memo (overseas): Oct31,2019

ex-chamber memo (overseas): Oct31,2019

Soto : Vibrations 1950 – 1960
@Hauser & Wirth, New York, 69th Street
32 East 69th Street
New York 10021
USA
18 May – 18 Aug 2019

installation views























Gran pasta
1959 - 1960
Mixed Media on panel
100 x 100 x 16 cm / 39 3/8 x 39 3/8 x 6 1/4 in
c 2019 Artist Rights Society (ARS), New York / ADAGP, Paris
Photo: David Bordes


Untitled (Composition dynamique)
1951
Oil on canvas
83 x 67 x 2 cm / 32 5/8 x 26 3/8 x 3/4 in
c 2018 Artists Rights Society (ARS), New York / ADAGP, Paris
Photo: David Bordes
Inquire to purchase


Composición en cubo
1955
Paint on panel and Plexiglas
100 x 100 x 8 cm / 39 3/8 x 39 3/8 x 3 1/8 in
c 2019 Artist Rights Society (ARS), New York / ADAGP, Paris
Photo: Alfredo Gugig


Espiral con rojo
1955 - 1955
Paint on panel and plexiglas
50 x 50 cm / 19 5/8 x 19 5/8 in
c 2019 Artist Rights Society (ARS), New York / ADAGP, Paris
Photo: David Bordes


Untitled
2019
Paint on metal and wood
100 x 100 x 38 cm / 39 3/8 x 39 3/8 in
Photo: David Bordes


Untitled
1950
Oil on Masonite
35 x 27 cm / 13 3/4 x 10 5/8 in
Photo: David Bordes


Harmonie transformable / Armonía transformable
1956
Paint on Plexiglas and wood
80 x 40 x 100 cm / 31 1/2 x 15 3/4 x 39 3/8 in
c 2019 Artist Rights Society (ARS), New York / ADAGP, Paris


Untitled (Pour Maguy et Moamer)
1958
Paint on Plexiglas and wood
60 x 60 x 24 cm / 23 5/8 x 23 5/8 x 9 1/2 in
Photo: David Bordes


Untitled (Barroco negro)
1961
Mixed media on panel
95.3 x 158.8 x 15.2 cm / 37 1/2 x 62 1/2 x 6 in
c 2019 Artist Rights Society (ARS), New York / ADAGP, Paris
Photo: Alfredo Gugig


Untitled (Cubos ambiguos)
1961
Mixed media on panel
100 x 100 x 27 cm / 39 3/8 x 39 3/8 x 10 5/8 in
c 2019 Artist Rights Society (ARS), New York / ADAGP, Paris
Photo: David Bordes





Ger van Elk: …Therefore, Art is Splendid
@GRIMM New York
202 Bowery
NY 10012, New York, USA
18 January - 3 March 2019

installation views















Ger van Elk
Camping Art 2, 1968
Canvas, tent poles, guy ropes, tent pins
116.8 x 330.2 x 337.8 cm | 46 x 130 x 133 in


Ger van Elk
Sunset Moonrise Sologne (Une Nuit dans un Chalet Suisse), 1990
Acrylic paint on black and white photographs, lacquer on wood
50.8 x 416.6 x 53.3 cm | 20 x 164 x 21 in


Ger van Elk
Conclusions II – Vejer de la Frontera “Blue transparent”, 2012
Acrylic paint on photograph on canvas
123 x 126 x 5 cm | 48 3/8 x 49 5/8 x 2 in


Ger van Elk
Rotterdam horizon / Reflexion white horizon, 2000
Color photograph on plexiglass, canvas
43.2 x 275 x 29.8 cm | 17 x 108 1/4 x 11 3/4 in


Ger van Elk
Conclusions II – Vejer de la Frontera “Red”, 2012
Acrylic paint on photograph on canvas
123 x 126 x 5.7 cm | 48 3/8 x 49 5/8 x 2 1/4 in


Ger van Elk
Fall of Senses, 2004
Harddisc, LCD screen, in surround in oak frame
56 x 62 cm | 22 1/8 x 24 3/8 in


Ger van Elk
Sandwich Study ‘Tombe’ (C de X), 1994
Color photograph and acrylic paint, wooden frame
94.9 x 113 x 6.7 cm | 37 3/8 x 44 1/2 x 2 5/8 in


Ger van Elk
Some Natural Aspects of Sculpture, 1970-2002
Harddisc, LCD screen, in surround in oak frame
55 x 62 cm | 21 5/8 x 24 3/8 in


Ger van Elk
Cloudy Conscience (C de X), 1994
Color photograph and acrylic paint, wooden frame
94.9 x 113 x 6.7 cm | 37 3/8 x 44 1/2 x 2 5/8 in


Ger van Elk
Roman Sandwich Pressure Piece, 1992
Oil paint, lacquer, linen, wood and steel
appr. 60 x 120 x 15 cm | 23 5/8 x 47 1/4 x 5 7/8 in


Ger van Elk
Niet werkelijk woef, 1987
Slide projection (colored b/w slides) projected onto California Republic flag
Dimensions variable


Ger van Elk
Missing Persons, 1976
Two coloured photolithographs
Framed, each: 74 x 104.1 x 3 cm | 29 1/8 x 41 x 1 1/4 in


Ger van Elk
Los Angeles Freeway Flyer, 1973-2003
Contact prints (color) wrapped around six walking sticks
134.6 x 528.3 x 3.2 cm | 53 x 208 x 1 1/4 in


Ger van Elk
The Flattening of the brook’s surface, 1972 / 2002
Harddisc, LCD screen, in surround in oak frame
56 x 62 x 4 cm | 22 1/8 x 24 3/8 x 1 5/8 in


Ger van Elk
The Rose more Beautiful than Art, but Difficult, therefore Art is Splendid, 1972
Slide projection (color) projected onto watercolor in wooden frame
150 x 50 x 100 cm | 59 1/8 x 19 3/4 x 39 3/8 in


Ger van Elk
Camping Art 1, 1967
Canvas, gauze with lace, metal tent poles, guy ropes
87.6 x 320 x 309.9 cm | 34 1/2 x 126 x 122 in


Ger van Elk
Laantje in Middelharnis van Meindert Hobbema, 1979
Small photographs on two metal pins
22.9 x 9.5 x 125.4 cm | 9 x 3 3/4 x 49 3/8 in


Ger van Elk
Pressure Piece Sandwich, 1992
Oil paint, lacquer, linen, wood and steel
100.3 x 100.3 x 6.3 cm | 39 1/2 x 39 1/2 x 2 1/2 in


Ger van Elk
The Co-Founder of the Word O.K. – Marken nr. 6, 1971 / 1999
Color photograph in Plexiglass frame
71.1 x 71.4 x 3.8 cm | 28 x 28 1/8 x 1 1/2 in





JÖRG IMMENDORFF: Questions from a Painter Who Reads
@Michael Werner Gallery, UPPER EAST SIDE, NEW YORK
4 East 77th Street, New York, NY 10075
USA
21 February through 13 April 2019

installation views































“Westralf II”, 1980
Oil on canvas
98 1/2 x 78 3/4 inches
250 x 200 cm


“Malbuch: Zeichnung spricht zum Bild (Colouring Book: Drawing speaks to Picture)”, 2004
Oil on canvas
39 1/4 x 31 1/2 inches
100 x 80 cm


“So...Besuch bei einem Künstler (So…Visit to an Artist)”, 1976
Acrylic on canvas
78 3/4 x 59 inches
200 x 150 cm


“Mannesmann – Entlassung (Mannesmann – Dismissal)”, 1976
Oil on canvas
78 3/4 x 47 1/4 inches
200 x 120


“Sherwood Forest”, 2004
Oil on canvas
43 1/4 x 35 1/2 inches
110 x 90 cm


“Josepha (angeklagt) (Josepha (accused))”, 2004
Oil on canvas
41 1/4 x 35 1/2 inches
105 x 90 cm


“Untitled”, ca. 2004
Oil on canvas
25 1/2 x 25 1/2 inches
65 x 55 cm


“Malbuch (Coloring Book)”, 2001
Oil on canvas
39 1/4 x 31 1/2 inches
100 x 80 cm


“Malbuch (Colouring Book)”, 2004
Oil on canvas
39 1/4 x 39 1/4 inches
100 x 100 cm


“Malerstamm - Hans”, 2002
Bronze, from an edition of 6 + 3 AP
35 1/2 x 15 x x 15 inches
90 x 38 x 38 cm


“Untitled”, 2007
Oil on canvas
94 1/2 x 74 3/4 inches
240 x 190 cm


“Untitled”, 2001
Oil on canvas
59 x 59 inches
150 x 150 cm


“Untitled”, 2006
Oil on canvas
55 x 70 3/4 inches
140 x 180 cm


“Malerstamm - Baldung”, 2002
Bronze, from an edition of 6 + 3 APs
35 1/2 x 25 x 13 3/4 inches
90 x 64 x 35 cm


“Untitled”, ca. 2004
Oil on canvas
118 x 51 1/4 inches
300 x 130 cm


“Untitled”, 2004
Oil on canvas
110 x 67 inches
280 x 170 cm





Howardena Pindell
@Victoria Miro Mayfair
14 St George Street
London W1S 1FE
UK
11 May - 13 July 2019

installation views







Untitled, 1970
Acrylic on canvas
172.2 x 213 cm
67 3/4 x 83 7/8 in


Untitled, 1971
Acrylic on canvas
199 x 250 cm
78 3/8 x 98 3/8 in


Untitled, 1972
Acrylic on canvas
174.3 x 267.3 cm
68 5/8 x 105 1/4 in


Untitled, 1972
Acrylic on canvas
160.8 x 209.5 cm
63 1/4 x 82 1/2 in


Untitled, 1971
Acrylic on canvas
223.5 x 249 cm
88 x 98 1/8 in


Untitled, 1971
Acrylic on canvas
161.6 x 222.4 cm
63 5/8 x 87 1/2 in


Untitled, 1970
Acrylic on canvas
161.8 x 213.7 cm
63 3/4 x 84 1/8 in


Untitled #59, 2010
Mixed media collage on board
42.4 x 42.4 x 4.8 cm
16 3/4 x 16 3/4 x 1 7/8 in


Untitled #88 (Dragon), 2007
Mixed media on paper collage
44 x 59.1 x 8.9 cm
17 3/8 x 23 1/4 x 3 1/2 in


Untitled #46, 2010
Mixed media collage on board
47.1 x 56.4 x 6 cm
18 1/2 x 22 1/4 x 2 3/8 in


Untitled #6B, 2007
Mixed media on paper collage
51.7 x 74.5 x 15.8 cm
20 3/8 x 29 3/8 x 6 1/4 in


Untitled #7B, 2007
Mixed media on paper collage
39 x 51.7 x 13.2 cm
15 3/8 x 20 3/8 x 5 1/4 in


Untitled #55, 2010
Mixed media collage on board
38.5 x 43.5 x 4.8 cm
15 1/8 x 17 1/8 x 1 7/8 in





Richard Van Buren: T Timer
@Garth Greenan Gallery
545 West 20th Street
New York, NY 10011
USA
September 5 – October 12, 2019

installation views











Dervish I, 2019
Mixed media
42 x 22 x 29 inches


Dervish II, 2019
Mixed media
35 x 25 x 32 inches


Alicia's Dance, 2019
Mixed media
Five elements,
22 x 16 x 15 1/2 inches
13 1/2 x 18 1/2 x 14 inches
17 1/2 x 15 x 14 3/4 inches
28 x 12 1/2 x 15 1/2 inches
24 x 12 1/2 x 15 inches


T Timer, 1967
Mixed media
Three elements, each 37 x 7 x 4 inches
One element, 51 x 11 x 5 inches


Gold Rush, 2018
Mixed media
Three elements,
19 x 22 1/2 x 20 inches
32 x 10 x 14 1/2 inches
19 x 11 x 25 inches


Silver Lining, 2019
Mixed media
Five elements,
12 x 14 x 18 1/2 inches
18 1/2 x 10 1/2 x 14 1/2 inches
21 1/2 x 13 1/2 x 15 1/2 inches
14 1/2 x 14 x 15 inches
20 x 9 x 14 1/2 inches


Carrot Top, 2018
Mixed media
32 x 20 x 18 inches


One Liner, 1968
Polyester resin, wood, graphite and blue carpenter's chalk
32 x 5 x 4.5 inches


Beirut, 1971
Polyester resin, fiberglass, and pigments
90 x 72 x 7 inches


Bykert Goal Post, 1968
Polyester resin and wood
Two elements, each 10 x 5 x 72 inches
One element, 10 x 5 x 144 inches

memo (overseas): Oct30,2019

ex-chamber memo (overseas): Oct30,2019

David Hammons
@Hauser & Wirth, Los Angeles
901 East 3rd Street
Los Angeles CA 90013
USA
18 May – 18 Aug 2019

installation views

















Untitled
David Hammons
2017
Mixed media
c David Hammons
Photo: Genevieve Hanson


Untitled
David Hammons
2018
Mixed media
c David Hammons
Dimensions variable
Photo: Genevieve Hanson


Orange is the new black
David Hammons
2017
Mixed media
139.7 x 40.6 x 30.5 cm / 55 x 16 x 12 in
c David Hammons
Photo: Genevieve Hanson





Nick van Woert: If I Wrote a Poem
@GRIMM Keizersgracht 241, Amsterdam
Keizersgracht 241
1016 EA Amsterdam, The Netherlands
1 February - 16 March 2019

installation views















Nick van Woert
If I Wrote a Poem, 2019
Mixed media
84 x 69 x 54 cm | 33 1/8 x 27 1/8 x 21 1/4 in Plinth: 81.5 x 51 x 51 cm | 32 1/8 x 20 1/8 x 20 1/8 in


Nick van Woert
Overripe and Undernourished, 2019
Mixed media
90 x 46 x 51 cm | 35 3/8 x 18 1/8 x 20 1/8 in Plinth: 81.5 x 51 x 51 cm | 32 1/8 x 20 1/8 x 20 1/8 in


Nick van Woert
It Would Have To Include Everything I Have Ever Seen, 2019
Mixed media
89.5 x 64 x 51 cm | 35 1/4 x 25 1/4 x 20 1/8 in Plinth: 81.5 x 51 x 51 cm | 32 1/8 x 20 1/8 x 20 1/8 in


Nick van Woert
I’ll Finish This Later, 2019
Mixed media
94 x 55 x 54 cm | 37 1/8 x 21 5/8 x 21 1/4 in Plinth: 81.5 x 51 x 51 cm | 32 1/8 x 20 1/8 x 20 1/8 in


Nick van Woert
In Vino Veritas, 2018
Steel, cat litter, coal slag, paper mache, kool-aid, propoxy, paintbrushes, paint, pocket change, joint compound, titanium anodized crystals, plastic statue, stainless steel, white bronze, copper, geodes, electroformed copper, silicone finger, pulverized toys, lava rock, polyurethane, Juul, Juul pod, rubber poop, plastic fly, aluminum, chains, slag, piton
218.4 x 106.7 x 96.5 cm | 86 x 42 x 38 in





Neil Gall: Against Nature
@Aurel Scheibler
Schöneberger Ufer 71
10785 Berlin, Germany
29.09.18 - 10.11.18

installation views







Pendulum, 2018
Coloured pencil on paper
102,5 x 77,2 cm
40,35 x 30,39 in.


Heads Up, 2018
Coloured pencil on paper
102 x 80 cm
40,16 x 31,5 in


Against Nature, 2017
Coloured pencil on paper
96,7 x 73,4 cm
38,07 x 28,89 in.





FLORIAN KREWER: Car Park Godiva
@Michael Werner Gallery, MAYFAIR, LONDON
22 Upper Brook Street, London W1K 7PZ
UK
2 April through 25 May 2019

installation views

















“the coming”, 2019
Oil on canvas
102 1/4 x 86 1/2 inches
260 x 220 cm


“keeping it tight”, 2018
Oil on canvas
94 1/2 x 90 1/2 inches
240 x 230 cm


“one and only”, 2019
Oil on canvas
94 1/2 x 78 3/4 inches
240 x 200 cm


“through the eyes”, 2019
Oil on canvas
102 1/2 x 90 1/2 inches
260 x 230 cm


“nice dog”, 2019
KRE 19
86 1/2 x 67 inches
220 x 170 cm


“everybody rise”, 2019
2019
110 1/4 x 118 inches
280 x 300 cm


“nighthawk 2”, 2018
Oil on canvas
86 1/2 x 82 3/4 inches
220 x 210 cm


“grey”, 2019
Oil on canvas
102 1/2 x 82 3/4 inches
260 x 210 cm


“here we go again”, 2018
Oil on canvas
94 1/2 x 74 3/4 inches
240 x 190 cm





María Berrío, Caroline Walker, Flora Yukhnovich
@Victoria Miro Gallery II
16 Wharf Road
London N1 7RW
UK
7 June - 27 July 2019

installation views







María Berrío
Night Song, 2019
Collage with Japanese paper and watercolour paint
152.4 x 121.9 cm
60 x 48 in


María Berrío
Oda a la Esperanza (Ode to Hope), 2019
Collage with Japanese paper and watercolour paint
233.7 x 299.8 cm
92 x 118 in


María Berrío
The Oracles’ Silence, 2019
Collage with Japanese paper and watercolour paint
152.4 x 121.9 cm
60 x 48 in


Caroline Walker
Bella, 2019
Oil on linen
85.3 x 70.2 cm
33 5/8 x 27 5/8 in


Caroline Walker
The Wishlist, 2019
Oil on linen
170 x 220 cm
66 7/8 x 86 5/8 in


Caroline Walker
Empire, 2019
Oil on linen
240 x 180 cm
94 1/2 x 70 7/8 in


Flora Yukhnovich
Out of the Strong Came Forth Sweetness, 2019
Oil on linen
258.5 x 170 cm
102 3/8 x 66 7/8 in


Flora Yukhnovich
Dolly Mix, 2019
Oil on linen
210 x 180 cm
82 5/8 x 70 7/8 in


Flora Yukhnovich
If All the World Were Jell-O, 2019
Oil on linen
180 x 250 cm
70 7/8 x 98 3/8 in





Howardena Pindell: Autobiography
@Garth Greenan Gallery
545 West 20th Street
New York, NY 10011
USA
October 17 – December 7, 2019

installation views











Autobiography: Fire (Suttee), 1986–1987
Mixed media on canvas
90 x 56 inches


Autobiography: Africa (Red Frog II), 1986
Mixed media on canvas
70 x 78 inches


Autobiography: Artemis, 1986
Mixed media on canvas
82 x 93 inches


Autobiography: Japan (Mountain Reflection), 1982–1983
Mixed media on canvas
107 x 106 3/4 inches


Autobiography: India (Shiva, Ganges), 1985
Mixed media on canvas
39 1/2 x 117 inches


Autobiography: Africa (Buddha), 1986
Mixed media on canvas
51 x 91 inches


Autobiography: Japan (Hiroshima Disguised), 1982
Mixed media on canvas
60 x 118 inches
National Academy of Design, New York, Gift of Howardena Pindell, 2009


Autobiography: Oval Memory #1, 1980–1981
Mixed media collage on paper
13 x 32 x 3 inches


Autobiography: Japan (Shisen-dō, Kyoto), 1982
Mixed media on canvas
72 1/2 x 76 inches

memo (overseas): Oct29,2019

ex-chamber memo (overseas): Oct29,2019

Guillermo Kuitca
@Hauser & Wirth, Los Angeles
901 East 3rd Street
Los Angeles CA 90013
USA
18 May – 18 Aug 2019

installation views























The Family Idiot
Guillermo Kuitca
2019
Oil on canvas in artist frame
92.5 x 186 cm / 36 3/8 x 73 1/4 in
Triptych: 92.5 x 186 cm / 36 3/8 x 73 1/4 in overall
c Guillermo Kuitca
Courtesy the artist and Hauser & Wirth


The Family Idiot
Guillermo Kuitca
2018
Oil on canvas in artist frame
183.5 x 190 cm / 72 1/4 x 74 3/4 in
c Guillermo Kuitca
Photo: Gonzalo Maggi


The Family Idiot (Sleeper in the mirror)
Guillermo Kuitca
2019
Oil on canvas in artist frame
35 x 45 cm / 13 3/4 x 17 3/4 in
c Guillermo Kuitca
Photo: Gonzalo Maggi


The Family Idiot
Guillermo Kuitca
2018
Oil on canvas in artist frame
100 x 56.5 cm / 39 3/8 x 22 1/4 in
c Guillermo Kuitca
Photo: Gonzalo Maggi


The Family Idiot
Guillermo Kuitca
2018
Oil on canvas in artist frame, triptych
102 x 167.5 cm / 40 1/8 x 66 in
c Guillermo Kuitca


Untitled (Teatro Real)
Guillermo Kuitca
2013 - 2015
Oil on canvasw
195 x 249 x 3 cm / 76 3/4 x 98 x 1 1/8 in
c Guillermo Kuitca


Retablo
Guillermo Kuitca
2016
Oil on wooden panels
330 x 245 x 185 cm / 129 7/8 x 96 1/2 x 72 7/8 in
c Guillermo Kuitca


Double eclipse
Guillermo Kuitca
2013
Oil on canvas
283 x 362 cm / 111 3/8 x 142 1/2 in
c Guillermo Kuitca
Photo: Eduardo Ortega


Missing Pages
Guillermo Kuitca
2018
Oil on canvas, 18 parts
95 x 63 cm / 37 3/8 x 24 3/4 in each
285 x 380 cm / 112 1/4 x 149 5/8 in
c Guillermo Kuitca
Photo: Gonzalo Maggi


Untitled (Staples Center)
Guillermo Kuitca
2018 - 2019
Mixed media on paper
29 x 42 cm / 11 3/8 x 16 1/2 in
c Guillermo Kuitca


Untitled (Covent Garden)
Guillermo Kuitca
2018 - 2019
Mixed media on paper
29 x 42 cm / 11 3/8 x 16 1/2 in
c Guillermo Kuitca


Untitled (Hollywood Bowl)
Guillermo Kuitca
2018 - 2019
Mixed media on paper
29 x 42 cm / 11 3/8 x 16 1/2 in
c Guillermo Kuitca





Michael Raedecker: parade
@GRIMM New York
202 Bowery
NY 10012, New York, USA
3 May - 23 June 2019

installation views













Michael Raedecker
static, 2019
Acrylic, laser printer pigment transfer, acrylic dispersions & thread on canvas
240 x 167 cm | 94 1/2 x 65 3/4 in


Michael Raedecker
four corners, 2019
Acrylic, laser printer pigment transfer, acrylic dispersions & thread on canvas
134 x 212 cm | 52 3/4 x 83 1/2 in


Michael Raedecker
hold up the sky, 2019
Acrylic, laser printer pigment transfer, acrylic dispersions & thread on canvas
240 x 167 cm | 94 1/2 x 65 3/4 in


Michael Raedecker
amnesia, 2019
Acrylic, laser printer pigment transfer, acrylic dispersions & thread on canvas
104 x 70 cm | 41 x 27 1/2 in


Michael Raedecker
solo, 2019
Acrylic, laser printer pigment transfer, acrylic dispersions & thread on canvas
101 x 64.5 cm | 39 3/4 x 25 3/8 in


Michael Raedecker
seven directions, 2019
Acrylic, laser printer pigment transfer, acrylic dispersions & thread on canvas
104 x 72 cm | 41 x 28 3/8 in


Michael Raedecker
random, 2019
Acrylic, laser printer pigment transfer, acrylic dispersions & thread on canvas
180 x 123 cm | 70 7/8 x 48 3/8 in


Michael Raedecker
stage, 2019
Acrylic, laser printer pigment transfer, acrylic dispersions & thread on canvas
160 x 224 cm | 63 x 88 1/4 in


Michael Raedecker
cntrl, 2019
Acrylic, laser printer pigment transfer, acrylic dispersions & thread on canvas
180 x 124 cm | 70 7/8 x 48 7/8 in





Vivian Greven: a m o r e
@Aurel Scheibler
Schöneberger Ufer 71
10785 Berlin, Germany
29.09.18 - 10.11.18

installation views











Unda, 2018
Oil and acrylic on canvas
60 x 60 cm / 23,62 x 23,62 in.


Unda II, 2018
Oil and acrylic on canvas
40 x 30 cm
15,75 x 11,81 in.


Aer I, 2018
Oil on canvas
120 x 80 cm
47,24 x 31,5 in.


Tru II, 2018
Oil on canvas
60 x 41 cm
23,62 x 16,14 in.


Aer II, 2018
Oil and acrylic on canvas
60 x 50 cm
23,62 x 19,69 in.


)( VI, 2018
Oil on canvas
180 x 130 cm
70,87 x 51,18 in.


Stilla I, 2018
Oil and acrylic on MDF
60 x 50 cm
23,62 x 19,69 in.


Stilla II, 2018
Oil and acrylic on canvas
60 x 45 cm
23,62 x 17,72 in.


Area, 2018
Oil and acrylic on canvas
180 x 120 cm
70,87 x 47,24 in.


<, 2018
Oil and acrylic on MDF
56 x 31 cm
22,05 x 12,2 in.


>, 2018
Oil and acrylic on MDF
56 x 31 cm
22,05 x 12,2 in.





JAMES LEE BYARS: Works 1974-1994
@Michael Werner Gallery, MAYFAIR, LONDON
22 Upper Brook Street, London W1K 7PZ
UK
1 June through 28 August 2019

installation views













"The American Flag", 1974
Silk acetate
380 x 88 inches
965 x 223.5 cm


"The Black German Flag", 1974
Black silk
98 1/2 x 185 inches
250 x 470 cm


"The Male Figure", 1994
Thassos marble
7 3/4 x 55 x 47 1/4 inches
20 x 140 x 120 cm


"The Female Figure", 1994
Thassos marble
7 3/4 x 59 x 59 inches
20 x 150 x 150 cm





Milton Avery: The Late Portraits
@Victoria Miro Venice
Il Capricorno, San Marco 1994,
Calle Drio La Chiesa
30124 Venice, Italy
20 July - 8 September 2019

installation views









Sally by the Sea, 1962
Oil on board
76.2 x 61 cm
30 x 24 in


Two Poets, 1963
Oil on canvas
127 x 152.4 cm
50 x 60 in


Milton Avery, 1961
Oil on canvas
106.7 x 76.2 cm
42 x 30 in


New Hat, 1962
Oil on board
76.2 x 61 cm
30 x 24 in


Lavender Girl, 1963
Oil on canvasboard
76.2 x 61 cm
30 x 24 in


Avery Feeling Crazy, 1962
Oil on board
61 x 45.7 cm
24 x 18 in


Artist Paints Artist, 1962
Oil on board
61 x 91.4 cm
24 x 36 in


Young Couple (Husband and Wife), 1963
Oil on canvas
127 x 152.4 cm
50 x 60 in


Avery Feeling Wild, 1963
Oil on board
71.1 x 55.9 cm
28 x 22 in

memo (overseas): Oct28,2019

ex-chamber memo (overseas): Oct28,2019

Heidi Bucher: The Site of Memory
@Lehmann Maupin, New York, W 24 Street
501 W 24th Street
New York, NY 100
USA
April 25 – June 15, 2019

installation views













HEIDI BUCHER
Borg, 1976
Latex, textile, mother of pearl pigment, and bamboo
90.55 x 137.8 x 39.37 inches
230 x 350 x 100 cm
Photo by Matthew Herrmann


HEIDI BUCHER
Elfenbornhaut, Fridericianum, Kassel, 1982
Latex, textile, and mother of pearl pigment
159.45 x 275.59 inches (irregular)
405 x 700 cm


HEIDI BUCHER
Untitled (Door to the Herrenzimmer), 1978
Latex, cotton, and mother of pearl pigment
100.39 x 82.68 inches
255 x 210 cm


HEIDI BUCHER
Fenster mit Läden und Schindeln, Bellevue, 1988
Latex and gauze
110.24 x 110.24 inches
280 x 280 cm


HEIDI BUCHER
Untitled (Puerta beige grande / Large beige door), 1986
Latex and cotton on canvas
73.23 x 74.02 inches
186 x 188 cm


HEIDI BUCHER
Der Schlüpfakt der Parkettlibelle (The hatching of the parquet dragonfly), 1983
Textile garment, latex, and mother of pearl pigment
51.18 x 41.34 inches (furled)
130 x 105 cm


HEIDI BUCHER
Door of the Borg, detail, 1976
Textiles, latex, glue, and mother of pearl pigments
41.34 x 31.5 inches
105 x 80 cm


HEIDI BUCHER
Bett (Bed), 1975
Latex, textile, and mother of pearl pigment
86.61 x 62.99 inches
220 x 160 cm





John Chamberlain: Baby Tycoons
@Hauser & Wirth, New York, 69th Street
32 East 69th Street
New York 10021
USA
5 Sep – 19 Oct 2019

installation views















EROTIC ESKIMO
John Chamberlain
2006
Painted and chromium-plated steel
24.8 x 40 x 19.7 cm / 9 3/4 x 15 3/4 x 7 3/4 in
c 2019 Fairweather & Fairweather LTD / Artists Rights Society (ARS), New York


HER SUITE HAPPINESS
John Chamberlain
2004
Painted and chromium-plated steel
37.5 x 25.4 x 24.8 cm / 14 3/4 x 10 x 9 3/4 in
c 2019 Fairweather & Fairweather LTD / Artists Rights Society (ARS)


WINTER PHILODENDRON
John Chamberlain
1992
Painted and chromium-plated steel
25.7 x 36.2 x 29.2 cm / 10 1/8 x 14 1/4 x 11 1/2 in
c 2019 Fairweather & Fairweather LTD / Artists Rights Society (ARS)





Lucy Skaer, Carol Rhodes, Hanneline Visnes: Heavy Weather
@GRIMM Frans Halsstraat 26, Amsterdam
Frans Halsstraat 26
1072 BR Amsterdam, The Netherlands
18 May - 13 July 2019

installation views

























Lucy Skaer
A Day with Breeze and Fog, Hare Springs from the Yew Woods Over Marsh’s Pool, Knocks the Bough, Caterpillars Fall Twisting to the Ground, 2018
Bronze, yew, copper, oil paint
Approx: 25 x 95 x 240 cm | 9 7/8 x 37 3/8 x 94 1/2 in


Lucy Skaer
Marsh’s Pool, 2018
Bronze
Approx: 13 x 70 x 70 cm | 5 1/8 x 27 1/2 x 27 1/2 in


Lucy Skaer
In the Yew Woods, Arrows Rain Down, The Day is Bright and Open, Hare Darts for Cover and the Chord of C Minor Sounds, 2018
Bronze, yew, copper, oil paint, stone
Approx: 70 x 120 x 280 cm | 27 1/2 x 47 1/4 x 110 1/4 in


Lucy Skaer
Day divider, 2019
Bronze, oil paint
85 x 12 x 15 cm | 33 1/2 x 4 3/4 x 5 7/8 in


Lucy Skaer
Available Fonts, 2017
Chine-collé of etching, wood engraving and found material on paper, 5 parts
142 x 28 cm | 55 7/8 x 11 1/8 in each


Lucy Skaer
Day divider, 2019
Bronze, oil paint
85 x 12 x 15 cm | 33 1/2 x 4 3/4 x 5 7/8 in


Lucy Skaer
Morning Dew, the Hare Rests by Marsh’s Pool, 2018
Bronze, yew, copper, glass
Approx: 12 x 24 x 160 cm | 4 3/4 x 9 1/2 x 63 in


Carol Rhodes
Road and Valley, 1999
Oil on board
42 x 51 cm | 16 1/2 x 20 1/8 in


Lucy Skaer
La Chasse: Hare with blood glass, 2018
Copper, glass, terracotta
Approx: 70 x 120 x 345 cm | 27 1/2 x 47 1/4 x 135 7/8 in


Carol Rhodes
Rail and Woods, 2001
Pencil on paper
(paper size) 47 x 58 cm | 18 1/2 x 22 7/8 in (framed) 63 x 73 cm | 24 3/4 x 28 3/4 in


Carol Rhodes
Coal, 2008-2009
Oil on board
54 x 64 cm | 21 1/4 x 25 1/4 in


Carol Rhodes
Coast, Road and Building Site, 1996/2017
Pencil on paper
(paper size) 43.5 x 45 cm | 17 1/8 x 17 3/4 in (framed) 56 x 58 cm | 22 1/8 x 22 7/8 in


Lucy Skaer
Day divider, 2018
Bronze, oil paint
85 x 12 x 15 cm | 33 1/2 x 4 3/4 x 5 7/8 in


Lucy Skaer
Aluminum flitches, 2017
Aluminum, two pieces
Left: 230 x 75 x 8 cm | 90 1/2 x 29 1/2 x 3 1/8 in Right: 213 x 114 x 8 cm | 83 7/8 x 44 7/8 x 3 1/8 in


Lucy Skaer
Day divider, 2018
Bronze
85 x 12 x 15 cm | 33 1/2 x 4 3/4 x 5 7/8 in


Carol Rhodes
Sheds, 2013
Pencil on paper
(paper size) 47 x 57 cm | 18 1/2 x 22 1/2 in (framed) 51 x 58 cm | 20 1/8 x 22 7/8 in


Hanneline Visnes
Judas Money Plant, 2018
Oil on gesso, on board
68 x 88 cm | 26 3/4 x 34 5/8 in


Carol Rhodes
Two Buildings, 2012
Pencil on paper
(paper size) 47 x 57 cm | 18 1/2 x 22 1/2 in (framed) 59 x 69 cm | 23 1/4 x 27 1/8 in


Hanneline Visnes
Red Pattern, 2017
Oil on board
57 x 59 cm | 22 1/2 x 23 1/4 in


Hanneline Visnes
Quiet Tree, 2019
Oil on board
94 x 104 cm | 37 1/8 x 41 in


Hanneline Visnes
Ardabil, 2015
Oil on board
30 x 37 cm | 11 3/4 x 14 5/8 in


Hanneline Visnes
Blue on Red, 2015
Oil on board
48 x 40 cm | 18 7/8 x 15 3/4 in


Hanneline Visnes
Mandrake, 2017
Oil on gesso, on board
68 x 88 cm | 26 3/4 x 34 5/8 in


Hanneline Visnes
Mandrake ll, 2018
Oil on gesso, on board
35 x 53 cm | 13 3/4 x 20 7/8 in


Hanneline Visnes
Egyptian Cat, 2015
Oil on board
51 x 58 cm | 20 1/8 x 22 7/8 in





Ernst Wilhelm Nay: Späte Bilder - Late Paintings
@Aurel Scheibler
Schöneberger Ufer 71
10785 Berlin, Germany
27.04.19 - 27.07.19

installation views

















Tropisch, 1965
Oil on canvas
200 x 160 cm / 78,74 x 62,99 in.


Schwingform, 1966
Oil on canvas
162 x 150 cm
63,78 x 59,06 in.


Segmente, 1966
Oil on canvas
162 x 150 cm / 63,78 x 59,06 in.


Diaphanie in Gelb, 1966
Oil on canvas
162 x 150 cm / 63,78 x 59,06 in.


Ultramarin, 1967
Oil on canvas
162 x 150 cm / 63,78 x 59,06 in.


Rot - Weiß - Schwarz II, 1967
Oil on canvas
162 x 150 cm / 63,78 x 59,06 in.


Gelb - Blau - Gelb, 1967
Oil on canvas
130 x 110 cm / 51,18 x 43,31 in.


Nachtblau und Grau, 1968
Oil on canvas
162 x 150 cm / 63,78 x 59,06 in.


Weißfiguration II, 1968
Oil on canvas
162 x 130 cm / 63,78 x 51,18 in.


Rotfiguration, 1968
Oil on canvas
162 x 150 cm / 63,78 x 150 cm





JAMES LEE BYARS
@Michael Werner Gallery, UPPER EAST SIDE, NEW YORK
4 East 77th Street, New York, NY 10075
USA
27 June through 14 September 2019

installation views













"The Path of Luck", 1988
Blue African granite, in four parts
Dimensions as follows:
Discus:
1 3/4 x 5 1/2 x 5 1/2 inches (4 x 14 x 14 cm)
Square Door:
5 1/4 x 5 1/4 x 1 1/4 inches (13 x 13 x 3 cm)
Stele 1:
5 3/4 x 2 x 2 inches (15 x 5 x 5 cm)
Stele 2:
7 x 2 x 2 inches (18 x 5 x 5 cm)


"Portrait of the Artist", 1993
Gold leaf on paper
Three parts, each:
30 1/4 x 21 3/4 inches
77 x 55 cm


"Self-Portrait", 1992
Stone, 24 karat gold sphere
5 3/4 x 12 3/4 x 9 3/4 inches
14.5 x 32.5 x 24.5 cm


"The Golden Sphere", 1991
Gold pen on black paper
Diameter:
19 inches
47.5 cm


"The Sphere with Stairs", 1989
Blue African granite
Diameter:
9 3/4 inches
25 cm

memo (overseas): Oct27,2019

ex-chamber memo (overseas): Oct27,2019

McArthur Binion: Hand:Work:II
@Lehmann Maupin, Hong Kong
407 Pedder Building
12 Pedder Street, Hong Kong
May 22 – July 5, 2019

installation views































MCARTHUR BINION
hand:work, 2019
Ink, oil paint stick, and paper on board
48 x 40 inches
121.9 x 101.6 cm


MCARTHUR BINION
Hand:Work, 2019
Oil paint stick and paper on board
48 x 72 inches
121.9 x 182.9 cm


MCARTHUR BINION
ink:work, 2018
Ink, oil paint stick, and paper on board
24 x 40 inches
61 x 101.6 cm


MCARTHUR BINION
hand:work, 2019
Oil paint stick and paper on board
48 x 40 inches
121.9 x 101.6 cm





Ed Clark
@Hauser & Wirth, New York, 22nd Street
548 West 22nd Street
New York 10011
USA
10 Sep – 26 Oct 2019

installation views













Untitled
Ed Clark
2008 - 2009
Acrylic on canvas
161.3 x 205.7 x 1.9 cm / 63 1/2 x 81 x 3/4 in
c Ed Clark
Photo: Thomas Barratt


Blue & Red
Ed Clark
2005
Acrylic on canvas
177.5 x 153 x 2.5 cm / 69 7/8 x 60 1/4 x 1 in
c Ed Clark
Photo: Thomas Barratt





Letha Wilson: Cross Country
@GRIMM Keizersgracht 241, Amsterdam
Keizersgracht 241
1016 EA Amsterdam, The Netherlands
18 May - 13 July 2019

installation views















Letha Wilson
Zion Canyon Palms Slice Steel, 2019
UV prints on Corten steel
124.5 x 58.4 x 45.7 cm| 49 x 23 x 18 in


Letha Wilson
Joshua Tree Granite Pierced Steel, 2019
UV prints on Corten steel
102.9 x 48.3 x 38.1 cm | 40 1/2 x 19 x 15 in


Letha Wilson
Valley of Fire Nested Rocks Steel, 2019
UV prints on Corten steel, bronze tube
81.3 x 48.3 x 27.9 cm | 32 x 19 x 11 in


Letha Wilson
Utah Pine Double Slot Steel, 2019
UV prints on Corten steel
99.1 x 49.5 x 22.9 cm | 39 x 19 1/2 x 9 in


Letha Wilson
Weeping Rock Rolled Steel, 2019
UV prints on Corten steel
99.1 x 55.9 x 38.1 cm | 39 x 22 x 15 in


Letha Wilson
Pacific Fern Fold Steel, 2019
UV prints on Corten Steel
114.3 x 52.1 x 27.9 cm | 45 x 20 1/2 x 11 in


Letha Wilson
Rock Fade Double Arches Steel, 2019
UV prints on Corten steel
76.2 x 53.3 x 52.1 cm | 30 x 21 x 20 1/2 in





Tom Chamberlain: Morendo
@Aurel Scheibler
Schöneberger Ufer 71
10785 Berlin, Germany
12.09.19 - 26.10.19

installation views



















Murmur, 2019
Acrylic on canvas, 180 x 200 cm / 61,02 x 68,9"


Slur, 2019
Acrylic on canvas, 90 x 100 cm / 35,43 x 39,37"


Stage, 2018
Acrylic on canvas, 155 x 170 cm / 61,02 x 66,93 in.


Comma (yellow), 2019
Acrylic on canvas, 28 x 33 cm / 11,02 x 12,99 in.


Comma (orange), 2019
Acrylic on canvas, 28 x 33 cm / 11,02 x 12,99 in.


Better a living comma than a dead full stop, 2019
Acrylic on canvas, 28 x 33 cm / 11,02 x 12,99 in.


Comma (black), 2019
Acrylic on canvas, 28 x 33 cm / 11,02 x 12,99 in.


Untitled, 2015
Watercolour on paper, 38,2 x 46 cm / 15,04 x 18,11 in.


Untitled, 2015
Watercolour on paper, 38,2 x 46 cm / 15,04 x 18,11 in.


Untitled, 2017
Watercolour on paper, 45,5 x 48,5 cm / 17,91 x 19,09 in.


Untitled, 2018
Watercolour on paper, 69,8 x 79,9 cm / 27,48 x 31,46 in.


Untitled, 2018
Watercolour on paper, 69,8 x 79,9 cm / 27,48 x 31,46 in.
Detail


Tell me later II, 2016
Coloured pencil on paper, 25 x 30 cm / 9,84 x 11,81 in.


Tell me later II, 2016
Coloured pencil on paper, 25 x 30 cm / 9,84 x 11,81 in.
Detail


Turning in, 2016
Pinprick in paper, 25 x 30,5 cm / 9,84 x 12,01 in.


Turning in, 2016
Pinprick in paper, 25 x 30,5 cm / 9,84 x 12,01 in.
Detail


Never yet, 2018
Pencil on paper, 24,5 x 30 cm / 9,65 x 11,81 in.


Never yet, 2018
Pencil on paper, 24,5 x 30 cm / 9,65 x 11,81 in.
Detail


Holding on, 2019
Silver ink on paper, 25 x 30,5 cm / 9,84 x 12,01 in.


Holding on, 2019
Silver ink on paper, 25 x 30,5 cm / 9,84 x 12,01 in.
Detail


Morendo, 2018
Acrylic on canvas, 45 x 50 cm / 17,72 x 19,69 in.





PETER DOIG: Paintings
@Michael Werner Gallery, MAYFAIR, LONDON
22 Upper Brook Street, London W1K 7PZ
UK
6 September through 16 November 2019

installation views





























“Musical Equipment Ltd.”, 2019
Oil on linen
19 3/4 x 15 inches
50 x 38 cm


“Lion in the Road (Sailors)”, 2019
Dispersion on linen
78 3/4 x 118 inches
200 x 300 cm


“Music (2 Trees)”, 2019
Distemper on linen
27 1/2 x 32 inches
70 x 81.5 cm


“Bather (Sings Calypso)”, 2019
Dispersion on linen
98 1/2 x 78 3/4 inches
250 x 200 cm


“Three Men with a Rope”, 2019
Oil on linen
35 1/2 x 29 1/2 inches
90 x 75 cm


“Untitled (Small Wheelchair)”, 2019
Oil on linen
28 3/4 x 24 inches
73 x 61 cm


“Lion (Fire Down Below)”, 2019
Dispersion on linen
118 x 137 3/4 inches
300 x 350 cm


“Untitled (Wheelchair)”, 2019
Oil on linen
102 1/2 x 78 3/4 inches
260 x 200 cm


“Bather (Night Wave)”, 2019
Dispersion on canvas
98 1/2 x 78 3/4 inches
250 x 200 cm


“Shadow”, 2019
Dispersion on linen
51 1/4 x 31 1/2 inches
130 x 80 cm


“Painting on an Island (Carrera)”, 2019
Oil on linen
59 x 43 inches
149.5 x 109.5 cm


“Hololo Mountain Road”, 2019
Dispersion on linen
19 3/4 x 15 inches
50 x 38 cm


“Night Bathers”, 2019
Oil on linen
108 1/4 x 78 3/4 inches
275 x 200 cm





Secundino Hernández: Grapado a la piel
@Victoria Miro Venice
Il Capricorno, San Marco 1994,
Calle Drio La Chiesa
30124 Venice, Italy
13 September - 19 October 2019

installation views







Untitled, 2019
Charcoal, ink and dye on linen with artist frame
14 x 19 cm
5 1/2 x 7 1/2 in


Untitled, 2019
Charcoal, acrylic, oil and dye on wood with artist frame
17 x 13 cm
6 3/4 x 5 1/8 in


Untitled, 2019
Charcoal, ink and dye on linen with artist frame
19 x 14 cm
7 1/2 x 5 1/2 in


Untitled, 2019
Charcoal, ink and dye on linen with artist frame
14 x 19 cm
5 1/2 x 7 1/2 in


Untitled, 2019
Charcoal, ink and dye on linen with artist frame
14 x 19 cm
5 1/2 x 7 1/2 in


Untitled, 2019
Charcoal, ink and dye on linen with artist frame
21 x 16 cm
8 1/4 x 6 1/4 in


Untitled, 2019
Charcoal, ink and dye on linen with artist frame
21 x 16 cm
8 1/4 x 6 1/4 in


Untitled, 2019
Charcoal, ink, dye and oil on linen with artist frame
21 x 16 cm
8 1/4 x 6 1/4 in


Untitled, 2019
Charcoal, acrylic, oil and dye on wood with artist frame
17 x 13 cm
6 3/4 x 5 1/8 in


Untitled, 2019
Charcoal, ink and dye on linen with artist frame
19 x 14 cm
7 1/2 x 5 1/2 in

memo (overseas): Oct26,2019

ex-chamber memo (overseas): Oct26,2019

Fred Wilson: Chandeliers
@Pace, New York
540 West 25th Street

New York
USA
Sep 14–Oct 12, 2019

installation views











Fred Wilson, Speak of Me as I Am: Chandelier Mori, 2003, Murano glass with twenty light bulbs, 70" x 67" x 67" (177.8 cm x 170.2 cm x 170.2 cm), Edition of 3 + 1 AP c Fred Wilson


Fred Wilson, The Way the Moon's in Love with the Dark (detail), 2017, Murano glass, clear blown glass, brass, steel, light bulbs, 97-5/8" × 65-3/4" × 65-3/4" (248 cm × 167 cm × 167 cm), Edition of 6 + 2 APs c Fred Wilson


Fred Wilson, To Die Upon A Kiss, 2011, Murano glass, 70" x 68-1/2" x 68-1/2" (177.8 cm x 174 cm x 174 cm), Edition of 6 + 2 APs c Fred Wilson





McArthur Binion: Hand:Work:II
@Lehmann Maupin, Seoul
74-18, Yulgok-ro 3-gil
Jongno-gu, Seoul
Korea
May 24 – July 13, 2019

installation views











MCARTHUR BINION
Hand:Work, 2019
Oil paint stick and paper on board
48 x 72 inches
121.9 x 182.9 cm


MCARTHUR BINION
Hand:Work, 2019
Oil paint stick and paper on board
84 x 84 inches
213.4 x 213.4 cm





Bharti Kher: A Wonderful Anarchy
@Hauser & Wirth, Somerset
Durslade Farm
Dropping Lane, Bruton
Somerset BA10 0NL
UK
28 Sep 2019 – 5 Jan 2020

installation views















The whole is greater 6
Bharti Kher
2017
Ink, pencil, felt pen, pastel on old ledger paper
52.7 x 64.9 cm / 20 3/4 x 25 1/2 in
c Bharti Kher


The whole is greater 7
Bharti Kher
2017
Ink, watercolour on old ledger paper
52.7 x 64.9 cm / 20 3/4 x 25 1/2 in
c Bharti Kher


Algorithm for time travel
Bharti Kher
2018
Bindis on painted board
Diameter 157.48 cm
c Bharti Kher


A wonderful anarchy
Bharti Kher
2018
Mixed media
398 x 171 cm / 156 3/4 x 67 3/8 in
c Bharti Kher


Talisman for September
Bharti Kher
2019
Clay, cement, wax, copper
121.7 x 29 x 28.4 cm / 47 7/8 x 11 3/8 x 11 1/8 in
c Bharti Kher


Sisters
Bharti Kher
2019
Clay, cement, wax, copper
138.6 x 29 x 29 cm / 54 5/8 x 11 3/8 x 11 3/8 in
c Bharti Kher


The offspring of a deity perhaps
Bharti Kher
2019
Clay, cement, wax, brass
140 x 16.5 x 21 cm / 55 1/8 x 6 1/2 x 8 1/4 in
c Bharti Kher


As dangerous as an albatross
Bharti Kher
2019
Clay, cement, wax, copper
127.4 x 10.1 x 21 cm / 50 1/8 x 4 x 8 1/4 in
c Bharti Kher


Artemis
Bharti Kher
2019
Clay, cement, wax, brass
157.2 x 40.6 x 48.2 cm / 61 7/8 x 16 x 19 in
c Bharti Kher





Away in the Hill
@GRIMM New York
202 Bowery
NY 10012, New York, USA
27 June - 2 August 2019

installation views



















Matthew Day Jackson
August 6, 1945, 2017
Scorched wood and lead on panel, stainless steel frame
247.7 x 186.7 x 7.6 cm | 97 1/2 x 73 1/2 x 3 inches


Katherine Bradford
Going Home, 2019
Acrylic on canvas
101.6 x 76.2 cm | 40 x 30 in


Alex Dordoy
Haunt Me, 2018
Acrylic on canvas
200 x 140 cm | 78 3/4 x 55 1/8 in


Peter Doig
Target, 2000
Enamel on burlap
30.5 x 36 cm | 12 1/8 x 14 1/8 in David Roberts Collection, London


Matthew Wong
Dark Reverie, 2018
Oil on canvas
76.2 x 101.6 cm | 30 x 40 in


Loie Hollowell
Sitting in a landscape, 2016-2019
Oil paint, acrylic medium, sawdust and high density foam on linen mounted on panel
71.1 x 53.3 x 6.3 cm | 28 x 21 x 2 1/2 in


Matthias Weischer
Weiher, 2009
Oil on canvas
31 x 41 cm | 12 1/4 x 16 1/8 in


Lucy Skaer
Forest, 2018
Cast bronze; in two parts
Flitch 1: 127.6 x 59.7 x 6.4 cm | 50 1/4 x 23 1/2 x 2 1/2 inches Flitch 2: 170.2 x 58.4 x 7.6 cm | 67 x 23 x 3 inches


Matthias Weischer
Untitled, 2019
Oil on canvas
64 x 90 cm | 25 1/4 x 35 3/8 in


Ciarán Murphy
In, behind the bush, 2019
Gouache, watercolor on paper
33 x 35.5 cm | 13 x 14 in (unframed) 38.1 x 40.6 cm | 15 x 16 in (framed)


Rosalind Nashashibi
Little One, 2019
Oil on canvas
30 x 40 cm | 11 3/4 x 15 3/4 in


Ciarán Murphy
The kind that floated, 2019
Gouache and watercolor on paper
45 x 37 cm | 17 3/4 x 14 5/8 in (unframed) 50.8 x 43.2 cm | 20 x 17 in (framed)


Charles Avery
Untitled (Field), 2019
Pencil, acrylic, and ink on watercolor paper
102 x 152 cm | 40 1/8 x 59 7/8 in (unframed) 109.2 x 160 cm | 43 x 63 in (framed)


Jules de Balincourt
Roofs and Roots, 2019
Oil on panel
152.4 x 177.8 x 6.3 cm | 60 x 70 x 2 1/2 in


Charles Avery
Untitled (gatherers with pink sky), 2019
Pencil, acrylic and watercolor on paper
32.4 x 50.2 cm | 12 3/4 x 19 3/4 in (unframed) 40 x 58 cm | 15 3/4 x 22 7/8 in (framed)


Letha Wilson
Hawaii California Concrete Ripple Wave (Blue), 2018
Emulsion transfer on concrete
147.3 x 127 x 5.1 cm | 58 x 50 x 2 in


Claudia Martínez Garay
El sol siempre fue el mismo / The sun was always the same, 2019
Risograph on paper, wood
60 x 280 cm | 23 5/8 x 110 1/4 in


Letha Wilson
Slotted Sunrise (Goblin Valley), 2017
Archival inkjet print, aluminum
182.9 × 30.5 cm | 72 × 12 in


Benny Merris
An Other Another 113, 2019
Archival inkjet print
59.7 x 44.5 cm | 23 1/2 x 17 1/2 in (unframed) 61 x 45.7 cm | 24 x 18 in (framed)


Benny Merris
An Other Another 114, 2019
Archival inkjet print
44.5 x 59.7 cm | 17 1/2 x 23 1/2 in (unframed) 45.7 x 61 cm | 18 x 24 in (framed)


Benny Merris
An Another Another 110, 2018
Archival inkjet print
59.7 x 44.5 cm | 23 1/2 x 17 1/2 in (unframed) 61 x 45.7 cm | 24 x 18 in (framed)


Benny Merris
An Other Another 106, 2018
100.3 x 74.9 cm | 39 1/2 x 29 1/2 in (unframed) 104.1 x 78.7 cm | 41 x 31 in (framed)


Benny Merris
An Other Another 107, 2018
Archival inkjet print
78.75 x 101.15 | 31 x 41 in (Framed)


Benny Merris
An Other Another 93, 2018
Archival inkjet print
61 x 45.7 cm | 24 x 18 in (unframed)





Nils Dunkel: Fragments
@Aurel Scheibler
Schöneberger Ufer 71
10785 Berlin, Germany
12.09.19 - 26.10.19

installation views









Nils Dunkel
Umbra Studies No. 1, 2019
Oil on canvas
71,5 x 91 cm / 28,15 x 35,83 in.


Nils Dunkel
Umbra Studies No. 2, 2019
Oil on canvas
71,5 x 91 cm / 28,15 x 35,83 in.


Nils Dunkel
Umbra Studies No. 3, 2019
Oil on canvas
71,5 x 91 cm / 28,15 x 35,83 in.


Nils Dunkel
Umbra Studies No. 4, 2019
Oil on canvas
71,5 x 91 cm / 28,15 x 35,83 in.


Nils Dunkel
Umbra Studies No. 5, 2019
Oil on canvas
71,5 x 91 cm / 28,15 x 35,83 in.


Nils Dunkel
Umbra Studies No. 6, 2019
Oil on canvas
71,5 x 91 cm / 28,15 x 35,83 in.


Nils Dunkel
Umbra Studies No. 7, 2019
Oil on canvas
71,5 x 91 cm / 28,15 x 35,83 in.


Nils Dunkel
Umbra Studies No. 8, 2019
Oil on canvas
71,5 x 91 cm / 28,15 x 35,83 in.


Nils Dunkel
Umbra Studies No. 9, 2019
Oil on canvas
71,5 x 91 cm / 28,15 x 35,83 in.


Nils Dunkel
Umbra Studies No. 10, 2019
Oil on canvas
71,5 x 91 cm / 28,15 x 35,83 in.


Nils Dunkel
Umbra Studies No. 11, 2019
Oil on canvas
71,5 x 91 cm / 28,15 x 35,83 in.


Nils Dunkel
Umbra Studies No. 12, 2019
Oil on canvas
71,5 x 91 cm / 28,15 x 35,83 in.





SIGMAR POLKE: Objects: Real and Imagined
@Michael Werner Gallery, UPPER EAST SIDE, NEW YORK
4 East 77th Street, New York, NY 10075
USA
18 September through 16 November 2019

installation views

























“Kartoffelmaschine - Apparat, mit dem eine Kartoffel eine andere umkreisen kann (Potato Machine - Apparatus Whereby One Potato Can Orbit Another)”, 1969
Wooden frame, electric motor, rubber band, wire potatoes
Edition 28/30
Edition Staeck, Heidelberg
31 1/2 x 16 1/4 x 16 1/4 inches
80 x 41 x 41 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Objekt Kartoffelhaus (Object Potato House)”, 1967/1990
Wood, potatoes
99 1/4 x 78 3/4 x 78 3/4 inches
252 x 200 x 200 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Streichholz-Stück (Matchstick Piece)”, 1967
Wood, hooks, matches, string
9 3/4 x 14 1/4 x 2 inches
25 x 36 x 5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


Sigmar Polke, "Kartoffelkopf (Potato Head)", ca. 1963-1965
Felt-tip on paper
12 x 8 inches
29.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Laubhütte: Hütte aus Lattengestell, Blätter aus Papier, im Sommer originale. Blätter mit grossem Abstand anbringen. Latten mit Nägel zum Aufspiessen der Blätter (Garden Shed: Shack made out of slat frames, leaves made from paper. Use real leaves in the s, 1968
India ink, watercolor, ballpoint pen on lined paper
8 1/4 x 6 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Käfig aus bunten Latten (Cage made from colored slats)”, ca. 1969
Felt-tip pen, ballpoint pen on paper
11 3/4 x 8 1/4 inches
30 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Pflanze: Holz, Latten, Kordel, Seidenpapier (Plant: Wood, Slats, Cord, Soft Tissue)”, 1968
Pencil, ink on lined paper
8 1/4 x 5 3/4 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Kartoffelpyramide in Zwirners Keller (Potato Pyramid in Zwriner’s Cellar)”, 1969
Felt-tip pen, ballpoint pen, gouache on paper
11 1/2 x 8 1/4 inches
29.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Plastik, Holzgestell mit Wäscheklammern, an die Wäscheklammern kann beliebiges zeug gehängt werden (Sculpture, wooden framework with clothespins, random items can be attached to the clothespins)” , 1968
Watercolor, India ink, pencil on lined paper
8 3/4 x 5 3/4 inches
22 x 14.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“16 Striche angeordnet unter besonderen Umständen (16 Strokes, Arranged Under Extraordinary Conditions)”, ca. 1969
Felt-tip pen on paper
8 1/4 x 11 3/4 inches
21 x 30 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Wiederbelebungsversuch an Bambusstangen (Attempt at Resuscitation of Bamboo Canes)”, 1967
Plastic bowl, bamboo, water
93 3/4 x 13 3/4 x 13 3/4 inches
238 x 35 x 35 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Großer Bogen, Pappstreifen dran, an Pappstreifen Kordel, ganz bunt (Large arch, cardboard straps, cardboad straps on cord. Very colorful)”, 1968
Pencil, India ink, watercolor on lined paper
8 1/4 x 6 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Dieser Fleck ist viel später auf das Blatt gekommen. Er hat aber der Zeichnung erst das [un]beabsichtigte Aussehen gegeben (This stain appeared much later on the paper. But it has lent the [un]intended effect to the drawing)”, ca. 1967-1968
Pencil, felt-tip pen on paper
12 x 8 1/2 inches
30.5 x 21.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Bierdeckelbrunnen (Beer Coaster Fountain)”, ca. 1967-1968
Ink on graph paper
8 1/4 x 5 1/2 inches
21 x 14 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Untitled (Fountain, Cardboard, Wire, Coaster)”, 1967
Watercolor, felt-tip pen, pencil on lined paper
8 1/4 x 5 3/4 inches
20.5 x 14.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Teller in Tellerhalter (Plate in Plate Holder)”, ca. 1969
Felt-tip pen on graph paper
5 1/2 x 4 3/4 inches
14 x 12 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Holzgitter und farbige Scheiben (Wood frame and colored panes)”, 1969
Ballpoint pen, ink on paper
11 1/2 x 8 1/4 inches
29.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Halbierter Berg (Bisected Hill)”, ca. 1968
Felt-tip pen on lined paper
8 1/4 x 5 3/4 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Abhöranlage (Wire Tap)”, ca. 1968-1969
Ink, colored pencil on graph paper
8 1/4 x 5 3/4 inches
21 x 14.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Der Magnetismus des Gegenstandes A beeinflußt den Weg der Person B (The magnetism of object A influences the path of person B)”, 1968
Ballpoint pen on graph paper
8 1/4 x 5 3/4 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Gips mit Glasscherben (Plaster with Glass Shards)”, 1967-1968
Felt-tip pen on graph paper
11 1/2 x 8 1/4 inches
29.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Springbrunnen, Bierdeckel (Fountain, Beer Coaster)”, 1967-1968
Ballpoint pen, watercolor, pencil on lined paper
9 3/4 x 8 1/4 inches
25 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Zum ausziehen nach den Seiten (To be expanded to the sides)”, ca. 1967-1968
Ballpoint pen, felt-tip pen on paper
11 1/2 x 8 1/4 inches
29.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Streichhölzer - Groß und Klein (Matches - Large and Small)”, 1967
Ballpoint pen on lined paper
8 1/4 x 5 3/4 inches
21 x 14.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Räucherkerzen aus Polke, Blut, Haare, Fingernägel, Hautfetzen, mit Zucker zusammengebacken, verbreiten Geruch von Polke (Incense made from Polke: blood, hair, fingernails, calluses, baked with sugar. Spread smell of Polke)”, 1968
Watercolor, ink on graph paper
8 1/4 x 5 3/4 inches
21 x 14.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Der Baum, der komponiert: Loch in den Stamm bohren, Mikrophon rein, dicht verschliessen, Verstärker (The Composing Tree: Drill hole into the trunk, insert microphone, seal it, Receiver)”, ca. 1968
Ballpoint pen on graph paper
8 1/4 x 5 3/4 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


"Gipsbogen mit Glasscherben (Plaster Arch with Glass Shards)", 1967
India ink, watercolor on lined paper
8 1/4 x 6 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Pferdemücke als Plastik. Sehr gross, Holzlattenbeine und Rumpf, mit Seide gespannte Flügel. Auch Schmetterlinge, riesige Flügel (Crane Fly as a sculpture. Very large, wooden slat legs and body, wings covered with silk. Also large butterflies, large wings, ca. 1968
Ink, watercolour on lined paper
8 x 5 1/2 inches
20.5 x 14 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


"Person im Raum, die sich vorstellt... (A Person in a Room, Imagining...)", ca. 1968
Felt-tip pen on paper. Two parts, each:
11 1/4 x 8 1/4 inches
28.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Kordel zwischen den Armen und Beinen (Cord between Arms and Legs)”, 1969
Ballpoint pen on paper
11 1/2 x 8 inches
29.5 x 20.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Gelbes Dreieck mit Haaren (Yellow Triangle With Hair)”, 1964
Gouache, ballpoint pen on paper
11 1/2 x 8 1/4 inches
29.5 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Plastiken. Draht gespannt (Sculptures. Taut Wire)”, 1968
India ink on lined paper
8 1/4 x 5 3/4 inches
21 x 15 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Glaskasten. Höhere Wesen: Papier aus Papier… (Glass Cubes. Higher Powers: Paper Made from Paper…)”, ca. 1968
Felt-tip pen on lined paper
8 1/4 x 5 1/2 inches
21 x 14 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Erweiterung des Planetensystems um einen 10. Planeten (Expanding the Planetary System with a 10th Planet)”, 1968
Felt-tip pen, watercolor on lined paper
11 3/4 x 8 1/4 inches
30 x 21 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn


“Stahl mit Stricken, an den Stricken Papierblätter (Steel with Strings, Paper Sheets Hanging from the Strings)”, 1968, 1968
Ink, ballpoint pen on lined paper
8 1/4 x 5 3/4 inches
21 x 14.5 cm
c 2019 The Estate of Sigmar Polke, Cologne / ARS, New York / VG Bild-Kunst, Bonn

memo (overseas): Oct25,2019

ex-chamber memo (overseas): Oct25,2019

cart, horse, cart
A group exhibition curated by Michael Goodson & Anna Stothart
@Lehmann Maupin, New York, W 24 Street & W 22 Street
501 W 24th Street
New York, NY 10011
&
536 West 22nd Street
New York, NY 10011
USA
June 20 – August 16, 2019

installation views

























CECILY BROWN
All Nights Are Days, 2019
Oil on linen
89 x 97 inches
226.1 x 246.4 cm
Courtesy of the artist and Paula Cooper Gallery
Image by Genevieve Hanson


JOANNE GREENBAUM
Untitled, 2016
Oil, ink, acrylic, flashe and graphite on canvas
82 x 80 inches
208.3 x 203.2 cm
Courtesy the artist and Rachel Uffner Gallery


TERRY WINTERS
Cell, 2017
Oil, wax, and resin on linen
80 x 60 inches
203.2 x 152.4 cm
c Terry Winters
Courtesy Matthew Marks Gallery


SARAH CAIN
Emotions, 2018
Acrylic, chains, and uv seal on canvas
72 x 60 inches
182.9 x 152.4 cm
Courtesy Sarah Cain and Galerie Lelong & Co., New York


ANGEL OTERO
A False Spring, 2016
Oil paint and fabric collaged on canvas
96 x 145.5 x 3 inches
243.8 x 369.6 x 7.6 cm


DONALD MOFFETT
Lot 090307 (O), 2007
Oil, cotton, aluminum, rabbit skin glue and poly vinyl acetate on linen
24 x 20 inches
61 x 50.8 cm
Courtesy Marianne Boesky Gallery


LARI PITTMAN
“thought-form of the precipice between enlightenment and despair”, 2012
Cel-vinyl, spray enamel on canvas over wood panel
102 x 88 inches


BEVERLY FISHMAN
Untitled (Anxiety, ADHD, Pain), 2019
Urethane paint on wood
40 x 42 x 2 inches
101.6 x 106.7 x 5.1 cm
Courtesy of the artist and Miles McEnery Gallery





Loie Hollowell: Plumb Line
@Pace, New York
540 West 25th Street

New York
USA
Sep 14–Oct 19, 2019

installation views













Loie Hollowell, Postpartum Plumb Line, 2019, oil paint, acrylic medium, sawdust, and high density foam on linen mounted on panel, 72" × 54" × 3-1/2" (182.9 cm × 137.2 cm × 8.9 cm) c Loie Hollowell


Loie Hollowell, Boob Wheel, 2019, oil paint, acrylic medium, sawdust and high density foam on linen mounted on panel, 72-1/4" × 54-1/8" × 3-1/2" (183.5 cm × 137.5 cm × 8.9 cm) c Loie Hollowell


Loie Hollowell, Standing in Light, 2018, oil paint, acrylic medium, sawdust and high density foam on linen mounted on panel, 72" × 54" × 3-1/2" (182.9 cm × 137.2 cm × 8.9 cm) c Loie Hollowell


Loie Hollowell, Birthing Dance, 2018, oil paint, acrylic medium, sawdust and high density foam on linen mounted on panel, 72" × 54" × 3-1/2" (182.9 cm × 137.2 cm × 8.9 cm) c Loie Hollowell


Loie Hollowell, Birthing Dance (detail), 2018, oil paint, acrylic medium, sawdust and high density foam on linen mounted on panel, 72" × 54" × 3-1/2" (182.9 cm × 137.2 cm × 8.9 cm) c Loie Hollowell





Wael Shawky: The Gulf Project Camp
@Lisson Gallery, 504 West 24th Street, New York
504 West 24th Street
New York
USA
13 September – 16 October 2019

installation views



























Wael Shawky, The Gulf Project Camp: Carved wood (after ‘Hajj (Panoramic Overview of Mecca)’ by Andreas Magnus Hunglinger, 1803)
Oil on carved wood, 250 x 400 x 15 cm / 98 3/8 x 157 3/8 x 5 7/8 in


Wael Shawky, The Gulf Project Camp: Carved wood (after ‘Nighttime in a City’ by Mir Sayyid Ali, c.1540), 2019
Oil on carved wood, 245 x 230 x 25 cm / 96 3/8 x 90 1/2 x 9 3/4 in


Wael Shawky, The Gulf Project Camp: Glass Sculpture # 1, 2019
Glass, 75 x 80 x 200 cm / 29 1/2 x 31 1/2 x 78 5/8 in


Wael Shawky, The Gulf Project Camp: Sculpture # 4, 2019
Bronze, 85.1 x 135.9 x 62.9 cm / 33 1/2 x 53 1/2 x 24 3/4 in


Wael Shawky, The Gulf Project Camp: Carved wood (after ‘Nighttime in a City’ by Mir Sayyid Ali, c.1540), 2019
Oil on carved wood, 245 x 230 x 25 cm / 96 3/8 x 90 1/2 x 9 3/4 in


Wael Shawky, The Gulf Project Camp: Sculpture # 5, 2019
Bronze, 73 x 54.6 x 120.6 cm (28 3/4 x 21 1/2 x 47 1/2 in)


Wael Shawky, The Gulf Project Camp: Mirror (after 'Birth in a Palace', India, Murshidabad, 1760-1770), 2019
Bas-relief, glass, mirror, 140 x 190 cm / 55 x 74 3/4 in


Wael Shawky, The Gulf Project Camp: Mirror (after 'Birth in a Palace', India, Murshidabad, 1760-1770), 2019 (detail)
Bas-relief, glass, mirror, 140 x 190 cm / 55 x 74 3/4 in


Wael Shawky, The Gulf Project Camp: Carved wood (after Haft awrang 'Seven thrones' by Jami, 1556-1565), 2019
Oil on carved wood 200 x 230 x 40 cm 78 5/8 x 90 1/2 x 15 3/4 in
Installation view
504 West 24th Street, New York


Wael Shawky, The Gulf Project Camp: Drawing # 6, 2019
Graphite, Ink, oil, mixed media on cotton paper, 50.5 x 70.2 cm, (19 7/8 x 27 5/8 in)


Wael Shawky, The Gulf Project Camp: Drawing # 34, 2019
Graphite, Ink, oil, mixed media on cotton paper, 57.2 x 76.2 cm, (22 1/2 x 30 in)


Wael Shawky, The Gulf Project Camp: Drawing # 5, 2019
Graphite, Ink, oil, mixed media on cotton paper, 50.5 x 70.2 cm / 19 7/8 x 27 5/8 in


Wael Shawky, The Gulf Project Camp: Drawing # 2, 2019
Graphite, Ink, oil, mixed media on cotton paper, 50.5 x 70.2 cm, (19 7/8 x 27 5/8 in)


Wael Shawky, The Gulf Project Camp Drawing # 3
Graphite, Ink, oil, mixed media on cotton paper, 50.5 x 70.2 cm / 19 7/8 x 27 5/8 in, Framed: 60.6 x 80.3 x 3.8 cm / 23 7/8 x 31 5/8 x 1 1/2 in


Wael Shawky, The Gulf Project Camp: Sculpture # 3, 2019
Bronze, 50.8 x 120.6 x 61 cm / 20 x 47 1/2 x 24 in


Wael Shawky, The Gulf Project Camp: Drawing # 14, 2019
Graphite, Ink, oil, mixed media on cotton paper, 56.8 x 37.5 cm, (22 3/8 x 14 3/4 in)


Wael Shawky, The Gulf Project Camp: Drawing # 31, 2019
Graphite, Ink, oil, mixed media on cotton paper, 56.8 x 37.5 cm / 22 3/8 x 14 3/4 in


Wael Shawky, The Gulf Project Camp: Drawing # 20, 2019
Graphite, Ink, oil, mixed media on cotton paper, 56.8 x 37.5 cm / 22 3/8 x 14 3/4 in





Mark Bradford: Cerberus
@Hauser & Wirth, London
23 Savile Row
London W1S 2ET
UK
2 Oct – 21 Dec 2019

installation views



















The path to the river belongs to animals
Mark Bradford
2019
Mixed media on canvas
167.6 x 228.6 cm / 66 x 90 in
c Mark Bradford
Photo: Joshua White


Frostbite
Mark Bradford
2019
Mixed media on canvas
337.8 x 586.7 cm / 133 x 231 in
c Mark Bradford
Photo: Joshua White


Sapphire Blue
Mark Bradford
2018
Mixed media on canvas
339.1 x 584.2 cm / 133 1/2 x 230 in
c Mark Bradford
Photo: Joshua White






Dancing in the Street
Mark Bradford
2019
Video
2 mins, 50 sec
c Mark Bradford





Caroline Walker: A Woman Sewing
@GRIMM Keizersgracht 241, Amsterdam
Keizersgracht 241
1016 EA Amsterdam, The Netherlands
30 August - 5 October 2019

installation views















Caroline Walker
Mark-Stitching, 2019
Oil on linen
150 x 195 cm | 59 1/8 x 76 3/4 in


Caroline Walker
Cutting, 2019
Oil on linen
210 x 180 cm | 82 5/8 x 70 7/8 in


Caroline Walker
Canvasing, 2019
Oil on linen
165 x 210 cm | 65 x 82 5/8 in


Caroline Walker
Drafting, 2019
Oil on board
43 x 35 cm | 16 7/8 x 13 3/4 in


Caroline Walker
Pressing, 2019
Oil on board
43 x 35 cm | 16 7/8 x 13 3/4 in


Caroline Walker
Measuring, 2019
Oil on board
43 x 35 cm | 16 7/8 x 13 3/4 in


Caroline Walker
Sewing, 2019
Oil on board
43 x 35 cm | 16 7/8 x 13 3/4 in


Caroline Walker
Setting In, 2019
Oil on linen
175 x 125 cm | 68 7/8 x 49 1/4 in


Caroline Walker
Study for Cutting, 2019
Oil on paper
53 x 45.3 cm | 20 7/8 x 17 7/8 in


Caroline Walker
Study for Coat Makers, 2019
Oil on paper
55.5 x 48.4 cm | 21 7/8 x 19 1/8 in (unframed)


Caroline Walker
Study for Pinked, 2019
Oil on paper
61.5 x 47.5 cm | 24 1/4 x 18 3/4 in

memo (overseas): Oct24,2019

ex-chamber memo (overseas): Oct24,2019

Mandy El-Sayegh: Dispersal
@Lehmann Maupin, Hong Kong
407 Pedder Building
12 Pedder Street, Hong Kong
July 11 – August 30, 2019

installation views





















MANDY EL-SAYEGH
Occupations, 2019
Oil and mixed media on linen with artist stainless steel frame
82.68 x 59.06 inches
210 x 150 cm


MANDY EL-SAYEGH
Denzel, 2019
Oil and mixed media on linen, stainless steel artist frame
88.58 x 59.06 inches
225 x 150 cm


MANDY EL-SAYEGH
Sleepy (head of), 2018
Oil and mixed media on linen with artist stainless steel frame
57.09 x 58.66 inches
145 x 149 cm


MANDY EL-SAYEGH
Net-Grid Study (Centre), 2019
Oil and mixed media on linen, artist steel frame
53.94 x 59.84 inches
137 x 152 cm


MANDY EL-SAYEGH
Net-Grid Study (ONE), 2019 (detail)
Oil and mixed media on linen, artist steel frame
48.39 x 46.06 inches
122.9 x 117 cm


MANDY EL-SAYEGH
Net-Grid Study (OMEN), 2019
Oil and mixed media on linen, artist steel frame
47.64 x 48.43 inches
121 x 123 cm





Calder: Small Sphere and Heavy Sphere
@Pace, New York
540 West 25th Street

New York
USA
Sep 14–Oct 26, 2019

installation views





















Dancing Torpedo Shape, 1932, Wood, wire, sheet metal, and paint, with motor c 2019 Calder Foundation, New York / Artists Rights Society (ARS), New York


Alexander Calder, John Graham, 1931, Wire, 10-1/2" × 8-1/2" × 10-1/2" (26.7 cm × 21.6 cm × 26.7 cm). Photo Courtesy of: Calder Foundation, New York / Art Resource, New York c 2019 Calder Foundation, New York / Artists Rights Society (ARS), New York





Bernard Piffaretti
@Lisson Gallery, 138 Tenth Avenue, New York
138 Tenth Avenue
New York
USA
13 September – 19 October 2019

installation views











Bernard Piffaretti
Untitled, 2016
Acrylic on canvas
60 x 60 x 2 cm each / 23 1/2 x 23 1/2 x 3/4 in each


Bernard Piffaretti
Untitled, 2016
Acrylic on canvas
150 x 150 x 2.5 cm / 59 x 59 x 7/8 in


Bernard Piffaretti
Untitled, 2019
Acrylic on canvas
119.7 x 80 x 2.2 cm / 47 1/8 x 31 1/2 x 7/8 in


Bernard Piffaretti
Untitled , 2010
100 x 80 cm / 39 1/4 x 31 1/2 in


Bernard Piffaretti
Untitled, 2013
Acrylic on canvas
81 x 65 x 2.5 cm / 31 7/8 x 25 1/2 x 7/8 in


Bernard Piffaretti
Untitled, 2019
Acrylic on canvas
65 x 92 x 2.5 cm / 25 1/2 x 36 1/8 x 7/8 in


Bernard Piffaretti
Untitled, 2019
Acrylic on canvas
239.7 x 139.7 x 2.5 cm / 94 3/8 x 55 x 1 in


Bernard Piffaretti
Untitled , 2019
Acrylic on canvas
170 x 170 cm / 66 7/8 x 66 7/8 in





Takesada Matsutani: Yohaku
@Hauser & Wirth, Zürich
Limmatstrasse 270
8005 Zürich
Switzerland
11 Oct – 21 Dec 2019

installation views



















Dance 14-2
Takesada Matsutani
2014
Vinyl adhesive, graphite pencil, acrylic on canvas
162 x 130 cm / 63 3/4 x 51 1/8 in
c Takesada Matsutani
Photo: Marc Domage


Circle 17-11-11
Takesada Matsutani
2017
Vinyl adhesive, acrylic, graphite pencil on canvas
Diameter 185 cm / 72 7/8 in
c Takesada Matsutani
Courtesy the artist and Hauser & Wirth
Photo: Patrick Rimond


Cross
Takesada Matsutani
2001
Vinyl relief, graphite on canvas
162 x 130 cm / 63 3/4 x 51 1/8 in
c Takesada Matsutani
Photo: Marc Domage


Pli
Takesada Matsutani
2013
Vinyl adhesive, graphite pencil on Kraft paper mounted on cotton
97 x 76 x 12.5 cm / 38 1/4 x 29 7/8 x 4 7/8 in
c Takesada Matsutani


Stream-08
Takesada Matsutani
1980
Graphite pencil and turpentine on paper
80 x 120 cm / 31 1/2 x 47 1/4 in
c Takesada Matsutani


Une goutte 19-20
Takesada Matsutani
2019
Wood, vinyl adhesive, graphite pencil on wood
27 x 19 x 3.8 cm / 10 5/8 x 7 1/2 x 1 1/2 in
c Takesada Matsutani


Day and Night
Takesada Matsutani
2018
Vinyl adhesive, graphite pencil, sumi ink, acrylic on canvas
122 x 122.2 x 4.3 cm / 48 x 48 1/8 x 1 3/4 in
c Takesada Matsutani


Tanabiku
Takesada Matsutani
2014
Vinyl adhesive, graphite pencil, acrylic on canvas
162.2 x 130.2 x 3 cm / 63 7/8 x 51 1/4 x 1 1/8 in
c Takesada Matsutani


Stream-Pompidou
Takesada Matsutani
2019
Graphite pencil on canvas roll, acrylic, acrylic adhesive, and graphite pencil on canvas
440 x 997 x 12.5 cm / 173 1/4 x 392 1/2 x 4 7/8 in
c Takesada Matsutani





Volker Hüller: Paradise Inn
@GRIMM New York
202 Bowery
NY 10012, New York, USA
4 September - 12 October 2019

installation views

















Volker Hüller
Paradise Lost I, 2019
Oil, acrylic, pencil, wax on canvas, framed
203.2 x 152.4 cm | 80 x 60 in


Volker Hüller
Paradise Lost II, 2019
Oil, acrylic, pencil on canvas, framed
204 x 154 cm | 80 1/4 x 60 5/8 in


Volker Hüller
Paradise Lost III, 2019
Oil, acrylic, pencil on canvas, framed
199 x 144 cm | 78 3/8 x 56 3/4 in


Volker Hüller
Paradise Lost V, 2019
Oil, acrylic, pencil, wax on canvas, framed
204 x 153 cm | 80 1/4 x 60 1/4 in


Volker Hüller
Paradise Lost IV, 2019
Oil, acrylic, pencil, wax on canvas, framed
205 x 150 cm | 80 3/4 x 59 1/8 in


Volker Hüller
The Tree Hugger, 2019
Oil on canvas, framed
214 x 144 cm | 84 1/4 x 56 3/4 in


Volker Hüller
Muffler, 2019
Clay, oil, varnish, pigments, shellac, marble dust
8.9 x 142.2 x 27.9 cm | 3 1/2 x 56 x 11 in


Volker Hüller
Sunday 11:20 am, 2019
Oil, acrylic, pigments, watercolor on canvas, framed
Single Panel: 228 x 128 cm | 89 3/4 x 50 3/8 in Quadriptych: 228 x 512 cm | 89 3/4 x 201 5/8 in


Volker Hüller
Distel, 2019
Rock, stiletto, iron
73.7 x 35.6 x 35.6 cm | 29 x 14 x 14 in


Volker Hüller
Paradise Inn, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 61.6 x 53.7 cm | 24 1/4 x 21 1/8 in Framed: 66.7 x 58.7 cm | 26 1/4 x 23 1/8 in


Volker Hüller
Pimple Minds, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 29.1 x 23.8 cm | 11 1/2 x 9 3/8 in Framed: 33.5 x 28.3 cm | 13 1/4 x 11 1/8 in


Volker Hüller
Heiter bis wolkig, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 49.2 x 162.9 cm | 19 3/8 x 64 1/8 in Framed: 55.1 x 168.8 cm | 21 3/4 x 66 1/2 in


Volker Hüller
After party, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 57.1 x 47 cm | 22 1/2 x 18 1/2 in Framed: 62.2 x 52.1 cm | 24 1/2 x 20 1/2 in


Volker Hüller
Sensei, 2019
Etching, watercolor, pigment, shellac on paper, framed
Unframed: 60.3 x 52.5 cm | 23 3/4 x 20 3/4 in Framed: 65.4 x 57.6 cm | 25 3/4 x 22 3/4 in


Volker Hüller
Sifu, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 43 x 35.6 cm | 17 x 14 in Framed: 47.8 x 40.3 cm | 18 7/8 x 15 7/8 in


Volker Hüller
Die faule Sau, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 26 x 31.3 cm | 10 1/4 x 12 3/8 in Framed: 30.5 x 35.7 cm | 12 x 14 1/8 in


Volker Hüller
Epiphany I, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 57.1 x 46.8 cm | 22 1/2 x 18 1/2 in Framed: 62.2 x 51.9 cm | 24 1/2 x 20 1/2 in


Volker Hüller
Epiphany II, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 57.5 x 47.1 cm | 22 5/8 x 18 5/8 in Framed: 62.5 x 52.2 cm | 24 5/8 x 20 5/8 in


Volker Hüller
Flowers and Snakes, 2019
Etching, watercolor, shellac on paper, framed
Unframed: 33.9 x 28.4 cm | 13 3/8 x 11 1/4 in Framed: 38.6 x 32.9 cm | 15 1/4 x 13 in

memo (overseas): Oct23,2019

ex-chamber memo (overseas): Oct23,2019

Sarah Conaway: Head of a Woman
@The BOX
805 Traction Avenue Los Angeles, CA 90013
USA
November 17, 2018 - January 19, 2019

installation views













Sarah Conaway, Woman With Her Throat Cut, 2018, Pigment print, 34 x 26 inches, Edition 1 of 3.


Sarah Conaway, Lot's Wife, 2018, Pigment print, 25 x 31 3/4 inches, Edition 1 of 3.


Sarah Conaway, Head of a Woman, 2018, Pigment print, 28 3/4 x 24 3/4 inches, Edition 1 of 3.


Sarah Conaway, THREE DEE, 2018, Pigment print, 28 x 21 3/4 inches, Edition 1 of 3.


Sarah Conaway, GEORGIA, 2018, Pigment print, 25 x 31 3/4 inches, Edition 1 of 3.


Sarah Conaway, {Enigma...Babel}, 2018, Archival Pigment Print, 25 3/4 x 32 11/16 inches, Edition 1 of 3


Sarah Conaway, The Garden, 2018, Mixed medium, Dimensions variable, installation view. Photo by Fredrik Nilsen Studio.


Sarah Conaway, CUTS, 2018, Pigment print, 26 x 20 1/4 inches, Edition 1 of 3.


Sarah Conaway, TERESA, 2018, Pigment print, 26 x 20 1/2 inches, Edition 1 of 3.


Sarah Conaway, Tablets (installation view), 2018, Pigment print, 28 3/4 x 24 1/2 inches, Edition 1 of 3. Photo by Fredrik Nilsen Studio.


Sarah Conaway, Tablets, 2018, Pigment print, 28 3/4 x 24 1/2 inches, Edition 1 of 3.


Sarah Conaway, Left: [II], 2018, Bronze; Right: Tablets, 2018, Bronze. Photo by Fredrik Nilsen Studio.





Kader Attia: Mirrors of Emotion
@Lehmann Maupin, New York, W 24th Street
501 W 24th Street
New York, NY 10011
USA
September 10 – October 26, 2019

installation views













KADER ATTIA
The Ruins of Revolution, 2019
12 cast in concrete
15.75 x 13.78 x 11.8 inches (each)
40 x 35 x 30 cm
Overall dimensions variable
Photo by Matthew Herrmann


KADER ATTIA
Untitled, 2019
Steel
75.5 x 145 inches
191.8 x 368.3 cm
Photo by Matthew Herrmann


KADER ATTIA
Untitled, 2019
Steel and prosthetic legs made of wood
107 x 127.5 x 59 inches
271.8 x 323.9 x 149.9 cm
Photo by Matthew Herrmann


KADER ATTIA
Broken Obscurity 1, 2019
Glass
75 x 47 inches
190.5 x 119.4 cm
Photo by Matthew Herrmann


KADER ATTIA
Red Modernity 1, 2019
Wood sculpture, fluorescent lights with red gels
60 x 20 x 15.5 inches
152.4 x 50.8 x 39.4 cm
Photo by Matthew Herrmann


KADER ATTIA
The Embrace, 2019
2 sculptures, concrete plinth
39.5 x 69.5 x 25 inches (overall)
100.3 x 176.5 x 63.5 cm
Photo by Matthew Herrmann


KADER ATTIA
Immaterial Wound, 2019
Nylon 3D printed mask
3.15 x 9.06 x 7.09 inches
8 x 23 x 18 cm
Photo by Matthew Herrmann


KADER ATTIA
Réfléchir la Mémoire / Reflecting Memory, 2016 (still)
Single-channel HD video projection, color
Dimensions variable
Duration: 45 minutes, 56 seconds





Yto Barrada: Paste Papers
@Pace, New York
540 West 25th Street

New York
USA
Sep 14–Dec 20, 2019

installation views













Yto Barrada, Untitled, 2019, Paste Paper Painting, 17-9/16" × 23-9/16", framed c Yto Barrada





Ai Weiwei: Roots
@Lisson Gallery, 27 Bell Street, London
27 Bell Street
London
NW1 5BY
UK
2 October – 2 November 2019

installation views























Ai Weiwei, Martin
Cast iron, 230.5 x 352 x 238 cm / 90 3/4 x 138 1/2 x 93 5/8 in. Courtesy of Ai Weiwei Studio, Lisson Gallery and neugerremschneider


Ai Weiwei, Party, 2019
Cast iron, 220 x 344 x 253 cm / 86 1/2 x 135 3/8 x 99 1/2 in. Courtesy of Ai Weiwei Studio, Lisson Gallery and neugerremschneider


Ai Weiwei, Strength
Cast iron, 178.6 x 212 x 175 cm / 70 1/4 x 83 3/8 x 68 7/8 in. Courtesy of Ai Weiwei Studio, Lisson Gallery and neugerremschneider


Ai Weiwei, Fly, 2019
Cast iron, 173 x 396 x 288 cm / 68 x 155 7/8 x 113 3/8 in


Mr Painting, 2019
Cast iron, 235 x 351 x 183 cm / 92 1/2 x 138 1/8 x 72 in. Courtesy of Ai Weiwei Studio, Lisson Gallery and neugerremschneider





Maria Lassnig: Zarter Mittelpunkt / Delicate Centre
@Hauser & Wirth, Zürich
Limmatstrasse 270
8005 Zürich
Switzerland
11 Oct – 21 Dec 2019

installation views



















Untitled
Maria Lassnig
Circa 1980 - 1985
Watercolour, colour pencil on paper
62.7 x 44 cm / 24 5/8 x 17 3/8 in
c Maria Lassnig Foundation
Courtesy the Foundation and Hauser & Wirth
Photo: Roland Krauss


Zarter Mittelpunkt (Delicate Centre)
Maria Lassnig
1961
Watercolour on cardboard
63 x 85.6 cm / 24 3/4 x 33 3/4 in
c Maria Lassnig Foundation
Courtesy the Foundation and Hauser & Wirth
Photo: Roland Krauss


Untitled
Maria Lassnig
1990
Watercolour on paper
56 x 75.8 cm / 22 x 29 7/8 in
c Maria Lassnig Foundation
Photo: Roland Krauss


Untitled
Maria Lassnig
Circa 1964 - 1968
Watercolour on paper
56.6 x 38.9 cm / / 22 1/4 x 15 3/8 in
c Maria Lassnig Foundation
Courtesy the Foundation and Hauser & Wirth
Photo: Roland Krauss


Entwurf zu einem Wandfries(s), 1 x 30m, in der Chirurgie, Landeskrankenhaus in Klagenfurt (Design for a wall frieze, 1 x 30m, at the Surgical Ward State Hospital in Klagenfurt)
Maria Lassnig
Circa 1961
Watercolour, ballpoint pen on paper
54 x 145.5 cm / 21 1/4 x 57 1/4 in
c Maria Lassnig Foundation
Courtesy the Foundation and Hauser & Wirth
Photo: Roland Krauss





Ding Yi: Rim light (in cooperation with ShanghART Gallery)
@Galerie Rüdiger Schöttle
Amalienstraße 41, Rgb.
80799 München
Germany
14.09.2019 – 16.11.2019

Installation views. Photo: Wilfried Petzi.













Appearance of Crosses 2019-10, 2019, mixed media on basswood, 120 × 240 cm.


Appearance of Crosses 2019-11, 2019, mixed media on basswood, 120 × 120 cm.


Appearance of Crosses 2019-4, 2019, mixed media on basswood, 120 × 120 cm.


Appearance of Crosses 2019-12, 2019, mixed media on basswood, 120 × 120 cm.


Appearance of Crosses 2019-17, 2019, mixed media on basswood, 120 × 120 cm.


Appearance of Crosses 2019-7, 2019, mixed media on basswood, 120 × 240 cm.


Appearance of Crosses 2019-B13, 2019, acrylic, water colour pencil & pencil on handmade paperr, 56 × 38 cm.


Appearance of Crosses 2019-B8, 2019, acrylic, water colour watercolor pencil & pencil on handmade paper, 56 × 38 cm.

memo (overseas): Oct22,2019

ex-chamber memo (overseas): Oct22,2019

Nathaniel Mellors & Erkka Nissinen: BAD MANTRAS
@The BOX
805 Traction Avenue Los Angeles, CA 90013
USA
June 7 - July 20, 2019


Image design: Chris Bloor.














Nathaniel Mellors & Erkka Nissinen
The Aalto Natives (Floored version), 2017, Animatronic sculpture with synchronized 3 channel HD video, lighting sound, video: 50 minutes; dimensions variable, Edition of 2.


Nathaniel Mellors & Erkka Nissinen
Presidential Crucifixion, 2019, HD video, felt puppet, sponge, clothing, Edition of 2.


Nathaniel Mellors & Erkka Nissinen
Presidential Crucifixion (detail), 2019, HD video, felt puppet, sponge, clothing, Edition of 2.


Nathaniel Mellors & Erkka Nissinen
Past Perfect Object, 2019, Felt, plastic, plexi, styrofoam, plinth, filler, 20 x 12 x 58 inches.








Nathaniel Mellors & Erkka Nissinen
Bad Mantras, 2019, Animatronic sculpture, guitar, keyboard, drum machine, amplifiers, microphones, 12 minutes, looped, Edition of 2.





Sebastian Stöhrer & Tenki Hiramatsu: DUNE
@Barbara Seiler
Limmatstrasse 270
8005 Zuerich
Switzerland
06.04. - 18.05.2019

















































Billy Childish: man in the mouth of a cave
@Carl Freedman Gallery
29 Charlotte Road London EC2A 3PB
UK
26 May – 25 August 2019

installation views











heaven’s journey (night), 2018, Oil and charcoal on linen, 275 x 244 cm


julie swimming II, 2018, Oil and charcoal on linen, 152.5 x 244 cm


swimmer and waterfall, 2018, Oil and charcoal on linen, 244 x 275 cm


into the lake, 2017, Oil and charcoal on linen, 152.5 x 152.5 cm





Liza Lou: The River and the Raft
@Seoul | Lehmann Maupin & Songwon Art Center
Lehmann Maupin: 74-18, Yulgok-ro 3-gil, Jongno-gu, Seoul, Korea
Songwon Art Center: 75, Yunposun-gil, Jongno-gu, Seoul, 03061, Korea
September 26 – November 9, 2019

Liza Lou, The River and the Raft
Installation view at Songwon Art Center, Seoul
September 26 – November 9, 2019
Photo by ArtOn Studio






Liza Lou, The River and the Raft
Installation view at Lehmann Maupin, Seoul
September 26 – November 9, 2019







LIZA LOU
Sunday Morning, 2019
Oil paint on woven glass beads and thread on canvas
71 x 126 inches
180.3 x 320 cm
Photo by Josh White


LIZA LOU
Nightsong, 2019
Oil paint on woven glass beads and thread on canvas
28.3 x 28.1 x 1.5 inches
71.8 x 71.4 x 3.8 cm
Photo by Josh White


LIZA LOU
Psalm 51, 2019
Oil paint on woven glass beads and thread on canvas
56.4 x 56 x 2 inches
143.2 x 142.2 x 5.1 cm
Photo by Josh White





Stanley Whitney: Afternoon Paintings
@Lisson Gallery, 67 Lisson Street, London
67 Lisson Street
London
NW1 5DA
UK
2 October – 2 November 2019

installation views














Louise Nevelson & Yin Xiuzhen
@Pace, Hong Kong
12/F, H Queen's
80 Queen's Road Central
Hong Kong
Sep 21–Nov 15, 2019

installation views











Louise Nevelson, Untitled, 1971, wood painted black, 74" x 95" x 11" (188 cm x 241.3 cm x 27.9 cm), 83 elements plus 1 part base, 84 parts total c 2019 The Estate of Louise Nevelson/Artists Rights Society (ARS), New York


Yin Xiuzhen, Bookshelf No. 5, 2009-2013, Worn clothes and wood, 165.5 cm x 96 cm x 26 cm (65-3/16" x 37-13/16" x 10-1/4") c Yin Xiuzhen

memo (overseas): Oct21,2019

ex-chamber memo (overseas): Oct21,2019

James Hoff: In the Swim
@Callicoon Fine Arts
49 Delancey Street
New York, NY 10002
USA
April 15 - May 20, 2018

installation views

































James Hoff, The Left Does Not View Browsing Itself as a Scandal, only its Exploitation, 2018, acrylic dye, aluminum, WannaCry, 24 x 16 inches (61 x 40.6 cm)


James Hoff, Uninventing Understanding, 2018, acrylic dye, aluminum, WannaCry, 24 x 16 inches (61 x 40.6 cm)


James Hoff, Hello World Problems, 2018, acrylic dye, aluminum, WannaCry, 36 x 24 inches (91.4 x 61 cm)


James Hoff, Our Crime was Our Curiosity, 2018, acrylic dye, aluminum, WannaCry, 36 x 24 inches (91.4 x 61 cm)


James Hoff, Consequently, the User Thinks Itself Free, 2018, acrylic dye, aluminum, WannaCry


James Hoff, EternalBlue, 2018, acrylic dye, aluminum, WannaCry, 24 x 16 inches (61 x 40.6 cm)


James Hoff, Surely the State is the Sewer, 2018, acrylic dye, aluminum, WannaCry, 36 x 24 inches (91.4 x 61 cm)





Ryan Wallace: Unlanding
@Susan Inglett Gallery
522 West 24th Street
New York NY 10011
USA
25 October 2018 – 5 December 2018

installation views











Unlanding VI, 2018, Oil, enamel, acrylic, paper, linen, canvas, aluminum and fiberglass tape, 48 x 60 in., 49 1/4 x 61 1/4 in. framed


Unlanding II, 2018, Oil, enamel, acrylic, pigment, cold wax, film, cotton, canvas, linen, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding II (detail), 2018, Oil, enamel, acrylic, pigment, cold wax, film, cotton, canvas, linen, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding IV, 2018, Oil, enamel, acrylic, canvas, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding III, 2018, Oil, enamel, acrylic, cotton, canvas, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding III, 2018, Oil, enamel, acrylic, cotton, canvas, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding V, 2018, Oil, enamel, acrylic, Mylar, canvas, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding V, 2018, Oil, enamel, acrylic, Mylar, canvas, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Untitled, 2018, Enamel, acrylic, canvas, aluminum and fiberglass tape, 28 x 20 in.


Unlanding IX, 2018, Enamel, acrylic, canvas, aluminum and fiberglass tape, 81 x 54 1/4 in., 82 1/2 x 55 3/4 in. framed


Unlanding I, 2018, Oil, enamel, acrylic, Masonite, tape, cotton, canvas, linen, aluminum and fiberglass tape, 60 x 72 in., 61 1/4 x 73 1/4 in. framed


Unlanding VII, 2018, Oil, enamel, acrylic, canvas, aluminum and fiberglass tape, 48 x 60 in.


Unlanding VIII, 2018, Oil, enamel, acrylic, canvas, aluminum and fiberglass tape, 48 x 36 in.


Untitled, 2018, Oil, enamel, acrylic, canvas, linen, aluminum and fiberglass tape, 28 x 20 in.


Untitled, 2018, Oil, enamel, acrylic, canvas, linen, aluminum and fiberglass tape, 28 x 20 in.


Untitled, 2018, Oil, enamel, acrylic, canvas, linen, aluminum and fiberglass tape, 28 x 20 in.





NANCY BARTON: Swan Song
@GREENSPON
71 Morton Street New York 10014
USA
April 27 – June 1, 2019

installation views















Swan Song, Salome I,1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 32 x 20 inches (81.28 x 76.2 cm)


Swan Song, Lakme, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 36 x 23.75 inches (91.44 x 60.3 cm)


Swan Song, Faust, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 28.5 x 23 inches (72.3 x 58.4 cm)


Swan Song, Lucia, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 33 x 21.5 inches (83.8 x 54.6 cm)


Swan Song, Anna Bolena, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 30 x 20 inches (76.2 x 50.8 cm)


Swan Song, Elektra, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 24 x 20 inches (50.8 x 61 cm)


Swan Song, Thais, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 31 x 19 inches (78.7 x 48.2 cm)


Swan Song, Medee, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 33 x 18 inches (83.8 x 45.8 xm)


Swan Song, La Gioconda,1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 29.5 x 23 inches (74.9 x 58.4 cm)


Swan Song, Salome II, 1988 Chromogenic color print and formica panel: 60 x 24 inches (152.4 x 61 cm) photograph: 28.5 x 24 inches (72.3 x 60.9 cm)





Guy de Cointet
@The BOX
805 Traction Avenue Los Angeles, CA 90013
USA
September 14 - October 19, 2019

installation views




















MARCEL VAN EEDEN: Den Haag – Zürich, 1934-1936
@Barbara Seiler
Limmatstrasse 270
8005 Zuerich
Switzerland
25. Mai – 06. Juli, 2019

memo (overseas): Oct20,2019

ex-chamber memo (overseas): Oct20,2019

OSAMU KOJIMA: MEDITATION
@Jason Jacques Gallery
29 East 73rd Street
10021 New York
USA
SEPTEMBER 12 – OCTOBER 27, 2018

installation views



















BLUE 17-05
OSAMU KOJIMA
16H X 7W X 11D IN.
KOO015
2017


BLUE 17-06
OSAMU KOJIMA
13H X 12W X 11D IN.
KOO016
2017


BLUE 17-07
OSAMU KOJIMA
13H X 10W X 9D IN.
KOO017
2017


BLUE 17-08
OSAMU KOJIMA
12H X 9W X 12D IN.
KOO018
2017


BLUE 17-02
OSAMU KOJIMA
11H X 12W X 12D IN.
KOO020
2017


NOSTALGIA 16-TWTS01
OSAMU KOJIMA
18H X 14W X 7D IN.
KOO021
2016


NOSTALGIA 16-TWTS02
OSAMU KOJIMA
9H X 8W X 7D IN.
KOO022
2016


BLUE 09-M02
OSAMU KOJIMA
6H X 9W X 7D IN.
KOO023
2009


BLUE 14
OSAMU KOJIMA
16.54H X 9.06W X 7.48D IN
KOO007
2014





ALWIN LAY | ROLLOUT
@NINO MIER GALLERY, 1107 Greenacre Ave., Los Angeles
1107 Greenacre Ave.
Los Angeles, CA 90046
USA
July 20 – August 31, 2019

installation views































Alwin Lay, Urquell / Fountainhead, 2015, Fine Art Print, 27 1/2 x 19 3/4 in (70 x 50 cm), Edition 1 of 5, AL19.009


Alwin Lay, Kodak 200 (Mono), 2019, Latexdruck (latex wallpaper), Dimensions variable, Edition 2 of 7, AL19.003


Alwin Lay, Ein Tropfen Gelb, 2016, C-Print, 19 3/4 x 15 3/4 in (50 x 40 cm), Edition 4 of 5, AL19.004


Alwin Lay, Avantgarde, 40mm, Made in Germany, 2015, HD-Video loop, 3:13 duration, Edition 1 of 7, AL19.002


Alwin Lay, Paper cut / Papierschnittwunde, 2017, C-Print, 65 x 47 1/4 in (165 x 120 cm), Edition 1 of 5, AL19.001


Alwin Lay, Glückwunsch / Congrats, 2018, Pigment Print, 13 3/8 x 11 1/8 in (34 x 28 cm), Edition 8 of 30, AL19.006


Alwin Lay, Roter Teppich / Red Carpet, 2017, Fine Art Print, 26 x 22 7/8 in (66 x 58 cm), Edition 1 of 5, AL19.005


Alwin Lay, Push Pin in Paper (Fujicolor Crystal Archive), 2018, Diasec Sculpture, 13 x 11 3/8 x 9 1/2 in (33 x 29 x 24 cm), Edition 1 of 3, AL19.007


Alwin Lay, Do it, 2016, Fine Art Print, 19 3/4 x 15 3/4 in (50 x 40 cm), Edition 3 of 5, AL19.008





Johannes Bendzulla: #SpontexMandala
@NATALIA HUG
Jülicher Straße 14
50674 Köln, Germany
February 21 − March 30, 2019

installation views











Johannes Bendzulla, Spontex_007, 2019, Inkjet print on handmade paper 140 × 90 × 4 cm (55 1/8 × 35 3/8 × 1 5/8 inches), Edition 5 + I AP


Johannes Bendzulla, Spontex_007, 2019, detail


Johannes Bendzulla, Spontex_006, 2019 Inkjet print on handmade paper, mounted on Dibond, aluminum substructure 81 × 61 × 4 cm (31 7/8 × 24 × 1 5/8 inches) Edition 5 + I AP


Johannes Bendzulla, Spontex_001, 2019 Inkjet print on handmade paper 140 × 90 × 4 cm (55 1/8 × 35 3/8 × 1 5/8 inches) Edition 5 + I AP


Johannes Bendzulla, Spontex_004, 2019 Inkjet print on handmade paper, mounted on Dibond, aluminum substructure 81 × 55.5 × 4 cm (31 7/8 × 21 7/8 × 1 5/8 inches) Edition 5 + I AP


Johannes Bendzulla, Spontex_008, 2019 Inkjet print on handmade paper 140 × 90 × 4 cm (55 1/8 × 35 3/8 × 1 5/8 inches) Edition 5 + I AP


Johannes Bendzulla, Spontex_008, 2019, detail


Johannes Bendzulla, Spontex_005, 2019 Inkjet print on handmade paper, mounted on Dibond, aluminum substructure 81 × 61 × 4 cm (31 7/8 × 24 × 1 5/8 inches), Edition 5 + I AP


Johannes Bendzulla, Spontex_005, detail





Nicholas Buffon: Vehicles
@Callicoon Fine Arts
49 Delancey Street
New York, NY 10002
USA
February 17 - March 24, 2019

installation views













Manhattan Fruit Exchange, 2018, Acrylic and carbon transfer on Bristol paper, 13 1/2 x 8 3/4 inches (34.3 x 22.2 cm)


Bethesda Fountain, 2018, Acrylic and carbon transfer on Bristol paper, 20 1/2 x 13 1/2 inches (50.1 x 34.3 cm)




Anthology Film Archives, 2019, Acrylic and carbon transfer on Bristol paper, 16 3/4 x 9 3/8 inches (42.5 x 23.8 cm)


Bath Time!, 2019, Acrylic and carbon transfer on Bristol paper, 22 3/16 x 11 3/4 inches (56.3 x 29.8 cm)


New York Dogs, 2018, Acrylic and carbon transfer on Bristol paper, 8 5/8 x 12 1/8 inches (21.9 x 30.8 cm)


B&H Dairy, 2018, Foam core, Bristol paper, acrylic paint, Sobo glue, superglue, sculpey and pins, 22 x 20 x 10 inches (55.9 x 50.8 x 25.4 cm)


B&H Dairy (detail), 2018, Foam core, Bristol paper, acrylic paint, Sobo glue, superglue, sculpey and pins, 22 x 20 x 10 inches (55.9 x 50.8 x 25.4 cm)


Correction, 2019, Acrylic and carbon transfer on Bristol paper, 15 5/8 x 11 1/8 inches (39.7 x 28.2 cm)


The Painter, 2018, Acrylic and carbon transfer on Bristol paper, 10 x 8 3/4 inches (25.4 x 22.2 cm)





Monster Chetwynd: Either This Coat’s Inhabited or I’m Inhibited
@Galerie Gregor Staiger
Limmatstrasse 268
8005 Zurich
Switzerland
June 8–July 20, 2019

installation views













Ninja Turtles, 2019
Photocopy, wood, paint, latex, fabric, metal fittings; 280 x 193 x 37 cm


Where is God (the Bat), 2019
Photocopy, wood, paint, latex, fabric, metal fittings; 280 x 591 x 21 cm


Splinter, 2019
Photocopy, wood, paint, latex, fabric, metal fittings, synthetic hair; 280 x 184 x 28 cm


Cat Fight (The Deluge), 2019
Photocopy, wood, paint, latex, fabric, metal fittings, synthetic fur; 310 x 240 x 30 cm


Salamander, 2019
Photocopy, wood, paint, latex, fabric, Dutch metal, metal fittings; 280 x 198.5 x 45 cm


Comet Moth, 2019
Photocopy, wood, paint, latex, fabric, metal fittings, synthetic fur, cardboard; 280 x 197 x 31 cm

memo (overseas): Oct19,2019

ex-chamber memo (overseas): Oct19,2019

Overture
A.K. Burns, Jason Hirata, Zoe Leonard, K.R.M. Mooney, Ulrike Müller, Carissa Rodriguez, Alan Ruiz
@Callicoon Fine Arts
49 Delancey Street
New York, NY 10002
USA
March 31 - May 5, 2019

installation views























Alan Ruiz, WS-ANSI A, 2019, 500 sheets of 8.5 x 11 inch US Letter paper (20 lbs, 92 brightness, 500/ream), black letter tray, 12 1/2 x 10 x 1 3/4 inches (31.75 x 25.4 x 4.4 cm). Edition of 4.


Zoe Leonard, August 6, frame 32, 2011–12, Gelatin silver print, 20 x 28 1/2 inches (50.8 x 72.4 cm). Edition 2 of 6.


Carissa Rodriguez, All the Best Memories are Hers, 2018/19, Gelatin silver print from LVT negative, 8 x 6 inches (20.3 x 15.2 cm, image size). Edition of 3, with 1AP.


Jason Hirata, Fodder, 2015–6/2019, black walnut ink on card stock, watercolor paper, archival inkjet printing, galvanized steel, 48 x 60 inches (121.9 x 152.4 cm).


Zoe Leonard, Roll #3, 2006/16, Gelatin silver print, 19 7/8 x 16 inches (50.5 x 40.5 cm). Edition 2 of 6, with 2AP.


A.K. Burns, zero: A.K. Burns on Nancy Holt, 2019, Digitally-printed book, copper foil stamp, perfect bound, 32 pages, 8 1/2 x 5 1/2 inches (21.6 x 14 cm). Edition of 400.


A.K. Burns, zero: A.K. Burns on Nancy Holt (detail), 2019, Digitally-printed book, copper foil stamp, perfect bound, 32 pages, 8 1/2 x 5 1/2 inches (21.6 x 14 cm). Edition of 400.





MOON ROCK
@Jason Jacques Gallery
29 East 73rd Street
10021 New York
USA
JULY 16 - OCTOBER 5, 2019

installation views













NASA
Lunar Orbiter I. Triptych Showing Man's First Look at the Earth from the Moon, 1966
Silver gelatin print
48h x 60w in
121.92h x 152.40w cm
NA000092


NASA
Aldrin Walking Toward Armstrong, 1969
vintage color print on semi-matte fibre paper
9.96h x 7.99w in
25.30h x 20.30w cm
NA000102


ASA
NASA [National Aeronautics and Space Administration] NASA Lunar Surveyor Mosaic for Day 117, Survey D. Sectors 1 and 2, 1966
Vintage Gelatin Silver Print
30.25h x 14.25w in
76.83h x 36.20w cm
NA000064


NASA
Lunar Orbiter, 1967
Vintage gelatin silver print
24h x 20.30w in
60.96h x 51.56w cm
NA000086


NASA
First Colour Photo Taken on Mars, 1976
JPL presentation color print on semi glossy paper on original masonite mount
24.02h x 27.52w in
61h x 69.90w cm
NA000096





THOMAS WACHHOLZ | BOOKS AND BOXES
@NINO MIER GALLERY, 7313 Santa Monica Blvd, Los Angeles
7313 Santa Monica Blvd.
Los Angeles, CA 90046
USA
July 20 – August 31, 2019

installation views















Thomas Wachholz, U, 2019, Red phosphorus and acrylic on canvas, 78.7 x 35.4 x 1.4 in (200 x 90 x 3.6 cm), TW19.019


Thomas Wachholz, The Parker, 2019, Red phosphorus and acrylic on canvas, 37.4 x 29.5 x 1.4 in (95 x 75 x 3.6 cm), TW19.018


Thomas Wachholz, Star Palace, 2019, Red phosphorus and acrylic on canvas, 37.4 x 29.5 x 1.4 in (95 x 75 x 3.6 cm), TW19.015


Thomas Wachholz, Capri, 2019, Red phosphorus and acrylic on canvas, 37.4 x 29.5 x 1.4 in (95 x 75 x 3.6 cm), TW19.017


Thomas Wachholz, Piccoli, 2019, Red phosphorus and acrylic on canvas, 37.4 x 29.5 x 1.4 in (95 x 75 x 3.6 cm), TW19.016


Thomas Wachholz, Fourty One, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.013


Thomas Wachholz, Jupiter, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.010


Thomas Wachholz, Gabor, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.003


Thomas Wachholz, Europa, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.014


Thomas Wachholz, Holland, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.012


Thomas Wachholz, JA, 2019, Red phosphorus and acrylic on canvas, 63 x 59 x 1.4 in (160 x 150 x 3.6 cm), TW19.022


Thomas Wachholz, Tobacco, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm). TW19.007


Thomas Wachholz, Piano, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.008


Thomas Wachholz, Femina, 2019, Red phosphorous and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.006


Thomas Wachholz, The Neptune, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.005


Thomas Wachholz, España, 2019, Red phosphorus and acrylic on canvas, 43.3 x 41.3 x 1.4 in (110 x 105 x 3.6 cm), TW19.004


Thomas Wachholz, Tip Top, 2019, Red phosphorus and acrylic on canvas, 63 x 59 x 1.4 in (160 x 150 x 3.6 cm), TW19.021


Thomas Wachholz, Boston, 2019, Red phosphorus and acrylic on canvas,63 x 59 x 1.4 in (160 x 150 x 3.6 cm), TW19.020





Alwin Lay: Prospective #4
@NATALIA HUG
Jülicher Straße 14
50674 Köln, Germany
September 06 − October 12, 2019

installation views









Alwin Lay, Lightbox, 2019, C-Print, light box framed: 81 × 65 × 15 cm (31 7/8 × 25 5/8 × 5 7/8 inches), Edition 5


Alwin Lay, Pool Party, 2019, C-Print framed: 165 × 120 cm (65 × 47 1/4 inches), Edition 5


Alwin Lay, Pool Party, 2019, C-Print framed: 165 × 120 cm (65 × 47 1/4 inches), Edition 5


Alwin Lay, Bubble / Die Blase, 2018, Fine Art Print framed: 59 × 40 cm (23 1/4 × 15 3/4 inches), Edition 5


Alwin Lay, The Black Pine II, 2019, Pigment Print framed: 85 × 70 cm (33 1/2 × 27 1/2 inches) Edition 5


Alwin Lay, BIC Maxi Short, 2019, HD video, mp4, Edition 12





Christian Bazant-Hegemark | Inseparable
@unttld contemporary
Schleifmühlgasse 5
1040 Vienna
Austria
27.06.2019 - 03.08.2019


installation view


Christian Bazant-Hegemark | Symmetry | 2019 | Ink on paper | 150 x 150 cm


Christian Bazant-Hegemark | Man | 2019 | Ink on paper | 150 x 150 cm


Christian Bazant-Hegemark | Old Man | 2019 | Ink on paper | 150 x 150 cm


Christian Bazant-Hegemark | Plant 01 | 2019 | Ink on paper | 70 x 50 cm


Christian Bazant-Hegemark | Fragment 01 | 2019 | Ink on paper | 42 x 29,7 cm


Christian Bazant-Hegemark | Fragment 02 | 2019| Ink on paper | 42 x 29,7 cm


Christian Bazant-Hegemark | Fragment 03 | 2019 | Ink on paper | 70 x 50 cm


Christian Bazant-Hegemark | Fragment 04 | 2019| Ink on paper | 50 x 70 cm


Christian Bazant-Hegemark | Wing | 2012 | Ink on paper | 29,7 x 42 cm


Christian Bazant-Hegemark | Untitled | 2012 | Ink on paper | 42 x 29,7 cm


Christian Bazant-Hegemark | Drawing | 2018 | Ink, pencil on paper | 70 x 50 cm


Christian Bazant-Hegemark | Tree of Knowledge 10 | 2007 | Ink on paper | 59 x 42 cm


Christian Bazant-Hegemark | Tree of Knowledge 01 | 2007 | Ink on paper | 59 x 42 cm


Christian Bazant-Hegemark | Ink Portrait 10 | 2007 | Ink on paper | 59 x 42 cm


Christian Bazant-Hegemark | Ink Portrait 05 | 2007 | Ink on paper | 42 x 59 cm


Christian Bazant-Hegemark | Old Woman | 2019 | Ink on paper | 150 x 150 cm

memo (overseas): Oct18,2019

ex-chamber memo (overseas): Oct18,2019

Neil Gall: The Least We Could Do Is Wave To Each Other
@DOMOBAAL
3 John Street
London WC1N 2ES
UK
21.09.18 – 27.10.18

installation views

















Neil Gall 'Crafty' oil on canvas, 112×70cm 2016


Neil Gall 'Round the Bend' oil on canvas, 112×68.5cm 2016


Neil Gall 'Working Space' pencil and colour pencil on paper, 2018, 109.8×80cm presented in a white spray–painted wooden frame, filets and sub–frame, glass: AG UV70 134×97cm





Harry Dodge: User
@Callicoon Fine Arts
49 Delancey Street
New York, NY 10002
USA
May 12 - June 23, 2019

installation views



























Video still, Late Heavy Bombardment, 2019, 6 mins., video (color/sound)


Anima Lamina and the Other of Inter-Galactic Affect (Works of Love #4), 2018, Aluminum, Speed-rail joints, woodboard, oil-based enamel, urethane resin, polyethylene bottle, hardware, 13 x 20 x 26 inches (33 x 50.8 x 66 cm)


Forms-to-Come /I-Got-Mine (#companion_module), 2017, Wood, paint, aluminum, galvanized steel structural screw, hardware, urethane resin, 47 x 17 x 46 inches (119.4 x 43.2 x 116.8 cm)


User, 2019, Aluminum, paint, Plexiglass, wood, graphite, 40 x 24 x 24 inches (101.6 x 61 x 61 cm)


Black Transparency (The Cloud Polis draws revenue from the cognitive capital of its Users.), 2017, Polyethylene bucket, resin, aluminum, rocket ship vent, aluminum, wood, paint, hardware, Speed-rail joints, 54 x 16 x 23 inches (137.2 x 40.6 x 58.4 cm)


Mental Field/All Sides, 2012, Pencil on paper, 9 x 12 inches (22.9 x 30.5 cm)


Black Hole, 2018, Ink on Bristol board, 12 x 9 inches (30.5 x 22.9 cm)


Habits of Matter, 2018, Ink on archival Bristol paper, 9 x 12 inches (22.9 x 30.5 cm)


Order Without Form, 2018, Graphite, pastel, and ink on paper, 13 x 18 inches (33 x 45.7 cm)


Sculptor's Lament, 2018, Ink on archival paper, 24 x 18 inches (61 x 45.7 cm)


Silver Planar Landscape (Rectangle Speaks with a Cloud), 2013, Charcoal, spray paint, and pastel on archival paper, 46 x 23 inches (116.9 x 58.4 cm)


Video still, Late Heavy Bombardment, 2019, 6 mins., video (color/sound)


Wanting will take me, 2018, Graphite on archival bristol board, 9 x 12 inches (22.9 x 30.5 cm)


Miasma (Sequel), 2013, Spraypaint, ink, and gouache on Bristol board, 46 x 23 inches (116.8 x 58.4 cm)


Notes on Thought-Objects, 2018, Ink on archival Bristol board,12 x 9 inches (30.5 x 22.9 cm)


Strange Mass (Works of Love #1), 2017, Cast bronze, 23 x 20 x 24 inches (58.4 x 50.8 x 61 cm)


Feral Sympathy (Works of Love #5), 2018, Cast bronze, 26 x 20 x 11 inches (66 x 50.8 x 27.9 cm)


Sad Poem About Legibility, 2018, Graphite on archival Bristol board, 12 x 9 inches (30.5 x 22.9 cm)





TESSA EASTMAN: CLOUDSPOTTING
@Jason Jacques Gallery
29 East 73rd Street
10021 New York
USA
OCTOBER 10 – NOVEMBER 16, 2019

installation views

















ERUPTING PURPLE MIDNIGHT CLOUD
TESSA EASTMAN
8.27H X 17.32W X 18.11D IN
EAT007










CRYSTALINE CLOUD
TESSA EASTMAN
11.81H X 13.39W X 11.81D IN
EAT023
2017








CLOUD CAVE OF WONDERS
TESSA EASTMAN
20.47H X 16.93W X 18.90D IN
EAT020
2019




CLOUD LANDSCAPE ORANGE HOT PINK
TESSA EASTMAN
6.30H X 10.63W X 9.45D IN
EAT017
2017










PURPLE CRYSTAL IN MIDNIGHT ELEMENT
TESSA EASTMAN
13.39H X 21.65W X 17.32D IN
EAT014
2018










STANDING CLOUD PINKY WHITE
TESSA EASTMAN
11.02H X 15.75W X 15.75D IN
EAT013
2019










RED MIDNIGHT CLOUDBURST
TESSA EASTMAN
7.09H X 7.09W X 7.87D IN
EAT011
2019








LOW DENSITY RED CLOUD
TESSA EASTMAN
7.87H X 9.06W X 9.06D IN
EAT010
2018










HIGH DENSITY RED CLOUD
TESSA EASTMAN
7.87H X 9.06W X 9.06D IN
EAT009
2018




ERUPTING RED MIDNIGHT CLOUD
TESSA EASTMAN
8.27H X 17.32W X 18.11D IN
EAT008
2019




CLOUD LANDSCAPE PURPLE ICE,
TESSA EASTMAN
6.30H X 9.45W X 10.63
EAT005
2018




BIG RED CLOUD
TESSA EASTMAN
11.81H X 15.75W X 15.75D
EAT003
2018


RESIDING CLOUD BLUE YELLOW
TESSA EASTMAN
11.02H X 11.02W X 7.87D IN
EAT002
2018






SPROUTING LIMITLESS CLOUD
TESSA EASTMAN
13.78H X 23.62W X 15.75D IN
EAT012




COCOON CLOUD, BLUE ORANGE FIZZ
TESSA EASTMAN
14.96H X 16.93W X 13.78D IN
EAT006


PURPLE RAIN CLOUD
TESSA EASTMAN
7.87H X 7.87W X 8.66D IN
EAT006





Stephen Prina: English for Foreigners (abridged)
@Petzel, 35 E 67th Street, New York
35 E 67th Street
New York, New York 10065
USA
September 11 – October 26, 2019

installation views





























Stephen Prina
English for Foreigners: Frontispiece
2017
Lithography on paper, textile covered matt, mahogany, glass
31.25 x 22.75 inches


Stephen Prina
English for Foreigners: Ode to Canischio
2017
Smooth Matte Vinyl, HD projector, Mahogany and Birch veneer plywood
Dimensions variable


Stephen Prina
Exquisite Corpse: The Complete Paintings of Manet
264 of 556
Nana
(Nana)
1877
Kunsthalle Hamburg, July 7, 2019
Ink wash on rag, barrier paper, and offset lithography on paper
Left panel: 59.1 x 45.7 inches
Right panel: 26 x 32.7 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches


Stephen Prina
English for Foreigners: Book Illustrations
2017
Lithography on paper, textile covered matt, mahogany, glass
20.25 x 15.75 inches





Jake Longstreth: Brick & Mortar | Seven Trees
@NINO MIER GALLERY, 7277 Santa Monica Blvd, Los Angeles
7277 Santa Monica Blvd
West Hollywood, CA 90046
USA
September 14 – October 26, 2019

installation views













Jake Longstreth, Phillips Ranch Road, 2019, Oil on linen, 84 x 84 in (213.4 x 213.4 cm), JLO19.006


Jake Longstreth, Phillips Ranch Road, 2019, Detail view


Jake Longstreth, Manzanita Avenue, 2019, Oil on linen, 84 x 60 in (213.4 x 152.4 cm), JLO19.007


Jake Longstreth, Manzanita Avenue, 2019, Detail view


Jake Longstreth, Los Coyotes Way, 2019, Oil on canvas, 72 x 84 in (182.9 x 213.36 cm), JLO19.003


Jake Longstreth, Los Coyotes Way, 2019, Detail view


Jake Longstreth, Farm Hill Road, 2019, Oil on canvas, 84 x 84 in (213.4 x 213.4 cm), JLO19.005


Jake Longstreth, Farm Hill Road, 2019, Detail view


Jake Longstreth, Peach Tree Drive, 2019, Oil on canvas, 72 x 84 in (182.9 x 213.4 cm), JLO19.004


Jake Longstreth, Peach Tree Drive, 2019, Detail view


Jake Longstreth, In Glendale (Canary Island Pine 2), 2019, Oil on muslin, 84 x 57 in (213.36 x 144.8 cm), JLO19.013


Jake Longstreth, In Glendale (Canary Island Pine 2), 2019, Detail view


Jake Longstreth, In Glendale (Fan Palm), 2019, Oil on muslin, 84 x 57 in (213.36 x 144.8 cm), JLO19.014


Jake Longstreth, In Glendale (Fan Palm), 2019, Detail view


Jake Longstreth, In Glendale (Eucalyptus), 2019, Oil on muslin, 84 x 57 in (213.36 x 144.8 cm), JLO19.012


Jake Longstreth, In Glendale (Eucalyptus), 2019, Detail view


Jake Longstreth, In Glendale (Canary Island Pine 1), 2019, Oil on muslin, 84 x 57 in (213.36 x 144.8 cm), JLO19.011


Jake Longstreth, In Glendale (Canary Island Pine 1), 2019, Detail view


Jake Longstreth, In Glendale (Live Oak 2), 2019, Oil on muslin, 84 x 57 in (213.36 x 144.8 cm), JLO19.016


Jake Longstreth, In Glendale (Live Oak 2), 2019, Detail view


Jake Longstreth, In Glendale (Live Oak 3), 2019, Oil on muslin, 84 x 57 in (213.36 x 144.8 cm), JLO19.015


Jake Longstreth, In Glendale (Live Oak 3), 2019, Detail view


Jake Longstreth, Peachtree Drive, 2019, 19 color screenprint on Rives BFK paper, 23 x 28 in (paper size) 58.4 x 71.1 cm (paper size), Edition of 40, JLO19.019

memo (overseas): Oct17,2019

ex-chamber memo (overseas): Oct17,2019

Tyra Tingleff: Will always be the opposite
@The Sunday Painter
117-119 South Lambeth Road
London SW8 1XA
UK
13 April - 12 May 2018

installation views









Tyra Tingleff
Off course I am not sorry, 2018
Oil on raw linen
136 × 460 cm (53 ½ × 181 ⅛ inches)


Tyra Tingleff
Always the impossible as stupid as reality, 2018
Oil on raw linen
500 × 250 cm (196 ⅞ × 98 ⅜ inches)


Tyra Tingleff
Always the impossible as stupid as reality, 2018
Oil on raw linen
500 × 250 cm (196 ⅞ × 98 ⅜ inches)


Always the impossible as stupid as reality, 2018 (detail)
Oil on raw linen
500 × 250 cm (196 ⅞ × 98 ⅜ inches)


Tyra Tingleff
Off course I am not sorry, 2018
Oil on raw linen
136 × 460 cm (53 ½ × 181 ⅛ inches)


Tyra Tingleff
Off course I am not sorry, 2018
Oil on raw linen
136 × 460 cm (53 ½ × 181 ⅛ inches)


Tyra Tingleff
Off course I am not sorry, 2018 (detail)
Oil on raw linen
136 × 460 cm (53 ½ × 181 ⅛ inches)


Tyra Tingleff
As predictable as tides, As trainable as pets, 2018
Oil on raw linen
136 × 460 cm (53 ½ × 181 ⅛ inches)


Tyra Tingleff
As predictable as tides, As trainable as pets, 2018 (detail)
Oil on raw linen
136 × 460 cm (53 ½ × 181 ⅛ inches)





Neil Zakiewicz: Working
@DOMOBAAL
3 John Street
London WC1N 2ES
UK
09.11.18 – 15.12.18

installation views

















Neil Zakiewicz 'Clay Work' wood, terracotta 77×40×40cm, 2018 photography by Andy Keate


Neil Zakiewicz 'Paper Work' acrylic on paper, 28×39cm 2018, photography by Andy Keate


Neil Zakiewicz 'Clay Work' wood, terracotta, 75×75×9cm 2018, photography by Andy Keate


Neil Zakiewicz 'Clay Work' wood, terracotta, 104×149×9cm 2018, photography by Andy Keate


Neil Zakiewicz 'Open/Close' polyurethane on MDF, hinges 50.5×90cm 2014, photography by Andy Keate


Neil Zakiewicz 'Clay Work' wood, terracotta 100×47×47cm 2018 photography by Andy Keate, 2018


Neil Zakiewicz 'Spare Rib' polyurethane on MDF, 60×71×2cm 2018, photography by Andy Keate


Neil Zakiewicz 'Paper Work' acrylic on paper, 20×40cm, 2018, photography by Andy Keate





AND WHAT ABOUT PHOTOGRAPHY?
Broomberg & Chanarin
David Hartt
Trevor Paglen
Tim Portlock
Davide Tranchina
@David Nolan Gallery
527 West 29th Street
New York, NY 10001
USA
June 20 – August 2, 2019

installation views






















Kahlil Robert Irving: Black ICE
@Callicoon Fine Arts
49 Delancey Street
New York, NY 10002
USA
September 8 - October 20, 2019

installation views











[ STREET & Stars | (Memories < > Matter) fair and FREEDOM ] Black ICE ], 2019. Glazed and unglazed stoneware and white clay, grog, cement, found vintage decals, personally constructed decals (screenshots, patterns, scanned objects, memes), luster, gilded pyrometric cones, 110 1/2 x 176 1/2 inches (280.7 x 448.3 cm). Photo Lydia McCarthy.


Detail, [ STREET & Stars | (Memories < > Matter) fair and FREEDOM ] Black ICE ], 2019. Glazed and unglazed stoneware and white clay, grog, cement, found vintage decals, personally constructed decals (screenshots, patterns, scanned objects, memes), luster, gilded pyrometric cones, 110 1/2 x 176 1/2 inches (280.7 x 448.3 cm). Photo Lydia McCarthy.


Detail, [ STREET & Stars | (Memories < > Matter) fair and FREEDOM ] Black ICE ], 2019. Glazed and unglazed stoneware and white clay, grog, cement, found vintage decals, personally constructed decals (screenshots, patterns, scanned objects, memes), luster, gilded pyrometric cones, 110 1/2