《news》

《upcoming exhibiton》

《current exhibiton》
静物2020/paper works
参加アーティスト:足立真輝、後藤勇治、坂本睦美、佐藤明日香、勢藤明紗子、
能條雅由、村尾里奈、村松英俊
@ex-chamber museum
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
070-5567-1513
9/12(土)〜9/27(日)月火水・9/17休(祝日開廊)
木金:14:00〜18:00、土日祝:12:00〜18:00
プレスリリース

Still Life 2020/paper works
artists: Masaki Adachi, Yuji Goto, Mutsumi Sakamoto, Asuka Satow, Asako Setoh, Masayoshi Nojo, Rina Murao, Hidetoshi Muramatsu
@ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
81-70-5567-1513
Sep.12(Sat)〜Sep.27(Sun) closed on Mondays to Wednesdays (Holidays are open, Sep.17 is closed)
Thusdays and Fridays:14:00〜18:00, Saturdays, Sundays and Holidays:12:00〜18:00


《past exhibiton》

ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
小坂学 Manabu Kosaka
後藤勇治 Yuji Goto
坂本睦美 Mutsumi Sakamoto
佐藤明日香 Asuka Satow
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
照井譲 Yuzuru Terui
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2020年09月20日

memo (overseas): Sep20,2020

ex-chamber memo (overseas): Sep20,2020

Edith Deyerling: tempt me blue
@Galerie Meyer Kainer
Eschenbachgasse 9, A-1010 Vienna
Austria
5.5. - 20.6. 2020

installation views
1Edith-Deyerling-ausstellung.jpg

2Edith-Deyerling-ausstellung.jpg


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EDITH DEYERLING
tempt me blue, 2019
Oil on canvas
80 x 90 cm

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EDITH DEYERLING
Gato, 2020
Acrylic on canvas
60 x 140 cm

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EDITH DEYERLING
Meso, 2020
Acrylic on canvas
50 x 120 cm

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EDITH DEYERLING
Julia, 2020
Acrylic on canvas
110 x 100 cm

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EDITH DEYERLING
orion’s belt, 2020
Acrylic on canvas
18 x 120 cm





ANDREAS FOGARASI: Work
@GALERÍA CASADO SANTAPAU
Piamonte 10
28004 Madrid, Spain
Nov 6 - December 14, 2019

installation views
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ANDREAS FOGARASI
Postcard Holder ,Fireworks, Budapest 2002, (Detail)
2019
Aluminium & Photo

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ANDREAS FOGARASI
Postcard Holder (Fireworks, Budapest 2002)
2019
Aluminium & Photo
115 X 52 X 17 Cm

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ANDREAS FOGARASI
Postcard Holder ( Fireworks, Budapest 2002 / Togliatti 2004)
2019
Aluminium & Photo
115 X 52 X 17 Cm (Each)

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ANDREAS FOGARASI
Envelop (Grand Socialist Constructions)
2019
Lacquered Aluminium & Drawing ( Polyptych)
40 X 46 X 22 Cm (Each)

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ANDREAS FOGARASI
Envelop (Pictures From The Life Of Hungarian Transport And Telecommunication) III
2019
Cooper , Aluminium & Drawing
28.5 X 39 X 20 Cms (Each)

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ANDREAS FOGARASI
Központi TV Adó Állomás Budapesten Central Television Transmitter Budapest Zentrale TV Sender Budapest
2019
Aluminium & Drawing
39 X 29 X 20 Cm

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ANDREAS FOGARASI
Aszfaltútépiés Construction Of Asphaltic Road Asphaltstrassenbau
2019
Aluminium & Drawing
39 X 29 X 20 Cm

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ANDREAS FOGARASI
Study Desk (Susanne Kriemann Photographing Ernst May, Magnitogorsk, Russia)
2016
Diptych: Plywood, Wall Paint, Steel, Spray Paint, Digital C-Prints
53.15 X 39.37 X 11.42 In 135 X 100 X 29 Cm

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ANDREAS FOGARASI
Study Desk (Eight Floor Tiles, One Missing, Schwadron Brothers, Vienna, Ca. 1910)
2016
Plywood, Wall Paint, Steel, Ceramic Tiles
53.15 X 39.37 X 11.42 In / 135 X 100 X 29 Cm





Basel en Madrid
Cecilia Edefalk / Pakui Hardware / Iman Issa / Julie Mehretu / Laure Prouvost / Tarik Kiswanson
@carlier | gebauer, Madrid
Calle de San Lorenzo, 11
28004 Madrid
Spain
17.06.–26.07.2020

installation views
1basel-en-madrid.jpg

2basel-en-madrid.jpg

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Pakui Hardware
Extrakorporal, 2020
Glass, various leather, faux fur, silicone with chia seeds, latex rubber, metal holding system
70 9/10 × 32 7/10 × 17 7/10 in
180 × 83 × 45 cm

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Iman Issa
Self-Portrait (Self as Doria Shafik), 2020
3-d prints, acrylic, epoxy, paint, metal poles (60 x 30 x 28 cm) text panel under glass (7 x 12 cm)
23 3/5 × 11 4/5 × 11 in
60 × 30 × 28 cm
Edition 1/3 + 2AP

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Laure Prouvost
Early Work of Grandad, found in the tunnel of history 15, 2020
Oil on canvas and metal structure
39 2/5 × 15 7/10 × 15 7/10 in
100 × 40 × 40 cm

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Tarik Kiswanson
Crossing, 2016
Brass
37 4/5 × 9 4/5 × 11 4/5 in
96 × 25 × 30 cm





ROCHELLE GOLDBERG: Psychomachia
@Miguel Abreu Gallery, 88 Eldridge Street
88 Eldridge Street
New York, NY 10002
USA
MARCH 6 − AUGUST 22, 2020

installation views
1psychomachia.jpg

2psychomachia.jpg

3psychomachia.jpg

4psychomachia.jpg

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6psychomachia.jpg

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Great Gardener Makes, 2020
sourdough bread, coins, and glass bowl
4 1/2 x 10 x 10 inches (11.4 x 25.4 x 25.4 cm)

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Great Gardener Makes, 2020 [detail]

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Gatekeeper, 2020
bronze, eyeshadow
46 3/4 x 10 3/8 x 9 1/2 inches (118.7 x 26.4 x 24.1 cm)

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Gatekeeper, 2020 [detail]

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Halo: She wouldn’t turn out the lights, 2020
wild lilies, bronze powder, graphite, shellac on cardboard
24 x 24 x 1 1/2 inches (61 x 61 x 3.8 cm)

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Hand with pennies, 2020
bronze and coins
7 3/4 x 2 1/8 x 3 3/4 inches (19.5 x 5.5 x 9.5 cm)

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Bread, 2020
bronze
42 1/2 x 6 3/4 x 11 inches (108 x 17.1 x 27.9 cm)

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Bread, 2020 [detail]

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Halo: watch it go, 2020
bronze powder, graphite, shellac and polyester glitter on cardboard
24 x 24 x 1 1/2 inches (61 x 61 x 3.8 cm)

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The Life and Death of Mary, 2020
pastel, gouache, acrylic, and silkscreen ink on magazine paper
nine prints, each: 14 1/2 x 11 inches (36.8 x 27.9 cm)
framed, each: 18 5/8 x 14 1/8 x 1 1/2 inches (47.3 x 35.9 x 3.8 cm)
installation dimensions variable

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1. Mary of Egypt, still in Alexandria, during a moment of ongoing civil strife and power struggles within the diocese, contemplates both the governing forces and models of leadership which surround her. It’s not that she would or could find herself reflected, because it was a polarizing moment between hardline paganism and devout spirituality, but more to the point, she desired a tolerant climate that would sustain the freedom she had found as a weaver, spinning both flax and thought autonomously from the moral law of her time.
2. Mary makes her way to the holy land, by sea, and by all accounts a pleasurable journey.

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3. Mary arrives at the temple of Mary the Mother, following the other pilgrims. Unlike her company, she questions her motives for being there. Is this fun? Is anybody having any fun here? She cannot seem to enter the temple – both a psychological and physical block – passage is denied, did she want to be there?
4. Mary is in a cave. No, she is in a desert. Then the desert is in the cave. But the desert here is underwater. And the desert there has always been dry. So Mary is now living inside, outside, or even next to a cave in the semi-desert. While Arid and dusty, this land is not without crop or water. The wayward eye of an urban wanderer, such as Mary was in Alexandria, readily adapts a dual- fovea necessary for foraging in her new terrain. The days extend into years which perhaps even span a decade. We think she was alone, the witness has yet to find her.

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5. Mary does make friends in the desert.
6. Is this the witness who finds her?

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7. Has this witness come to save her? To bury her? To accompany her? Is this even the witness?
8. Mary dies. In life she was a corpse, in death she becomes immaculate. Her forlorn figure levitates seventeen inches above the ground, no longer subject to physical laws of decay as we know them, and endures as an emblem for love and peace and forgiveness and further for the possibility to both choose and reject the world for which we live in. She chose the cave and she chose the desert. Over time her weathered flesh layers as her environment so that, her environment, in turn, becomes her flesh – a delicate, dry, cavernous, and hard surface that conveys the accumulation of contact a body wears through time. Pulled from the Earth, where horizontal flows to a vertical, the resurrection of her-self as her witness signals a return to say: “Hello”

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9. Mary ascends in corporal entirety. The witness here is watching her. She watches herself.

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Soiled [Resurrected], 2017-2020
Foam, poured chia, gold foil, bronze powder, shellac
4 1/2 x 24 x 83 inches (11.4 x 61 x 210.8 cm)

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Soiled [Resurrected], 2017-2020 [detail]

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Intralocutor: “You were born. And so you’re Free. So happy birthday”, 2020
bronze, coins, eyeshadow, and New York granite
68 x 28 x 18 inches (172.7 x 71.1 x 45.7 cm)

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Intralocutor: “You were born. And so you’re Free. So happy birthday”, 2020 [detail]

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Intralocutor: “You were born. And so you’re Free. So happy birthday”, 2020 [detail]

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Intralocutor: “You were born. And so you’re Free. So happy birthday”, 2020 [detail]

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Hello, 2020
aluminum and fairy lights
5 x 3 x 2 inches (12.7 x 7.6 x 5.1 cm)
installation dimensions variable
edition of 5 + 1 AP

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Halo is leaking, 2020
mirror, gouache, pastel, shellac, graphite, bronze powder, matches, matchbox, and MDF
21 1/2 x 21 1/2 x 1 inches (54.6 x 54.6 x 2.5 cm)

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Safe, 2019
125 glass bowls
dimensions variable

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Safe, 2019 [detail]

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Safe, 2019 [detail]

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Picnic, 2020
12 glass bowls, sourdough bread and coins
installation dimensions variable

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Picnic, 2020 [detail]

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Picnic, 2020 [detail]

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Corpse Kitty: towards a friendly fatality, 2020
bronze, eyeshadow
19 3/4 x 40 1/8 x 12 5/8 inches (50 x 102 x 32 cm)

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Corpse Kitty: towards a friendly fatality, 2020 [detail]

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Corpse Kitty: towards a friendly fatality, 2020

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Corpse Kitty: towards a friendly fatality, 2020 [detail]

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Empty Stomach, 2020
26 glass bowls, eco-plastic, water, bronze, glitter, sand, desert dirt and coins
installation dimensions variable

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Empty Stomach, 2020 [detail]

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Intralocutor: it’s not an attraction, 2020
bronze, eyeshadow
body: 24 x 10 1/4 x 18 1/8 inches (61 x 26 x 46 cm)
flower: 14 1/2 x 4 1/2 x 4 inches (36.8 x 11.4 x 10.2 cm)
edition of 3 + 1 AP

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Intralocutor: it’s not an attraction, 2020 [detail]

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Intralocutor: it’s not an attraction, 2020 [detail]

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Bread Garden, 2020
aluminum, bronze and tuna cans
21 bread pieces and 52 cans
Installation dimensions variable

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Bread Garden, 2020 [detail]

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Bread Garden, 2020 [detail]

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Bread Garden, 2020 [detail]

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Fence [Undone], 2019-2020
ranch fencing, fairy lights, aluminum, coins, and steel wire
32 x 27 x 27 inches (81.3 x 68.6 x 68.6 cm)

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Fence [Undone], 2019-2020 [detail]

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Fence [Undone], 2019-2020 [detail]

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Fence [Undone], 2019-2020 [detail]

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Intralocutor: towards an attraction, 2020
bronze, eyeshadow, and pillow
68 x 10 2/4 x 18 1/8 inches (172.7 x 26.7 x 46 cm)
edition of 3 + 1 AP

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Intralocutor: towards an attraction, 2020 [detail]

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Intralocutor: towards an attraction, 2020 [detail]

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Intralocutor: towards an attraction, 2020 [detail]

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Halo: even if it’s free, 2020
lilies, bronze powder, graphite, shellac and MDF on cardboard
25 1/2 x 25 1/2 x 1 inches (64.8 x 64.8 x 2.5 cm)





Dena Yago: Dry Season
@Bodega
167 Rivington
NY, NY 10002
USA
September 12–October 25, 2020

installation views
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3dry-season.jpg

4dry-season.jpg


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Big Fish Eat Little Fish, 2020
Chalk, charcoal
84 x 230 in (213.4 x 584.2 cm)

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Seeker, 2020
Audio, wood, enamel, Big Mouth Billy Bass
24 x 72 x 5.5 in (61 x 182.9 x 14 cm)

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Pleader, 2020
Audio, wood, enamel, Big Mouth Billy Bass
48 x 24 x 5.5 in (121.9 x 61 x 14 cm)

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Chum, 2020
Audio, wood, enamel, Big Mouth Billy Bass
48 x 24 x 5.5 in (121.9 x 61 x 14 cm)

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Pitcher, 2020
Audio, wood, enamel, Big Mouth Billy Bass
48 x 24 x 5.5 in (121.9 x 61 x 14 cm)

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Trawler, 2020
Audio, wood, enamel, Big Mouth Billy Bass
30 x 27.5 x 5.5 in (76.2 x 69.9 x 14 cm)
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