《news》

《upcoming exhibiton》
「S-2Ds」
飯島夏香、井上七海、坂本睦美
@ex-chamber museum
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
070-5567-1513
7/5(土)〜7/19(日)月火水休
12:00〜18:00(7/10(金)は14:00〜、7/17(金)は16:00〜 )

“S-2Ds”
Natsuko Iijima, Nanami Inoue, Mutsumi Sakamoto
@ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
81-70-5567-1513
July 4(Sat)〜July 19(Sun) closed on Mondays to Wednesdays
12:00〜18:00 (July 10(Fri): 14:00〜, July 17(Fri): 16:00〜)


《current exhibiton》

《past exhibiton》

ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
小坂学 Manabu Kosaka
後藤勇治 Yuji Goto
坂本睦美 Mutsumi Sakamoto
佐藤明日香 Asuka Satow
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
照井譲 Yuzuru Terui
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2020年05月04日

memo (overseas): May04,2020

ex-chamber memo (overseas): May04,2020

Lisa Brice
@Stephen Friedman Gallery
25-28 Old Burlington Street
London
W1S 3AN
United Kingdom
27 September - 9 November 2019

installation views
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Untitled, 2019
Oil on trace
41.9 x 29.6cm (16 1/2 x 11 5/8in)
Framed: 50.2 x 38cm
(19 7/8 x 15in)

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Untitled, 2019
Oil on trace
41.9 x 29.6cm (16 1/2 x 11 5/8in)
Framed: 50.2 x 38cm
(19 7/8 x 15in)

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11lisa-brice.jpg

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Untitled, 2019
Gouache and synthetic tempera on canvas
200 x 95cm (78 3/4 x 37 3/8in)
Framed: 202.5 x 97.5cm
(79 3/4 x 38 1/2in)

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16lisa-brice.jpg

17lisa-brice.jpg
Untitled, 2019
Gouache and synthetic tempera on canvas
200.5 x 82.5cm (79 x 32 1/2in)
Framed: 202.5 x 85cm
(79 3/4 x 33 1/2in)

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Untitled, 2019
Oil and charcoal on drawing film and paper
199.3 x 83.8cm (78 1/2 x 33in)
Framed: 207.5 x 93.4cm
(81 3/4 x 36 7/8in)

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Untitled, 2019
Oil and charcoal on drawing film and paper
197.8 x 83.5cm (77 7/8 x 32 7/8in)
Framed: 206.5 x 92.2cm
(81 3/8 x 36 3/8in)

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Untitled, 2019
Oil on paper mounted onto aluminium
201 x 84.5cm (79 1/8 x 33 1/4in)
Framed: 203 x 87cm
(80 x 34 1/2in)

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Untitled, 2019
Oil, synthetic tempera, ink, charcoal and pastel on linen
203 x 105cm (79 7/8 x 41 3/8in)
Framed: 206 x 103.2cm
(81 1/8 x 40 5/8in)

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Untitled, 2019
Oil, synthetic tempera and charcoal on canvas mounted onto panel
200 x 96cm (78 3/4 x 37 3/4in)
Framed: 202.5 x 98.5cm
(79 3/4 x 38 7/8in)

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Untitled, 2019
Ink, synthetic tempera, pastel, charcoal and oil on linen
Five parts, each: 185.6 x 63.4 x 4.3cm
(73 1/8 x 25 x 1 3/4in)
Overall: 185.6 x 317 x 4.3cm
(73 1/8 x 124 7/8 x 1 3/4in)

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73lisa-brice.jpg
Untitled, 2019
Ink, synthetic tempera, pastel, charcoal and oil on linen
Five parts, each: 185.6 x 63.4 x 4.3cm
(73 1/8 x 25 x 1 3/4in)
Overall: 185.6 x 317 x 4.3cm
(73 1/8 x 124 7/8 x 1 3/4in)

74lisa-brice.jpg
Untitled, 2019
Oil on trace
41.9 x 29.6cm (16 1/2 x 11 5/8in)
Framed: 50.2 x 38cm
(19 7/8 x 15in)

75lisa-brice.jpg
Untitled, 2019
Oil on trace
41.9 x 29.6cm (16 1/2 x 11 5/8in)
Framed: 50.2 x 38cm
(19 7/8 x 15in)

76lisa-brice.jpg
Untitled, 2019
Oil on trace
41.9 x 29.6cm (16 1/2 x 11 5/8in)
Framed: 50.2 x 38cm
(19 7/8 x 15in)





VINCENT SMITH: FIVE BROOKLYN PAINTINGS FROM THE 1970S
@Alexandre Gallery
724 5th Avenue
4th Floor
New York, NY 10019
USA
January 23 through March 7, 2020

installation views
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5smith2020.jpg
On a Sunny Day
ca. 1972, oil and sand on canvas, 43 1/2 x 49 1/2 inches

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Cane
ca. 1972, oil and sand on canvas, 46 x 56 inches

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The Super
1972, oil, sand, and collage on canvas, 55 x 40 inches

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Apple Pies for the Kids
1971, oil and sand on canvas, 48 x 38 1/2 inches

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The Soul Brothers
c. 1970, oil on canvas, 31 1/4 x 24 3/4 inches





Gothic Spirit: Medieval Art from Europe
in association with Sam Fogg
@Luhring Augustine Chelsea
531 West 24th Street, New York, NY 10011
USA
January 25 – March 7, 2020

installation views
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Christ on the Cold Stone, c. 1490
Netherlands, Brabant
Oak with traces of polychromy
28 3/8 x 17 1/2 x 10 1/4 inches
(72 x 44.5 x 26 cm)

18gothic-spirit-medieval-art-from-europe.jpeg
The Virgin and Child, c. 1330
France, Paris
Marble
11 x 3 1/4 x 2 inches
(28.3 x 8.5 x 4.9 cm)

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Sigmund Gleismüller (active in Landshut, 1474-1505)
Pentecost, c. 1485-90
Oil on spruce or larch
50 1/4 x 46 1/4 inches
(128 x 117.5 cm)

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Sigmund Gleismüller (active in Landshut, 1474-1505)
Pentecost, c. 1485-90
Detail
Oil on spruce or larch
50 1/4 x 46 1/4 inches
(128 x 117.5 cm)

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Giovan Domenico D'Auria (active c. 1550-1573)
A Sleeping Knight, c. 1560-70
Italy, Naples
Carrara marble
27 1/2 x 33 1/2 x 4 3/4 inches
(70 x 85 x 12 cm)

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Workshop of Anselmo Da Campione
A pair of monumental lions, c. 1210-20 (lions and columns), with 19th-century capitals copying those of Parma baptistry
Italy, Emilia, possibly the Cathedral of Reggio-Emilia
Verona marble
Lion with calf: 26 × 17 3/4 x 29 inches (66.5 × 45 × 74 cm)
Lion with dragon: 27 × 18 × 28 inches (69 × 45.5 × 71 cm)
Overall height with columns and capitals attached: 119.5 inches (303.6 cm)

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Workshop of Anselmo Da Campione
A pair of monumental lions, c. 1210-20 (lions and columns), with 19th-century capitals copying those of Parma baptistry
Italy, Emilia, possibly the Cathedral of Reggio-Emilia
Detail
Verona marble
Lion with calf: 26 × 17 3/4 x 29 inches (66.5 × 45 × 74 cm)
Lion with dragon: 27 × 18 × 28 inches (69 × 45.5 × 71 cm)
Overall height with columns and capitals attached: 119.5 inches (303.6 cm)

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Luca Della Robbia (Florence, 1399/1400-1482)
Bust of a young man, c. 1435-40
Italy, Florence
Unglazed terracotta in high relief
16 1/4 x 13 1/2 x 6 inches
(41.5 x 34.5 x 15 cm)

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Gregorio di Lorenzo (doc. 1455-1495)
The Mannington Madonna, c. 1470
Italy, Florence
A single block of cream-veined marble with gilded decoration to the outer moldings
28 x 22 1/2 x 6 1/4 inches
(71 x 57 x 16 cm)

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Gregorio di Lorenzo (doc. 1455-1495)
The Mannington Madonna, c. 1470
Italy, Florence
Detail
A single block of cream-veined marble with gilded decoration to the outer moldings
28 x 22 1/2 x 6 1/4 inches
(71 x 57 x 16 cm)

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Circle of Michel Erhart (c. 1445–1522)
Three figures from a Crucifixion Group, c. 1510-20
Southern Germany, Ulm?
Limewood, with traces of polychromy
32 3/4 x 17 1/4 x 8 inches
(83 x 44 x 20 cm)

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Circle of Michel Erhart (c. 1445–1522)
Three figures from a Crucifixion Group, c. 1510-20
Southern Germany, Ulm?
Detail
Limewood, with traces of polychromy
32 3/4 x 17 1/4 x 8 inches
(83 x 44 x 20 cm)

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Carved by a Flemish sculptor active in Castile
Christ on the Cross, c. 1500–10
Northern Spain, Burgos?
Oak with gilding and polychromy
Cross: 88 3/4 × 73 1/4 × 2 3/4 inches (225.5 × 186 × 7 cm)
Corpus: 41 × 37 1/2 x 8 1/2 inches (104 × 95 × 22 cm)

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Carved by a Flemish sculptor active in Castile
Christ on the Cross, c. 1500–10
Northern Spain, Burgos?
Detail
Oak with gilding and polychromy
Cross: 88 3/4 × 73 1/4 × 2 3/4 inches (225.5 × 186 × 7 cm)
Corpus: 41 × 37 1/2 x 8 1/2 inches (104 × 95 × 22 cm)

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Hans Süss von Kulmbach (c. 1485-1522)
Saints Claudius, Castorius and Simplicius, c. 1510-13
Nuremberg
Oil on unidentified softwood, re-laid on to board
21 1/8 x 13 1/8 inches
(53.8 x 33.5 cm)

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A monumental wrought-iron pedestal, 15th century
Bohemia
Wrought iron
41 3/4 × 22 × 22 inches
(106 × 55 × 55 cm)

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A monumental wrought-iron pedestal, 15th century
Bohemia
Detail
Wrought iron
41 3/4 × 22 × 22 inches
(106 × 55 × 55 cm)

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Hans Leinberger (c. 1485-1535)
The Presentation in the Temple, c. 1516-18
Germany, Bavaria, Landshut, Church of St. Martin
Polychromed limewood with traces of gilding
17 x 18 inches
(43 x 45.5 cm)

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The Astor Virgin, c. 1150
Mosan France
Limewood with later poplar additions (on forearms)
55 1/4 x 9 x 7 inches
(140.5 x 23 x 18 cm)

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Master of the St. Lambrecht Votive Panel
The Nativity, c. 1430
Austria, Vienna
Oil and gilding on panel
33 x 39 inches
(82 x 66.7 cm)

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A wild man chandelier (Lustermännchen), c. 1525–50
Germany, Alpine Region
23 1/2 × 17 1/4 inches
(60 × 44 cm)

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Sebastián de Almonacid (1460-1526?)
Triptych of the Virgin and Child with saints and donors, c. 1500-20
Spain, Castile
Oil and gilding on walnut
28 3/4 × 45 × 5 1/8 inches (fully open)
(73 x 116 x 13.2 cm)

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Sebastián de Almonacid (1460-1526?)
Triptych of the Virgin and Child with saints and donors, c. 1500-20
Spain, Castile
Detail
Oil and gilding on walnut
28 3/4 × 45 × 5 1/8 inches (fully open)
(73 x 116 x 13.2 cm)

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A massive capital with human figures tormented by winged serpents, c. 1100-30
Spain, Pyrenees
Medium-grained rose limestone with large blue-tinted veins
29 1/4 x 29 1/2 x 15 1/4 inches
(74 x 75 x 39 cm)

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A large cassone, c. 1500
Italy, probably Venice
Walnut inlaid with boxwood and bone
19 x 51 1/2 inches
(48.3 × 130.8 × 55.9 cm)

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The Masters of the Gold Scrolls
A lavishly-illuminated Book of Hours, c. 1440s
For the use of Sarum, in Latin, with later Spanish additions
Southern Netherlands, Bruges
Illuminated manuscript on vellum with 77 paintings
11 3/4 x 8 1/2 inches
(30 x 22 cm)

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Simon Bening (1483-1561)
The Imhof Prayerbook, 1511
Antwerp
Illuminated manuscript on vellum with texts in Latin and Netherlandish
3 1/2 × 2 1/2 inches
(9 × 6.2 cm)

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The Foljambe Hours, second half of the 15th century
South-East France
Illuminated manuscript on vellum; 172 leaves of vellum, 12 large paintings
7 1/8 x 5 1/8 inches
(18 x 13 cm)

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The Wodhull-Harberton-Master, the Houghton Master, and other artists
Book of Hours (Use of Rome) in Latin, c. 1490
Flanders
Illuminated manuscript on vellum; 162 leaves, 8 full page paintings with facing full page borders, 7 further full-page borders of the same type, 12 smaller paintings
6 7/8 x 6 1/8 inches
(17.5 x 15.5 cm)

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Jean Bourdichon (c. 1457/8-1521)
The Flight into Egypt, from the Hours of Louis XII, c. 1500
France, Tours
Tempera and gold on vellum
9 1/2 × 6 3/4 inches
(24.3 x 17 cm)

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Tapestry with scenes of the Passion, c. 1480
Central Germany, possibly Eichstätt
Tapestry of wool and linen wefts on an undyed wool warp, 6 warps
23 3/4 x 92 inches
(60.5 x 233.5 cm)

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Tapestry with scenes of the Passion, c. 1480
Central Germany, possibly Eichstätt
Detail
Tapestry of wool and linen wefts on an undyed wool warp, 6 warps
23 3/4 x 92 inches
(60.5 x 233.5 cm)

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Moses and the Brazen Serpent, from a large typological cross, c. 1160
Mosan region
Gilt copper with lapis blue, light blue, turquoise, green, yellow and white champlevé enamel
2 3/4 x 3 3/4 inches
(7 x 9.5 cm)

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An enamelled orb from the Shrine of Saint Ursula, c. 1170
Cologne, Church of Saint Ursula
Gilt and champlevé enamelled copper, on an ebony stand made by Josef Hoffmann for the Palais Stoclet in c. 1905–11
Orb: 4 inches (10.5 cm) height
Colonnette: 6 inches (15.3 cm) height
Overall: 17 inches (43 cm) height

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A gilded bronze corpus of Christ Triumphant, c. 1200
Gilt bronze
6 7/8 x 7 1/8 x 1 3/8 inches
(17.5 x 18.1 x 3.5 cm)

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A gilded bronze corpus of Christ Triumphant, c. 1200
Detail
Gilt bronze
6 7/8 x 7 1/8 x 1 3/8 inches
(17.5 x 18.1 x 3.5 cm)

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Sogdian Artisans in Tibet
Ewer with mythical animals, c. 650-700
Tibet
Silver with parcel gilding
11 3/4 inches
30 cm

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Leoben Workshop
A stained-glass window of Saint Barbara, c. 1400
Austria, Styria
Red, purple, blue, green and clear glass with silver stain and vitreous enamel
29 1/2 x 12 3/4 inches
(75 x 32.5 cm)

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Saints Margaret and Elizabeth presenting a female donor, c. 1525–30
Germany, possibly from the church of Saint Peter, Cologne
Red, purple, blue, green, and clear glass with vitreous paint and silver stain
46 × 23 3/4 inches
(117 × 60.5 cm)

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Saints Margaret and Elizabeth presenting a female donor, c. 1525–30
Detail
Germany, possibly from the church of Saint Peter, Cologne
Red, purple, blue, green, and clear glass with vitreous paint and silver stain
46 × 23 3/4 inches
(117 × 60.5 cm)

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Two stained-glass roundels depicting children’s games, c. 1450
Northern France or Burgundy
Clear glass with silver stain and vitreous paint
Diameter: 8 1/4 inches (21 cm), each

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Workshop of Baldassare Embriachi (active 1390–1409)
A large intarsia casket depicting the Legend of Paris, c. 1400
Italy, Florence
Bone framed with intarsia, horn and ebony over a softwood carcass (likely poplar)
16 1/2 x 14 x 14 inches
(42 x 36 x 36 cm)

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Workshop of Baldassare Embriachi (active 1390–1409)
A large intarsia casket depicting the Legend of Paris, c. 1400
Italy, Florence
Detail
Bone framed with intarsia, horn and ebony over a softwood carcass (likely poplar)
16 1/2 x 14 x 14 inches
(42 x 36 x 36 cm)

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An enamelled gemellion with a horse and rider, second half of the 13th century
France, Limoges
Champlevé enamel on gilded copper
8 7/8 x 8 7/8 x 1 3/8 inches
(22.5 x 22.5 x 3.5 cm)

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An enamelled casket showing the Crucifixion, c. 1200
Champlevé enamel on gilt copper over modern oak core
8 1/2 x 6 1/2 x 3 1/8 inches
(21.6 x 16.5 x 7.9 cm)

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An enamelled casket showing the Crucifixion, c. 1200
Champlevé enamel on gilt copper over modern oak core
8 1/2 x 6 1/2 x 3 1/8 inches
(21.6 x 16.5 x 7.9 cm)

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An enamelled reliquary casket with figures of angels, c. 1220-40
France, Limoges
Gilded, chased and incised copper with champlevé enamel and turquoise cabochons on a later softwood core
8 3/4 x 7 1/2 x 3 3/4 inches
(22.3 x 18.9 x 9.4 cm)

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An enamelled reliquary casket with figures of angels, c. 1220-40
France, Limoges
Gilded, chased and incised copper with champlevé enamel and turquoise cabochons on a later softwood core
8 3/4 x 7 1/2 x 3 3/4 inches
(22.3 x 18.9 x 9.4 cm)





PRICE | DAY
@ABIGAIL OGILVY GALLERY
460 Harrison Ave, #C7
Boston, MA 02118
USA
March 13, 2020 - May 31, 2020

installation views
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2dayprice.jpg

3dayprice.jpg

4dayprice.jpg

5dayprice.jpg

6dayprice.jpg

7dayprice.jpg

8dayprice.jpg

9dayprice.jpg

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John Day
Infanta XXI - Grand Resonance Variable, 1980
Oil on canvas
54 x 48 in.
(JD094)

16dayprice.jpg
John Day
Infanta V Grand, 1981
Oil and collage on canvas
46 x 40 in.
(JD093)

17dayprice.jpg
John Day
Infanta (Unknown)
Oil on canvas
54 x 48 in.
(JD099)

18dayprice.jpg
John Day
Erebos - Two Part Invention, Duet, 1976
Oil and collage on canvas
30 x 30 in.
(JD092)

19dayprice.jpg
John Day
Erebos Contradiction, 1975
Oil & collage
22 x 18 in.
(JD051)

20dayprice.jpg
John Day
Erebos Beyond, 1968
Oil and collage on canvas
34 x 42 in.
(JD095)

21dayprice.jpg
John Day
Southern Summer II, 1979
Oil on canvas
36 x 30 in.
(JD070)

22dayprice.jpg
Nathaniel Price
Still (Counterpart), 2020 (Ongoing)
Resin, steel
Installation view
(NAP013)

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Nathaniel Price
Still (Counterpart), 2020 (Ongoing)
Resin, steel
(NAP006)

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Nathaniel Price
Further In III, 2014
Signed bottom right
Colored pencil on paper
43 x 43 in. (46 x 46 in. framed)
(NAP016)

25dayprice.jpg
Nathaniel Price
Further In I, 2014
Signed bottom right
Colored pencil on paper
43 x 43 in. (46 x 46 in. framed)
(NAP007)

26dayprice.jpg
Nathaniel Price
Further In 2, 2014
Signed bottom right
Colored pencil on paper
43 x 43 in. (46 x 46 in. framed)
(NAP008)

27dayprice.jpg
Nathaniel Price
Pinky (Large), 2020
Rubber, glue
(NAP012)

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Nathaniel Price
Pinky (Medium), 2020
Rubber, glue
(NAP011)

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Nathaniel Price
Pinky (Small), 2020
Rubber, glue
(NAP010)





Rubem Valentim
@The approach
1st Floor, 47 Approach Road
Bethnal Green, London E2 9LY
UK
11th January 2020 - 16th February 2020

installation views
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Rubem Valentim, Emblema 1987, 1987

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Rubem Valentim, Objeto emblemático, 1985, 1985

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Rubem Valentim, Untitled - E 24, 1980

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Rubem Valentim, Untitled - E 24, 1980 (detail)

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Rubem Valentim, Emblema, 1989-1990

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Rubem Valentim, Emblema - 85, 1985

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Emblema 1986, 1986

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Rubem Valentim, Variação I - 87, 1987

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Rubem Valentim, Emblema 1983, 1983

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Rubem Valentim, Objeto Místico, 1972

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Rubem Valentim, Objeto Místico, 1972

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Rubem Valentim, Objeto Místico, 1972

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Rubem Valentim, Forma Emblemática para Objeto - XI, 1984

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Rubem Valentim, Untitled, 1978

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Rubem Valentim, Untitled, 1978 (detail)

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Rubem Valentim, Desenho Emblemático, 1986

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Rubem Valentim, Emblema - 84, 1984
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