_line,_2018
ceramic, polyurethane foam, stainless steel bolts 87x96x7cm
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2020年01月14日

memo (overseas): Jan14,2020

ex-chamber memo (overseas): Jan14,2020

Teresa Burga
@Alexander Gray Associates
510 West 26 Street, New York NY 10001
USA
September 5 – October 12, 2019

installation views
1teresa-burga.jpeg

2teresa-burga.jpeg

3teresa-burga.jpeg

4teresa-burga.jpeg

5teresa-burga.jpeg

6teresa-burga.jpeg

7teresa-burga.jpeg

8teresa-burga.jpeg

9teresa-burga.jpeg

10teresa-burga.jpeg

11teresa-burga.jpeg

12teresa-burga.jpeg

13teresa-burga.jpeg

14teresa-burga.jpeg
23 / Marzo / 2019, 2019
Mixed media on paper
8.31h x 11.69w in (21.10h x 29.70w cm)

15teresa-burga.jpeg
11 / Marzo / 2019, 2019
Mixed media on paper
8.31h x 11.69w in (21.10h x 29.70w cm)

16teresa-burga.jpeg
10 / Febrero / 2019, 2019
Mixed media on paper
11.69h x 8.31w in (29.70h x 21.10w cm)

17teresa-burga.jpeg
Untitled (Acqua Alta VI), 2019
Mixed media on paper
16.50h x 11.50w in (41.91h x 29.21w cm)

18teresa-burga.jpeg
Untitled (Narizones), 2019
Mixed media on collaged paper
16.50h x 11.50w in (41.91h x 29.21w cm)

19teresa-burga.jpeg
Untitled (Acqua Alta II), 2019
Mixed media on collaged paper
16.50h x 11.50w in (41.91h x 29.21w cm)

20teresa-burga.jpeg
Serie Máquinas Inútiles. Florero, 1974/2019
Welded steel
71.63h x 48.50w x 25.38d in (181.93h x 123.19w x 64.45d cm)
Edition of 3 with 1 AP (Ed. 1 / 3)

21teresa-burga.jpeg
Serie Máquinas Inútiles. Florero, 1974/2019, detail
Welded steel
71.63h x 48.50w x 25.38d in (181.93h x 123.19w x 64.45d cm)
Edition of 3 with 1 AP (Ed. 1 / 3)

22teresa-burga.jpeg
Serie Máquinas Inútiles. Florero, 1974/2019, detail
Welded steel
71.63h x 48.50w x 25.38d in (181.93h x 123.19w x 64.45d cm)
Edition of 3 with 1 AP (Ed. 1 / 3)

23teresa-burga.jpeg
Serie Máquinas Inútiles. Lámpara, 1974/2019
Welded steel
72.25h x 21.13w x 22d in (183.52h x 53.66w x 55.88d cm)
Edition of 3 with 1 AP (Ed. 1 / 3)

24teresa-burga.jpeg
Serie Máquinas Inútiles. Lámpara, 1974/2019, detail
Welded steel
72.25h x 21.13w x 22d in (183.52h x 53.66w x 55.88d cm)
Edition of 3 with 1 AP (Ed. 1 / 3)

25teresa-burga.jpeg
Serie Máquinas Inútiles. Lámpara, 1974/2019, detail
Welded steel
72.25h x 21.13w x 22d in (183.52h x 53.66w x 55.88d cm)
Edition of 3 with 1 AP (Ed. 1 / 3)

26teresa-burga.jpeg
Serie Máquinas Inútiles. Manual de instalación de avioneta, 1974
Pen on paper
13.03h x 8.58w in (33.10h x 21.80w cm)

27teresa-burga.jpeg
Serie Máquinas Inútiles. Lámpara, 1974
Pen on paper
11.02h x 8.46w in (28h x 21.50w cm)

28teresa-burga.jpeg
Juguete Inútil. Viernes (20 Octubre 1972), 1972
Pen on paper
8.27h x 12.80w in (21h x 32.50w cm)

29teresa-burga.jpeg
Serie Máquinas Inútiles. Florero, 1974
Pen on paper
12.95h x 8.46w in (32.90h x 21.50w cm)

30teresa-burga.jpeg
Insomnia Drawing (8), 1981
Black and red pen on paper
11.63h x 8.13w in (29.53h x 20.64w cm)

31teresa-burga.jpeg
Insomnia Drawing (9), 1981
Pen on paper
3.50h x 6.13w in (8.89h x 15.56w cm)

32teresa-burga.jpeg
Insomnia Drawing (42), 2001
Black, red, and blue pen on paper
4.38h x 4.38w in (11.11h x 11.11w cm)

33teresa-burga.jpeg
Insomnia Drawing (13), 1989
Pen on paper
8.63h x 6.50w in (21.91h x 16.51w cm)

34teresa-burga.jpeg
Insomnia Drawing (44), 2001
Black, red, and blue pen on found paper
5.75h x 8.13w in (14.61h x 20.64w cm)

35teresa-burga.jpeg
Insomnia Drawing (23), 1990
Black and red pen on paper
8.38h x 6.50w in (21.27h x 16.51w cm)

36teresa-burga.jpeg
Insomnia Drawing (14), 1990
Black and red pen on paper
8.38h x 6.50w in (21.27h x 16.51w cm)

37teresa-burga.jpeg
Insomnia Drawing (10), 1989
Pen on found paper
3.50h x 6.63w in (8.89h x 16.83w cm)

38teresa-burga.jpeg
Insomnia Drawing (5), 1978
Felt-tip pen and pencil on paper
8.38h x 11w in (21.27h x 27.94w cm)

39teresa-burga.jpeg
Insomnia Drawing (41), 2001
Black and red pen on paper
4h x 5.25w in (10.16h x 13.34w cm)

40teresa-burga.jpeg
Insomnia (10) Wall Drawing, 1989/2019
Graphite and colored pencil on wall
Dimensions variable





RINUS VAN DE VELDE: The Villagers
@TIM VAN LAERE GALLERY
​Jos Smolderenstraat 50, 2000 Antwerp, Belgium
05 September - 12 October, 2019

installation views
1rvdv.jpg

2rvdv.jpg

3rvdv.jpg

4rvdv.jpg

5rvdv.jpg

6rvdv.jpg

7rvdv.jpg

8rvdv.jpg

9rvdv.jpg

10rvdv.jpg

11rvdv.jpg

12rvdv.jpg

13rvdv.jpg
RINUS VAN DE VELDE, Prop, Diner, 2017 - 2019
cardboard, paint, wood and mixed media
410 x 690 x 290 cm

14rvdv.jpg
RINUS VAN DE VELDE, These villagers,..., 2019
charcoal on canvas, artist frame
210 x 353 cm

15rvdv.jpg
RINUS VAN DE VELDE, Please, come back next Thursday., 2019
charcoal on canvas, artist frame
103 x 76 cm

16rvdv.jpg
RINUS VAN DE VELDE, In this small town..., 2019
charcoal on canvas, artist frame
86 x 103 cm

17rvdv.jpg
RINUS VAN DE VELDE, They call him the wall of the village., 2019
charcoal on canvas, artist frame
159 x 153 cm

18rvdv.jpg
RINUS VAN DE VELDE I was in charge of all the outgoing invoices..., 2018
color pencil on paper
15,7 x 18,5 cm

19rvdv.jpg
RINUS VAN DE VELDE, They're an artist couple working with the abstract expressionist legacy..., 2019
color pencil on paper
11,7 x 29,7 cm

20rvdv.jpg
RINUS VAN DE VELDE, The assistants working in this department..., 2019
color pencil on paper
23,6 x 16 cm

21rvdv.jpg
RINUS VAN DE VELDE, He is on his way to steal an interesting identity..., 2019
color pencil on paper
12,1 x 24,7 cm

22rvdv.jpg
RINUS VAN DE VELDE, On these guided tours..., 2018
color pencil on paper
12,2 x 19,9 cm

23rvdv.jpg
RINUS VAN DE VELDE, Hey Joe, could you bring me two cokes..., 2019
color pencil on paper
20,3 x 16 cm

24rvdv.jpg
RINUS VAN DE VELDE, He constantly watches sport on television..., 2018
color pencil on paper
13,9 x 26,8 cm

25rvdv.jpg
RINUS VAN DE VELDE, This is their headquarter, ..., 2018
color pencil on paper
15,5 x 19,4 cm

26rvdv.jpg
RINUS VAN DE VELDE, Grandpa is pretty busy today, ..., 2019
color pencil on paper
20,8 x 16,7 cm

27rvdv.jpg
RINUS VAN DE VELDE, What are we looking at?..., 2019
color pencil on paper
14 x 18,7 cm

28rvdv.jpg
RINUS VAN DE VELDE, During those years..., 2018
color pencil on paper
12,6 x 22,2 cm


RINUS VAN DE VELDE, Prop, Hotel Corridor, 2017 - 2019
cardboard, paint, wood and mixed media
250 x 840 x 180 cm

RINUS VAN DE VELDE, The Villagers, 2017- 2019
single channel video installation, color, sound, duration 40 minutes
30rvdv.jpg

31rvdv.jpg

32rvdv.jpg

33rvdv.jpg

34rvdv.jpg

35rvdv.jpg

36rvdv.jpg

37rvdv.jpg

38rvdv.jpg

39rvdv.jpg

40rvdv.jpg





Erin Trefry: If The Moon Turns Green
@LOWELL RYAN PROJECTS
4851 West Adams Blvd.
Los Angeles, CA 90016
USA
September 7 - October 12, 2019

installation views
1erin-trefry-if-the-moon-turns-green.jpg

2erin-trefry-if-the-moon-turns-green.jpg

3erin-trefry-if-the-moon-turns-green.jpg

4erin-trefry-if-the-moon-turns-green.jpg

5erin-trefry-if-the-moon-turns-green.jpg

6erin-trefry-if-the-moon-turns-green.jpg

7erin-trefry-if-the-moon-turns-green.jpg

8erin-trefry-if-the-moon-turns-green.jpg

9erin-trefry-if-the-moon-turns-green.jpg

10erin-trefry-if-the-moon-turns-green.jpg

11erin-trefry-if-the-moon-turns-green.jpg

12erin-trefry-if-the-moon-turns-green.jpg

13erin-trefry-if-the-moon-turns-green.jpg

14erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
impermanent time that weeps
2018
Stoneware, wicker handbag handles, and leather on denim
106h x 50w x 4d inches
ET-001

15erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
as though a certain knowledge returns (after Pina Bausch)
2019
Glazed stoneware, wicker and resin handbag handles, leather shoes, fabric, wire, thread, and zip ties
27h x 20w x 10 1/2d inches
ET-014

16erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
inversely from the beginning
2019
Glazed stoneware, sweatshirt, drawer pull, fabric and rope on pleather
106h x 50w x 3 1/2d inches
ET-007

17erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
arch placement shaped phrases
2019
Oil, ceramic fragments, fabric, and pins on canvas
90h x 62 1/2w x 4d inches
ET-009

18erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
cloaked in a gaze of affection and wounded symmetry
2019
Oil, fabric, shoelaces, ceramic fragment, and pins on canvas
90h x 60w x 3d inches
ET-008

19erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
with contrasting brace or column
2019
Glazed stoneware and fabric
24 1/2h x 12w x 11d inches
ET-022

20erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
ceremony of interdependence and light
2019
Deconstructed handbag, shoe, bracelet parts, and pins on fabric
39 1/2h x 21 1/2w x 3 1/2d inches
ET-011

21erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
conjuring force with mask-like readiness
2018
Glazed stoneware, wicker handbag handles, fabric, leather tassel, and zip ties
22h x 14 1/2w x 6 1/2d in
ET-016

22erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
fleeting gestural elements and ways of the warrior
2017-2019
Glazed stoneware, deconstructed shoe, dress and handbag parts, shagreen, oil paint and pins, on pleather
32 1/4h x 22 1/2w x 3d inches
ET-006

23erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
with harmonic interdependence
2019
Glazed stoneware and fabric
25 1/2h x 14w x 10d inches
ET-020

24erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
shelter of acceptance and transience
2019
Glazed stoneware and fabric
11h x 9w x 7d inches
ET-021

25erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
within the empty spaces
2019
Glazed stoneware and fabric
31h x 17w x 9d inches
ET-019

26erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
source of shaped union
2017-2019
Glazed and unglazed stoneware, metal drawer pulls, resin handbag handles, and plastic and metal zip ties
28h x 18w x 9d inches
ET-015

27erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
sustained motion factor readiness
2019
Oil, ceramic fragments, rope, fabric, shoelace, and pins on canvas with wood frame
72h x 60w x 2 1/2d inches
ET-023

28erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
spirits muse and envelop the torso with winged victory
2017-2019
Glazed and unglazed stoneware, wood, bamboo and resin handbag handles, fabric, metal and wooden drawer pulls, pleather sandal part, and zip ties
25h x 24w x 9d inches
ET-013

29erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
shadows walk like itinerant performers
2017-2019
Deconstructed t-shirt, shoe, and handbag parts, brass, pins, and bleach on linen
48h x 36w x 4d inches
ET-002

30erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
transitory acceptance and wholeness
2018
Glazed and unglazed stoneware, metal bookends, resin and wooden handbag handles and fabric
17h x 16w x 6 1/4d inches
ET-004

31erin-trefry-if-the-moon-turns-green.jpg
Erin Trefry
fragments of cadence and rare lineage
2019
Oil, ceramic fragments, and fabric on canvas
83 3/4h x 53 1/4w x 3d inches
ET-010





Jimi Gleason: Cross/Reference
@WILLIAM TURNER GALLERY
2525 Michigan Ave. E-1
Santa Monica, 90404
USA
September 21 - November 30, 2019

installation views
1jimi-gleason-cross-reference.jpg

2jimi-gleason-cross-reference.jpg

3jimi-gleason-cross-reference.jpg

6jimi-gleason-cross-reference.jpg

8jimi-gleason-cross-reference.jpg

9jimi-gleason-cross-reference.jpg

10jimi-gleason-cross-reference.jpg

11jimi-gleason-cross-reference.jpg

12jimi-gleason-cross-reference.jpg

13jimi-gleason-cross-reference.jpg

15jimi-gleason-cross-reference.jpg

14jimi-gleason-cross-reference.jpg

17jimi-gleason-cross-reference.jpg

16jimi-gleason-cross-reference.jpg
Revenant Kine, 2019
Acrylic on canvas
88 × 76 × 1 1/2 in
223.5 × 193 × 3.8 cm

18jimi-gleason-cross-reference.jpg

19jimi-gleason-cross-reference.jpg

20jimi-gleason-cross-reference.jpg

21jimi-gleason-cross-reference.jpg

22jimi-gleason-cross-reference.jpg
Volume of Light, 2019
Acrylic on canvas
88 × 76 × 1 1/2 in
223.5 × 193 × 3.8 cm

23jimi-gleason-cross-reference.jpg

24jimi-gleason-cross-reference.jpg

25jimi-gleason-cross-reference.jpg

26jimi-gleason-cross-reference.jpg
Slanted/Enchanted, 2019
Acrylic on canvas
36 × 86 × 1 1/2 in
91.4 × 218.4 × 3.8 cm

27jimi-gleason-cross-reference.jpg

28jimi-gleason-cross-reference.jpg
Clear Kine, 2019
Acrylic on canvas
72 × 60 × 1 1/2 in
182.9 × 152.4 × 3.8 cm

29jimi-gleason-cross-reference.jpg

30jimi-gleason-cross-reference.jpg

31jimi-gleason-cross-reference.jpg
Crooked Rain, 2019
Acrylic, silver nitrate
60 × 28 × 2 in
152.4 × 71.1 × 5.1 cm

32jimi-gleason-cross-reference.jpg

33jimi-gleason-cross-reference.jpg

34jimi-gleason-cross-reference.jpg

35jimi-gleason-cross-reference.jpg
Pearlescent Evocation, 2019
Acrylic on canvas
72 × 60 × 1 1/2 in
182.9 × 152.4 × 3.8 cm

36jimi-gleason-cross-reference.jpg

37jimi-gleason-cross-reference.jpg

38jimi-gleason-cross-reference.jpg
McKenzie GirL, 2019
Acrylic on canvas
68 × 47 in
172.7 × 119.4 cm

39jimi-gleason-cross-reference.jpg

40jimi-gleason-cross-reference.jpg

41jimi-gleason-cross-reference.jpg

42jimi-gleason-cross-reference.jpg
White Light, 2019
Acrylic on canvas
84 × 60 × 1 1/2 in
213.4 × 152.4 × 3.8 cm

43jimi-gleason-cross-reference.jpg

44jimi-gleason-cross-reference.jpg

45jimi-gleason-cross-reference.jpg
Rogue Wave, 2019
Acrylic on canvas
88 × 76 × 1 1/2 in
223.5 × 193 × 3.8 cm

46jimi-gleason-cross-reference.jpg

47jimi-gleason-cross-reference.jpg

48jimi-gleason-cross-reference.jpg

49jimi-gleason-cross-reference.jpg

50jimi-gleason-cross-reference.jpg
Mystic Painting, 2019
Acrylic on canvas
60 × 48 × 1 1/2 in
152.4 × 121.9 × 3.8 cm

51jimi-gleason-cross-reference.jpg

52jimi-gleason-cross-reference.jpg
Ocean Park with Bell, 2019
Acrylic on canvas
18 × 16 × 1 1/2 in
45.7 × 40.6 × 3.8 cm

53jimi-gleason-cross-reference.jpg

54jimi-gleason-cross-reference.jpg
Pink and Blue, 2019
Acrylic on canvas
36 × 48 × 1 1/2 in
91.4 × 121.9 × 3.8 cm

55jimi-gleason-cross-reference.jpg

56jimi-gleason-cross-reference.jpg
Untitled, 2019
Acrylic on canvas
18 × 16 × 1 1/2 in
45.7 × 40.6 × 3.8 cm

57jimi-gleason-cross-reference.jpg

58jimi-gleason-cross-reference.jpg

59jimi-gleason-cross-reference.jpg
Green Means Growth, 2019
Acrylic on canvas
60 × 48 × 1 1/2 in
152.4 × 121.9 × 3.8 cm

60jimi-gleason-cross-reference.jpg

61jimi-gleason-cross-reference.jpg
Untitled, 2019
Acrylic on canvas
18 × 16 × 1 1/2 in
45.7 × 40.6 × 3.8 cm

62jimi-gleason-cross-reference.jpg

63jimi-gleason-cross-reference.jpg
Ocean Muse (Pacific), 2019
Acrylic on canvas
48 × 36 × 1 1/2 in
121.9 × 91.4 × 3.8 cm

64jimi-gleason-cross-reference.jpg

65jimi-gleason-cross-reference.jpg
DeLaps Vertex, 2019
Acrylic on canvas
60 × 48 × 1 1/2 in
152.4 × 121.9 × 3.8 cm

66jimi-gleason-cross-reference.jpg

67jimi-gleason-cross-reference.jpg
Luxe/Redux, 2019
Acrylic on canvas
59 × 54 × 1 1/2 in
149.9 × 137.2 × 3.8 cm

68jimi-gleason-cross-reference.jpg

69jimi-gleason-cross-reference.jpg

70jimi-gleason-cross-reference.jpg
Untitled, 2019
Acrylic and silver nitrate on canvas
66 × 64 × 1 1/2 in
167.6 × 162.6 × 3.8 cm

71jimi-gleason-cross-reference.jpg

72jimi-gleason-cross-reference.jpg

73jimi-gleason-cross-reference.jpg

74jimi-gleason-cross-reference.jpg
Terre Verte with Reveal, 2019
Acrylic on canvas
88 × 76 × 1 1/2 in
223.5 × 193 × 3.8 cm

75jimi-gleason-cross-reference.jpg

76jimi-gleason-cross-reference.jpg

77jimi-gleason-cross-reference.jpg
Untitled, 2019
Acrylic and silver nitrate on canvas
16 × 60 × 1 1/2 in
40.6 × 152.4 × 3.8 cm

78jimi-gleason-cross-reference.jpg

79jimi-gleason-cross-reference.jpg

80jimi-gleason-cross-reference.jpg
Untitled, 2019
Acrylic and silver nitrate on canvas
18 × 15 × 1 1/2 in
45.7 × 38.1 × 3.8 cm

81jimi-gleason-cross-reference.jpg

82jimi-gleason-cross-reference.jpg

83jimi-gleason-cross-reference.jpg
Untitled, 2019
Acrylic and silver nitrate on canvas
36 × 156 × 1 1/2 in
91.4 × 396.2 × 3.8 cm

84jimi-gleason-cross-reference.jpg

85jimi-gleason-cross-reference.jpg

86jimi-gleason-cross-reference.jpg
Untitled, 2019
Acrylic and silver nitrate on canvas
18 × 15 × 1 1/2 in
45.7 × 38.1 × 3.8 cm

87jimi-gleason-cross-reference.jpg

88jimi-gleason-cross-reference.jpg

89jimi-gleason-cross-reference.jpg
Untitled, 2019
Acrylic and silver nitrate on canvas
20 × 16 × 1 1/2 in
50.8 × 40.6 × 3.8 cm
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2020年01月13日

memo (overseas): Jan13,2020

ex-chamber memo (overseas): Jan13,2020

MARTIN MULL | HARVEST
@IRIS PROJECT
953 AMOROSO PLACE, VENICE, CALIFORNIA
USA
Sep 21st – Nov 3rd 2019

installation views
1martin-mull-harvest.jpg

2martin-mull-harvest.jpg

3martin-mull-harvest.jpg

4martin-mull-harvest.jpg

5martin-mull-harvest.jpg

6martin-mull-harvest.jpg

7martin-mull-harvest.jpg

8martin-mull-harvest.jpg

9martin-mull-harvest.jpg
Sidewalk Cafe, 2019
Oil on Linen
24 × 18 × 2 3/4 in
61 × 45.7 × 7 cm

10martin-mull-harvest.jpg
Negative Space, 2019
Oil on Linen
14 × 17 3/4 × 2 1/2 in
35.6 × 45.1 × 6.4 cm

11martin-mull-harvest.jpg
Angels, 2016
Acrylic on Paper
8 1/2 × 20 in
21.6 × 50.8 cm

12martin-mull-harvest.jpg
Basement Playroom, 2019
Oil on Linen
37 1/2 × 31 1/2 × 2 1/4 in
95.3 × 80 × 5.7 cm

13martin-mull-harvest.jpg
City Scene, 2016
Oil on Linen
10 × 20 in
25.4 × 50.8 cm

14martin-mull-harvest.jpg
Clown Car, 2019
Acrylic on Paper
27 × 15 1/2 × 1 in
68.6 × 39.4 × 2.5 cm

101martin-mull-harvest.jpg
Creating Work Where None Exist, 2018
Graphite on Paper
9 × 16 in
22.9 × 40.6 cm

16martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

17martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

18martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

19martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

20martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 242 1/4 in
45.7 × 615.3 cm

21martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

22martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

23martin-mull-harvest.jpg
Hopscotch, 2019
Oil on panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

24martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

25martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

26martin-mull-harvest.jpg
Summer, 2018
Oil on Panel
24 × 18 × 2 1/4 in
61 × 45.7 × 5.7 cm

27martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

28martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

15martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

29martin-mull-harvest.jpg
Anniversary Waltz, 2018
Oil on Linen
20 × 20 in
50.8 × 50.8 cm

30martin-mull-harvest.jpg
Man of the Hour, ca. 2018
Oil on Panel
24 × 18 × 2 1/4 in
61 × 45.7 × 5.7 cm

31martin-mull-harvest.jpg
Sunday Morning, 2014
Oil on Linen
40 × 30 × 2 1/4 in
101.6 × 76.2 × 5.7 cm

32martin-mull-harvest.jpg
Hopscotch, 2019
Oil on Panel
18 × 24 × 2 1/4 in
45.7 × 61 × 5.7 cm

102martin-mull-harvest.jpg
Playing with Fire , 2019
Acrylic and Graphite on Paper
8 × 25 in
20.3 × 63.5 cm

103martin-mull-harvest.jpg
The Wall II, 2015
Graphite on paper
7 3/4 × 15 1/4 in
19.7 × 38.7 cm





Melvin Edwards: Painted Sculpture
@Alexander Gray Associates
510 West 26 Street, New York NY 10001
USA
October 24 – December 14, 2019

installation views
1melvin-edwards6.jpeg

2melvin-edwards6.jpeg

3melvin-edwards6.jpeg

4melvin-edwards6.jpeg

5melvin-edwards6.jpeg

6melvin-edwards6.jpeg

7melvin-edwards6.jpeg

8melvin-edwards6.jpeg

9melvin-edwards6.jpeg

10melvin-edwards6.jpeg

11melvin-edwards6.jpeg

12melvin-edwards6.jpeg
Luxor-Top, 1983
Painted welded steel
40.50h x 42w x 37d in (102.87h x 106.68w x 93.98d cm)

13melvin-edwards6.jpeg
Luxor-Top, 1983
Painted welded steel
40.50h x 42w x 37d in (102.87h x 106.68w x 93.98d cm)

14melvin-edwards6.jpeg
Luxor-Top, 1983, detail
Painted welded steel
40.50h x 42w x 37d in (102.87h x 106.68w x 93.98d cm)

15melvin-edwards6.jpeg
Felton, 1974
Painted welded steel in 2 parts
Part 1: 23h x 95w x 80d in, Part 2: 59.75h x 68w x 64.5d in

16melvin-edwards6.jpeg
Felton, 1974
Painted welded steel in 2 parts
Part 1: 23h x 95w x 80d in, Part 2: 59.75h x 68w x 64.5d in

17melvin-edwards6.jpeg
Felton, 1974, detail
Painted welded steel in 2 parts
Part 1: 23h x 95w x 80d in, Part 2: 59.75h x 68w x 64.5d in

18melvin-edwards6.jpeg
Felton, 1974
Painted welded steel in 2 parts
Part 1: 23h x 95w x 80d in, Part 2: 59.75h x 68w x 64.5d in

19melvin-edwards6.jpeg
Mozambique, c.1974
Painted welded steel
92h x 71w x 16.50d in (233.68h x 180.34w x 41.91d cm)

20melvin-edwards6.jpeg
Mozambique, c.1974
Painted welded steel
92h x 71w x 16.50d in (233.68h x 180.34w x 41.91d cm)

21melvin-edwards6.jpeg
Mozambique, c.1974, detail
Painted welded steel
92h x 71w x 16.50d in (233.68h x 180.34w x 41.91d cm)

22melvin-edwards6.jpeg
Mozambique, c.1974
Painted welded steel
92h x 71w x 16.50d in (233.68h x 180.34w x 41.91d cm)

23melvin-edwards6.jpeg
Tan Ton Dyminns, 1974
Painted welded steel in 2 parts
Part 1: 84.5h x 36w x 37d in, Part 2: 66.36h x 78.5w x 34d in

24melvin-edwards6.jpeg
Tan Ton Dyminns, 1974
Painted welded steel in 2 parts
Part 1: 84.5h x 36w x 37d in, Part 2: 66.36h x 78.5w x 34d in

25melvin-edwards6.jpeg
Tan Ton Dyminns, 1974, detail
Painted welded steel in 2 parts
Part 1: 84.5h x 36w x 37d in, Part 2: 66.36h x 78.5w x 34d in

26melvin-edwards6.jpeg
Tan Ton Dyminns, 1974
Painted welded steel in 2 parts
Part 1: 84.5h x 36w x 37d in, Part 2: 66.36h x 78.5w x 34d in

27melvin-edwards6.jpeg
Ntrytry, 1981
Painted welded steel and chain
57h x 132w x 60.75d in (144.78h x 335.28w x 154.31d cm)

28melvin-edwards6.jpeg
Ntrytry, 1981
Painted welded steel and chain
57h x 132w x 60.75d in (144.78h x 335.28w x 154.31d cm)

29melvin-edwards6.jpeg
Ntrytry, 1981, detail
Painted welded steel and chain
57h x 132w x 60.75d in (144.78h x 335.28w x 154.31d cm)

30melvin-edwards6.jpeg
Ntrytry, 1981
Painted welded steel and chain
57h x 132w x 60.75d in (144.78h x 335.28w x 154.31d cm)

31melvin-edwards6.jpeg
"Lines" for John Coltrane and other Creative People, 1974
Spray paint on newspaper in 5 parts
Each: 22.5h x 29.13w in

32melvin-edwards6.jpeg
"Lines" for John Coltrane and other Creative People, 1974, part 1 of 5
Spray paint on newspaper in 5 parts
Each: 22.5h x 29.13w in

33melvin-edwards6.jpeg
"Lines" for John Coltrane and other Creative People, 1974, part 2 of 5
Spray paint on newspaper in 5 parts
Each: 22.5h x 29.13w in

34melvin-edwards6.jpeg
"Lines" for John Coltrane and other Creative People, 1974, part 3 of 5
Spray paint on newspaper in 5 parts
Each: 22.5h x 29.13w in

35melvin-edwards6.jpeg
"Lines" for John Coltrane and other Creative People, 1974, part 4 of 5
Spray paint on newspaper in 5 parts
Each: 22.5h x 29.13w in

36melvin-edwards6.jpeg
"Lines" for John Coltrane and other Creative People, 1974, part 5 of 5
Spray paint on newspaper in 5 parts
Each: 22.5h x 29.13w in

37melvin-edwards6.jpeg
Untitled, c.1974
Watercolor on paper
23h x 35w in (58.42h x 88.90w cm)





ANTON HENNING: Pink Period
@TIM VAN LAERE GALLERY
​Jos Smolderenstraat 50, 2000 Antwerp, Belgium
5 December, 2019 - 18 January, 2020

installation views
1antonhenning.jpg

2antonhenning.jpg

3antonhenning.jpg

4antonhenning.jpg

5antonhenning.jpg

6antonhenning.jpg

7antonhenning.jpg

8antonhenning.jpg

9antonhenning.jpg

10antonhenning.jpg

11antonhenning.jpg

12antonhenning.jpg

13antonhenning.jpg
ANTON HENNING, Liegende No. 2, 2007
wood, synthetic resin, car paint
37 x 95 x 46 cm

14antonhenning.jpg
ANTON HENNING, Interieur No. 560, 2018
oil on canvas
220 x 240 cm

15antonhenning.jpg
ANTON HENNING, Skizze No. 3 für Pin-up, 2019
pastel and oil pastel on paper
107 x 85,5 cm, 134 x 111 x 4,5 cm (frame)

16antonhenning.jpg
ANTON HENNING, Mintrex (Künstler-Leuchtmöbel), 2013
wood, glass, light element, collage, gel mat
50 x 92,5 x 52,2 cm

17antonhenning.jpg
ANTON HENNING, Blumenstilleben No. 383, 2008
painted bronze
57 x 76 x 77 cm, 8 x 59 x 62 cm, 96 x 95 x 35 cm
edition of 3 and 1 A.P.

18antonhenning.jpg
ANTON HENNING, Skizze No. 2 für Pin-up mit Früchten, 2019
pastel on paper
86 x 59 cm, 111,5 x 82 x 4 cm (frame)

19antonhenning.jpg
ANTON HENNING, Blumenstilleben mit Früchten No. 108, 2019
oil on canvas
150 x 120 cm

20antonhenning.jpg
ANTON HENNING, Skizze No. 4 für Pin-up mit Früchten, 2019
pastel on paper
107 x 85,5 cm, 134 x 111 x 4,5 cm (frame

21antonhenning.jpg
ANTON HENNING, Interieur mit Pin-up, Blumenstilleben und Früchten, No. 3, 2019
oil on canvas
240 x 260 cm

22antonhenning.jpg
ANTON HENNING, Interieur No. 561 (The Conversation), 2019
oil on canvas
180 x 200,3 cm

23antonhenning.jpg
ANTON HENNING, Interieur mit Pin-up und Früchten, No. 2, 2019
oil on canvas
160,3 x 150 cm

24antonhenning.jpg
ANTON HENNING, Interieur mit Pin-up und Blumenstilleben, No. 1, 2019
oil on canvas
180 x 150 cm

25antonhenning.jpg
ANTON HENNING, Stehlampe No. 10, 2019
metal, plastic, printed paper, marker and pastel on paper
152 x ø29 cm

26antonhenning.jpg
ANTON HENNING, Stehlampe No. 12, 2019
metal, plastic, printed paper, marker on paper
138 x ø19 cm

27antonhenning.jpg
ANTON HENNING, Stehlampe No. 11, 2019
metal, plastic, printed paper, marker and pastel on paper
152 x ø29 cm

28antonhenning.jpg

29antonhenning.jpg
ANTON HENNING, Stehlampe No. 8, 2019
metal, plastic, printed paper, marker on paper
152 x ø29 cm

30antonhenning.jpg
ANTON HENNING, Stehlampe No. 13, 2019
metal, plastic, printed paper, marker on paper
138 x ø19 cm

31antonhenning.jpg
ANTON HENNING, Skizze No. 2 für Pin-up mit Blumenstilleben und Früchten, 2019
pastel on paper
39,7 x 30 cm, 59 x 48 x 3,5 cm (frame)

32antonhenning.jpg
ANTON HENNING, Interieur mit Pin-up, No. 10, 2019
oil on canvas
160,5 x 150 cm

33antonhenning.jpg
ANTON HENNING, Möbelstück für Ausstellungsraum mit Oberlicht, 2009
wood, steel, foam and textile
300 x 146 x 80 cm

34antonhenning.jpg
ANTON HENNING, Pin-up No. 240, 201
oil on canvas
100 x 80 cm

35antonhenning.jpg
ANTON HENNING, Pin-up No. 267, 2019
oil on canvas
50 x 40 cm

36antonhenning.jpg
ANTON HENNING, Mintrex (Künstler-Leuchtmöbel), 2013
wood, glass, light element, collage, gel mat
50 x 92,5 x 52,2 cm

37antonhenning.jpg
ANTON HENNING, Pin-up No. 243, 2019
oil on canvas
120,2 x 150,3 cm

38antonhenning.jpg
ANTON HENNING, Portrait No. 545, 2019
oil on canvas
60 x 50,3 cm

39antonhenning.jpg
ANTON HENNING, Pin-up No. 266, 2019
oil on canvas
50 x 40 cm

40antonhenning.jpg
ANTON HENNING, Liegende No. 7, 2008
wood, epoxy resin and lacquer
41 x 113,5 x 35 cm

41antonhenning.jpg
ANTON HENNING, Pin-up No. 259, 2019
oil on canvas
180,2 x 150 cm

42antonhenning.jpg
ANTON HENNING, Pin-up No. 238 (Leda), 2018
oil on canvas
120 x 100 cm

43antonhenning.jpg
ANTON HENNING, Stehende No. 3, 2007
wood, epoxy resin and lacquer
251,5 x 43 x 37 cm, 20 x 54 x 50 cm (plinth)

44antonhenning.jpg
ANTON HENNING, Portrait No. 543, 2019
oil on canvas
60 x 50,4 cm

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ANTON HENNING, Interieur No. 561, 2019
oil on canvas
280 x 460 cm

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ANTON HENNING Das Paradies No.2, 2019
oil on canvas, 18,7 x 24 cm

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ANTON HENNING, Blumenstilleben No. 396, 2008
patinated bronze
138 x 74 x 85 cm, 8 x 44 x 50 cm (plinth), 110 x 55 x 60 cm (plinth 2)
edition of 3 and 1 A.P.





Alicia Piller: Spirit of the Times
@LOWELL RYAN PROJECTS
4851 West Adams Blvd.
Los Angeles, CA 90016
USA
October 19 - December 21, 2019

installation views
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13alicia-piller-spirit-of-the-times.jpg

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Alicia Piller
Nature of a stately being. Outstretched arms, bursting with newborn stars.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, recycled paper, recycled plastic bags, dried plants, green safety netting, spray paint, coral, and agate
135h x 107w x 53d in
342.90h x 271.78w x 134.62d cm
AP-012

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Alicia Piller
Second nature. Looking for obstacles. Air hangs heavy with promise.
2019
Plexiglas, latex balloons, resin, digital prints on recycled paper, gel medium, vinyl, recycled plastic bags, recycled paper, metal, amazonite, coconut shells, recycled batteries, shell, broken porcelain, sequins, and acrylic paint
75 1/5h x 43w x 48d in
191.01h x 109.22w x 121.92d cm
AP-014

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Alicia Piller
Bulging veins. Stately being in its forthright mood, mottled with a tortured history.
2019
Latex and Mylar balloons, resin, digital prints on recycled paper, gel medium, vinyl, sycamore seeds, opals, metal, recycled plastic, wood, cue ball, and carbon screen
117h x 125w x 79d in
297.18h x 317.50w x 200.66d cm
AP-020

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Alicia Piller
Saturated. Mirror neurons. Clouded possibilities.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, yarn, vinyl, string, electrical cords, and EEG cords
105h x 105w x 116d in
266.70h x 266.70w x 294.64d cm
AP-016

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Alicia Piller
America herself. Music of fragments. Void of course.
2015 - 2019
Latex balloons, resin, digital prints on recycled paper, digital prints on wood, gel medium, slides, leather, wood, glass beads, plastic, National Geographic magazine pages, foam, monofilament, clock spring, and film reels
83h x 45w x 11 1/2d in
210.82h x 114.30w x 29.21d cm
AP-017

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Alicia Piller
Deep Space to navigate. States of magic.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, vinyl, shells, mica, beads, straws, yarn, coral, sand, metal, recycled plastic, leather, shellac chips, and string
86h x 33w x 64d in
218.44h x 83.82w x 162.56d cm
AP-010

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Alicia Piller
Spirit of the Past.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, bullet casing, human tooth, cowrie shells, clock spring, and cardboard
25h x 16w x 6 1/2d in
63.50h x 40.64w x 16.51d cm
AP-018

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Alicia Piller
Spirit of the Present.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, leather, porcupine quills, plastic, beads, metal, and string
11 1/2h x 10 1/2w x 7 1/2d in
29.21h x 26.67w x 19.05d cm
AP-019

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Alicia Piller
Spirit of the Present.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, leather, porcupine quills, plastic, beads, metal, and string
11 1/2h x 10 1/2w x 7 1/2d in
29.21h x 26.67w x 19.05d cm
AP-019

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Alicia Piller
Spirit of the Future.
2019
Latex balloons, resin, digital prints on recycled paper, vinyl, metal chain, beads, shell, and string
19h x 8w x 6d in
48.26h x 20.32w x 15.24d cm
AP-011

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Alicia Piller
Anticipates her future. Pearls and fruits, bows and arrows.
2004 - 2019
Latex balloons, resin, digital prints on recycled paper, gel medium, oil paint, canvas, wood, cardboard, vinyl, shellac chips, green screen, yarn, Alicia Piller’s prom dress, glass, leather, metal, and beads
left side: 85 1/2h x 84w x 10d inches
right side: 43h x 56w x 15d inches
AP-015

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Alicia Piller
Across the wasteland, a twisted melody. Matter and spirit.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, wood, vinyl, leather, human and fake teeth, plastic, wood, bullet casing, sycamore seeds
96 1/2h x 156w x 225d in
245.11h x 396.24w x 571.50d cm
AP-021

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Alicia Piller
Shapes and phantoms. Stars of heaven. Portraits of statues.
2019
Latex balloons, resin, digital prints on recycled paper, gel medium, vinyl, leather, Christmas lights, toy gun, human tooth, plastic, metal, plastic tubing, monofilament, LED blubs, and electric wiring
30h x 14 1/2w x 31d in
76.20h x 36.83w x 78.74d cm
AP-022

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Alicia Piller
Along the wavy edge of this penumbra. Emerging from the depths. Transformation trajectories.
2019
Latex and Mylar balloons, resin, digital prints on paper, gel medium, beads, vinyl, leather, crystal, recycled paper & plastic, metal, wood, carnelian, olive jade, ceramic, shell, plastic tubing, and nylon straps
86h x 77w x 83d in
218.44h x 195.58w x 210.82d cm
AP-013





SCULPTURES
@Selma Feriani Gallery
8 Place Sidi Hassine
Sidi Bou Said 2026
Tunisia
24 February 2019 - 31 March 2019

installation views
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An Arch Never Sleeps. Nick Hornby. 2011. HD Video. 16 :12 mn. Edition 1 of 3. Courtesy of the artist

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Muse Offcut (Reduction I). Nick Hornby. 2018. Marble-resin. 150h x 66w x 56d cm. Edition 1 of 3. Courtesy of the artist

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6° Takes One Minute. Nick Hornby. 2013/2014. Marble-resin, Paint, Shellac and wax. 90h x 29w x 19d cm. AP. Courtesy of the artist

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Effondrement:10 Arcs. Bernar Venet. 2016. Turned steel and black patina on base. 12h x 37w cm on 50h x 50w. Signed and numbered XX/XXVII

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Untitled No.I. Mohamed Namou. 2019. Sewing on velvet & shaped marble. 30h x 90w cm/ Unique. Light Blow series

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Untitled No.II. Mohamed Namou. 2019. Sewing on velvet & shaped marble. 30h x 90w cm. Unique. Light Blow series

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Retired From Fantasy No.II. Mohamed Namou. 2019. Acrylic on canvas , sewing and marble. 160 x 140 cm. Unique. Pocket series

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Rise & Fall. Raja Aissa. 2019. Blown glass neon & a rock. Variable dimensions. Unique

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Esaida Carthage No.I. Malek Gnaoui. 2018. Lithograph and red brick dust. 50h x 72w cm. Edition 2 of 3

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Esaida Carthage No.II. Malek Gnaoui. 2018. Lithograph and red brick dust. 50h x 72w cm. Edition 2 of 3

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Untitied. Malek Gnaoui. 2019. Red brick and metal bars. 66h x 19w x 20d cm each. Unique

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La Brique. Malek Gnaoui. 2019. Marble. 18,5h x 30,5 x 14,4d cm. Unique

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Nana Assise sur un Serpent. Niki de Saint Phalle. 1984. Hand painted resin. 16h x 13w x 11d cm. Original work from edition of 7 dated and signed by Niki de Saint Phalle

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Marker No.I. Elena Damiani. 2013. Collage on found bookplate. 23,5h x 29,5w cm. Unique. A Succession of Markers Placed out of Field series

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Marker No.II. Elena Damiani. 2013. Collage on found bookplate. 23,5h x 29,5w cm. Unique. A Succession of Markers Placed out of Field series
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2020年01月12日

memo (overseas): Jan12,2020

ex-chamber memo (overseas): Jan12,2020

microwave, x
@Josée Bienvenu Gallery
529 West 20th Street
(between 10th & 11th Avenues)
New York, NY 10011
USA
December 22, 2018 – January 26, 2019

installation views
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6microwave_x.jpeg

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Richard Tuttle
New Mexico. New York. E # 8, 1998
Acrylic on fir plywood
26h x 14.25w in
66.04h x 36.20w cm
RT001

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Jonathan Callan
Hope (1970), 2018
Paper
20.50h x 12w x 2.50d in
52.07h x 30.48w x 6.35d cm
JC004

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Jonathan Callan
Michelangelo, 2018
Paper
48.26h x 34.29w x 10.16d cm
19h x 13.50w x 4d in
JC005

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Beto De Volder
Untitled, 2018
Acrylic and graphite on clayboard
12h x 12w in
30.48h x 30.48w cm
BDV008

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Beto De Volder
Untitled, 2018
Acrylic and graphite on clayboard
11h x 14w in
27.94h x 35.56w cm
BDV009

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Beto De Volder
Untitled, 2018
Acrylic and graphite on clayboard
11h x 14w in
27.94h x 35.56w cm
BDV007

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Anne Lindberg
murmur, 2018
cotton thread, staples
60h x 140w x 16d in
152.40h x 355.60w x 40.64d cm
ALi007

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Romany Eveleigh
One Liners, 2017
Oil pastel on paper
13.98h x 85.04w in
35.50h x 216w cm
RE004

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Marco Maggi
Question Mark, 2018
Cut self adhesive archival stickers on roller
6h x 4w in
15.24h x 10.16w cm
MM052

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Marco Maggi
Label Lab (on Black), 2018
Cuts on self adhesive archival paper on museum board
14h x 11w in
35.56h x 27.94w cm
MM027

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Celeste Fitcher
Run on Sentence, 2016
Graphite on grid paper
12h x 9w in
30.48h x 22.86w cm
CF003

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Luis Urculo
Atlas, 2018
Watercolor and ink on paper
14.50h x 10.50w in
36.83h x 26.67w cm
LU005

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Adam Henry
"Days of Envelope Filter", 2018
Watercolor, ink on paper
11h x 14w in
27.94h x 35.56w cm
AdH010

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Luis Urculo
Atlas, 2018
Watercolor and ink on paper
14.50h x 10.50w in
36.83h x 26.67w cm
LU005

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Ana Tiscornia
Green Diamond, 2018
collage on manifold file cards
17h x 25.75w in
43.18h x 65.41w cm
AT001

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Sam Roeck
The Outsider, 2018
Graphite on paper
30h x 22w in
76.20h x 55.88w cm
SR001

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Alicia Mihai Gazcue
Punto cruz, 1972
Pencil and thread on notebook
4.25h x 5.50w in
10.79h x 13.97w cm
AMG001

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Cy Twombly
Untitled, 1961
Ink & colored pencil on paper
13.50h x 9.25w in
34.29h x 23.50w cm
CT001

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Jonathan Rider
Untitled, 2018
Cardboard on wood
8.50h x 5.10w in
21.59h x 12.95w cm
JR001

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Liliana Porter
To hold the string (with white tshirt)
29h in
73.66h x 1.98w x 2.31d cm
LPo001

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Liliana Porter
To hold the string (with white tshirt)
29h in
73.66h x 1.98w x 2.31d cm
LPo001

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Ana Bidart
Tiro Al Blanco, 2018
Acrylic paint and graphite on canvas
64h x 12w in
162.56h x 30.48w cm
ANB35ASX002





Christiane Feser
@Gitterman Gallery
41 East 57th Street
Suite 1103
New York, NY 10022
USA
Apr 4 – May 25, 2019

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Christiane Feser , Partition 120 , 2019
Photo object with archival pigment print , 55 1/8 x 39 3/8 in. (140 x 100 cm)
price includes framing with museum glass

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Christiane Feser, Partition 120, 2019
Photo object with archival pigment print, 55 1/8 x 39 3/8 in. (140 x 100 cm)
price includes framing with museum glass

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Christiane Feser, Partition 125, 2019
Photo object with archival pigment print, 39 3/8 x 55 1/8 in. (100 x 140 cm)
price includes framing with museum glass

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Christiane Feser, Partition 92, 2018
Photo object with archival pigment print, 39 3/8 x 55 1/8 in. (100 x 140 cm)
price includes framing with museum glass

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Christiane Feser, Partition 124, 2019
Photo object with archival pigment print, 55 1/8 x 39 3/8 in. (140 x 100 cm)
price includes framing with museum glass

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Christiane Feser, Partition 119, 2019
Photo object with archival pigment print, 55 1/8 x 39 3/8 in. (140 x 100 cm)
price includes framing with museum glass

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Christiane Feser, Partition 123, 2019
Photo object with archival pigment print, 39 3/8 x 55 1/8 in. (100 x 140 cm)
price includes framing with museum glass

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Christiane Feser, Partition 127, 2019
Photo object with archival pigment print, 39 3/8 x 55 1/8 in. (100 x 140 cm)
price includes framing with museum glass

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Christiane Feser, Partition 126, 2019
Photo object with archival pigment print, 39 3/8 x 55 1/8 in. (100 x 140 cm)
price includes framing with museum glass





KIRSTINE REINER HANSEN: GLORIOUS REJECTS
@Jack Fischer Gallery, 311 Potrero Avenue
311 Potrero Ave
San Francisco, CA 94103
USA
September 14th - October 26, 2019

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Disguises No-One
By Kirstine Reiner Hansen
2019, oil on canvas, 28.8" x 39.5"

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Pathways
By Kirstine Reiner Hansen
2019, oil on canvas, 23.6" x 31.5"

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Imperial Mess
By Kirstine Reiner Hansen
2019, oil on canvas, 27.6" x 35.4"

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Cross Out
By Kirstine Reiner Hansen
2019, oil on linen, 43.3" x 47.4"

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Percolate
By Kirstine Reiner Hansen
2018, oil on linen, 12" x 12"

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Rewind
By Kirstine Reiner Hansen
2018, Oil on linen, 42" x 46"

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Krishna Babe
By Kirstine Reiner Hansen
2019, oil on canvas, 27.6" x 23.6"

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Ego Sunset (diptych)
By Kirstine Reiner Hansen
2017, oil on linen, 20" x 32"

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Borderspace (diptych)
By Kirstine Reiner Hansen
2017, oil on linen, 20" x 32"

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Nightwatch
By Kirstine Reiner Hansen
2017, oil on linen, 50" x 31.5"

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Twinset No. 5
By Kirstine Reiner Hansen
2018, oil on canvas, 30" x 40"

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Twinset No. 6
By Kirstine Reiner Hansen
2018, oil on linen, 22" x 28"

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Twinset No. 7
By Kirstine Reiner Hansen
2019, oil on canvas, 27.6" x 35.4"

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Ziplocked (diptych)
By Kirstine Reiner Hansen
2018, oil on canvas, 30" x 31"

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Looking Back
By Kirstine Reiner Hansen
2018, oil on linen, 12.12" x 9.75"

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Hollow Isn't
By Kirstine Reiner Hansen
2016, oil on paper, 14" x 10"

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Chameleon Transversal
By Kirstine Reiner Hansen
2016, oil on paper, 10" x 14"

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Wealth Interference
By Kirstine Reiner Hansen
2016, oil on paper, 14" x 10"

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Poker Face
By Kirstine Reiner Hansen
2016, oil on paper, 14" x 10"

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Soft Bomb
By Kirstine Reiner Hansen
2016, oil on paper, 14" x 10"

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Starlet Syndrome
By Kirstine Reiner Hansen
2018, oil on paper, 10" x 14"





JENENE NAGY | THE FUTURE DOES NOT EXIST
@IRIS PROJECT
953 AMOROSO PLACE, VENICE, CALIFORNIA
USA
Nov 9th – Dec 21st 2019

installation views
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tiny banner, 2019
Tarnished silver and graphite on folded paper
45 × 30 in
114.3 × 76.2 cm

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The weight of water (palm), 2019
Pigmented and cast palm frond pulp, salt
80 × 44 × 10 in
203.2 × 111.8 × 25.4 cm

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untitled (palm drawing silver), 2018
Acrylic on artist-made palm frond paper
25 × 21 1/2 in
63.5 × 54.6 cm

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untitled (palm drawing black), 2018
Flashe on artist-made palm frond paper
25 × 21 1/2 in
63.5 × 54.6 cm

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heavy sunshine 2, 2017
Graphite on paper in chromed frame
68 1/2 × 43 1/2 in
174 × 110.5 cm

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palm grid 6, 2019
Gouache and graphite on artist-made palm frond paper
26 × 26 in
66 × 66 cm

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palm grid 7, 2019
Gouache and graphite on artist-made palm frond paper
43 × 30 in
109.2 × 76.2 cm

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palm grid 9, 2019
Gouache and graphite on artist-made palm frond paper
71 1/4 × 46 1/4 in
181 × 117.5 cm

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palm grid 8, 2019
Gouache and graphite on artist-made palm frond paper
43 × 30 in
109.2 × 76.2 cm

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mass (future), 2019
Graphite and torn paper mounted on paper
33 × 33 in
83.8 × 83.8 cm

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mass (past), 2019
Graphite and torn paper mounted on paper
33 × 33 in
83.8 × 83.8 cm

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mass 10, 2017
Torn paper and graphite mounted on paper
11 × 11 in
27.9 × 27.9 cm

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mass 12, 2017
Torn paper and graphite mounted on paper
11 × 11 in
27.9 × 27.9 cm

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mass 14, 2017
Torn paper and graphite mounted on paper
11 × 11 in
27.9 × 27.9 cm





Luis Camnitzer: Towards an Aesthetic of Imbalance
@Alexander Gray Associates
510 West 26 Street, New York NY 10001
USA
January 9 – February 15, 2020

installation views
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5luis-camnitzer6.jpeg

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9luis-camnitzer6.jpeg

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Leer es resucitar ideas sepultadas en el papel. Cada palabra es un epitafio., 1992
Mixed media
13h x 10.50w x 2.38d in (33.02h x 26.67w x 6.03d cm)

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Objects Covered by Their Own Image; Ripping Open an Incredible Scandal, 1973
Ink and whiteout on paper
11h x 8.30w in (27.94h x 21.08w cm)

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Objects Covered by Their Own Image; Watergate Widening Waves of Scandal, 1973
Ink and whiteout on paper
11h x 8w in (27.94h x 20.32w cm)

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Twin Towers, 2002
3.50h x 2.60w in (8.89h x 6.60w cm)
Edition of 3 + 1 AP

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Twin Towers, 2002
3.50h x 2.60w in (8.89h x 6.60w cm)
Edition of 3 + 1 AP

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El Mirador, 1996
Mixed media
78.74h x 157.48w x 157.48d in (200h x 400w x 400d cm)

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Territorio Libre, 2018
Razor wire and projection
Dimensions variable
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2020年01月11日

memo (overseas): Jan11,2020

ex-chamber memo (overseas): Jan11,2020

Sean Micka: Fine Silver and Extraordinary Diamonds from the Estate of an Important Collection
@Josée Bienvenu Gallery
529 West 20th Street
(between 10th & 11th Avenues)
New York, NY 10011
USA
January 31 – March 2, 2019

installation views
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Sean Micka
KATHRYN ALLEN WAIT WELDON (1908-1997), Fine Jewels, Silver, Decorative Art and Paintings, Property of Various Owners, including Property from the Estate of Kathryn A. Weldon, SOTHEBY’S, (123 WELDON)., 2019
Charcoal on Paper
14h x 11w in
35.56h x 27.94w cm

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Sean Micka
WILLIAM A. MCCARTY-COOPER (1936-1991), Important Furniture, Silver, Books and Decorative Arts from the Collection of William A. McCarty-Cooper, New York Saturday, January 25, 1992. CHRISTIE’S, (ORIOLE-7402), 2019
Charcoal on Paper
14h x 11w in
35.56h x 27.94w cm

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Sean Micka
• 608 EXTRAODINARY FANCY PINK DIAMOND RING, Of marquise shape, weighing 5.65 carats, within a simple mounting. Unmounted in illustration. Accompanied by G.I.A. report no. 8530078 stating that the diamond is Fancy Pink, Natural Color and Internally Flawless. Estimate on request. EXTRAORDINARY JEWELS, New York, April 10 and 11, 1995, SOTHEBY’S, New York (Sale Code: 6685 SPECTRUM)., 2018
Oil on Canvas
24h x 24w in
60.96h x 60.96w cm

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Sean Micka
• 548 FINE FANCY BLUE DIAMOND, The round diamond weighing .90 carat, unmounted. Accompanied by G.I.A. report no. 8337297 stating that the diamond is Fancy Blue, Natural Color and VS1 clarity. $45,000-50,000. MAGNIFICENT JEWELRY, October 20 and 21, 1993, SOTHEBY’S, New York (Sale Code: 6479-REX), 2017
Oil on canvas
24h x 24w in
60.96h x 60.96w cm

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Sean Micka
• 449 THE PORTER RHODES DIAMOND, Magnificent Jewelry, Sotheby’s New York, Tuesday, October 20, 1987. 5619 “PAUL”, 2017
Oil on canvas
36h x 36w in
91.44h x 91.44w cm

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Sean Micka
• 577 IMPORTANT FANCY BLUE DIAMOND RING, Extraordinary Jewels, SOTHEBY’S, New York, April 10 and 11, 1995. 6685 SPECTRUM, 2018
Oil on canvas
24h x 24w in
60.96h x 60.96w cm

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Sean Micka
• 578 IMPORTANT FANCY PINK DIAMOND RING, Extraordinary Jewels, SOTHEBY’S, New York, April 10 and 11, 1995. 6685 SPECTRUM, 2018
Oil on canvas
24h x 24w in
60.96h x 60.96w cm

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Sean Micka
• 193 UNMOUNTED PEAR-SHAPED FANCY GRAY DIAMOND, Magnificent Jewels, CHRISTIE’S, New York, Wednesday, April 20, 1988. 6578 LYON, 2018
Oil on canvas
24h x 24w in
60.96h x 60.96w cm

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Sean Micka
• 578A IMPORTANT FANCY COLORED DIAMOND RING, The emerald-cut diamond of fancy purplish-pink color weighing 4.92 carats, within a simple white gold mounting. Unmounted in illustration. Accompanied by G.I.A. report no. 8450635 stating that the diamond is Fancy Purplish-Pink, Natural Color and VVS2 clarity. $1,000,000-1,200,000. EXTRAORDINARY JEWELS, New York, April 10 and 11, 1995, SOTHEBY’S, New York (Sale Code: 6685 SPECTRUM)., 2018
Oil on Canvas
24h x 24w in
60.96h x 60.96w cm

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Sean Micka
• 334 FINE CEYLAN SAPPHIRE, Important Jewelry, and Rare & Exotic Gemstones, Antiqorium Auctioneers, New York, Grand Havana Room, Thursday, September 30, 1999., 2018
Oil on canvas
24h x 24w in
60.96h x 60.96w cm

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Sean Micka
• 453 THE LESOTHO III DIAMOND, HARRY WINSTON, The marque-shaped diamond weighing 40.42 carats, flanked by tapered baguette diamonds weighing approximately 1.50 carats, mounted in platinum, signed Winston. Together a brooch attachment (diamonds detaches from ring mounting). Accompanied by G.I.A. report no 8682475 stating that the diamond is L color (Faint Brown), VS2 clarity; together with original working diagram stating that the stone may by potentially flawless. This ring was an engagement present from Aristotle Onassis. $500,000-600,000. THE ESTATE OF JACQUELINE KENNEDY ONASSIS, April 23-26, 1996, SOTHEBY’S (Sale Code: 6834-JKO), 2018
Oil on Canvas
24h x 24w in
60.96h x 60.96w cm

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Sean Micka
• 597 EXTRAODINARY FANCY INTENSE YELLOWISH GREEN DIAMOND, The marquise-shape diamond of fancy intense yellowish green color, weighing 2.15 carats, unmounted. Accompanied by G.I.A. report no. 8567033 stating that the diamond is Fancy Intense Yellowish Green, Natural Color and VS 2 clarity. Estimate on request. EXTRAORDINARY JEWELS, New York, April 10 and 11, 1995, SOTHEBY’S, New York (Sale Code: 6685 SPECTRUM)., 2018
Oil on canvas
24h x 24w in
60.96h x 60.96w cm

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Sean Micka
• 547 FINE FANCY PINK DIAMOND, The cut-cornered rectangular modified brilliant-cut diamond weighing 1.12 carats, unmounted. Accompanied by G.I.A. report no. 8364983 stating that the diamond is Fancy Pink, Natural Color. $40,000-50,000. MAGNIFICENT JEWELRY, October 20 and 21, 1993, SOTHEBY’S, New York (Sale Code: 6479-REX)., 2018
Oil on Canvas
24h x 24w in
60.96h x 60.96w cm

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Sean Micka
• 359 EMERALD RING, The emerald-cut emerald weighing 5.53 carats, within a simple gold mounting. Unmounted in illustration. $20,000-30,000 Extraordinary Jewels, New York, April 10 and 11, 1995, SOTHEBY’S, New York (6685 SPECTRUM)., 2018
Oil on Canvas
24h x 24w in
60.96h x 60.96w cm

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Sean Micka
• 35 TWO AMERICAN SILVER SERVING SPOONS AND FOUR SOUP LADLES, PENNSYLVANIA, CIRCA 1780-1810, 30 ozs. 6 pieces Length 11 5/8 in. (29.5 cm) to 14 in. (35.6 cm.) $2,500-3,500; • 36 THREE AMERICAN SILVER SOUP LADLES, CIRCA 1780-1815, 18 ozs. D dwts. 3 pieces Lengths 13 in. (33 cm.), 14 ½ in. (36.8 cm.), 15 in. (38.1 cm.), $1,500-2,000; • 37 FOUR AMERICAN SILVER TABLESPOONS AND THREE SOUP LADLES, PENNSYLVANIA, DELAWARE, CIRCA, 1790; 25 ozs. 2 dwts. 7 pieces. $2,000-2,500, HIGHLY IMPORTANT AMERICANA FROM STANLEY PAUL SAX COLLECTION, January 16th-17th, 1998, SOTHEBY’S, New York (Sale Code: 7087-SAX)., 2018
Oil on Canvas
36h x 60w in
91.44h x 152.40w cm

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Sean Micka
• 102 A RARE PAIR OF TABLESPOONS BY ADAM LYNN, ALEXANDRIA VIRGINIA, CIRCA 1800, Each with a pointed oval handle and a pointed oval bowl, the handle engraved “W” in script on front and “DL” on back (marks partially-struck), each marked -7 ¼ in. long (3 oz.) (2) $300-400, IMPORTANT AMERICAN FURNITURE, SILVER, FOLK ART AND DECORATIVE ARTS, Saturday, October 21 1989 CHRISTIE’S, New York (Sale Code: RAWSON 6922)., 2018
Oil on Canvas
30h x 30w in
76.20h x 76.20w cm

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Sean Micka
• 48 A SET OF TWELVE TABLESPOONS BY STEPHEN RICHARD, NEW YORK, CIRCA 1810, Fine American Furniture, Silver, Folk Art and Decorative Arts, CHRISTIES, New York, Saturday, January 24, 1987. TOWNSEND 6320, 2018
Oil on canvas
30h x 30w in
76.20h x 76.20w cm

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Sean Micka
• 56 A RARE SET OF THREE BASTING SPOONS BY BLADWIN GARDINER, PHILADELPHIA OR NEW YORK, EARLY 19TH CENTURY, Each with fiddle-thread handle engraved with a coat-of-arms, marked on back of handle -13 ½ long (22 oz.) $700-1,000, FINE AMERICAN FURNITURE, SILVER, FOLK ART AND DECORATIVE ARTS, Saturday, January 24, 1987, CHRISTIE’S, New York (Sale Code: TOWNSEND 6320), 2018
Oil on canvas
30h x 30w in
76.20h x 76.20w cm

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Sean Micka
Silver Crystals, 1978, Refined by Handy & Harman, Fairfield Connecticut L. approx. 1 5/8” (41 mm). Gift of Handy & Harman. Silver In American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, 1979., 2019
Charcoal on paper
11h x 14w in
27.94h x 35.56w cm

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Sean Micka
Silver-lead Ore, Leadville, Colorado, Joseph Reynolds and General James I. Gilbert, Proprietors, w. 5 3/4“ (146 mm); wt. 13 oz., 3 dwt. (408 gm), Economic Geology Collection, Yale University; American Arts Purchase Fund 1978.80; Silver In American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, 1979., 2018
Charcoal on paper
14h x 11w in
35.56h x 27.94w cm

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Sean Micka
1878-1880, Free American Mine, Georgetown Colorado, Joseph Reynolds and General James I. Gilbert, Proprietors, L. 2 15/16” (75 mm); wt. 7 oz (217 gm), American Arts Purchase Fund 1978.80; Silver In American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, 1979., 2018
Charcoal on paper
14h x 11w in
35.56h x 27.94w cm

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Sean Micka
Ingot, 1978, Engelhard Minerals & Chemicals Corporation, Iselin New Jersey, w. 6 1⁄4” (159 mm); wt. 100 oz (3100 gm); Silver In American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, 1979., 2018
Charcoal on paper
14h x 11w in
35.56h x 27.94w cm

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Sean Micka
• Silver, 1978, Engelhard Minerals & Chemicals Corporation, Iselin New Jersey, w. 6” (152 mm); wt. 2 oz, 15 dwt. (85 gm); Silver In American Life: Selections from the Mabel Brady Garvan and Other Collections at Yale University, 1979., 2018
Charcoal on paper
14h x 11w in
35.56h x 27.94w cm

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Sean Micka
MAKERS MARK OF JOHN COBURN, BOSTON, CIRCA 1750 (613 A PAIR OF FINE AMERICAN SILVER SAUCEBOATS, base engraved with block initials S*H, each marked under base, 8 ½ in long, 5 in high (29 oz) - $30,000-40,000, PROVENANCE: Woodbury Family of Beverly Massachusetts; One, The Estate of Allan Winslow Furber, sold in these Rooms, January 24, 1987, lot 81; One, Firestone & Parson, Boston), 2019
Oil on Canvas
14h x 11w in
35.56h x 27.94w cm

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Sean Micka
Detail of mark on Sugar Bowl: H Anvil S (HANDICRAFT SHOP), L Mark (LEINONEN), Hot Beverage Set, Boston, 1906, Karl F Leinonen (1866-1957), H. pot 8 1/16” (205 mm); WT. pot 13 oz, 17 dwt (429 gm). Gift of Mrs. Alfred E Bissel and Mrs. Edward Leisenring in memory of Alfred Elliott Bissell, B.A., 1925-1978.6A-D, Silver In American Life: Selections from the Mabel Brady Garvan and Other Collections at YALE University, 1979., 2019
Charcoal on paper
14h x 11w in
35.56h x 27.94w cm

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Sean Micka
• Gen. US Grant and his party visiting the Comstick Lode, 1879. [The Magnificent Mackey Dinner Service] Sale Code: CHIPPENDALE 7000, 2018
Charcoal on paper
14h x 11w in
35.56h x 27.94w cm





MARC BIJL. After Dark.
@GALERIE REINHARD HAUFF
Paulinenstr. 47
D - 70178 Stuttgart
Germany
09.11.2018 – 25.01.2019

installation views
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Addiction, 2018,
powder coated aluminum, 100 x 70 cm

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Father, Mother, Children (glitched version), 2018,
powder coated aluminum and spray paint, 94 x 58 cm

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Gradient Decorum, 2018,
powder coated aluminum, 100 x 70 cm

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Structure / Chaos (Icosahedron), 2018,
deco light tubes, power cables, gaffa tape and cable ties, diameter: appr. 250 cm

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Retro wars, 2018,
powder coated aluminum, 124 x 200 cm

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Sculpture, 2016,
powder coated aluminum, 98 x 60 x 60 cm

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Paris, 2015,
powder coated aluminum, 150 x 100 cm





Mark Sheinkman: New Paintings
@Von Lintel Gallery
1206 Maple Ave # 212
Los Angeles, CA 90015
USA
September 7 – October 12, 2019

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Mark Sheinkman, Dewey, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)

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Mark Sheinkman, Elton, 2019,
oil on linen, 32 x 54 inches (81.3 x 137.2 cm)

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Mark Sheinkman, Kingston, 2019,
oil on linen, 55 x 72 inches (139.7 x 182.9 cm)

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Mark Sheinkman, Van Buren, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)

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Mark Sheinkman, Hegeman, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)

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Mark Sheinkman, Schroeders, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)

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Mark Sheinkman, Wyona, 2019,
oil on linen, 42 x 34 inches (106.7 x 86.4 cm)

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Mark Sheinkman, Logan, 2019,
oil on linen, 42 x 34 inches (106.7 x 86.4 cm)

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Mark Sheinkman, Bradford, 2019,
oil on linen, 42 x 34 inches (106.7 x 86.4 cm)

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Mark Sheinkman, Doscher, 2019,
oil on linen, 32 x 54 inches (81.3 x 137.2 cm)

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Mark Sheinkman, Snedicker, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)

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Mark Sheinkman, Warwick, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)

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Mark Sheinkman, Saratoga, 2019,
oil on linen, 42 x 34 inches (106.7 x 86.4 cm)

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Mark Sheinkman, Sheperd, 2019,
oil on linen, 32 x 24 inches (81.3 x 61.0 cm)

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Mark Sheinkman, Glenmore, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)

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Mark Sheinkman, Auburn, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)

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Mark Sheinkman, Atkins, 2019,
oil on linen, 18 x 14 inches (45.7 x 35.6 cm)





Jean-Pierre Sudre
@Gitterman Gallery
41 East 57th Street
Suite 1103
New York, NY 10022
USA
Sep 11 – Nov 9, 2019

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Jean-Pierre Sudre , Soleil , 1965-1967
Vintage toned gelatin silver print; Mordançage , 19 7/8 x 14 3/4 in. (50.5 x 37.5 cm)

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Jean-Pierre Sudre, Soleil, 1965-1967
Vintage toned gelatin silver print; Mordançage, 19 7/8 x 14 3/4 in. (50.5 x 37.5 cm)

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Jean-Pierre Sudre, Untitled, c. 1967
Vintage toned gelatin silver print, 15 9/16 x 10 7/8 in. (39.5 x 27.6 cm)

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Jean-Pierre Sudre, Diamantine, 1964
Vintage gelatin silver print, 15 11/16 x 11 15/16 in. (39.9 x 30.3 cm)

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Jean-Pierre Sudre, Apocalypse, Révélation, c. 1965-1967
Vintage toned gelatin silver print; Mordançage, 11 3/4 x 9 3/8 in. (29.8 x 23.8 cm)

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Jean-Pierre Sudre, Apocalypse, Révélation, 1967
Vintage gelatin silver print, 20 3/8 x 16 in. (51.8 x 40.6 cm)

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Jean-Pierre Sudre, Apocalypse, Révélation, 1967
Vintage gelatin silver print, 15 3/4 x 8 11/16 in. (40 x 22.1 cm)

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Jean-Pierre Sudre, Apocalypse, Révélation, 1967
Vintage toned gelatin silver print, 15 5/8 x 9 7/8 in. (39.7 x 25.1 cm)

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Jean-Pierre Sudre, Untitled, 1965
Vintage gelatin silver print, 11 7/8 x 9 1/2 in. (30.2 x 24.1 cm)

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Jean-Pierre Sudre, Apocalypse, Révélation, 1967
Vintage toned gelatin silver print, 15 11/16 x 12 in. (39.9 x 30.5 cm)

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Jean-Pierre Sudre, Apocalypse, Révélation, 1965
Vintage gelatin silver print, 15 9/16 x 11 3/4 in. (39.5 x 29.8 cm)

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Jean-Pierre Sudre, Matériographie, 1965-67
Vintage toned gelatin silver print, 23 7/8 x 19 3/4 in. (60.6 x 50.2 cm)

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Jean-Pierre Sudre, Matériographie, c. 1965-67
Vintage gelatin silver print, 19 5/8 x 23 15/16 in. (49.9 x 60.8 cm)

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Jean-Pierre Sudre, Apocalypse, Révélation, 1965
Vintage gelatin silver print, 15 3/4 x 12 in. (40 x 30.5 cm)

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Jean-Pierre Sudre, Soleil, c. 1965-67
Vintage gelatin silver print, 23 1/2 x 19 5/8 in. (59.7 x 49.9 cm)

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Jean-Pierre Sudre, Matériographie, c. 1960-65
Vintage toned gelatin silver print; Mordançage, 12 1/8 x 16 1/2 in. (30.8 x 41.9 cm)

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Jean-Pierre Sudre, Soleil, 1975
Vintage toned gelatin silver print; Mordançage, 15 11/16 x 11 1/4 in. (39.9 x 28.6 cm)

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Jean-Pierre Sudre, Untitled, c. 1968
Vintage toned gelatin silver print; Mordançage, 6 5/8 x 8 7/8 in. (16.8 x 22.5 cm)

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Jean-Pierre Sudre, Matériographie, 1970
Vintage toned gelatin silver print; Mordançage, 15 5/8 x 11 1/8 in. (39.7 x 28.3 cm)

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Jean-Pierre Sudre, Matériographie, 1970
Vintage toned gelatin silver print; Mordançage, 11 1/4 x 15 5/8 in. (28.6 x 39.7 cm)





Christofer Churchill / Mike Kelley
@PARRASCH HEIJNEN GALLERY
1326 S Boyle Ave, Los Angeles, CA 90023, United States of America
September 7 – October 12, 2019

installation views
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works
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posted by makuuchi at 09:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2020年01月10日

memo (overseas): Jan10,2020

ex-chamber memo (overseas): Jan10,2020

Heather Day + Kathryn Macnaughton: Pour
@Joshua Liner Gallery
540 West 28th Street
New York, NY 10001
USA
January 24 to February 23, 2019

installation views
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2day_macnaughton_new_works.jpg

3day_macnaughton_new_works.jpg

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Heather Day
Peripheries #2
Acrylic, soft-pastel, charcoal, graphite on canvas
2018
56 x 72 inches

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Heather Day
I Read Them All #2
Acrylic, graphite, spray paint on canvas
2018
48 x 56 inches

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Heather Day
I Read Them All
Acrylic, spray paint on canvas
2018
48 x 56 inches

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Heather Day
Peripheries
Acrylic, soft-pastel, ink, spray paint on canvas
2018
56 x 48 inches

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Kathryn Macnaughton
Ripple
Acrylic on canvas
2018
60 x 48 inches

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Kathryn Macnaughton
Cascade
Acrylic on canvas
2018
60 x 48 inches

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Kathryn Macnaughton
Agile
Acrylic on canvas
2019
48 x 48 inches

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Kathryn Macnaughton
Push Through
Acrylic on canvas
2018
48 x 48 inches

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Heather Day
Notes for Later #3
Acrylic, soft-pastel, charcoal, spray paint on canvas
2018
48 x 36 inches

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Kathryn Macnaughton
Nestle
Acrylic on canvas
2019
36 x 42 inches

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Kathryn Macnaughton
Drift
Acrylic on canvas
2019
36 x 42 inches

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Heather Day
Chatham #4
Acrylic, soft-pastel, graphite on paper
2018
30 x 22 inches

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Heather Day
Are You Serious #6
Acrylic, soft-pastel on paper
2018
30 x 22 inches

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Heather Day
Chatham #3
Acrylic, charcoal, graphite on paper
2018
30 x 22 inches

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Heather Day
Chatham #7
Acrylic, soft-pastel on paper
2018
30 x 22 inches





MARIE BUSKOV / This Particular Place / New Sculptures
@Galleri Riis, Oslo
Arbins gate 7, NO-0253 Oslo
Norway
January 24 – March 02, 2019

installation views
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This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP

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This Particular Place III, 2018. Patinated bronze, 94,5 x 63,5 x 16 cm. Ed. 2 + 1 AP

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This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP

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This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP

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This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP

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This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP

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This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP

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This Particular Place I, 2018. Patinated bronze, 226 x 251 x 115 cm. Ed. 1 + 1 AP

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This Particular Place I, 2018. Detail

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This Particular Place I, 2018. Detail

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This Particular Place III, 2018. Patinated bronze, 94,5 x 63,5 x 16 cm. Ed. 2 + 1 AP

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This Particular Place III, 2018. Patinated bronze, 94,5 x 63,5 x 16 cm. Ed. 2 + 1 AP

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This Particular Place III, 2018. Patinated bronze, 94,5 x 63,5 x 16 cm. Ed. 2 + 1 AP

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This Particular Place II, 2018. Patinated bronze, 58,5 x 106,5 x 21 cm. Ed. 2 + 1AP

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This Particular Place II, 2018. Patinated bronze, 58,5 x 106,5 x 21 cm. Ed. 2 + 1AP

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This Particular Place II, 2018. Patinated bronze, 58,5 x 106,5 x 21 cm. Ed. 2 + 1AP

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This Particular Place II, 2018. Patinated bronze, 58,5 x 106,5 x 21 cm. Ed. 2 + 1AP

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Into This Space III, 2019. Watercolor and color pencil on paper, 43,2 x 34,3 cm

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Into This Space I, 2019. Watercolor and crayon on paper, 40 x 25,8 cm

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Scarpa #I, 2019. Watercolor, crayon and casein on paper, 32,5 x 49,4 cm

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Scarpa #II, 2019. Watercolor, crayon and casein on paper, 32,5 x 49,2 cm

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Into This Space II, 2019. Watercolor and crayon on paper, 40,3 x 29 cm

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Sequence, 2018. Bronze, 24,7 x 25,5 x 12,4 cm. Ed. 9 + 1 AP

37mariebuskov.jpg
Sequence, 2018. Bronze, 24,7 x 25,5 x 12,4 cm. Ed. 9 + 1 AP

38mariebuskov.jpg
Sequence, 2018. Bronze, 63,5 x 66,5 x 34 cm. Ed. 3 + 1 AP

39mariebuskov.jpg
Sequence, 2018. Bronze, 63,5 x 66,5 x 34 cm. Ed. 3 + 1 AP





Johanna Calle: The Absence
@Josée Bienvenu Gallery
529 West 20th Street
(between 10th & 11th Avenues)
New York, NY 10011
USA
March 7 – April 13, 2019

installation views
1johanna-calle.jpeg

2johanna-calle.jpeg

3johanna-calle.jpeg
Johanna Calle
Cachés II, 2018
Cardboard on paper
10h x 12w in
25.40h x 30.48w cm
Framed: 10.50h x 12.50w in
26.67h x 31.75w cm

4johanna-calle.jpeg
Johanna Calle
Cachés, 2018
Cardboard on Paper
10h x 12w in
25.40h x 30.48w cm
Framed: 10.50h x 12.50w in
26.67h x 31.75w cm

5johanna-calle.jpeg
Johanna Calle
Nispero (Árbol), 2016
Typed text on vintage paper
32.48h x 32.48w in
82.50h x 82.50w cm

6johanna-calle.jpeg
Johanna Calle
LAPSUS (1962), 2013
Cuts on anonymous C-prints
20h x 27.80w in
50.80h x 70.61w cm

7johanna-calle.jpeg
Johanna Calle
Compendium: Los Ballentos son Algo Sensacional: Chavela Vargas, 2014
Graphite, ink, letraset on cut newspapers and negatives mounted on museum board
20h x 16w in
50.80h x 40.64w cm
Framed: 20.50h x 16.50w in
52.07h x 41.91w cm





Monica Bonvicini: bind me! torture me!
@Galerie Peter Kilchmann
Zahnradstrasse 21
CH-8005 Zurich
Switzerland
June 8 - July 26, 2019

installation views
1monicabonvicini.jpg

2monicabonvicini.jpg

3monicabonvicini.jpg

4monicabonvicini.jpg

5monicabonvicini.jpg

6monicabonvicini.jpg

7monicabonvicini.jpg
Furious Knitting #1, 2019
Silkscreen print on aluminium
Ed. of 5 (+ 2 AP)
75 x 100.5 cm (29 1/2 x 39 5/8 in.)
BONV23231

8monicabonvicini.jpg
Marlboro Man, 2019
Silkscreen print on aluminium
Ed. of 5 (+ 2 AP)
100 x 150 cm (39 3/8 x 59 in.)
BONV23227

9monicabonvicini.jpg
from the series bind me! torture me! #6, 2019
Ink drawing and pigment print on Hahnemühle paper
Unique
37.5 x 51 cm (14 3/4 x 20 1/8 in.), framed
BONV23108

10monicabonvicini.jpg
3rd Act / Never Die for Love, 2019
Installation, consisting of two objects, Glenos LED light, stainless steel, cable, wheels
Unique
199 x 91 x 91 cm
135 x 115 x 115 cm
BONV23134

11monicabonvicini.jpg
Anger is the Best, 2019
Tempera and spray paint on Fabriano paper
200 x 150 cm (78 3/4 x 59 in.)
BONV23216

12monicabonvicini.jpg

13monicabonvicini.jpg
Fleurs du Mal (droop), 2019
Hand-blown glass, bronze
Unique
60.5 x 60 x 60 cm (23 7/8 x 23 5/8 x 23 5/8 in.)
BONV23123

14monicabonvicini.jpg
Anger is Like, 2019
Tempera on Fabriano paper
200 x 150 cm (78 3/4 x 59 in.)
BONV23215

15monicabonvicini.jpg
Grab Them by the Balls #2, 2019
Bronze
30 x 14 x 8.5 cm (11 3/4 x 5 1/2 x 3 3/8 in.)
BONV23242





WOLFGANG FLAD. Butterfly Effect.
@GALERIE REINHARD HAUFF
Paulinenstr. 47
D - 70178 Stuttgart
Germany
08.02.2019 – 29.03.2019

installation views
1wolfgangflad.jpeg

2wolfgangflad.jpeg

3wolfgangflad.jpeg

4wolfgangflad.jpeg

5wolfgangflad.jpeg

6wolfgangflad.jpeg

7wolfgangflad.jpeg

8wolfgangflad.jpeg

9wolfgangflad.jpeg
UNTITLED (# Y503), 2019,
aluminum, appr. 54 x 43 x 3 cm

10wolfgangflad.jpeg
UNTITLED (# W921), 2019,
aluminum, appr. 107 x 86,5 x 3 cm





Joe Rudko: Tiny Mirrors
@Von Lintel Gallery
1206 Maple Ave # 212
Los Angeles, CA 90015
USA
October 26 – December 21, 2019

1Joe-Rudko.jpg
Joe Rudko, Blue Album, 2019,
Hand embellishment on found photographs, photo corners, on paper, 50 x 38 inches, Unique

2Joe-Rudko.jpg
Joe Rudko, Flower Filter, 2019,
Found book plate on paper, 15 x 11 inches, Unique

3Joe-Rudko.jpg
Joe Rudko, Tangled Loop, 2019,
Found photographs on paper, 30 x 22 inches, Unique

4Joe-Rudko.jpg
Joe Rudko, White Web, 2019,
Found photographs on paper, 30 x 22 inches, Unique

5Joe-Rudko.jpg
Joe Rudko, Web, 2019,
Found photographs on paper, 30 x 22 inches, Unique

6Joe-Rudko.jpg
Joe Rudko, Shapeshifter, 2019,
Found photographs on paper, 50 x 38 inches, Unique

7Joe-Rudko.jpg
Joe Rudko, Rainbow Lean, 2019,
Found photographs on paper, 30 x 22 inches, Unique

8Joe-Rudko.jpg
Joe Rudko, Quadruple Portrait, 2017,
Found photographs on paper, 15 x 11 inches, Unique

9Joe-Rudko.jpg
Joe Rudko, Picture in Picture, 2019,
Found photographs on paper, 30 x 22 inches, Unique

10Joe-Rudko.jpg
Joe Rudko, Double Image, 2019,
Found photographs on paper, 22 x 30 inches, Unique

11Joe-Rudko.jpg
Joe Rudko, Color Profile, 2019,
Found photographs on paper, 15 x 11 inches, Unique

12Joe-Rudko.jpg
Joe Rudko, RGB Venn Diagram, 2019,
Found photographs on paper, 30 x 22 inches, Unique

13Joe-Rudko.jpg
Joe Rudko, Casual Man, 2019,
Found book plate on paper, 15 x 11 inches, Unique
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2020年01月09日

memo (overseas): Jan09,2020

ex-chamber memo (overseas): Jan09,2020

Ted Larsen: Future Living In Yesterday's Tomorrow
@Joshua Liner Gallery
540 West 28th Street
New York, NY 10001
USA
April 4 to May 4, 2019

installation views
1Larsen_FutureLiving.jpg

2Larsen_FutureLiving.jpg

3Larsen_FutureLiving.jpg

4Larsen_FutureLiving.jpg

5Larsen_FutureLiving.jpg

6Larsen_FutureLiving.jpg

7Larsen_FutureLiving.jpg

8Larsen_FutureLiving.jpeg
Ted Larsen
Young Adult
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2018
24 1/2 x 21 x 3 inches

9Larsen_FutureLiving.jpeg
Ted Larsen
Office Park
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2018
24 1/2 x 21 x 3 inches

10Larsen_FutureLiving.jpeg
Ted Larsen
Outer Core
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2018
24 1/2 x 21 x 3 inches

11Larsen_FutureLiving.jpeg
Ted Larsen
Cold Fever
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
13 x 10 1/4 x 8 inches

12Larsen_FutureLiving.jpeg
Ted Larsen
Clean Boy
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
10 x 12 1/2 x 8 inches

13Larsen_FutureLiving.jpeg
Ted Larsen
Bird Dog
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
9 1/2 x 8 1/2 x 6 1/2 inches

14Larsen_FutureLiving.jpeg
Ted Larsen
Horse Fly
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
11 x 8 x 6 1/8 inches

15Larsen_FutureLiving.jpeg
Ted Larsen
Weekday
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
10 x 11 x 5 1/8 inches

16Larsen_FutureLiving.jpeg
Head Butt
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
9 x 6 x 4 1/4 inches

17Larsen_FutureLiving.jpeg
Ted Larsen
Graduate Student
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
8 x 6 1/2 x 4 1/4 inches

18Larsen_FutureLiving.jpeg
Ted Larsen
Good Grief
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
7 x 8 x 4 3/4 inches

19Larsen_FutureLiving.jpeg
Ted Larsen
Designer Jeans
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
7 x 7 x 2 1/8 inches

20Larsen_FutureLiving.jpeg
Ted Larsen
Big Sip
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
7 x 6 3/4 x 2 1/8 inches

21Larsen_FutureLiving.jpeg
Ted Larsen
Bad Sport
Salvage steel, marine-grade plywood, silicone, vulcanized rubber
2019
7 1/2 x 7 x 2 1/8 inches





FREDRIK SÖDERBERG: I stepped into an avalanche, It covered up my soul / New paintings
@Galleri Riis, Oslo
Arbins gate 7, NO-0253 Oslo
Norway
January 24 – March 02, 2019

installation views
1fredriksoderberg.jpg

2fredriksoderberg.jpg

3fredriksoderberg.jpg

4fredriksoderberg.jpg

5fredriksoderberg.jpg

6fredriksoderberg.jpg

7fredriksoderberg.jpg

8fredriksoderberg.jpg

9fredriksoderberg.jpg

10fredriksoderberg.jpg

11fredriksoderberg.jpg

12fredriksoderberg.jpg

13fredriksoderberg.jpg

14fredriksoderberg.jpg

15fredriksoderberg.jpg

16fredriksoderberg.jpg

17fredriksoderberg.jpg

18fredriksoderberg.jpg

19fredriksoderberg.jpg

20fredriksoderberg.jpg
Altaret, 2018. Oil on canvas, 120 x 90 x 2,5 cm

21fredriksoderberg.jpg
Den sanna knuten, 2019. Oil on canvas, 77,5 x 61,5 x 2,5 cm

22fredriksoderberg.jpg
Den nattlige, 2018. Oil on canvas, 190 x 160 x 3 cm

23fredriksoderberg.jpg
Natten, 2019. Watercolor and varnish on paper in artist´s frame, 74 x 54 x 4,2 cm

24fredriksoderberg.jpg
De mörka timmarna, 2018. Oil on canvas, 70 x 55 x 1,5 cm

25fredriksoderberg.jpg
Ljuset, 2019. Oil on canvas, 55,5 x 35,5 x 2 cm

26fredriksoderberg.jpg
Ett rum med utsikt, 2018. Oil on canvas, 120 x 90 x 2,5 cm

27fredriksoderberg.jpg
Bygnaden, 2019. Oil on canvas, 190 x 160 x 3 cm

28fredriksoderberg.jpg
Det äventyrliga hjärtat, 2018. Watercolor and varnish on paper in artist´s frame, 158 x 108 x 5,2 cm

29fredriksoderberg.jpg
Nöten, 2019. Oil on canvas, 34 x 24,5 x 2 cm

30fredriksoderberg.jpg
Vägen, 2019. Oil on canvas, 38,5 x 28,5 x 2 cm

31fredriksoderberg.jpg
Albert Speers gatlyckta, 2019. Watercolor and pencil on paper in artists frame, 227 x 79 x 5,2 cm





SUPERFLEX: Connect With Us
@von Bartha, Basel
Kannenfeldplatz 6
CH-4056 Basel
Switzerland
Nov 16 2018 – Jan 19 2019

installation views
1SUPERFLEX.jpg

2SUPERFLEX.jpg

3SUPERFLEX.jpg

4SUPERFLE.jpg
Connect With Me, 2018
Painted steel Total dimensions variable
Object A: 159 x 297 cm

5SUPERFLEX.jpg
Connect With Me, 2018
Painted steel Total dimensions variable
Object C: 147 x 160 cm

6SUPERFLEX.jpg
Connect With Me, 2018
Painted steel Total dimensions variable
Object D: 86 x 423 cm

7SUPERFLEX.jpg
Connect With Me, 2018
Painted steel Total dimensions variable
Object B: 317 x 287 cm





Marco Maggi INITIALISM (From Obscurantism to Enlightenment) photo c Ugo Carmeni
@Josée Bienvenu Gallery
529 West 20th Street
(between 10th & 11th Avenues)
New York, NY 10011
USA
September 12 – November 16, 2019

1marco-maggi7.jpeg
Photograph by Ugo Carmeni @ugocarmeni_studio

2marco-maggi7.jpeg
Marco Maggi
INITIALISM (From Obscurantism to Enlightenment), Installation View
photo c Ugo Carmeni

3marco-maggi7.jpeg
Marco Maggi
INITIALISM (From Obscurantism to Enlightenment), Installation View
photo c Ugo Carmeni

4marco-maggi7.jpeg
Marco Maggi
INITIALISM (From Obscurantism to Enlightenment), Installation View
photo c Ugo Carmeni

5marco-maggi7.jpeg
Marco Maggi
INITIALISM (From Obscurantism to Enlightenment), Installation View
photo c Ugo Carmeni

6marco-maggi7.jpeg
Marco Maggi
Waiting to Surface (U), 2019
Self-Adhesive paper on paper
24h x 18 in
60.96h x 45.72w cm
photo c Ugo Carmeni

7marco-maggi7.jpeg
Marco Maggi
Waiting to Surface (U), 2019 Detail View
photo c Ugo Carmeni

8marco-maggi7.jpeg
Marco Maggi
Waiting to Surface (E), 2019
Self-Adhesive paper on paper
24h x 18 in
60.96h x 45.72w cm
photo c Ugo Carmeni

9marco-maggi7.jpeg
Marco Maggi
Waiting to Surface (E), 2019 Detail View
photo c Ugo Carmeni





DAGOBERTO RODRIGUEZ: PUENTES INVERTIDOS
@Galerie Peter Kilchmann
Zahnradstrasse 21
CH-8005 Zurich
Switzerland
Sept. 6 - Oct. 12, 2019

installation views
1dagoberto-rodriguez.jpg

2dagoberto-rodriguez.jpg

3dagoberto-rodriguez.jpg

4dagoberto-rodriguez.jpg

5dagoberto-rodriguez.jpg

6dagoberto-rodriguez.jpg

7dagoberto-rodriguez.jpg
Cocaina y Comunismo, 2019
Chrome bronze and rubber
Each
Unique
73 x 73 x 12 cm (28 3/4 x 28 3/4 x 4 3/4 in.)
RODRI23338

8dagoberto-rodriguez.jpg
Emblema Ruso, 2019
Chrome bronze
Ed. 1/5 (+ 2 AP)
23 x 64 x 4 cm (9 x 25 1/4 x 1 5/8 in.)
RODRI23404





FRANK AHLGRIMM. nourish your doubt.
@GALERIE REINHARD HAUFF
Paulinenstr. 47
D - 70178 Stuttgart
Germany
21.09.2019 – 15.11.2019

installation views
1frank-ahlgrimm.jpeg

2frank-ahlgrimm.jpeg

3frank-ahlgrimm.jpeg

4frank-ahlgrimm.jpeg

5frank-ahlgrimm.jpeg

6frank-ahlgrimm.jpeg

7frank-ahlgrimm.jpeg

8frank-ahlgrimm.jpeg

9frank-ahlgrimm.jpeg

10frank-ahlgrimm.jpeg

11frank-ahlgrimm.jpeg

12frank-ahlgrimm.jpeg

13frank-ahlgrimm.jpeg

14frank-ahlgrimm.jpeg

15frank-ahlgrimm.jpeg

16frank-ahlgrimm.jpeg

17frank-ahlgrimm.jpeg

18frank-ahlgrimm.jpeg

19frank-ahlgrimm.jpeg

20frank-ahlgrimm.jpeg

21frank-ahlgrimm.jpeg

22frank-ahlgrimm.jpeg
too big to fail (diptych), 2019,
oil and acrylic on printed vinyl, 260 x 400 cm

23frank-ahlgrimm.jpeg
Untitled, 2019,
mixed media, image: 81 x 122 cm, frame: 92 x 132,5 cm

24frank-ahlgrimm.jpeg
Untitled, 2019,
mixed media, image: 81 x 122 cm, frame: 92 x 132,5 cm

25frank-ahlgrimm.jpeg
Untitled, 2019,
mixed media, image: 81 x 122 cm, frame: 92 x 132,5 cm

26frank-ahlgrimm.jpeg
First time real 1, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm

27frank-ahlgrimm.jpeg
Pflege deinen Zweifel, 2019,
acrylic and lacquer on printed vinyl, 180 x 128 cm

28frank-ahlgrimm.jpeg
SECRETLY, 2019,
acrylic spray and lacquer on canvas, 160 x 140 cm

29frank-ahlgrimm.jpeg
NOURISH YOUR DOUBT, 2019,
acrylic spray and lacquer on canvas, 160 x 140 cm

30frank-ahlgrimm.jpeg
Untitled, 2019,
acrylic on canvas, 150 x 150 cm

31frank-ahlgrimm.jpeg
First time real 3, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm

32frank-ahlgrimm.jpeg
First time real 11, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm

33frank-ahlgrimm.jpeg
First time real 12, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm

34frank-ahlgrimm.jpeg
First time real 4, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm

35frank-ahlgrimm.jpeg
First time real 5, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm

36frank-ahlgrimm.jpeg
First time real 7, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm

37frank-ahlgrimm.jpeg
First time real 8, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm

38frank-ahlgrimm.jpeg
First time real 9, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm

39frank-ahlgrimm.jpeg
First time real 10, 2019,
mixed media and collage on paper, 42 x 29,5 cm, frame: 53 x 43 cm

40frank-ahlgrimm.jpeg
Untitled, 2019,
acrylic on canvas, 124,5 x 102,5 cm

41frank-ahlgrimm.jpeg
PLACEBO, 2019,
acrylic spray and lacquer on canvas, 160 x 140 cm

42frank-ahlgrimm.jpeg
SEE TRUE, 2019,
acrylic spray and lacquer on canvas, 160 x 140 cm

43frank-ahlgrimm.jpeg
Der Morgen stirbt nie, 2019,
acrylic and lacquer on printed vinyl, 170 x 260 cm

44frank-ahlgrimm.jpeg
Forward Message 7, 2018,
acrylic on canvas, 126 x 103 cm

45frank-ahlgrimm.jpeg
Forward Message 4, 2018,
acrylic on canvas, 260 x 200 cm

46frank-ahlgrimm.jpeg
Kick Orange I, 2017,
oil and spray paint on canvas, 127 x 104 cm

47frank-ahlgrimm.jpeg
O.T., 2017,
oil and spray paint on canvas, 145 x 115 cm

48frank-ahlgrimm.jpeg
Young Gray, 2017,
oil and spray paint on canvas, 160 x 133 cm

49frank-ahlgrimm.jpeg
Cuts #1, 2017,
oil and acrylic on canvas, 160 x 140 cm

50frank-ahlgrimm.jpeg
Quid pro Quo, 2016,
oil and spray paint on canvas, 260 x 200 cm

51frank-ahlgrimm.jpeg
Cuts, Nr. 7, 2012,
oil and acrylic on canvas, 86 x 70 cm

52frank-ahlgrimm.jpeg
Paloma Picasso, 2011,
mixed media and collage on paper, 29,5 x 21 cm, frame: 37,2 x 30,3 cm

53frank-ahlgrimm.jpeg
immer cremen, 2011,
mixed media and collage on paper, 29,5 x 21 cm, frame: 37,2 x 30,3 cm

54frank-ahlgrimm.jpeg
Point, 2010,
mixed media on canvas, 260 x 200 cm

55frank-ahlgrimm.jpeg
Social Jetlag 1, 2010,
oil and acrylic on printed vinyl, 260 x 200 cm

56frank-ahlgrimm.jpeg
Social Jetlag 2, 2010,
oil and acrylic on printed vinyl, 260 x 200 cm

57frank-ahlgrimm.jpeg
Untitled (from the series „Stylen kann Strapazieren“), 2009,
collage on metallic paper, 69,5 x 49 cm

58frank-ahlgrimm.jpeg
transit 3, 2008,
acrylic, oil and lacquer on canvas, 260 x 200 cm

59frank-ahlgrimm.jpeg
Blockade, 2007,
acrylic, oil and lacquer on canvas, 210 x 280 cm

60frank-ahlgrimm.jpeg
Support, 2007,
mixed media and collage on paper, 29,5 x 21 cm, frame: 33,3 x 24,5 cm

61frank-ahlgrimm.jpeg
charakter & talent, 2007,
mixed media and collage on paper, 29,5 x 21 cm, frame: 33,3 x 24,5 cm

62frank-ahlgrimm.jpeg
Selektion, 2005,
acrylic, oil and industrial lacquer on canvas, 270 x 210 cm

63frank-ahlgrimm.jpeg
Farben der Saison, 2001,
oil, acrylic, and fluorescent spray paint on canvas, 250 x 210 cm
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2020年01月08日

memo (overseas): Jan08,2020

ex-chamber memo (overseas): Jan08,2020

Louise Blyton: All the Birds are Singing
@Joshua Liner Gallery
540 West 28th Street
New York, NY 10001
USA
April 4 to May 4, 2019

installation views
1blyton_all_the_birds_are_singing.jpg

2blyton_all_the_birds_are_singing.jpg

3blyton_all_the_birds_are_singing.jpg

4blyton_all_the_birds_are_singing.jpg

5blyton_all_the_birds_are_singing.jpg

6blyton_all_the_birds_are_singing.jpg

7blyton_all_the_birds_are_singing.jpg

8blyton_all_the_birds_are_singing.jpg

9blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Breath of the Mountain
Pigment on linen
2019
35 1/2, 23 1/2, and 19 3/4 inch diameters

10blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Perfume Shadows
Pigment on linen
2019
38 x 66 1/4 inches

11blyton_all_the_birds_are_singing.jpeg
Louise Blyton
The Long Red Line
Acrylic on linen
2018
75 x 2 x 10 1/4 inches

12blyton_all_the_birds_are_singing.jpeg
Louise Blyton
The Joyous Boat
Acrylic on linen
2018
55 x 2 x 10 inches

13blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Silent Glades
Pigment on linen
2019
42 x 12 inches each

14blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Yesterday and Tomorrow
Acrylic on linen
2019
23 3/4 x 27 1/2 inches each

15blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Daydreamer
Acrylic on linen
2018
20 x 16 x 2 1/2 inches each

16blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Memory and Memory
Pigment on linen
2018
20 x 11 3/4 inches each

17blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Be the Blossoms
Acrylic on linen
2019
16 x 21 3/4 x 12 inches

18blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Long Love Days
Acrylic on linen
2019
8 x 17 1/2 inches each

19blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Deep Under the Sea
Acrylic on linen
2017
12 x 20 inches

20blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Days Sliding By
Pigment on linen
2019
5 x 26 inches

21blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Almost with You
Acrylic on linen
2018

22blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Some Fragrant Night
Acrylic on linen
2019
12 x 28 x 3 inches

23blyton_all_the_birds_are_singing.jpeg
Louise Blyton
The Sky goes Wandering By
Acrylic on linen
2019
10 x 28 x 3 1/2 inches

24blyton_all_the_birds_are_singing.jpeg
Louise Blyton
In Sunshine and in Shadow
Acrylic on linen
2018
12 x 2 x 10 inches each

25blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Wall Kiss
Acrylic on linen
2017
18 x 8 x 5 inches

26blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Three Ways
Acrylic on linen
2018
18 1/4 x 12 x 9 3/4 inches

27blyton_all_the_birds_are_singing.jpeg
Louise Blyton
My Friend the Sea
Acrylic on linen
2019
10 x 16 x 2 1/2 inches

28blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Dear Sweet Idle Time
Acrylic on linen
2019
8 x 24 x 2 1/4 inches

29blyton_all_the_birds_are_singing.jpeg
Louise Blyton
A Hundred Turns Left to Go
Acrylic on linen
2018
15 x 12 x 12 inches

30blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Sugarcube
Acrylic on linen
2019
12 x 10 3/4 x 12 inches

31blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Never and Forever
Acrylic on linen
2018
19 1/2 x 2 x 2 inches

32blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Take This Kiss
Acrylic on linen
2018

33blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Sugarcube (Sitting Pretty)
Acrylic on linen
2018
10 x 8 1/2 x 8 inches

34blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Moment by Moment by Moment
Acrylic on linen
2019
15 x 4 x 3 inches

35blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Little Goings
Acrylic on linen
2018
8 x 6 1/2 x 2 1/2 inches

36blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Hot Box
Acrylic on linen
2018
4 x 14 1/2 x 7 1/2 inches

37blyton_all_the_birds_are_singing.jpeg
Louise Blyton
Love's Track
Pigment on linen
2019
12 x 12 inches
2019 framed





BENJAMIN KING: Homeland
@Freight + Volume
97 Allen St. (storefront)
New York, NY 10002
USA
January 24 – February 24, 2019

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Benjamin King
Untitled VII, 2018
acrylic on paper
19h x 24w in
BK039

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Benjamin King
Untitled VI, 2018
acrylic on paper
19h x 24w in
BK018

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Benjamin King
Untitled V, 2018
acrylic on paper
19h x 24w in
BK038

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Benjamin King
Untitled III, 2017
acrylic on canvas
14h x 14w in
BK037

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Benjamin King
Untitled II, 2018
acrylic on canvas
16h x 20w in
BK036

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Benjamin King
Untitled I, 2018
acrylic on canvas
20h x 20w in
BK032

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Benjamin King
Rebel Run, 2018
acrylic and sand on canvas
50h x 60w in
BK035

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Benjamin King
Buy Baby, 2018
acrylic on canvas
40h x 60w in
BK034

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Benjamin King
The Big System, 2018
acrylic on canvas
72h x 72w in
BK033

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Benjamin King
East of West, 2017
acrylic on canvas
48h x 60w in
BK030

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Benjamin King
The Fundamentals, 2018
acrylic, sand, ceramic paste and hot glue on canvas
72h x 90.50w in
BK027

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Benjamin King
As It Ever Was, 2016
acrylic and glitter on canvas
70h x 54w in
BK026

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Benjamin King
Travelers, 2017
acrylic on canvas
24h x 30w in
BK023

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Benjamin King
Magic Carpet, 2017
acrylic on canvas
36h x 36w in
BK022

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Benjamin King
Relative Displacement, 2018
acrylic and sand on canvas
72h x 72w in
BK021

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Benjamin King
Strategies to Build the Financial Sustainability of Your Institution, 2018
acrylic on canvas
72h x 72w in
BK017

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Benjamin King
Affliction of Separation, 2018
acrylic on canvas
36h x 30w in
BK015

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Untitled IV, 2018, acrylic on paper, 19 x 24 inches





STEIN RØNNING: 40 Pictures
@Galleri Riis, Oslo
Arbins gate 7, NO-0253 Oslo
Norway
March 09 – March 30, 2019

installation views
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5stein-ronning.jpg

6stein-ronning.jpg

7stein-ronning.jpg

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40 Pictures No 34/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 30,8 x 27,2 cm. Ed. 5 + 2AP

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40 Pictures No 24/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 35,5 x 33 cm. Ed. 5 + 2AP

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40 Pictures No 27/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 40 x 42,2 cm. Ed. 5 + 2AP

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40 Pictures No 25/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 36 x 33,4 cm. Ed. 5 + 2AP

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40 Pictures No 26/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 38 x 31 cm. Ed. 5 + 2AP

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40 Pictures No 33/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 44,8 x 42,7 cm. Ed. 5 + 2AP

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40 Pictures No 35/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 33,4 x 32,5 cm. Ed. 5 + 2AP

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40 Pictures No 28/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 36,8 x 36,2 cm. Ed. 5 + 2AP

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40 Pictures No 38/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 31,7 x 34,4 cm. Ed. 5 + 2AP

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40 Pictures No 37/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 36 x 38,3 cm. Ed. 5 + 2AP

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40 Pictures No 29/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 36 x 24 cm. Ed. 5 + 2AP

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40 Pictures No 30/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 39,8 x 27,4 cm. Ed. 5 + 2AP

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40 Pictures No 31/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 40 x 30,7 cm. Ed. 5 + 2AP

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40 Pictures No 32/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 42,8 x 40,5 cm. Ed. 5 + 2AP

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40 Pictures No 22/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 35,5 x 38,5 cm. Ed. 5 + 2AP

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40 Pictures No 39/40, 2019. Archival inkjet print on Canson rag 210 gr. mounted on white acrylic glass. 35,6 x 37,2 cm. Ed. 5 + 2AP





ANN IREN BUAN: STAY
@APALAZZOGALLERY
Piazza Tebaldo Brusato
35 25121 Brescia
Italy
JANUARY 19, 2019 - MARCH 10, 2019

installation views
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MARIANNE EIGENHEER
@von Bartha, Basel
Kannenfeldplatz 6
CH-4056 Basel
Switzerland
Mar 23 – May 11 2019

installation views
1Marianne-Eigenheer.jpg

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Objektive Malerei, 1982
Acrylic on panel
147 x 280 x 2.5 cm
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2020年01月07日

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ex-chamber memo (overseas): Jan07,2020

Jen Stark: Dimensionality
@Joshua Liner Gallery
540 West 28th Street
New York, NY 10001
USA
June 20 to July 19, 2019

installation views
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Jen Stark
Perception
Mirrored stainless steel, acrylic paint
2019
64 x 85 x 1 inches

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Jen Stark
Squared
Powder coated aluminum
2019
29 1/2 x 23 3/4 x 10 inches

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Jen Stark
Prismatic Iridescence
Iridescent acrylic paint on wood
2019
57 x 46 x 1/2 inches

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Jen Stark
Ember
Acrylic on wood
2018
48 x 59 x 1/2 inches

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Jen Stark
Spirit Molecule #1
Laser cut mirrored acrylic on wood
2019
24 inch diameter (3/4 inch depth)

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Jen Stark
Reflective Cascade #4
Laser cut mirrored acrylic on wood
2019
24 inch diameter

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Jen Stark
Dimensional Shift
11 color silkscreen with color shifting pigment
2019
24 3/4 × 20 3/4 in
Edition of 35

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Jen Stark
30 Cubed
Powder coated aluminum and monofilament
2019
30 x 30 x 30 inches

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Jen Stark
30 Cubed (Back)
Powder coated aluminum and monofilament
2019
30 x 30 x 30 inches

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Jen Stark
Gradial Continuum (Front)
Mirrored stainless steel, acrylic paint, and monofilament
2019
36 x 36 x 48 inches

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Jen Stark
Gradial Continuum (Back)
Mirrored stainless steel, monofilament & acrylic paint
2019
36 x 36 x 48 inches

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Jen Stark
Ethereal Vortex
Acrylic on wood with Lightform projections
2019
60 x 60 x 1/2 inches





NICHOLAS CUEVA: Sex Wax
@Freight + Volume
97 Allen St. (storefront)
New York, NY 10002
USA
April 11 – May 19, 2019

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Ecclesiastes (Kohelet) 1:7, 2018, acrylic on fabric, 12h x 9w in

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Peak Shift (after Niko Tinbergen), 2019, acrylic on hand woven fabric, 12h x 9w in

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Head Injury, 2018, acrylic on fabric, 56h x 56w in

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Q, 2018, acrylic on fabric, 106h x 52w in

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Phtheosophical, 2018, acrylic on fabric, 12h x 9w in

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Walking Away, 2018, acrylic on fabric, 30h x 36w in

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All's Quiet on the Western Front, 2018, acrylic on fabric, 8h x 10w in





HANNELINE RØGEBERG / zerosandones
@Galleri Riis, Oslo
Arbins gate 7, NO-0253 Oslo
Norway
April 04 – April 27, 2019

installation views
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3hannelinerogeberg.jpg

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Zeroandones V, 2018. Oil on canvas, 76 x 61 cm

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Zeroandones VII, 2018. Oil on canvas, 76 x 61 cm

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Bigger Half, raised (general assembly), 2013. Oil on canvas, 274 x 203 cm

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Bigger Half, raised (general assembly), 2013. Detail

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Zeroandones I, 2018. Oil on canvas, 76 x 61 cm

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Zeroandones VI, 2018. Oil on canvas, 76 x 61 cm

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Zeroandones III, 2018. Oil on canvas, 76 x 61 cm

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Bigger Half, flat, 2013. Oil on canvas, 274 x 203 cm

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Bigger Half, flat, 2013. Detail





John Baldessari: Prints
@Brooke Alexander Gallery
59 Wooster Street
New York, NY 10012
USA
September 12 – November 2, 2019

installation views
1john-baldessari.jpeg

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Paradise, 1989-90
photogravure with color aquatint
28 x 53 1/2 inches / 71.1 x 135.9 cm
Edition of 45

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Six Rooms, 1993
colo