《news》

《upcoming exhibiton》

《current exhibiton》
静物2020/paper works
参加アーティスト:足立真輝、後藤勇治、坂本睦美、佐藤明日香、勢藤明紗子、
能條雅由、村尾里奈、村松英俊
@ex-chamber museum
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
070-5567-1513
9/12(土)〜9/27(日)月火水・9/17休(祝日開廊)
木金:14:00〜18:00、土日祝:12:00〜18:00
プレスリリース

Still Life 2020/paper works
artists: Masaki Adachi, Yuji Goto, Mutsumi Sakamoto, Asuka Satow, Asako Setoh, Masayoshi Nojo, Rina Murao, Hidetoshi Muramatsu
@ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
81-70-5567-1513
Sep.12(Sat)〜Sep.27(Sun) closed on Mondays to Wednesdays (Holidays are open, Sep.17 is closed)
Thusdays and Fridays:14:00〜18:00, Saturdays, Sundays and Holidays:12:00〜18:00


《past exhibiton》

ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
小坂学 Manabu Kosaka
後藤勇治 Yuji Goto
坂本睦美 Mutsumi Sakamoto
佐藤明日香 Asuka Satow
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
照井譲 Yuzuru Terui
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2020年07月19日

memo (overseas): Jul19,2020

ex-chamber memo (overseas): Jul19,2020

ELENA DAMIANI ≫GREAT CIRCLES≪
@GALERIE NORDENHAKE MEXICO S de RL de CV
Colima 159, Roma Norte
06700, CDMX, Mexico
November 23, 2019 - January 25, 2020

installation views
1elena-damiani.jpg

2elena-damiani.jpg

3elena-damiani.jpg

4elena-damiani.jpg

5elena-damiani.jpg

6elena-damiani.jpg
Transits and Occultations I, 2019, black marble, white Mexican stone and brass, 21 x 16 x 120 cm each

7elena-damiani.jpg
Transits and Occulations I, 2019, black Monterrey marble, white Mexican stone and brass, 21 x 16 x 120 cm

8elena-damiani.jpg
Transits and Occulations I, 2019, black Monterrey marble, white Mexican stone and brass, 21 x 16 x 120 cm

9elena-damiani.jpg
Transits and Occulations I, 2019, black Monterrey marble, white Mexican stone and brass, 21 x 16 x 120 cm

10elena-damiani.jpg
Orbital Resonances (Three celestial objects and their possible astronomical alignments), 2019, volcanic stone, white Durango marble, black Monterrey marble and brass, 163 x 163 x 5.44 cm

11elena-damiani.jpg
Orbital Resonances (Three celestial objects and their possible astronomical alignments), side view

12elena-damiani.jpg
Detail

13elena-damiani.jpg
Detail

14elena-damiani.jpg
Transits and Occulations II, 2019, black Monterrey marble, white Mexican stone and brass, 21 x 16 x 160 cm

15elena-damiani.jpg
Detail

16elena-damiani.jpg
Detail

17elena-damiani.jpg
Protactor, 2019, volcanic stone, onyx and brass, 64.1 x 75.97 x 5 cm

18elena-damiani.jpg
Detail

19elena-damiani.jpg
Detail

20elena-damiani.jpg
Great Circles I - IV, 2019, color pencil and pencil on cotton paper, 68.4 x 51x 2 cm

21elena-damiani.jpg
Great Circles I, 2019, color pencil and pencil on cotton paper, 68.4 x 51 x 2 cm

22elena-damiani.jpg
Great Circles II, 2019, color pencil and pencil on cotton paper, 68.4 x 51 x 2 cm

23elena-damiani.jpg
Great Circles III, 2019, color pencil and pencil on cotton paper, 68.4 x 51 x 2 cm

24elena-damiani.jpg
Great Circles IV, 2019, color pencil and pencil on cotton paper, 68.4 x 51 x 2 cm

25elena-damiani.jpg
Horizon Ring, 2019, Tepeaca marble and brass, 61 x 57 x 5.4 cm

26elena-damiani.jpg
Horizon Ring, 2019, Tepeaca marble and brass, 61 x 57 x 5.4 cm

27elena-damiani.jpg
Horizon Ring, 2019, Tepeaca marble and brass, 61 x 57 x 5.4 cm





Last Letter, Remembering Felix Gonzales-Torres
Armando Andrade Tudela, Barak Ravitz, Daniel Steegmann Mangrané, Douglas Gordon, Henry Shelesnyak, Jenifer Bar Lev, Jonathan Monk, Latifa Echakhch, Miri Segal, Miroslaw Balka, Nelly Agassi, Shai-Lee Horodi, Simon Fujiwara
@Dvir Gallery, Tel Aviv
Hizkiyahu HaMelech 3
Tel Aviv, 6653025
Israel
Dec 14th, 2019 – Feb 01st, 2020

installation views
1last-letter.jpg

2last-letter.jpg

3last-letter.jpg

4last-letter.jpg

5last-letter.jpg

6last-letter.jpg

7last-letter.jpg

8last-letter.jpg

9last-letter.jpg

10last-letter.jpg

11last-letter.jpg
Armando Andrade Tudela
‘Disperzion #1’, 2017, denim fabric, bleach, 277 x 172 cm, unique

12last-letter.jpg
Armando Andrade Tudela
‘Disperzion #2 – #3,’ 2017, denim fabric, bleach, 312 x 168 cm, 243 x 170 cm, unique

13last-letter.jpg
Barak Ravitz
‘Selection of Fruit & Selection of Vegetables’, 2019, oilcloth, voting slip counting spikes, wood, foam, nickel rings, 19 x 344 x 8.5 cm (each), unique

14last-letter.jpg
Barak Ravitz
‘Selection of Fruit & Selection of Vegetables’, (detail), 2019, oilcloth, voting slip counting spikes, wood, foam, nickel rings, 19 x 344 x 8.5 cm (each), unique

15last-letter.jpg
Daniel Steegmann Mangrané
‘Morfogenesis-Cripsis’, 2019, watercolor on wall, 58 x 58 cm, unique

16last-letter.jpg
Simon Fujiwara
‘Tear Drops’, 2019, bronze, set of 25, 10 x 4.5 x 1 cm (each), edition of 3 + 1 AP

17last-letter.jpg
Douglas Gordon
’33 degrees of enlightenment #14′, 2012, wall text, pencil, variable dimensions, unique

18last-letter.jpg
Douglas Gordon
’33 degrees of enlightenment #7′, 2012, wall text, pencil, variable dimensions, unique

19last-letter.jpg
Douglas Gordon
’33 degrees of enlightenment #8,’ 2012, wall text, pencil, variable dimensions, unique

20last-letter.jpg
Henry Shelesnyak
‘Silver Circle’, 1980, acrylic on wood, diameter 80 cm, unique

21last-letter.jpg
Jenifer Bar Lev
‘Have Been Sent to Some Kind of Work’, 1988, industrial paint on newspaper, 57.5 x 84.5 cm, unique

22last-letter.jpg
Jenifer Bar Lev
‘I Am Searching for My Brother’, 1988, industrial paint on brown paper, 100.3 x 70 cm, unique

23last-letter.jpg
Jenifer Bar Lev
‘Most Days I Have to Deal With’, 1986, industrial paint and India ink on paper, 50 x 70 cm, unique

24last-letter.jpg
Latifa Echakhch
‘Vendredi 11 août 1989, Ce n’est pas un texte eroique’, 2014, vinyl letters, 182 x 150 cm

25last-letter.jpg
Miroslaw Balka
‘345 x 21 x 21’, 2010, steel, ceramic glass, revolving machine, 345 x 21 x 21 cm, unique

26last-letter.jpg
Miroslaw Balka
‘345 x 21 x 21’, (detail), 2010, steel, ceramic glass, revolving machine, 345 x 21 x 21 cm, unique

27last-letter.jpg
Jonathan Monk
‘The USA Made From The Remains Of Other Worlds II,’ 2013, fabric collage, 91 x 154 cm, unique

28last-letter.jpg
Shai-Lee Horodi
‘Untitled (2)’, 2019, jiggshaw puzzles, 59.5 x 43.2 cm, unique

29last-letter.jpg
Shai-Lee Horodi
‘Untitled (3)’, 2019, jiggshaw puzzles, 59.5 x 43.2 cm, unique

30last-letter.jpg
Nelly Agassi
‘Sand it better’, 2002, video, 4 min 23 loop, variable dimensions, edition of 3 + 1 AP

31last-letter.jpg
Miri Segal
‘Multiplicity of Loneliness & // Perfect Love’, 2019, video, 7:15 min, edition of 5 + 2 AP

32last-letter.jpg
Miri Segal
‘Multiplicity of Loneliness & // Perfect Love’, 2019, video, 7:15 min, edition of 5 + 2 AP

33last-letter.jpg
Miri Segal
‘Multiplicity of Loneliness & // Perfect Love’, 2019, video, 7:15 min, edition of 5 + 2 AP
c All rights are reserved to Dvir Gallery





DAVID JABLONOWSKI
@GALERIE FONS WELTERS, FRONT SPACE
Bloemstraat 140
1016 LJ Amsterdam
The Netherlands
18 JANUARY - 29 FEBRUARY 2020

installation views
1davidjablonowski.jpg

2davidjablonowski.jpg

3davidjablonowski.jpg

4davidjablonowski.jpg


5davidjablonowski.jpg
David Jablonowski
Commodity Futures 11
2020
polypropylene, brass, copper, xps foam, UV-print on Iranian Kermania marble
230 x 60 x 63 cm
photography by Gert Jan van Rooij

6davidjablonowski.jpg
David Jablonowski
Commodity Futures 10
2020
epoxy-coated polyurethane foam, bronze-tinted mirror, aluminium, copper, brass, tungsten
174 x 27 x 24 cm
photography by Gert Jan van Rooij

7davidjablonowski.jpg
David Jablonowski
Minor Commodity Futures 1
2020
epoxy-coated polyurethane foam, bronze-tinted mirror, brass, aluminium, tungsten, acrylic glass
67 x 20,5 x 30 cm
photography by Gert Jan van Rooij

8davidjablonowski.jpg
David Jablonowski
No Markets Left Waiting to Emerge
2020
UV-print on Iranian Kermania marble, brass
64 x 44,5 x 12 cm
photography by Gert Jan van Rooij

9davidjablonowski.jpg
David Jablonowski
Business Technology Friction
2020
UV-print on Iranian Kermania marble, brass, copper
70 x 50 x 25 cm
photography by Gert Jan van Rooij

10davidjablonowski.jpg
David Jablonowski
Innovation Screensaver
2019
video, different dimensions, 2:43, looped





Ni Hao: Trust Me, Love Me
@VACANCY
No. 2, Ln. 19, M. Wulumuqi Rd.
Jing'an Dist., 200040 Shanghai
China
November 2–December 21, 2019

installation views
1ni-hao-2019.jpg

2ni-hao-2019.jpg

3ni-hao-2019.jpg

4ni-hao-2019.jpg

5ni-hao-2019.jpg

6ni-hao-2019.jpg

7ni-hao-2019.jpg

8ni-hao-2019.jpg

9ni-hao-2019.jpg

10ni-hao-2019.jpg

11ni-hao-2019.jpg

12ni-hao-2019.jpg

13ni-hao-2019.jpg

14ni-hao-2019.jpg

15ni-hao-2019.jpg

16ni-hao-2019.jpg

17ni-hao-2019.jpg

18ni-hao-2019.jpg

19ni-hao-2019.jpg

20ni-hao-2019.jpg


21ni-hao-2019.jpg
Ni Hao
​Structure Study III, 2014
mixed media installation
​each: 29.7 x 21 cm
each: 11 3/4 x 8 1/4 in
​set of 15 works





YUAN YUAN | IRREGULAR PEARL
@EDOUARD MALINGUE GALLERY
Sixth Floor, 33 Des Voeux
Road Central, Hong Kong
08.05.20 - 23.05.20

installation views
1yuan-yuan-irregular-pearl.jpg

2yuan-yuan-irregular-pearl.jpg

3yuan-yuan-irregular-pearl.jpg

4yuan-yuan-irregular-pearl.jpg

5yuan-yuan-irregular-pearl.jpg

6yuan-yuan-irregular-pearl.jpg

7yuan-yuan-irregular-pearl.jpg

8yuan-yuan-irregular-pearl.jpg

9yuan-yuan-irregular-pearl.jpg
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする