《news》

《upcoming exhibiton》

《current exhibiton》
照井譲「Behavior of Surface」
@ex-chamber museum
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
070-5567-1513
3/28(土)〜4/12(日)月火水休
12:00〜18:00(4/3(金)は14:00〜、4/10(金)は16:00〜 )
プレスリリース

Yuzuru Terui “Behavior of Surface”
@ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
81-70-5567-1513
Mar.28(Sat)〜 Apr.12(Sun)2019, closed on Mondays to Wednesdays
12:00〜18:00 (Apr.3(Fri): 14:00〜, Apr.10(Fri): 16:00〜)


《past exhibiton》

ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
小坂学 Manabu Kosaka
後藤勇治 Yuji Goto
坂本睦美 Mutsumi Sakamoto
佐藤明日香 Asuka Satow
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
照井譲 Yuzuru Terui
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2020年02月21日

memo (overseas): Feb21,2020

ex-chamber memo (overseas): Feb21,2020

GEORGE MIYASAKI: ABSTRACT EXPRESSIONIST CALIFORNIA (PAINTINGS AND LITHOGRAPHS, 1955-61)
@RYAN LEE GALLERY
515 WEST 26TH STREET, NY 10001
USA
May 16 – June 15, 2019

installation views
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GEORGE MIYASAKI
Untitled, 1958
Oil and acrylic on canvas, 40 1/2 x 40 1/2 inches (102.9 x 102.9 cm)

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GEORGE MIYASAKI
Untitled #2 from McAuley Series, 1958
Oil on canvas, 33 1/2 x 33 3/4 inches (85.1 x 85.7 cm)

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GEORGE MIYASAKI
Untitled #1 from San Pablo Series, 1958
Oil on canvas, 47 5/8 x 47 3/4 inches (121 x 121.3 cm)

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GEORGE MIYASAKI
Untitled "The Path", 1961
Oil and acrylic on canvas, 58 x 48 inches (147.3 x 121.9 cm)

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GEORGE MIYASAKI
Terrain #2, 1958
Oil and acrylic on canvas, 59 x 52 inches (149.9 x 132.1 cm)

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GEORGE MIYASAKI
Shoreline #2, 1961
Oil and acrylic on canvas, 30 5/8 x 24 7/8 inches (77.8 x 63.2 cm)

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GEORGE MIYASAKI
Horizon #2, 1959
Oil on canvas, 49 1/2 x 60 3/4 inches (125.7 x 154.3 cm)

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GEORGE MIYASAKI
Coastline, 1960
Oil and acrylic on canvas, 24 x 24 inches (62.2 x 62.2 cm)

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GEORGE MIYASAKI
Creation, 1960
Lithograph, 26 x 20 inches (66 x 50.8 cm), 8/12

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GEORGE MIYASAKI
Comp 25, 1958
Lithograph, 26 1/8 x 20 1/2 inches (66.4 x 52.1 cm), 13/14

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GEORGE MIYASAKI
Comp 1030, 1956
Lithograph, 26 1/4 x 20 inches (66.7 x 50.8 cm), 9/10

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GEORGE MIYASAKI
Autumn, 1957
Lithograph, 26 1/4 x 20 1/4 inches (66.7 x 51.4 cm), AP/10

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GEORGE MIYASAKI
Blue Serene, 1956
Lithograph, 21 1/4 x 27 1/4 inches (54 x 69.2 cm), 1/10

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GEORGE MIYASAKI
Night, 1955
Lithograph, 15 3/4 x 23 1/4 inches (40 x 59.1 cm), 9/10





AUGUSTUS THOMPSON: OUR UNITY IS A BUSINESS
@PRAZ-DELAVALLADE, Los Angeles
6150 Wilshire Blvd., Los Angeles, CA 90048, United States of America
18 May – 3 July, 2019

installation views
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Our Unity is a Business, 2018
Carbon transfer, watercolor, pencil on paper
5 3/4 x 8 1/4 in - 14,6 x 21 cm
Framed : 13 1/2 x 10 3/4 in - 34,3 x 27,3 cm

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Untitled (Mazarrón), 2018
Carbon transfer, ink, watercolor on paper
9 1/4 x 7 in - 23,5 x 17,8 cm
Framed : 15 1/4 x 12 in - 38,7 x 30,5 cm

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The Veil of Saint Veronica, 2019
Carbon transfer, oil, pencil on paper
5 x 7 in - 12,7 x 17,8 cm
Framed : 12 1/4 x 10 in - 31,1 x 25,4 cm

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Color, 2018
Carbon transfer, watercolor, pencil on paper
5 3/4 x 8 1/4 in - 14,6 x 21 cm
Framed : 10 3/4 x 14 in - 27,3 x 35,6 cm

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Will, 2018
Carbon transfer, ink and pencil on paper
5 3/4 x 8 1/4 in - 14,6 x 21 cm
Framed : 10 3/4 x 14 in - 27,3 x 35,6 cm

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Untitled (Speakers, Ears), 2016
Monotype in oil on paper
11 x 10 1/2 in - 27,9 x 26,7 cm
Framed : 16 3/4 x 15 1/2 in - 42,5 x 39,4 cm

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Unique, 2019
Carbon transfer, watercolor on paper
5 x 7 in - 12,7 x 17,8 cm
Framed : 12 3/4 x 9 3/4 in - 32,4 x 24,8 cm

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Boots of Desire, 2018
Carbon transfer, watercolor, colored pencil, pencil on paper
5 3/4 x 8 1/4 in - 14,6 x 21 cm
Framed : 10 3/4 x 14 in - 27,3 x 35,6 cm

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Ritual, 2018
Carbon transfer, pencil on paper
5 3/4 x 8 1/4 in - 14,6 x 21 cm
Framed : 13 1/2 x 10 3/4 in - 34,3 x 27,3 cm

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Karl Ove, 2018-19
Carbon transfer, watercolor, pencil, marker on paper
9 1/4 x 7 in - 23,5 x 17,8 cm
Framed : 14 3/4 x 12 in - 37,5 x 30,5 cm

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Sources (Hands in Pants, Tesla Interior), 2018
Collage, packing tape on archival cardboard
20 x 16 in - 50,8 x 40,6 cm

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Civil Servant, 2018-19
Oil and carbon transfer on linen
27 x 45 in - 68,6 x 114,3 cm

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In the garden dog scratches its neck licks plate cautiously backlit screens can be ignored but still hum nearby, 2019
Epson ultrachrome inkjet on paper
19 1/2 x 24 1/2 in - 49,5 x 62,2 cm
Framed : 22 1/2 x 27 1/2 in - 57,2 x 69,9 cm

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Trigger, Behavior, Reward, 2018-19
Oil on canvas
52 x 65 in - 132,1 x 165,1 cm

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The Bachelor, 2018-19
Oil, enamel, casein and pencil on canvas
41 x 75 in - 104,1 x 190,5 cm

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Tesla, 2017-19
Oil on linen
40 x 72 in - 101,6 x 182,9 cm

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M, 2019
Oil, charcoal and pencil on linen
27 3/4 x 45 1/2 in - 70,5 x 115,6 cm

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Passing of a Gardener
Passing of a Politician
Passing of Lou Reed
Passing of a Model, 2017-19
Oil on canvas
65 x 52 in - 165,1 x 132,1 cm

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Musician, 2018
Carbon transfer, watercolor, pencil on paper
5 3/4 x 8 1/4 in - 14,6 x 21 cm
Framed : 10 3/4 x 14 in - 27,3 x 35,6 cm

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Ara Pacis, 2018-19
Oil and carbon transfer on linen
27 1/2 x 45 1/4 in - 69,9 x 114,9 cm

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Confusion Demise Play ME Some Cards, 2018-19
Oil, enamel, and pencil on canvas
53 x 72 in - 134,6 x 182,9 cm

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To Julie Becker, 2019
Oil, carbon transfer, charcoal on linen
48 x 72 in - 121,9 x 182,9 cm

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The exposure of all things before me, 2018-19
Oil, colored pencil, and carbon transfer on linen
53 x 72 in - 134,6 x 182,9 cm

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C.N.S., 2019
Epson ultrachrome inkjet on paper
19 1/2 x 19 in - 49,5 x 48,3 cm
Framed : 22 1/2 x 23 in - 57,2 x 58,4 cm





NINA MAE FOWLER: IF YOU DON’T WANT MY PEACHES (YOU BETTER STOP SHAKING THE TREE)
@Cob Gallery
205 Royal College Street
London NW1 0SG
5 - 28 SEPTEMBER 2019

installation views
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Nina Mae Fowler
I didn’t know Robert Rauschenburg could dance, 2019
Charcoal on paper
850 x 1180 mm

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Nina Mae Fowler
The best way to forget, until you find something you want to remember, 2019
Charcoal on paper and hand mirrored glass
230 x 307 mm

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Nina Mae Fowler
Blonde, 2019
Charcoal on paper and hand painted glass
246 x 325 mm

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Nina Mae Fowler
Love I, 2019
Graphite and oil pastel on paper
1220 x 1550 mm

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Nina Mae Fowler
Love II, 2019
Graphite and oil pastel on paper
1220 x 1550 mm

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Nina Mae Fowler
Love III, 2019
Graphite and oil pastel on paper
1220 x 1550 mm

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Nina Mae Fowler
Total, 2019
Charcoal on paper and EVA foam
611 x 416 mm

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Nina Mae Fowler
Exquisite, 2019
Charcoal on paper and EVA foam
611 x 416 mm

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Nina Mae Fowler
Accord, 2019
Charcoal on paper and EVA foam
611 x 416 mm

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Nina Mae Fowler
A fan of her own performance, 2019
Coloured pencil on paper and screen-printed mirror
675 x 673 mm

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Nina Mae Fowler
'There she is' (I), 2019
Coloured pencil on paper
200 x 300 mm

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Nina Mae Fowler
'There she is' (II), 2019
Coloured pencil on paper
200 x 300 mm

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Nina Mae Fowler
I could go on, 2019
Coloured pencil on paper, card, wood, velvet
1042 x 2041 x 128 mm





Julia Wachtel: Tears, Drips and Pixels
@Super Dakota
45 rue Washington
B – 1050 Brussels
Belgium
09 January – 22 February, 2020

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Nick Albertson & Matthew Girson: THIS SCRIM BECAME ONE
@Aspect/Ratio
864 N ASHLAND CHICAGO, IL 60622
United States
01.10.2020 - 02.15.2020

installation views
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NICK ALBERTSON, Lines and Shadows, 2019, archival inkjet print, 31 x 25 inches, edition of 5 + 1 AP

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MATTHEW GIRSON, Excavation #6, 2019, oil, enamel and alkyd on Alupanel, 42 x 32 inches

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NICK ALBERTSON, Layered Circles, 2019, archival inkjet print, 31 x 25 inches, edition of 5 + 1 AP

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MATTHEW GIRSON, Excavation Installation #1, 2020, latex, enamel, and acrylic directly on wall with mirrors, 54 x 86 inches overall

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NICK ALBERTSON, Strokes, 2019, archival inkjet print, 31 x 25 inches, edition of 5 + 1 AP

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MATTHEW GIRSON, Excavation Butterfly #2, 2019, enamel and alkyd on 2 mirror panels, 16 x 12 inches overall

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NICK ALBERTSON, Squares on Squares, 2019, archival inkjet print, 31 x 25 inches, edition of 5 + 1 AP

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MATTHEW GIRSON, Excavation Butterfly #3, 2019, enamel and alkyd on 2 mirror panels, 16 x 12 inches overall

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MATTHEW GIRSON, Excavation #1, 2018, oil, enamel and alkyd on canvas, 27 x 42 inches

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MATTHEW GIRSON, Excavation Butterfly #3 Study, 2019, enamel and acrylic on paper, 30 x 22 inches
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