《news》

《upcoming exhibiton》
「S-2Ds」
飯島夏香、井上七海、坂本睦美
@ex-chamber museum
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
070-5567-1513
7/5(土)〜7/19(日)月火水休
12:00〜18:00(7/10(金)は14:00〜、7/17(金)は16:00〜 )

“S-2Ds”
Natsuko Iijima, Nanami Inoue, Mutsumi Sakamoto
@ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
81-70-5567-1513
July 4(Sat)〜July 19(Sun) closed on Mondays to Wednesdays
12:00〜18:00 (July 10(Fri): 14:00〜, July 17(Fri): 16:00〜)


《current exhibiton》

《past exhibiton》

ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
小坂学 Manabu Kosaka
後藤勇治 Yuji Goto
坂本睦美 Mutsumi Sakamoto
佐藤明日香 Asuka Satow
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
照井譲 Yuzuru Terui
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2020年05月17日

memo (overseas): May17,2020

ex-chamber memo (overseas): May17,2020

Hyun-Sook Song: The single brushstroke as a horizon between heaven and earth
@Zeno X Gallery
Godtsstraat 15
2140 Antwerp Borgerhout
Belgium
October 30 - December 14, 2019

installation views
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Hyun-Sook Song
Brushstrokes - Diagram
2019
150 x 115 cm
tempera on canvas

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Hyun-Sook Song
Brushstrokes - Diagram
2019
147 x 90 cm
tempera on canvas

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Hyun-Sook Song
8 Brushstrokes
2018
170 x 240 cm
tempera on canvas

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Hyun-Sook Song
3 Brushstrokes
2017
160 x 240 cm
tempera on canvas

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Hyun-Sook Song
7 Brushstrokes
2018
120 x 100 cm
tempera on canvas

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Hyun-Sook Song
7 Brushstrokes
2017
170 x 120 cm
tempera on canvas

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Hyun-Sook Song
9 Brushstrokes
2017
130 x 70 cm
tempera on canvas

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Hyun-Sook Song
14 Brushstrokes
2018
130 x 190 cm
tempera on canvas

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Hyun-Sook Song
Brushstrokes - Diagram
2019
190 x 140 cm
tempera on canvas

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Hyun-Sook Song
6 Brushstrokes
2013
47 x 41 cm
tempera on canvas

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Hyun-Sook Song
4 Brushstrokes
2018
54 x 46 cm
tempera on canvas

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Hyun-Sook Song
18 Brushstrokes
2014
130 x 180 cm
tempera on canvas





Trisha Donnelly
@Matthew Marks Gallery, 522 W 22 Street & 526 W 22 Street, New York
522 West 22nd Street
&
526 West 22nd Street
NY 10011 New York
USA
February 21 - April 18, 2020

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Untitled
2019
Botticino marble
52 1/4 x 15 5/8 x 7 1/2 inches
133 x 40 x 19 cm

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Untitled
2019
Basalt
45 1/2 x 101 x 38 inches
116 x 257 x 97 cm

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Untitled
2019
Verde Lipsia marble
10 3/4 x 56 1/2 x 7 inches
27 x 144 x 18 cm

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Untitled
2019
Azul Bahia granite in three parts
12 x 65 1/2 x 7 1/4 inches
31 x 166 x 18 cm

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Untitled
2019
Rosa Portogallo marble in two parts
16 1/2 x 65 3/4 x 13 3/4 inches
42 x 167 x 35 cm

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Untitled
2019
Three digital videos
Each: 1:01 minute, looped
Dimensions variable





GARRY FABIAN MILLER: MIDWINTER BLAZE
@Ingleby
33 Barony Street
Edinburgh
EH3 6NX
Scotland
UK
12 OCTOBER - 20 DECEMBER 2019

installation views
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Garry Fabian Miller
A Lost Colour World, 2019
light, water, Lambda c-type print from unique dye destruction print
Edition 1 of 3 with 2 APs
123 x 275.4 x 7.6 cm
48 3/8 x 108 3/8 x 3 in
(framed)

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Garry Fabian Miller
Memories Lived in This Place, 2019
light, water, Lambda C-print from unique dye destruction print
Edition 1 of 3 with 2 APs
146.4 x 195.6 x 7.6 cm
57 5/8 x 77 1/8 x 3 in
(framed)

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Garry Fabian Miller
Joy and Gravitation, 2016
light, water, Lambda c-type print from unique dye destruction print (two parts)
Edition of 3 with 2 APs. This print is AP 1.
148.3 x 221.3 cm
58 3/8 x 87 1/8 in
(framed)

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Garry Fabian Miller
Midwinter Blaze I, 2019
light, water, Lightjet c-type print from unique dye destruction print
Edition 1 of 3 with 2 APs
122.5 x 139.4 x 7.6 cm
48 1/4 x 54 7/8 x 3 in
(framed)

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Garry Fabian Miller
Midwinter Blaze II, 2019
light, water, Lightjet c-type print from unique dye destruction print
Edition 1 of 3 with 2 APs
122.5 x 139.4 x 7.6 cm
48 1/4 x 54 7/8 x 3 in
(framed)

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Garry Fabian Miller
Midwinter Blaze III, 2019
light, water, Lightjet c-type print from unique dye destruction print
Edition 1 of 3 with 2 APs
122.5 x 139.4 x 7.6 cm
48 1/4 x 54 7/8 x 3 in
(framed)

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Garry Fabian Miller
Midwinter Blaze IV, 2019
light, water, Lightjet c-type print from unique dye destruction print
Edition 1 of 3 with 2 APs
122.5 x 139.4 x 7.6 cm
48 1/4 x 54 7/8 x 3 in
(framed)

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Garry Fabian Miller
Sites of Departure: The Book, 2019
light, water, Lambda c-type print from unique dye destruction print
Edition 3 of 3 with 2 APs
94.4 x 105.9 x 7.5 cm
37 1/8 x 41 3/4 x 3 in
(framed)

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Garry Fabian Miller
Sites of Departure: The Window, 2018
light, water, Lambda c-type print from unique dye destruction print
Edition 1 of 3 with 2 APs
126.7 x 143.4 x 7.6 cm
49 7/8 x 56 1/2 x 3 in
(framed)

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Garry Fabian Miller
There is no shadow, 2017
light, oil, Lambda c-type print from unique dye destruction print
Edition 3 of 3 with 2 APs
142.9 x 142.9 x 7.6 cm
56 1/4 x 56 1/4 x 3 in
(framed)

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Garry Fabian Miller
The Cairns, 2018
light, water, Lambda c-type print from unique dye destruction print
148.1 x 120.1 x 7.6 cm
58 1/4 x 47 1/4 x 3 in
(each frame)
(triptych)





Daniel Jacoby: Pink Dusts
@Antoine Levi
44 Rue Ramponeau
75020 Paris
France
September 5th - October 13th, 2019

installation views
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The Light Doesn't Need the Lamp More than the Desert Needs a Submarine, 2019, moisture resistant MDF cutouts, acrylic paint, lace underwear, light fittings, wiring, PVC, LED strip with controller, metal fixings, cm. 108 x 73 x 31

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The Light Doesn't Need the Lamp More than Planet of the Apes Needs Alf, 2019, moisture resistant MDF cutouts, acrylic paint, lace underwear, light fittings, wiring, PVC, LED strip with controller, metal fixings, cm. 206 x 145 x 19,5

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The Light Doesn't Need the Lamp More than Easter Needs Santa Claus, 2019, moisture resistant MDF cutouts, acrylic paint, lace underwear, light fittings, wiring, PVC, LED strip with controller, metal fixings, cm. 60 x 48 x 4,5

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The Light Doesn't Need the Lamp More than Twister Needs a Color-Blind, 2019, moisture resistant MDF cutouts, acrylic paint, lace underwear, light fittings, wiring, PVC, LED strip with controller, metal fixings, cm. 94 x 70 x 16

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The Light Doesn't Need the Lamp More than Ikea Needs Pinocchio, 2019, moisture resistant MDF cutouts, acrylic paint, lace underwear, light fittings, wiring, PVC, LED strip with controller, metal fixings, cm. 122 x 115 x 16

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The Light Doesn't Need the Lamp More than a Pétanque Court Needs a Dog, 2019, moisture resistant MDF cutouts, acrylic paint, lace underwear, light fittings, wiring, PVC, LED strip with controller, metal fixings, cm. 54 x 41 x 4,5

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The Light Doesn't Need the Lamp More than a Wig Needs a Louse, 2019, moisture resistant MDF cutouts, acrylic paint, lace underwear, light fittings, wiring, PVC, LED strip with controller, metal fixings, cm. 150 x 71 x 17

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The Light Doesn't Need the Lamp More than Mother's Day Needs Adan, 2019, moisture resistant MDF cutouts, acrylic paint, lace underwear, light fittings, wiring, PVC, LED strip with controller, metal fixings, cm. 147 x 55 x 61

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DANIELLE RONEY: Frequencies of Opacity
@Upfor
929 NW Flanders Street
Portland, OR 97209
USA
March 5 – April 30, 2020

installation views
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Whispers: Mantras series, 2019
3d printed nylon, acrylic, mic stands, each an edition of 1 + 1 AP

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Whispers: Mantras 01, 2019
3d printed nylon, acrylic, mic stand; 5 x 7 x 8 inches (print), 16 x 16 inches (acrylic), height variable; edition of 1 + 1 AP
Algorithmically interpreted vocal data: Zohreh, “a directly revolutionary effect”, voiceover from Roney’s adaptation (2011) of Refugee Conversations by Bertolt Brecht (1940).

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Whispers: Mantras 02, 2019
3d printed nylon, acrylic, mic stand; 5 x 7 x 8 inches (print), 16 x 16 inches (acrylic), height variable; edition of 1 + 1 AP
Algorithmically interpreted vocal data: Penny, “you may leave by entering”, voiceover from On the Edge of Self by Roney (2010).

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Whispers: Mantras 03, 2019
3d printed nylon, acrylic, mic stand; 5.5. x 6.25 x 8 inches (print), 16 x 16 inches (acrylic), height variable; edition of 1 + 1 AP
Algorithmically interpreted vocal data: Penny, “there is a place hidden in plain site to you”, voiceover from On The Edge of Self, by Roney (2010).

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Strata Series: Zero and Strata Series: Zero_One, 2020
stainless steel, LED lights, copper wire, computer, algorithmically interpreted voice data, variable dimensions; each unique

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Strata Series: Zero_One, 2020
stainless steel, LED lights, copper wire, computer, algorithmically interpreted voice data; variable dimensions; unique

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Strata Series: Zero, 2020
stainless steel, LED lights, copper wire, computer, algorithmically interpreted voice data; variable dimensions; unique

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PUBLICS, 2020
5-camera Nest security camera system, cloud-based software, private access peer-to-peer viewing network via dedicated private webpage, 5 c-stands; 5 USB cables and power plugs; variable dimensions

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PUBLICS, 2020
5-camera Nest security camera system, cloud-based software, private access peer-to-peer viewing network via dedicated private webpage, 5 c-stands; 5 USB cables and power plugs; variable dimensions

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Strata Series: Zero, 2020
Stainless steel, LED lights, copper wire, computer, algorithmically interpreted voice data
68 × 86 × 78 in
172.7 × 218.4 × 198.1 cm

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Strata Series: Zero_One, 2020
Stainless steel, LED lights, copper wire, computer, algorithmically interpreted voice data
70 × 90 × 74 in
177.8 × 228.6 × 188 cm

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PUBLICS, 2020
5-camera Nest security camera system, cloud-based software, private access peer-to-peer viewing network via dedicate private webpage, 5 c-stands; 5 USB cables and power plugs
72 × 132 × 80 in
182.9 × 335.3 × 203.2 cm
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