memo (overseas): Jan16,2021

ex-chamber memo (overseas): Jan16,2021

Geneviève Cadieux, Pascal Grandmaison, Mathieu Grenier: IT TAKES TIME TO SEE
CURATED BY: RENÉ BLOUIN
@Arsenal Contemporary Art, Toronto
45 ERNEST AVE
TORONTO ON M6P 3M7
CANADA
June 18 - Aug 29, 2020

installation views


























Geneviève Cadieux, Marfa (trois fleurs noires), 2014, Edition 1 of 2, Inkjet print on Hahnmühle paper mounted on aluminum, 95” x 118”.





A Page from My Intimate Journal (Part II) - ​Gordon Robichaux at Parker Gallery
@Parker Gallery
2441 Glendower Ave
90027 Los Angeles
USA
March 15 – June 14, 2020

installation views






















































Wilder Alison, Untitled, 2019, dyed wool and thread, 31.4 × 55 inches


Leilah Babirye, Omulodi Omuvubuka we Kibuga (Stylish Boy of The City), 2020, Glazed ceramic, wire, found object, 18 × 12 × 7 inches


Leilah Babirye, Banalukalala Bomu Lubiri Mengo (Notorious Woman in The Lubiri Mengo Palace) #1, 2020
Glazed ceramic, wire, found object 9 × 6 1/2 × 7 inches


Leilah Babirye, Nankulu we Kibuga (Female Mayor of The City), 2020, wood, metal, nails, screws, found objects, wax, 59 5/8 x 11 x 12 inches


Leilah Babirye. Kuchu Series, (Queer Ugandans), 2020, Acrylic on paper
24 × 18 inches


Matt Connors, Second Section, 2020, Oil, acrylic, colored pencil on panel, 20 × 16 inches


Jenni Crain, Study I, 2019, Walnut, 6 9/16 x 3 5/8 x 1 4/8 inches


Jenni Crain, Study II, 2019, Walnut, 3 × 3 × 3 inches


Jenni Crain, Study III, 2020, Walnut, glass, 8 × 15 1/2 × 2 inches


Stephanie Crawford, Still Life with Green Vase, 2016, Watercolor on paper, 22 × 15 inches


Stephanie Crawford, Chocolates #3, 2017, Watercolor on paper, 15 × 11 inches


Florence Derive, September, 2017, Oil on linen, 36 1/4 × 24 1/2 inches


Florence Derive, July, 2017, Oil on linen, 36 1/4 × 22 1/2 inches


Daphne Fitzpatrick, Chrome Cock, 2020, Found object, 6 × 7 × 3 inches


Daphne Fitzpatrick, Complete Combustion, 2020, Beeswax, found object, aluminum, 52 × 6 × 10 inches


Daphne Fitzpatrick, Quadrifolio, or Spotsylvania girl charms her way into Guinness book of world records by finding 166 four-leaf clovers, 2020, Found object, wax, 1 × 3/4 inches


Daphne Fitzpatrick, Lesbian Seagulls for Maya Rudolph and Kristen Wiig, 2020, Found objects, epoxy, screw, 16 × 8 × 2 inches


Daphne Fitzpatrick, Goodbye Christopher Robin, 2020, Found and torn paper, 3 × 2 inches


Daphne Fitzpatrick, Your Zipper is Down, 2020. Wax casting, steel rope, steel armature, 48 × 7 × 7 inches


Daphne Fitzpatrick, Bell, Book and Candle, 2020, Found objects, black shoe polish, 25 × 6 × 2 1/2 inches


Janice Guy, Untitled, 1979/2016, Gelatin Silver print, hand colored, 24 × 20 inches, Edition 1/5


Otis Houston Jr., Mother Sadie, 2018, Mixed media, found and altered objects, 27 × 16 × 28 inches


Otis Houston Jr. with Miles Huston, Educate Yourself, 2017, Paint on canvas with grommets, 95 × 17 inches


Miles Huston, Verse, Blue is Blue Because of Red, 2019, Colored pencil on paper, 33 × 33 inches


Miles Huston, Verse, Yellows, 2019, Colored pencil on paper, 33 × 33 inches


Miles Huston, Fresh Vegetables San Joaquin Valley, 2020, Water jet aluminum with UV print, cast aluminum stand-offs, 58 × 45 × 2 inches


Miles Huston, Everything is Corn, 2020, Feed Corn cast in UV stabilized epoxy, 12 × 21 × 8 inches


Elisabeth Kley, Fountain with Crescents and Leaves, 2019, Glazed earthenware, pump, epoxy, wax, and coins, 50 1/2 × 18 × 18 inches


Elisabeth Kley, Fountain with Crescents and Leaves, (Detail), 2019, Glazed earthenware, pump, epoxy, wax, and coins, 50 1/2 × 18 × 18 inches


Elisabeth Kley, Yellow and Turquoise Eye-Shaped Planter, 2019, Glazed earthenware, 9 × 6 × 9 inches


Elisabeth Kley, Yellow and Turquoise Eye-Shaped Planter, (Alternate view) 2019, Glazed earthenware, 9 × 6 × 9 inches


Elisabeth Kley, Cylinder with Arrow Leaves, 2020, Glazed earthenware, 8 × 3 1/4 × 3 1/4 inches


Elisabeth Kley, Leaf Column Cylinder, 2020, Glazed earthenware, 5 1/2 × 3 1/4 × 3 1/4 inches


Elisabeth Kley, Red, Turquoise and Gold Cylinder with Triangles and Flowers, 2020, Glazed earthenware, 8 × 3 1/4 × 3 1/4 inches


Wayne Koestenbaum, Blue Pleasure Cruises, 2018, Acrylic on paper, 24 × 18 inches


Siobhan Liddell, Diagram of Clay Objects, 2020, Watercolor on paper, 9 × 11 inches


Siobhan Liddell, Big Shell, Red Knot, Leaf in Hand, 3 Cups, Green Circle, Small Shell, U, 2020, Glazed ceramic, Dimensions variable


Siobhan Liddell, Just Dust, 2020, Glazed ceramic, found objects, string, screw, 45 1/2 × 17 × 9 1/2 inches


Siobhan Liddell, E (in your Exquisite light), 1995-2020, Pigment print, 20 × 16 inches, Edition 1/3


Daniel Marcellus Givens, Coming Up For Air (Surrounded by Blues), 2018, Acrylic, watercolor, marker, pen on paper, 14 × 11 inches


Daniel Marcellus Givens, Something About Him (I Always Knew), 2018, Acrylic, watercolor, marker, pen on paper, 14 × 11 inches


Rosemary Mayer, Connections, 1978, Colored pencil, graphite, charcoal on paper, 20 × 26 inches


Rosemary Mayer, Connections, 1978, Colored pencil, graphite on paper, 26 × 40 inches


Reverend Joyce McDonald, Family Strong, 2001, Air dry clay, acrylic paint, 8 1/2 × 5 1/2 × 2 3/4 inches


Reverend Joyce McDonald, Joy In The Storm, 2001, Air dry clay, acrylic paint, staples, 8 1/2 × 5 1/2 × 2 3/4 inches


McDermott & McGough, Twilight Men, 1965 -2017, Oil on board, 9 × 10 1/2 inches


McDermott & McGough, Unveiling the Secrets, 1965-2017, Oil on board, 12 × 9 inches


Signe Olson, Prospect Park, 2020, Gouache and Flashe on paper, 22 1/2 × 15 inches, 25 × 18 inches (framed)


Sanou Oumar, 6/10/19, 2019, Pen on paper board, 40 × 30 inches


Matt Paweski, FILTR, 2020, Aluminum, aluminum rivets, plastic, rubber, vinyl paint, 40 × 20 × 10 inches


Matt Paweski, FILTR, (Alternate view) 2020, Aluminum, aluminum rivets, plastic, rubber, vinyl paint, 40 × 20 × 10 inches


Clifford Prince King, The Lovers, 2016, C-print on luster paper, 24 × 16 inches, Edition 1/3


Marco ter Haar Romeny, Air Return, 2019, Glass tube, wiring, transformer, 49 × 1/4 inches


Kerry Schuss, Untitled (Blue Bars), 1979-2020, Dye sublimation print on aluminum with artist frame, 41 1/2 × 33 3/4 inches, Edition 1/6 + II AP


Tabboo!, Rhapsody in Blue, 2020, Acrylic and glitter on canvas, 60 x 60 inches


Tabboo!, Pears, 2020, Acrylic on linen, 10 × 16 inches


Tabboo!, Rhapsody in Turquoise, 2020, Acrylic and glitter on canvas, 42 × 32 inches


Ken Tisa, Swelling Thighs, 1988, Glass beads, sequin, cotton, 20 1/8 × 21 1/2 × 1 3/4 inches


Ken Tisa, Untitled, circa 1980s, Acrylic, gouache, watercolor on canvas, 14 × 18 inches


Boris Torres, Portrait of Esther McGowan, 2019, Acrylic on paper, 24 × 18 inches


Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches


Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches


Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches


Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches


Dean Spunt, Catalog #1 and #2, 2014, Paint, glass vases, cassette tapes, cassette players, plastic figurine, 12 x 6 inches, 8 x 6 inches


Dean Spunt, Total Shutdown Live, 2020, Paint, glass vases, cassette tapes, cassette players, 12 x 5 inches (each cylinder)





Richard Hawkins
@Galerie Buchholz
Fasanenstraße 30 10719 Berlin
Germany
11 September – 31 October 2020

installation views








Richard Hawkins
“Sombre Soul Unsleeping”, 2020
acrylic on panel in artist frame
223.5 x 178 x 5 cm
installation view Galerie Buchholz, Berlin 2020


Richard Hawkins
“Sombre Soul Unsleeping”, 2020
acrylic on panel in artist frame
223.5 x 178 x 5 cm
installation view Galerie Buchholz, Berlin 2020


Richard Hawkins
“Sombre Soul Unsleeping”, 2020
acrylic on panel in artist frame
223.5 x 178 x 5 cm


Richard Hawkins
“Aschenbach and Beetle”, 2020
acrylic on panel in artist frame
223.5 x 178 x 5 cm
installation view Galerie Buchholz, Berlin 2020


Richard Hawkins
“Aschenbach and Beetle”, 2020
acrylic on panel in artist frame
223.5 x 178 x 5 cm


Richard Hawkins
“Rooster and Cat”, 2020
acrylic on panel in artist frame
191 x 179 x 5 cm
installation view Galerie Buchholz, Berlin 2020


Richard Hawkins
“Rooster and Cat”, 2020
acrylic on panel in artist frame
191 x 179 x 5 cm


Richard Hawkins
“Dribbling Bulbs”, 2020
acrylic on panel in artist frame
191 x 179 x 5 cm
installation view Galerie Buchholz, Berlin 2020


Richard Hawkins
“Dribbling Bulbs”, 2020
acrylic on panel in artist frame
191 x 179 x 5 cm


Richard Hawkins
“To Divide Him Vein by Vein”, 2020
acrylic on panel in artist frame
178 x 223.5 x 5 cm
installation view Galerie Buchholz, Berlin 2020


Richard Hawkins
“To Divide Him Vein by Vein”, 2020
acrylic on panel in artist frame
178 x 223.5 x 5 cm


Richard Hawkins
“Soft yet Weirdly Ways”, 2020
acrylic on panel in artist frame
178 x 223.5 x 5 cm
installation view Galerie Buchholz, Berlin 2020


Richard Hawkins
“Soft yet Weirdly Ways”, 2020
acrylic on panel in artist frame
178 x 223.5 x 5 cm





Andrea Grützner: HIVE
@Schierke Seinecke
Bahnhofsviertel
Niddastr. 63
60329 Frankfurt am Main
Germany
6.11.2020–13.2.2021

installation views
































Hive, Maker Space
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 107x80cm, ed. 5+1 AP, 2019




Hive, Incubator
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 107x80cm, ed. 5+1 AP, 2020




Hive, Green Lounge
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2020








Hive, Connect
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019




Hive, Showcase
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 133x100cm, ed. 5+1 AP, 2019






Hive, The Studio
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019


Hive, Machine for Living
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2020






Hive, The Hive
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019




Hive, Mega Flex
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019


Hive, The Experience Centre
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019


Hive, Student Portals
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019


Hive, The Hall
Photography, Archival Pigment Print on on Hahnemühle Silk Baryta, 133x100cm, ed. 5+1 AP, 2018


Hive, The Shore
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 60x45cm, ed. 5+1 AP, 2019


Hive, Player
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 30x45cm, ed. 5+1 AP, 2020


Hive, Esc.
Photography, Archival Pigment Print on Hahnemühle Silk Baryta, 30x45cm, ed. 5+1 AP, 2020




Hive, The Learning Centre
Photography, Archival Pigment Print, 60x45cm, ed. 5+1 AP, 2019





BRIE RUAIS: Spiraling Open and Closed Like an Aperture
@Night Gallery
2276 E 16th Street
90021 Los Angeles
USA
NOVEMBER 21, 2020 – JANUARY 23, 2021

installation views






















"Turning Over, 128lbs of clay and another of rocks and rubble," 2020


"Closing in on Opening Up, Nevada Site 6, 127lbs," 2020


"Expanding, Circling, Protecting, 127lbs," 2020


"In the Crosshairs," 2020


"Marking the Spot, 128lbs," 2020


"Opposing Tides, Shaping Forces," 2020


"Circling Inward and Outward, 128 lbs," 2020


"The things we build, the things we let fall apart, the things we destroy," 2020


"Three Seasons Passed," 2020


"Scraped Through and Alongside," 2020


"With and Against," 2020


"Enveloping, Merging, and Expanding, two times 130 lbs," 2020