《news》

《upcoming exhibiton》

《current exhibiton》
「Drawings」坂本睦美、佐藤明日香、龍口経太
@ex-chamber museum
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
070-5567-1513
2/13(土)〜2/28(日)月火水休(2/23祝日開廊)
木金:14:00〜18:00、土日祝:12:00〜18:00
プレスリリース
インスタレーションビュー

“Drawings” Mutsumi Sakamoto, Asuka Satow, Keita Tatsuguchi
@ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
81-70-5567-1513
Feb.13(Sat)〜Feb.28(Sun) closed on Mondays to Wednesdays (Feb.23 is open)
Thusdays and Fridays:14:00〜18:00, Saturdays, Sundays:12:00〜18:00
installation views

《past exhibiton》

ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
小坂学 Manabu Kosaka
後藤勇治 Yuji Goto
坂本睦美 Mutsumi Sakamoto
佐藤明日香 Asuka Satow
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
照井譲 Yuzuru Terui
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2021年01月29日

memo (overseas): Jan29,2021

ex-chamber memo (overseas): Jan29,2021

Lily Ludlow: New Paintings
@CANADA
60 Lispenard Street, New York, NY 10013
USA
November 9 - December 14, 2019

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installation view


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Lily Ludlow
Five Nights of Flights, Lenore, 2019
Acrylic and colored pencil on linen
18 x 14 in (45.72 x 35.56 cm)

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Lily Ludlow
Witnesses, 2019
Acrylic and colored pencil on panel
40 x 40 in (101.6 x 101.6 cm)

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Lily Ludlow
Five Nights of Flights, Deva, 2019
Acrylic and colored pencil on linen
18 x 14 in (45.72 x 35.56 cm)

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Lily Ludlow
Five Nights of Flights, Miner, 2019
Acrylic and colored pencil on linen
18 x 14 in (45.72 x 35.56 cm)

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Lily Ludlow
Five Nights of Flights, Elora, 2019
Acrylic and colored pencil on linen
18 x 14 in (45.72 x 35.56 cm)

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Lily Ludlow
Fleur Jaune, 2019
Acrylic and colored pencil on canvas over panel
27 x 20 in (68.58 x 50.8 cm)





A Love Letter to a Nightmare
@Petzel, 456 W 18th Street, New York
456 W 18th Street
New York, New York 10011
USA
July 15 – August 14, 2020

installation views
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Sascha Braunig
Deep V
2019
Oil on linen over panel
60 x 38 inches
152.4 x 96.5 cm

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Sascha Braunig
Holding Myself Up
2020
Oil on linen over panel
39 x 15.6 inches
99.1 x 39.7 cm

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Genesis Belanger
Picking up the pieces
2020
Stoneware (set of 3 unbreakable elements)
Dust pan: 20 x 3.5 x 15.75 in; 50.8 x 8.9 x 40 cm
Mouth: 6 x 3.5 x 2.5 in; 15.2 x 8.9 x 6.4 cm
Brush: 15.5 x 4 x 5.5 in; 39.4 x 10.2 x 14 cm

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Christina Quarles
All I Need is the Air That I Breathe
2020
Acrylic on canvas
56 x 60 inches
142.2 x 152.4 cm

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Anna Glantz
The Music Lesson (Mercedes Sosa)
2019
Oil on canvas
50 x 34 inches
127 x 86.4 cm

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Emily Mae Smith
Daphne of the West
2020
Oil on linen
48 x 37 inches
121.9 x 94 cm

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Danica Barboza
Cleft [ dramaturgical pîlos ]
2020
Clay, paint, rope, wood, felt, fleece, tape, cardboard, acrylic yarn, newspaper, polyvinyl acetate, gloss finish, polyurethane foam, cabinet door, beanbag chair, shower curtain rods, metal computer monitor, scanning beds, shiny shag chenille fabric, dress, canvas fabric, upholstery padding, cloth back scrubber, black and white cotton shirt
54 x 116 x 150 inches
137.2 x 294.6 x 381 cm

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Ivy Haldeman
Heels, Peel Under Shank, Soft Wrap
2020
Acrylic on canvas
24 x 16.5 inches
61 x 41.9 cm

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Ivy Haldeman
Colossus, Head Leans Right, Hand Supports Bun, Face Covered
2020
Acrylic on canvas
84 x 58 inches
213.4 x 147.3 cm

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Greg Parma Smith
Red Snake Scene in Felicitous Continuity
2020
Oil on canvas
44 x 44 inches
111.8 x 111.8 cm

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Hadi Fallahpisheh
Kill Him
2020
Unique light drawing on photo sensitive paper
77 x 43 x 2 inches
195.6 x 109.2 x 5.1 cm

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Hadi Fallahpisheh
Persian Cat Isabella (Mouse House)
2020
Ceramic
12 x 16 x 16 inches
30.5 x 40.6 x 40.6 cm

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Hadi Fallahpisheh
Persian Cat Ali (Mouse House)
2020
Ceramic
12 x 16 x 16 inches
30.5 x 40.6 x 40.6 cm

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Hadi Fallahpisheh
Persian Cat Mike (Mouse House)
2020
Ceramic
12 x 18 x 18 inches
30.5 x 45.7 x 45.7 cm

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Hadi Fallahpisheh
Hi Cutie
2020
Unique light drawing on photo sensitive paper
76 x 40 x 2 inches
193 x 101.6 x 5.1 cm

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Hadi Fallahpisheh
Stay
2020
Unique light drawing on photo sensitive paper
86 x 42 x 2 inches
218.4 x 106.7 x 5.1 cm

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Hadi Fallahpisheh
Clear Evidence
2020
Unique light drawing on photo sensitive paper
86 x 42 x 2 inches
218.4 x 106.7 x 5.1 cm

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Florencia Escudero
Lion's Breath
2019
Machine-sewn, cut bathrobes and velvet, metal purse clasps, hand-sewn digitally-printed stain, paracord, and upholstery foam
72 x 49 x 10.5 inches
182.9 x 124.5 x 26.7 cm

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Florencia Escudero
Reptilian Couture
2019
Hand-sewn, digitally-printed, silkscreened, and machine-embroidered satin with spandex, velvet, and hand-drawn, 3-D-penned plastic with ink residue, silver chain, metal purse clasps, and laser-cut mirrored plexiglass
60 x 36 x 8 inches
152.4 x 91.4 x 20.3 cm

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Florencia Escudero
Untitled
2019
Hand-sewn velvet and machine-embroidered pleather, upholstery foam, spacer mesh, foam, and cast concrete base
9 x 13 x 12 inches
22.9 x 33 x 30.5 cm

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Florencia Escudero
Frog Licker
2019
Hand-sewn, digitally-printed satin and silkscreened spandex, 3D-printed plastic, metal purse clasp, with hand-sewn velvet, foam, and spacer mesh base, and hand-sewn, digitally-printed satin, silkscreened spandex, foam, and spacer mesh parts
6.5 x 13.5 x 5 inches
16.5 x 34.3 x 12.7 cm

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Meriem Bennani
Ghariba
2017
Video
22 minutes 47 seconds
Edition 1/3, 2AP





Frances Stark: lonely and abandoned on the market place
@Galerie Buchholz
Fasanenstraße 30 10719 Berlin
Germany
28 June 2019 – 17 August 2019

installation views
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Frances Stark
“Clever/Stupid promotional prize poster with parrot pair, or ‘Art offers the possibility of love with strangers’”, 2019
double-sided poster, acrylic, gold leaf and gesso on canvas
145 x 112 cm

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Frances Stark
“Reading Ian Svenonius’s Psychic Soviet from 2006”, 2019
acrylic, gesso and Sumi ink on canvas
183 x 236 cm

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Frances Stark
“A book object made for Parkett in 2013 called Dishonest But Appealing”, 2019
acrylic, gold leaf and gesso on canvas
145 x 112 cm

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Frances Stark
“Bobby Jesus’s unwritten picaresque memoir in the form of a book object with a hidden chamber between the pages to stash away secret things”, 2019
acrylic, gesso and Sumi ink on canvas
145 x 112 cm

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Frances Stark
“Reading the Gore Vidal book of interviews Julian Assange was carrying as he was carted off to prison in April 2019”, 2019
gouache, gesso and Sumi ink on canvas
145 x 112 cm

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Frances Stark
“Reading about the Americas before and after Columbus in the 15th century”, 2019
Sumi ink and gesso on canvas
each part: 91.4 x 91.4 cm

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Frances Stark
“Chain Brain (pink)”, 2018
purse strap and acrylic on canvas
35.5 x 28 cm

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Frances Stark
“Chain Brain (black)”, 2018
chain, acrylic and oil on canvas
35.5 x 28 cm

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Frances Stark
“Reading Mohamedou Ould Slahi’s Guantamo Diary on the laptop by the fire not long before he was finally released after 17 years”, 2019
Flashe, acrylic, Sumi ink and gesso on canvas
145 x 112 cm

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Frances Stark
“In a book commemorating Ed Ruscha’s 2005 American Pavilion I contributed an essay (alongside Joan Didion no less!) entitled Always the Same, Always Different”, 2019
Flashe, acrylic, gesso on canvas
112 x 145 cm

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Frances Stark
“The index of Chris Hedges’s Empire of Illusion from 2009, or War comma Warhol”, 2019
acrylic, tinted gesso, gesso and Sumi ink on canvas
183 x 236.5 cm

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Frances Stark
“Reading Edward Said’s Representations of the Intellectual from 1994”, 2019
acrylic, tinted gesso, gesso, ink and Sumi ink on canvas
112 x 145 cm

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Frances Stark
“Reading James Baldwin’s last interview from 1987”, 2019
acrylic, tinted gesso, gesso and Sumi ink on canvas
145 x 112 cm

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Frances Stark
“Reading Neil Postman’s Amusing Ourselves to Death: Public Discourse in the Age of Show Business written in 1985”, 2019
acrylic, tinted gesso, gesso, ink and Sumi ink on canvas
145 x 112 cm

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Frances Stark
“Reading Henry Miller’s Air-Conditioned Nightmare from the mid-1940’s”, 2019
acrylic, gesso, Sumi ink and mica flakes on canvas
112 x 145 cm

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Frances Stark
“’An invitation to escape from the relentless tyranny of Now that keeps us hooked to the irresistible fruit of American Empire,’ is one of the sentences I got paid to write for Raymond Pettibon’s New Museum catalogue in 2017”, 2018
Sumi ink on canvas
50.8 x 40 cm





CAT ROISSETTER: ENGLISH FILTH
@Cob Gallery
205 Royal College Street
London NW1 0SG
10 SEPTEMBER - 3 OCTOBER 2020

installation views
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MUSTER I, 2020
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
900 x 640 mm
Framed 1000 x 745 mm

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FEAST, 2020
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
Framed 1000 x 745 mm
900 x 640 mm

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STUDY FOR KING’S MAID DREAM, 2020
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
295 x 197 mm
Framed 624 x 504 mm

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KING’S MAID’S DREAM, 2020
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
297 x 420 mm
Framed 504 x 624 mm

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ONE LOVER SOFTLY, 2020
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
297 x 420 mm
Framed 504 x 624 mm

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SLOW POKE, 2020
Colour pencil, graphite, crayon on olive oil primed paper
195 x 165 mm
Framed 624 x 504 mm

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THIS IS A POPPY, 2019
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
210 x 390 mm
Framed 504 x 624 mm

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GREEN GOBLIN, 2020
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
1275 x 1800 mm
Framed 1315 x 1835 mm

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OIL PASTEL STUDY FOR PAINTING , 2020
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
310 x 235 mm
Framed 624 x 504 mm

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EGLANTINE, 2020
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
900 x 640 mm
Framed 1000 x 745 mm

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AFTER FEAST, 2020
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
900 x 640 mm
Framed 1000 x 745 mm

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STUDY FOR KING'S MAID DREAM II, 2020
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
415 x 30 mm
Framed 624 x 504 mm

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UNTITLED , 2020
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
900 x 640 mm

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TRIPTYCH COLOUR WORK, 2020
Coloured pencil, graphite, crayon on linseed, turps and cooking oil primed paper
210 x 405 mm
Framed 504 x 624 mm





Christine Sun Kim: Trauma, LOL
@François Ghebaly
2245 E Washington Blvd.,
Los Angeles, CA 90021
USA
December 12, 2020 – January 23, 2021

installation views
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America the Beautiful, 2020. Charcoal on paper, 58.25 x 58.25 inches (148 x148 cm).

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The Star-Spangled Banner (Third Verse), 2020. Charcoal on paper 58.25 x 58.25 inches (148 x 148 cm).

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When Grammar Mood, 2020. Charcoal on paper, 49.25 x 49.25 inches (125 x 125 cm).

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Pronouns in American Sign Language, 2020. Charcoal on paper, 49.25 x 49.25 inches (125 x 125 cm).

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I Walk I See, 2020. Charcoal on paper, Triptych, each: 49.25 x 49.25 inches (125 x 125 cm).

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Turning Clock, 2020. Mural, Edition 1 of 3, 1AP, Dimensions adaptable 136 x 240 inches (346 x 610 cm).

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Deaf Traumas, 2020. Charcoal on paper, 49.25 x 49.25 inches (125 x 125 cm).

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Competing Languages I, 2020. Charcoal on paper, 58.25 x 58.25 inches (148 x 148 cm).

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Three Tables III, (AGB, HPA, DTS), 2020. Charcoal on paper, 58.25 x 58.25 inches (148 x 148 cm).

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Trauma, LOL, 2020. Charcoal on paper, 58.25 x 58.25 inches (148 x 148 cm).

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Now Your Turn, 2020. Charcoal on paper, 49.25 x 49.25 inches (125 x 125 cm).

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Trauma, 2020. Charcoal on paper, Seven elements, each: 23.5 x 16.5 inches (59.5 x 42 cm).

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Trauma as a Baby, 2020. Charcoal on paper, 23.5 x 16.5 inches (59.5 x 42 cm)

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Trauma with Thick Skin, 2020. Charcoal on paper, 23.5 x 16.5 inches (60 x 42 cm).
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