《news》

《upcoming exhibiton》

《current exhibiton》
松宮硝子「New life」
@ex-chamber museum
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
070-5567-1513
8/8(土)〜8/30(日)月火水・8/11〜8/19休
12:00〜18:00(8/21(金)は16:00〜)

Shoko Matsumiya “New life”
@ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
81-70-5567-1513
Aug 8(Sat)〜Aug 30(Sun) closed on Mondays to Wednesdays (summer holidays: Aug 11-19)
12:00〜18:00 (Aug 21(Fri): 16:00〜)


《past exhibiton》

ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
小坂学 Manabu Kosaka
後藤勇治 Yuji Goto
坂本睦美 Mutsumi Sakamoto
佐藤明日香 Asuka Satow
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
照井譲 Yuzuru Terui
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2019年09月30日

memo (overseas): Sep30,2019

ex-chamber memo (overseas): Sep30,2019

T'ANG HAYWEN: T'ANG BOOGIE: FILM D'ARTISTE & FEATURED RARE PAINTINGS
@de Sarthe
20/F, Global Trade Square, No. 21 Wong Chuk Hang Road,
Hong Kong
JAN 26, 2019 - MAR 16, 2019

installation views
1tanghaywen.jpg

2tanghaywen.jpg

3tanghaywen.jpg

4tanghaywen.jpg

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T'ang Haywen (1927-1991), Untitled, 1971-1973, ink on Kyro card, diptych, unsigned, 70 x 100 cm. From a private collection.

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T'ang Haywen (1927-1991), Untitled, c. 1970, ink and watercolor on Kyro card, diptych, signed 'T'ang'; signed in Chinese 'Haywen (Haiwan)', lower right, 70 x 100 cm. From a private collection.

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T'ang Haywen (1927-1991), Untitled, 1971-1973, ink on Kyro card, diptych, unsigned, 70 x 100 cm. From a private collection.

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T'ang Haywen (1927-1991), Untitled, 1971-1973, ink on Kyro card, diptych, unsigned, 70 x 100 cm.

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T'ang Haywen (1927-1991), Ceil Interieur (Inner Sky), 1971, ink on Kyro card, diptych, Signed middle right Inscribed by the artist on verso: 'ciel interieur', 70 x 100 cm. From a private collection.

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T'ang Haywen (1927-1991), Untitled, 1973, ink on Kyro card, diptych, signed 'T'ang'; Signed in Chinese 'Haywen (Haiwan)', lower right; inscribed by the artist, verso, right side: "Incella 73", 70 x 100 cm. From a private collection.

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T'ang Haywen (1927-1991), Untitled, before 1973, ink on Kyro card, diptych, unsigned, 70 x 100 cm. From a private collection.

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T'ang Haywen (1927-1991), Untitled, 1971-1973, ink on Kyro card, diptych, unsigned, 70 x 100 cm.

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T'ang Haywen (1927-1991), Untitled, 1972, acrylic ink and watercolor on Kyro card, diptych, signed 'T'ang'; signed in Chinese 'Haywen (Haiwan)', lower right, 70 x 100 cm. From a private collection.





Blair Thurman: Exquisite Course
@Peres Projects
Karl-Marx-Allee 82
10243 Berlin, Germany
November 16 – December 21, 2018

installation views
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Blair Thurman
Mr. Salty, 2018
Painting - Acrylic on canvas on wood
218 x 155 x 21 cm (85.5 x 60.75 x 8 in)

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Blair Thurman
Crazy 8, 2018
Painting - Acrylic on canvas on wood
224 x 127 x 18 cm (88 x 50 x 7 in)

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Blair Thurman
Winter Skies, 2018
Painting - Acrylic on canvas on wood
234 x 153 x 5 cm (92 x 60 x 2 in)





JOE FYFE: BUT A FLAG HAS FLOWN AWAY
@NATHALIE KARG GALLERY
291 GRAND STREET
NEW YORK
United States
JANUARY 4 - FEBRUARY 10, 2019

installation views
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Joe Fyfe, Le Jet d’eau, 2018, cotton, acrylic, canvas, vinyl, 80h x 68w in (203.20h x 172.72w cm)

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Joe Fyfe, Tour Eiffel, 2018, acrylic, cotton, nylon, 80h x 68w in (203.20h x 172.72w cm)

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Joe Fyfe, Éventail des Saveurs, 2018, Acrylic, cotton, nylon, 80h x 68w in (203.20h x 172.72w cm)

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Joe Fyfe, Coeur, couronne et miroir, 2018, acrylic, cotton, nylon, 80h x 68w in (203.20h x 172.72w cm)

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Joe Fyfe, Paysage, 2018, acrylic, cotton, vinyl, canvas, burlap, nylon, muslin, 80 x 68 in (203.20 x 172.72 cm)

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Joe Fyfe, La Cravate, 2018, acrylic, cotton, canvas, nylon, 80h x 68w in (203.20h x 172.72w cm)

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Joe Fyfe, Il Pleut, 2018, canvas, nylon, cotton, linen, acrylic, 108h x 64w in (274.32h x 162.56w cm)

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Joe Fyfe, Visée, 2018, canvas, nylon, cotton, acrylic, 108h x 64w in (274.32h x 162.56w cm)

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Joe Fyfe, Loin du pigeonnier, 2018, canvas, ink, acrylic, cotton, nylon, 108h x 70 3/4w in (274.32h x 179.71w cm)

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Joe Fyfe, Éventail des Saveurs, 2018, acrylic, cotton, nylon, 80h x 68w in (203.20h x 172.72w cm)

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Joe Fyfe, Coeur, couronne et miroir, 2018, acrylic, cotton, nylon, 80h x 68w in (203.20h x 172.72w cm)

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Joe Fyfe, La Cravate, 2018, acrylic, cotton, canvas, nylon, 80h x 68w in (203.20h x 172.72w cm)

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Joe Fyfe, Le Jet d’eau, 2018, cotton, acrylic, canvas, vinyl, 80h x 68w in (203.20h x 172.72w cm)

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Joe Fyfe, Paysage, 2018, acrylic, cotton, vinyl, canvas, burlap, nylon, muslin, 80 x 68 in (203.20 x 172.72 cm)

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Joe Fyfe, Tour Eiffel, 2018, acrylic, cotton, nylon, 80h x 68w in (203.20h x 172.72w cm)

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Joe Fyfe, Loin du pigeonnier, 2018, canvas, ink, acrylic, cotton, nylon, 108h x 70 3/4w in (274.32h x 179.71w cm), Nathalie Karg Gallery, New York

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Joe Fyfe, Visée, 2018, canvas, nylon, cotton, acrylic, 108h x 64w in (274.32h x 162.56w cm)

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Joe Fyfe, Il Pleut, 2018, Canvas, nylon, cotton, linen, acrylic, 108h x 64w in (274.32h x 162.56w cm)





Ulrike Müller: Container Contained
@Galerie Meyer Kainer
Eschenbachgasse 9, A-1010 Vienna
Austria
15.3. - 13.4. 2019

installation views
1ulrike-muller.jpg

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Rug (con tacón), 2018
wool, handwoven
260 x 300 cm

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Rug (con tacónes), 2018
wool, handwoven
260 x 200 cm

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Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm

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Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm

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Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm

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Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm

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Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm

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Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm

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Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm

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Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm

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Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm

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Dog and Pony, 2018
Monotype, printed with 10 Grand Press in Santa Fe, New Mexico
73,7 x 56,5 cm

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Flutterby, 2018
Monotype mit Chine-collé,
printed with 10 Grand Press in Santa Fe, New Mexico
73,7 x 56,5 cm

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Grammatik, 2018
Monotype with Chine-collé,
printed with 10 Grand Press in Brooklyn, New York
73,7 x 55,9 cm

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Green Pitcher, 2018
Monotype with Chine-collé,
printed with 10 Grand Press in Santa Fe, New Mexico
73,7 x 56,5 cm

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Tove, 2018
Monotype with Chine-collé,
printed with 10 Grand Press in Santa Fe, New Mexico
73,7 x 56,5 cm

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Cut and Paste, 2018
Graphite and papier collé on paper
28 x 22 cm

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Cut and Paste, 2018
Acrylic and papier collé on paper
28 x 22 cm

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Cut and Paste, 2018
Papier collé on paper
28 x 22 cm

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Cut and Paste, 2018
Papier collé on paper
28 x 22 cm

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Cut and Paste, 2018
Papier collé on paper
28 x 22 cm





Juan Antonio Olivares: Naufragios
@BORTOLAMI, 55 Walker
55 Walker Street
New York, NY 10013
USA
6 September – 5 October 2019

installation views
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Juan Antonio Olivares, Fermi Paradox III, 2019, Echinocrepis rostrata shell, Cassis madagascariensis shells, Charonia tritonis shells, Lambis lambis shells, Nautilus pompilius shells, Melo aethiopica shell, Murex Ramosus shell, Syrinx aruanus shell, Triplofusus papillosus shells, Porifera Demospongiae, surface-transducers, micro-speakers, stereo-amps, coaxial cables, polyolefin-coated-speaker-wire, SD-cards, media-players, 24-channel audio file (13:34), Dimensions variable

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Juan Antonio Olivares, Untitled (Spermatozoa), 2019, Graphite on paper, Framed: 50 3/4 x 38 3/4 in (128.9 x 98.4cm), Unframed: 48 x 36 in (121.9 x 91.4cm)

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Juan Antonio Olivares, Untitled (Fertilization), 2019, Graphite on paper, Framed: 50 3/4 x 38 3/4 in (128.9 x 98.4cm), Unframed: 48 x 36 in (121.9 x 91.4cm)

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Juan Antonio Olivares, Untitled (Spermatozoa), 2019, Graphite on paper, Framed: 50 3/4 x 38 3/4 in (128.9 x 98.4cm), Unframed: 48 x 36 in (121.9 x 91.4cm)

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Juan Antonio Olivares, Untitled (Spermatozoa on Mucus Lining), 2019, Graphite on paper, Framed: 50 3/4 x 38 3/4 in (128.9 x 98.4cm), Unframed: 48 x 36 in (121.9 x 91.4cm)
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2019年09月29日

memo (overseas): Sep29,2019

ex-chamber memo (overseas): Sep29,2019

BERNAR VENET: IN RELATION: PERFORMANCE / SCULPTURE / PAINTING
@de Sarthe
20/F, Global Trade Square, No. 21 Wong Chuk Hang Road,
Hong Kong
MAR 27, 2019 - MAY 18, 2019

installation views
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Beth Letain: ultrapath
@Peres Projects
Karl-Marx-Allee 82
10243 Berlin, Germany
April 26 – June 21, 2019

installation views
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Beth Letain
Eine Geschichte, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)

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Beth Letain
Antidote, 2019
Painting - Oil on canvas
250 x 225 cm (99 x 89 in)

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Beth Letain
today the sun rose at six fourteen, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)

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Beth Letain
Parhelion, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)

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Beth Letain
Dayfall, 2019
Painting - Oil on canvas
250 x 225 cm (99 x 89 in)

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Beth Letain
Clouds in Houses, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)

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Beth Letain
Romantic Love, 2019
Painting - Oil on canvas
250 x 225 cm (99 x 89 in)

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Beth Letain
Dayfall, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)

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Beth Letain
Tree Agreement, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)

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Beth Letain
Lifeform, 2019
Painting - Oil on canvas
250 x 225 cm (99 x 89 in)

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Beth Letain
Blushing Invaders, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)





SETH CAMERON: SUNLESS
@NATHALIE KARG GALLERY
291 GRAND STREET
NEW YORK
United States
FEBRUARY 20 - APRIL 7, 2019

installation views
1seth-cameron.jpg

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Seth Cameron, No 46, watercolor, 56 3/4 x 28 3/4 in, (144.15 x 73.03 cm)

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No 54, 2019, watercolor on paper, 35 x 35 x 3 in, (88.90 x 88.90 x 7.62 cm)

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No 51, 2019, watercolor on paper, 56 x 28 1/2 x 2 1/2 in, (142.24 x 72.39 x 6.35 cm)

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Study of a sunset, 2019, oil on panel, 9 x 12 in, (22.86 x 30.48 cm)

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Study of a storm, 2019, oil on panel, 5 x 7 1/2 in, (12.70 x 19.05 cm)

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Study of the sun, 2019, oil on panel, 9 x 12 in, (22.86 x 30.48 cm)





Dan Graham
@Galerie Meyer Kainer
Eschenbachgasse 9, A-1010 Vienna
Austria
26.4. - 15.6. 2019

installation views
1dan-graham.jpg

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Céline – Printemps-Eté 2017
Catwalk-design with S-shaped pavilion by Dan Graham
Video, 11:37 min
Céline/Videopolis - Oct 2016

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Little Perforated Cylinder inside Big Two-Way Mirror Cylinder, 2019
Outdoor Pavilion
Two-way mirror glass, stainless steel, punched stainless steel sheets
230 (h) x 360 x 360 cm

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Moongate Pavilion, 2019
Two-way mirror glass, aluminum, wood, acrylic, corian
Model: 92 (h) x 125 x 125 cm
Pedestal: 90 (h) x 125 x 125 xm

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Little Perforated Cylinder inside Big Two-Way Mirror Cylinder, 2019
Two-way mirror glass, aluminum, wood, acrylic, corian
Model: 92 (h) x 125 x 125 cm
Pedestal: 90 (h) x 125 x 125 xm

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Round and Around, 2019
Two-way mirror glass, aluminum, wood, acrylic, corian
Model: 92 (h) x 125 x 125 cm
Pedestal: 90 (h) x 125 x 125 xm

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Going Nowhere, 2019
Two-way mirror glass, aluminum, wood, acrylic, corian
Model: 92 (h) x 175 x 100 cm
Pedestal: 90 (h) x 175 x 100 cm

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Don’t Trust Anyone Over 30
2004, Video, 35:57 min
Concept: Dan Graham, Visual Conception: Tony Oursler, Recorded Music: Rodney Graham,
Marionettes: Phillip Huber, Live Band: Japanther / Commissioned and produced by TRANS> (Sandra
Antelo-Suarez), co-produced by Thyssen-Bornemisza Art Contemporary Vienna, Foundation 20 21
New York, Walker Art Center Minneapolis and Voom/LAB New York





Nicolás Guagnini: Asociación Psicoanalítica Argentina
@BORTOLAMI
39 Walker Street
New York, NY 10013
USA
6 September – 5 October 2019

installation views
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Nicolás Guagnini, Self-Palindrome (For Tunga), 2019, Vitrified glazed ceramic, 7 x 8 3/4 x 9 in (17.8 x 22.2 x 22.9cm)

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Nicolás Guagnini, Mother Maze 1, 2019, Vitrified glazed ceramic, steel, acrylic on linen, 45 1/8 x 38 x 7 1/2 in (114.6 x 96.5 x 19.1cm)

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Nicolás Guagnini, Mother Maze 2, 2019, Vitrified glazed ceramic, steel, acrylic on linen, 41 3/4 x 35 x 6 1/2 in (106 x 88.9 x 16.5cm)

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Nicolás Guagnini, The Fourth Man, 2019, Vitrified glazed ceramic, 13 3/4 x 9 3/4 x 9 in (34.9 x 24.8 x 22.9cm)

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Nicolás Guagnini, Superego Enigma, 2019, Vitrified glazed ceramic, 28 1/2 x 22 1/2 x 8 1/2 in (72.4 x 57.2 x 21.6cm)

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Nicolás Guagnini, Ego Enigma, 2019l, Vitrified glazed ceramic, 22 7/8 x 21 1/2 x 10 1/2 in (58.1 x 54.6 x 26.7cm)

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Nicolás Guagnini, Totem and Taboo, 2019, Vitrified glazed ceramic, 10 1/2 x 10 x 13 in (26.7 x 25.4 x 33cm), 14 1/2 x 6 1/2 x 13 in (36.8 x 16.5 x 33cm)

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Nicolás Guagnini, Master Father Knot, 2019, Vitrified glazed ceramic, 18 x 16 3/4 x 10 3/4 in (45.7 x 42.5 x 27.3cm)

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Nicolás Guagnini, Board Father Knot, 2019, Vitrified glazed ceramic, 9 1/2 x 13 1/4 x 17 1/4 in (24.1 x 33.7 x 43.8cm)

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Nicolás Guagnini, The Etruscan Job, 2019, Vitrified glazed ceramic, 13 3/4 x 12 x 6 in (34.9 x 30.5 x 15.2cm)

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Nicolás Guagnini, Council Father Knot, 2019, Vitrified glazed ceramic, 13 1/8 x 18 x 8 in (33.3 x 45.7 x 20.3cm)

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Nicolás Guagnini, Exploded Father Knot, 2019, Vitrified glazed ceramic, 11 1/2 x 13 x 11 in (29.2 x 33 x 27.9cm)

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Nicolás Guagnini, Moses, 2019, Vitrified glazed ceramic, 16 3/4 x 6 3/4 x 10 1/4 in (42.5 x 17.1 x 26cm)

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Nicolás Guagnini, Mother Maze 3, 2019, Vitrified glazed ceramic, steel, acrylic on linen, 43 1/2 x 37 3/8 x 8 in (110.5 x 94.9 x 20.3cm)

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Nicolás Guagnini, Mother Maze 4, 2019, Vitrified glazed ceramic, steel, acrylic on linen, 41 1/2 x 39 3/4 x 8 in (105.4 x 101 x 20.3cm)
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2019年09月28日

memo (overseas): Sep28,2019

ex-chamber memo (overseas): Sep28,2019

BUDD HOPKINS: Third Street Red
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
May 01 – Jun 10, 2018

installation views
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Budd Hopkins, White City Wall, 1974. Oil on canvas, 81 x 77 in. / 205.7 x 195.6 cm

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Budd Hopkins, Sun Tondo, 1972. Oil on canvas, ø 20 in. / 50.8 cm

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Budd Hopkins, Third Street Red, 1974. Acrylic and oil on canvas, 37 1/2 × 32 inches / 95.2 × 81.3 cm

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Budd Hopkins, Grey Wall, 1971. Oil on canvas, 96 × 155 in. / 243.8 × 393.7 cm

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Budd Hopkins, Grey Wall, 1971 (detail). Oil on canvas, 96 × 155 in. / 243.8 × 393.7 cm

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Budd Hopkins, Tropaz, 1969. Oil on canvas, 80 × 65 in. / 203.2 × 165.1 cm

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Budd Hopkins, Scorpio III, 1972. Oil on canvas, 57 x 70 in. / 144.7 x 177.8 cm

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Budd Hopkins, Sun Mobile, 1972. Oil on canvas and wood, ø 16 in. / 40.6 cm central canvas (total dimensions variable)

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Budd Hopkins, Hera’s Wall Temple, 1978. Acrylic on canvas, 81 × 104 x 4 in. / 205.74 × 264.16 x 10.16 cm





SHEN FAN: WORKS IN ABSTRACTION, 1992 - 2017
@Eli Klein Gallery
398 West Street
New York, NY 10014
USA
November 29, 2018 – February 16, 2019

installation views
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Shen Fan
92-013, 1992
Oil on xuan paper mounted on xuan paper
55 1/8 x 27 1/2 inches (140 x 70 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery

18shen-fan.jpeg
Shen Fan
93-60-1, 1993
Oil on xuan paper mounted on xuan paper
46 x 46 inches (117 x 117 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery

19shen-fan.jpeg
Shen Fan
ShanShui-C-31, 2004
Oil on canvas
54 3/8 x 46 1/2 inches (138 x 118 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery

20shen-fan.jpeg
Shen Fan
River-C-02, 2007
Oil on canvas
37 3/4 x 37 3/4 inches (96 x 96 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery

21shen-fan.jpeg
Shen Fan
River-C-03, 2007
Oil on canvas
37 3/4 x 37 3/4 inches (96 x 96 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery

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Shen Fan
ShanShui-C-22a, 2007
Oil on canvas
54 3/8 x 27 1/8 inches (138 x 69 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery

24shen-fan.jpeg
Shen Fan
ShanShui-C-31, 2008
Oil on canvas
54 3/8 x 27 1/8 inches (138 x 69 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery

23shen-fan.jpeg
Shen Fan
ShanShui-C-06, 2009
Oil on canvas
37 3/4 x 37 3/4 inches (96 x 96 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery

25shen-fan.jpeg
Shen Fan
Punctuation-Landscape-001-3, 2014-2015
Acrylic on newspaper mounted on wood in three (3) parts
Overall: 47 1/4 x 141 3/4 inches (120 x 360 cm)
Each: 47 1/4 x 47 1/4 inches (120 x 120 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery

26shen-fan.jpeg
Shen Fan
Punctuation-Inverted Image-001, 2017
Acrylic on newspaper mounted on wood in three (3) parts
Overall: 23 5/8 x 106 1/4 inches (60 x 270 cm)
Each: 23 5/8 x 35 3/8 inches (60 x 90 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery

27shen-fan.jpeg
Shen Fan
Punctuation-17-001, 2017
Acrylic on newspaper mounted on wood in three (3) parts
Overall: 35 3/8 x 70 7/8 inches (90 x 180 cm)
Each: 35 3/8 x 23 5/8 inches (90 x 60 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery

28shen-fan.jpeg
Shen Fan
Punctuation-Landscape-001-3, 2017
Acrylic on newspaper mounted on wood in three (3) parts
Overall: 47 1/4 x 141 3/4 inches (120 x 360 cm)
Each: 47 1/4 x 47 1/4 inches (120 x 120 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery





LIN JINGJING: LOV-LOV SHOP
@de Sarthe
20/F, Global Trade Square, No. 21 Wong Chuk Hang Road,
Hong Kong
MAY 25, 2019 - JUL 13, 2019

installation views
1linjingjing.jpg

2linjingjing.jpg

3linjingjing.jpg

4linjingjing.jpg

5linjingjing.jpg

6linjingjing.jpg

7linjingjing.jpg

8linjingjing.jpg
Lin Jingjing, Better Than Winning the Lottery, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, Sensitive to Your Needs, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, With Every Challenge Comes Excitement, 2019, Archival pigment on canvas, 160 x 100 cm

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Lin Jingjing, Perfection is Attainable Here, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, Light Up Your Soul Like No One Else, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, Emotionally and Spiritually In Love, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, The Affection You Deserve, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, Unconditional Love and Companionship On Call, 2019, Archival pigment print on canvas, 200 x 300 cm

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Lin Jingjing, Falling In Love With A Star Instead Of A Human, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, Fall In Love A Thousand Times, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, If You Are Tired Of Being Straight, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, Falling In Love With A Tree Instead Of A Human, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, Fall In Love With Yourself Instead Of With Another Human, 2019, Archival pigment on canvas, 160 x 100 cm"

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Lin Jingjing, Embrace Mysteries, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, Awaken Divinity, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, Goodbye Loneliness, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, Transcendent Beauty, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, Unsurpassed Joy, 2019, Archival pigment print on canvas, 160 x 100 cm

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Lin Jingjing, Irresistible Charm, 2019, Archival pigment print on canvas, 160 x 100 cm





Manuel Solano: Portraits
@Peres Projects
Karl-Marx-Allee 82
10243 Berlin, Germany
September 13 – October 25, 2019

installation views
1manuel-solano.jpg

2manuel-solano.jpg

3manuel-solano.jpg

4manuel-solano.jpg

5manuel-solano.jpg

6manuel-solano.jpg
Manuel Solano
Fred, 2019
Painting - Oil pastels and acrylic on canvas
56 x 42 cm (22 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)

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Manuel Solano
Meg, 2019
Painting - Oil pastels and acrylic on canvas
56 x 42 cm (22 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)

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Manuel Solano
Gabriel 1, 2019
Painting - Oil pastels and acrylic on canvas
56 x 42 cm (22 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)

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Manuel Solano
Damien 2, 2019
Painting - Oil pastels and acrylic on canvas
60 x 46 cm (24 x 18 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)

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Manuel Solano
Gabriel 2, 2019
Painting - Oil pastels and acrylic on canvas
60 x 46 cm (24 x 18 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)

11manuel-solano.jpg
Manuel Solano
Jake, 2019
Painting - Oil pastels and acrylic on canvas
60 x 46 cm (24 x 18 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)

12manuel-solano.jpg
Manuel Solano
Johnny, 2019
Painting - Oil pastels and acrylic on canvas
59 x 41 cm (23 x 16 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)

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Manuel Solano
Santa, 2019
Painting - Oil pastels and acrylic on canvas
59 x 42 cm (23 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)

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Manuel Solano
Black Phillip, 2019
Painting - Oil pastels and acrylic on canvas
59 x 42 cm (23 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)

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Manuel Solano
Shelley, 2019
Painting - Oil pastels and acrylic on canvas
59 x 42 cm (23 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)

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Manuel Solano
The hottie from Starbucks, 2019
Painting - Oil pastels and acrylic on canvas
59 x 42 cm (23 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)

17manuel-solano.jpg
Manuel Solano
Valerie, 2019
Painting - Oil pastels and acrylic on canvas
59 x 42 cm (23 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)

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Manuel Solano
CAPPUCCINO, 2019
Video
Duration: 3:46 min, loop, without sound
Edition of 3 + 1 AP

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Manuel Solano
PARCO, 2019
Video
Duration: 1:31 min, loop, with sound
Edition of 3 + 1 AP

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Manuel Solano
PORTRAIT, 2019
Video
Duration: 6:21 min, loop, without sound
Edition of 3 + 1 AP





JESSE MOCKRIN: THE MARKS OF A STRANGER
@NATHALIE KARG GALLERY
291 GRAND STREET
NEW YORK
United States
SEPTEMBER 13 - OCTOBER 27, 2019

installation views
1mockrin.jpg

2mockrin.jpg

3mockrin.jpg

4mockrin.jpg

5mockrin.jpg

6mockrin.jpg

7mockrin.jpg
Jesse Mockrin, Between desire and dread, 2019, oil on cotton, overall 62 x 86 in, (157.48 x 218.44 cm)

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Jesse Mockrin, The marks of a stranger, 2019 Oil on cotton, overall 85 x 118 in, (215.9 x 299.72 cm)

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Jesse Mockrin, Weep into my eyes, 2019, oil on cotton, overall 52 x 72 in, (132.08 x 182.88 cm)

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Jesse Mockrin, Embracing flames, 2019, oil on cotton 14 1/2 x 10 in, 36.83h x (25.40w cm)

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Jesse Mockrin, Brain-sick rude desire, 2019, oil on cotton, 23 x 16 in, (58.42 x 40.64 cm)

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Jesse Mockrin, The touch of a stranger hand, 2019, oil on cotton, 40 1/2 x 28 in, (102.87 x 71.12 cm)

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Jesse Mockrin, Repetition cannot make it less, 2019, oil on cotton, overall 26 x 54 in, (66.04 x 137.16 cm)

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Jesse Mockrin, The gaping wound was exposed for all to see, 2019, oil on cotton, overall 19 x 39 in, (48.26 x 99.06 cm)
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2019年09月27日

memo (overseas): Sep27,2019

ex-chamber memo (overseas): Sep27,2019

MATTEO CALLEGARI: Dropouts and Fluids
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Jun 20 – Aug 03, 2018

installation views
1matteocallegari.jpg

2matteocallegari.jpg

3matteocallegari.jpg

4matteocallegari.jpg

5matteocallegari.jpg
Matteo Callegari, dropouts, 2018. Oil on canvas, 66 × 51 inches / 168 × 130 cm

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Matteo Callegari, structures, models, perspectives, 2018. Oil on canvas, 66 × 51 inches / 168 × 130 cm

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Matteo Callegari, ENY, 2018. Charcoal and pencil on paper, 24 × 18 inches / 60.96 × 45.72 cm

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Matteo Callegari, amass, 2018. Oil on canvas, 44 × 34 inches / 112 × 86 cm

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Matteo Callegari, fluids, 2018. Oil on canvas, 44 × 34 inches / 112 × 86 cm





SARAH FAUX: PUCKER
@CAPSULE SHANGHAI
1st Floor, Building 16, Anfu Lu 275 Nong, Xuhui District, Shanghai, China – 200031
23 JUNE - 23 JULY 2018

installation views
1sarahfaux.jpg

2sarahfaux.jpg

3sarahfaux.jpg

4sarahfaux.jpg

5sarahfaux.jpg

6sarahfaux.jpg

7sarahfaux.jpg

8sarahfaux.jpg

9sarahfaux.jpg

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Sarah Faux
Broad daylight and thin air 白日的喘息, 2018
oil on canvas 布面油画
182.9 x 142.2 cm
72 x 56 in

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Sarah Faux
Pucker 撅, 2018
oil on canvas 布面油画
182.9 x 142.2 cm
72 x 56 in

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Sarah Faux
Self-like construct (in red-orange) 自我建構(橘红间), 2018
oil on canvas 布面油画
127 x 91.4 cm
50 x 36 in

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Sarah Faux
Untitled (comb) 无题(梳发), 2018
oil on canvas 布面油画
38.1 x 30.5 cm
15 x 12 in

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Sarah Faux
Untitled (gray hand) 无题(灰手), 2018
oil on canvas 布面油画
38.1 x 30.5 cm
15 x 12 in

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Sarah Faux
Untitled (hoop) 无题(圈), 2018
oil on canvas 布面油画
38.1 x 30.5 cm
15 x 12 in

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Sarah Faux
Wet mirror 雾镜, 2018
oil on canvas 布面油画
182.9 x 142.2 cm
72 x 56 in

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Sarah Faux
Comedown 往下, 2018
oil on canvas 布面油画
182.9 x 142.2 cm
72 x 56 in

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Sarah Faux
For new Lovers 致新欢, 2017
oil on canvas 布面油画
127 x 91.4 cm
50 x 36 in

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Sarah Faux
Gutter insides 隐藏之垢, 2018
oil on canvas 布面油画
127 x 91.4 cm
50 x 36 in

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Sarah Faux
Untitled (lashes) 无题(睫毛), 2018
oil on canvas 布面油画
38.1 x 30.5 cm
15 x 12 in

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Sarah Faux
Untitled (smear) 无题(涂抹), 2018
oli on canvas 布面油画
40.6 x 30.5 cm
16 x 12 in

27sarahfaux.jpg
Sarah Faux
White smoke rose 烟白玫瑰, 2018
oil on canvas 布面油画
127 x 91.4 cm
50 x 36 in

28sarahfaux.jpg
Dirt Sole 脚底, 2018
dye, pigment and oil stick on cut canvas 布面拼贴,染剂、颜料、油画棒
180 x 142 cm

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Sarah Faux
Grape affair 紫色情事, 2018
dye, pigment and oil stick on cut canvas 布面拼贴,染剂、颜料、油画棒
141 x 47 cm

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Sarah Faux
Blueish black 蓝K色, 2018
dye, pigment and oil stick on cut canvas 布面拼贴,染剂、颜料、油画棒
128 x 61 cm

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Sarah Faux
Black spot 暗处, 2018
oil on canvas 布面油画
127 x 91.4 cm
50 x 36 in

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Sarah Faux
Absorption fantasy 着迷的幻想, 2018
oil on canvas 布面油画
182.9 x 142.2 cm
72 x 56 in





Jin Shan: Evaporate
@166 ART SPACE
No. 166 Zhenning Road , 405 Lane Shanghai 200050
China
6 November, 2018 – 2 March, 2019

installation views
1Jin-Shan.jpg

2Jin-Shan.jpg

3Jin-Shan.jpg

4Jin-Shan.jpg

5Jin-Shan.jpg

6Jin-Shan.jpg

7Jin-Shan.jpg

8Jin-Shan.jpg

9Jin-Shan.jpg

10Jin-Shan.jpg

11Jin-Shan.jpg

12Jin-Shan.jpg

13Jin-Shan.jpg

14Jin-Shan.jpg

15Jin-Shan.jpg

16Jin-Shan.jpg

17Jin-Shan.jpg

18Jin-Shan.jpg

19Jin-Shan.jpg

20Jin-Shan.jpg

21Jin-Shan.jpg

22Jin-Shan.jpg

23Jin-Shan.jpg

24Jin-Shan.jpg

25Jin-Shan.jpg

26Jin-Shan.jpg

27Jin-Shan.jpg

28Jin-Shan.jpg

29Jin-Shan.jpg

30Jin-Shan.jpg

31Jin-Shan.jpg

32Jin-Shan.jpg

33Jin-Shan.jpg

34Jin-Shan.jpg
Residue
2018
Sand, high-strength gypsum, steel, cement
79 x 218 cm

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Residue
2018
Sand, high-strength gypsum, steel, cement
79 x 218 cm

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Residue
2018
Sand, high-strength gypsum, steel, cement
79 x 218 cm

37Jin-Shan.jpg
Stacked
2018
Plastic, stainless steel
37.5 x 25 x 19.8 cm

38Jin-Shan.jpg
Construction
2018
Plastic, silica gel, wire, wire mesh
34 x 37.5 x 26 cm

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Construction
2018
Plastic, silica gel, wire, wire mesh
34 x 37.5 x 26 cm

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The Way it Goes
2018
Aluminum, nutritious soil, grass
25.5 x 17.5 x 30 cm

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Evaporate
2018
Wire mesh, jute, gypsum, plastic, steel bar
155 x 95 x 117 cm

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Evaporate
2018
Wire mesh, jute, gypsum, plastic, steel bar
155 x 95 x 117 cm

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Evaporate
2018
Wire mesh, jute, gypsum, plastic, steel bar
155 x 95 x 117 cm

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Laid Bare
2018
Plastic, stainless steel, silica gel
181 x 90 x 65 cm

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Laid Bare
2018
Plastic, stainless steel, silica gel
181 x 90 x 65 cm

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47Jin-Shan.jpeg
light
2018
Concrete,smoke ash
eye(21.5x17.5x13.5cm) candle(3x14cm)

48Jin-Shan.jpeg





MIAO XIAOCHUN: GYRO DANCE
@Eli Klein Gallery
398 West Street
New York, NY 10014
USA
May 25 – July 28, 2019

installation views
1miaoxiaochun.jpeg

2miaoxiaochun.jpeg

3miaoxiaochun.jpeg

4miaoxiaochun.jpeg

5miaoxiaochun.jpeg

6miaoxiaochun.jpeg

7miaoxiaochun.jpeg

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9miaoxiaochun.jpeg

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Miao Xiaochun
Gyro Dance, 2017
3D computer animation
10’30”

11miaoxiaochun.jpeg
Miao Xiaochun
Gyro Dance No. 1, 2019
Acrylic on linen
39 3/8 x 39 3/8 inches (100 x 100 cm)

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Miao Xiaochun
Gyro Dance No. 2, 2019
Acrylic on linen
39 3/8 x 39 3/8 inches (100 x 100 cm)

13miaoxiaochun.jpeg
Miao Xiaochun
Ah, time!, 2019
3D print photopolymer resin
16 1/2 x 6 3/4 x 5 1/2 inches (42 x 17 x 17 cm)

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Miao Xiaochun
Extrude milk equal to a quarter hour, 2019
3D print photopolymer resin
14 1/4 x 13 3/4 x 17 inches (36 x 35 x 43 cm)

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Miao Xiaochun
Make an hour with a week of life, 2019
3D print photopolymer resin
11 3/4 x 5 1/2 x 17 1/2 inches (30 x 14 x 44 cm)

16miaoxiaochun.jpeg
Miao Xiaochun
Crossing this vast earth at the moment of ten seconds, 2019
3D print photopolymer resin
11 1/2 x 32 x 5 1/2inches (29 x 81 x 14 cm)





WING PO SO: FROM THE BODY TO THE BODY THROUGH THE BODY
@de Sarthe
20/F, Global Trade Square, No. 21 Wong Chuk Hang Road,
Hong Kong
SEP 07, 2019 - SEP 21, 2019

1wingposo.jpg
Wing Po So, From the Body to the Body Through the Body, 2019, Corn silk, thread, iron, sound, motors, 630 x 1170 x 378 cm

2wingposo.jpg
Wing Po So, Habitat No. 1, 2019, Clay, corn cob, steel, 82 x 35 x 40 cm

3wingposo.jpg
Wing Po So, Habitat No. 2, 2019, Clay, corn cob, 47 x 54 x 54 cm

4wingposo.jpg
Wing Po So, Habitat No. 3, 2019, Clay, corn cob, 50 x 25 x 26 cm

5wingposo.jpg
Wing Po So, Partial Skeleton, 2019, Unfired clay, Dimensions variable

6wingposo.jpg
Wing Po So, Changing States Phase 1, 2019, Plaster on wood, 170 x 122 cm

7wingposo.jpg
Wing Po So, Changing States Phase 2, 2019, Plaster on wood, 170 x 122 cm

8wingposo.jpg
Wing Po So, Changing States Phase 3, 2019, Plaster on wood, 170 x 122 cm
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2019年09月26日

memo (overseas): Sep26,2019

ex-chamber memo (overseas): Sep26,2019

IVY HALDEMAN: The Interesting Type
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Sep 05 – Oct 21, 2018

installation views
1ivyhaldeman.jpg

2ivyhaldeman.jpg

3ivyhaldeman.jpg

4ivyhaldeman.jpg

5ivyhaldeman.jpg

6ivyhaldeman.jpg
Ivy Haldeman, Colossus, Ankles Cross, Hand Hooks Heel, Finger Tips Press Bun, 2018. Acrylic on canvas, 58 × 84 inches / 147.3 × 213.4 cm

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Ivy Haldeman, Hand, Index Linger Back, 2018. Acrylic on canvas, 24 × 16 1/2 inches / 61 × 41.9 cm

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Ivy Haldeman, Pink Suit, Peach Suit, 2018. Acrylic on canvas, 67 × 64 inches / 170.2 × 162.5 cm

9ivyhaldeman.jpg
Ivy Haldeman, Chartreuse Suit, 2018. Acrylic on canvas, 67 × 64 inches / 170.2 × 162.5 cm

10ivyhaldeman.jpg
Ivy Haldeman, Hand, Index Forward Left, 2018. Acrylic on canvas, 24 × 16 1/2 inches / 61 × 41.9 cm

11ivyhaldeman.jpg
Ivy Haldeman, Blue Suit, Blue Suit, 2018. Acrylic on canvas, 73 × 73 inches / 185.4 × 185.4 cm

12ivyhaldeman.jpg
Ivy Haldeman, Colossus, Knee to Elbow, Wrist Bent, Four Fingers Edge Out, 2018. Acrylic on canvas, 84 × 58 inches / 213.4 × 147.3 cm

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Ivy Haldeman, Colossus, Two Knees Down, Pinch, Hand Held Back, 2018. Acrylic on canvas, 84 × 58 inches / 213.4 × 147.3 cm

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Ivy Haldeman, Mauve Suit, Tan Suit, 2018. Acrylic on canvas, 67 × 64 inches / 170.2 × 162.5 cm





MAYA KRAMER: DECOY
@CAPSULE SHANGHAI
1st Floor, Building 16, Anfu Lu 275 Nong, Xuhui District, Shanghai, China – 200031
21 SEPTEMBER - 25 OCTOBER 2018

installation views
1maya-kramer.jpg

2maya-kramer.jpg

3maya-kramer.jpg

4maya-kramer.jpg

5maya-kramer.jpg

6maya-kramer.jpg

7maya-kramer.jpg

8maya-kramer.jpg

9maya-kramer.jpg

10maya-kramer.jpg

11maya-kramer.jpg

12maya-kramer.jpg

13maya-kramer.jpg

14maya-kramer.jpg

15maya-kramer.jpg

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20maya-kramer.jpg
Maya Kramer
Decoy 圈套, 2018
dimensions variable

21maya-kramer.jpg

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23maya-kramer.jpg
Maya Kramer
Grey Zone 灰色地带, 2018
Aluminum, enamel, plexiglass, pump, fans, water 铝、搪瓷、有机玻璃、泵、风扇、水
100.5 x 70 x 15.5 cm
Edition of 3 plus 1 artist's proof

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Maya Kramer
Flashpoint 闪点, 2018
Aluminum 铝
146.6 x 58.7 x 29.5 cm; 63.5 x 32 x 20 cm

29maya-kramer.jpg

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Maya Kramer
Slow Swirl 微旋, 2017
Aluminum, coal, paint, plexiglass, resin, wire, wood 铝、煤、油漆、有机玻璃、树脂、电线、木材
127.5 x 81.6 x 74.8 cm

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32maya-kramer.jpg

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Maya Kramer
Twilight Ramblers 暮光漫步, 2017
Acrylic, aluminum, copper, hydrochloric acid, ink, iron, resin, paper 丙烯、铝、铜、盐酸、油墨、铁、树脂、纸张
115 x 135 x 41.5 cm

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Maya Kramer
Lemon Scented Demise 柠檬香之终, 2017
Aluminum, ammonium, copper, ink, iron, resin, paper, plexiglass, wire, wood 铝、铵、铜、墨水、铁、树脂、纸、有机玻璃、电线、木材
48.2 x 145 x 39 cm

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Maya Kramer
History Isn’t Natural, 历史不自然, 2016
Iron and copper powder, binder 铜和铁粉,粘结剂,铁丝, 木头,有机玻璃, 纸
140 x 100 cm

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Maya Kramer
Empire Violet 紫罗兰帝国, 2018
Aluminum, copper, hydrochloric acid, ink, iron, resin, paper, plexiglass, wire, wood 铝、铜、盐酸、油墨、铁、树脂、纸、有机玻璃、电线、木材
71.2 x 31.6 x 36.3 cm

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Maya Kramer
Crosswinds 横风飞翔, 2017
Acrylic, aluminum board, coal, paper 丙烯、铝板、煤、纸张
66 x 90 x 10 cm

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Maya Kramer
Cascade 倾泻而下, 2017
Acrylic, aluminum board, coal, paper 丙烯,铝板,煤,纸张
90 x 66 x 10 cm

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Maya Kramer
Closed Circuit 回圈, 2018
Silicone, coal, wire 硅胶、煤、电线
55 x 34 x 27 cm

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Maya Kramer
Corroded Flows II 锈色的流动 II, 2018
Rust, glue, plaster, ink, wood 铁锈、胶水、石膏、墨水、木材
44.5 x 70 cm

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Maya Kramer
Apparition 幻影, 2018
Carbon paper, ink, paper 复写纸、墨水、纸张
44.6 x 69 cm

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Maya Kramer
!Acirema, !国美, 2015
Coal dust, pigment, ink, gold and silver leaf 煤粉、颜料、墨、金银箔
123 x 84 cm

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Maya Kramer
There is Nothing You Can Measure Anymore, 没有什么可以再测量的, 2010-2013
Transparency on LED board (framed), 在LED板上的透明片,框架
3 pcs., each 52 x 39.2 x 2 cm
Edition of 5 plus 1 artist's proof





Richard Frater: Indifference
@Michael Lett
312B Karangahape Rd, Auckland CBD, Auckland 1010
New Zealand
23 January − 23 February 2019

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Richard Frater, Indifference, Installation view

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Richard Frater, Stop Shell (Live rock version), 2019, fossilised coral, 3D printed macroscopic graphs, coral organism, marine aquarium, bio-media, plexiglass, 1460 x 400 x 400mm

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Richard Frater, Stop Shell (Live rock version), 2019, fossilised coral, 3D printed macroscopic graphs, coral organism, marine aquarium, bio-media, plexiglass, 1460 x 400 x 400mm

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Richard Frater, Stop Shell (Live rock version), 2019, fossilised coral, 3D printed macroscopic graphs, coral organism, marine aquarium, bio-media, plexiglass, 1460 x 400 x 400mm

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Richard Frater, Stop Shell (Live rock version), 2019, fossilised coral, 3D printed macroscopic graphs, coral organism, marine aquarium, bio-media, plexiglass, 1460 x 400 x 400mm

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Richard Frater, Stop Shell (Live rock version), 2019, fossilised coral, 3D printed macroscopic graphs, coral organism, marine aquarium, bio-media, plexiglass, 1460 x 400 x 400mm

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Richard Frater, Indifference, Installation view

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Richard Frater, Stop Shell (oyster Filter version), 2017, Living oyster, Brita water Filter pitcher, modified oyster shell, marine aquarium, water pumps, chiller, bio-media filter, plexiglass, 1500 x 400 x 400mm

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Richard Frater, Stop Shell (oyster Filter version), 2017, Living oyster, Brita water Filter pitcher, modified oyster shell, marine aquarium, water pumps, chiller, bio-media filter, plexiglass, 1500 x 400 x 400mm

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Richard Frater, Stop Shell (ghost fishing version), 2018, Modified recycled jacket; fishing nets and plastics retrieved from ocean; crayfish trap parts, 1285 x 400 x 400mm

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Richard Frater, Stop Shell (ghost fishing version), 2018, Modified recycled jacket; fishing nets and plastics retrieved from ocean; crayfish trap parts, 1285 x 400 x 400mm

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Richard Frater, Stop Shell (ghost fishing version), 2018, Modified recycled jacket; fishing nets and plastics retrieved from ocean; crayfish trap parts, 1285 x 400 x 400mm

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Richard Frater, Stop Shell (ghost fishing version), 2018, Modified recycled jacket; fishing nets and plastics retrieved from ocean; crayfish trap parts, 1285 x 400 x 400mm

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Richard Frater, Indifference, Installation view

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Richard Frater, Social Cryptomnesia, 2018, two-channel digital slideshow projection, loop

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Richard Frater, Social Cryptomnesia, 2018, two-channel digital slideshow projection, loop





曾梵志 Zeng Fanzhi
@166 ART SPACE
No. 166 Zhenning Road , 405 Lane Shanghai 200050
China
2019/3/15 - 8/10

installation views
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Swimming
2006
Oil on canvas
215 x 330 cm

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Mask series
1995
Oil on canvas
150 x 130 cm

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Potrait No. 2
2002
Oil on canvas
160 x 235 cm

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Potrait
2009
Oil on canvas
31 x 25 cm

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We , set of four
2002
110 x 110 cm

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Untitled
2018
Works on paper
14.8 x 10 cm * 3

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Untitled
2018
Works on paper
15 x 15 cm * 4

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Untitled
2009
Bronze
117 x 61 x 42 cm 129.5 x 26 x 26 cm

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In Search of Plum Through Snowscape II
2014
Cast iron
193 x 52 x 260 cm

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9
2018
Oil on canvas
100 x 100 cm

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Potrait
2001
Works on paper
55 x 40 cm





PAINTING FROM TAIWAN
@Eli Klein Gallery
398 West Street
New York, NY 10014
USA
August 1 – October 6, 2019

installation views
1PAINTING_FROM_TAIWAN.jpeg

2PAINTING_FROM_TAIWAN.jpeg

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Yang Mao-Lin
Wanderers of the Abyssal Darkness. The Bigeye L1802, 2018
Oil and acrylic on canvas
85 7/8 x 57 inches (218 x 145 cm)

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Yang Mao-Lin
Wanderers of the Abyssal Darkness. Crestfish L1904, 2019
Oil and acrylic on canvas
85 7/8 x 57 inches (218 x 145 cm)

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Wang Liang-Yin
Desolate Octopod, 2018
Acrylic on canvas
55 1/8 x 76 3/8 inches (140 x 194 cm)

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Su Wong-Shen
Chinese Valentine’s Day, 2017
Oil on linen
47 1/4 x 76 3/4 inches (120 x 195 cm)

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Liu Chih-Hung
Greenhouse, 2018
Oil on canvas
13 3/4 x 19 5/8 inches (35 x 50 cm)

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Liu Chih-Hung
Lintou, 2018
Oil on canvas
27 1/2 x 39 3/8 inches (70 x 100 cm)

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Huang Hai-Hsin
Blondes, circa 2018, 2018
Oil on canvas
40 1/4 x 50 inches (102 x 127 cm)

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Huang Hai-Hsin
Gothic Picnic, 2018
Oil on canvas
40 1/4 x 29 7/8 inches (102 x 76 cm)

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Hu Chau-Tsung
Home - Private Island, 2015
Acrylic on canvas mounted on wood
63 7/8 x 51 1/4 inches (162.4 × 130.3 cm)

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Hu Chau-Tsung
Progressing - 4, 2018
Acrylic on canvas mounted on wood
51 3/8 x 64 inches (130.5 × 162.5 cm)

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Ho Kan
Abstract 2017-044, 2017
Oil on canvas
39 3/8 x 31 1/2 inches (100 x 80 cm)

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Ho Kan
Abstract 2017-030, 2017
Oil on canvas
35 7/8 x 28 1/2 inches (91 x 72.5 cm)

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Chou Tai-Chun
Back to - Isolated Territory, 2017
Acrylic on canvas
37 3/8 x 57 inches (95 x 145 cm)

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Chou Tai-Chun
Back to - Pandora, 2017
Acrylic on canvas
57 x 37 3/8 inches (145 × 95 cm)

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Hsiao Chin
Due Universi, 2004
Acrylic on canvas
55 1/8 x 43 1/4 inches (140 x 110 cm)

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Hsiao Chin
Cuore nell’Universo-4, 2005
Acrylic on canvas
43 1/4 x 55 1/8 inches (110 x 140 cm)
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

installation views: 鈴木知佳・鈴木のぞみ「Monologue of the Blank」 @ ex-chamber museum(3 Apr.〜29 Apr. 2019)

鈴木知佳・鈴木のぞみ「Monologue of the Blank」
@ex-chamber museum
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
070-5567-1513
9/7(土)〜9/29(日)月火水休(9/16、9/23祝日開廊)
12:00〜18:00
※4/19(金)は16:00〜
協力:rin art association

Chika Suzuki, Nozomi Suzuki “Monologue of the Blank”
@ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, CHiyoda-ku, Tokyo, Japan
81-70-5567-1513
7 Sep.(Sat)〜29 Sep.(Mon)closed on Mondays to Wednesdays (16 Sep. and 23 Sep are open)
※13 Sep.(Fri):14:00〜, 20 Sep.(Fri):16:00〜
12:00〜18:00
cooperation: rin art association

installation views
1Monologue_of_the Blank.jpg

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鈴木のぞみ / Nozomi Suzuki
Letters of the Light, Belfast
乾式ブルネオジアゾ感光紙、封筒 / diazo photosensitive paper, envelope
292×205mm×5+封筒×1 / 292×205mm×5 sheets & 1 envelope
2019


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鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 028 / blank drawing - memorandum 028
アクリル凹面彫刻 / acrylic
378×287×2mm
395×305×30mm (frame size)
2019


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鈴木のぞみ / Nozomi Suzuki
Monologue of the Light : TEAPOND ドアの鍵穴から 東京 / From a keyhole, Tokyo
ゼラチンシルバープリント / gelatin silver print
203×254mm
2018


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鈴木のぞみ / Nozomi Suzuki
Monologue of the Light : TEAPOND 旧枌所小学校 一輪車の錆びた穴から 香川 / From a rusty hole in a unicycle wheelbarrow at ex-Sogisho elementary school, Kagawa
ゼラチンシルバープリント / gelatin silver print
203×254mm
2018


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鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 027 / blank drawing - memorandum 027
アクリル凹面彫刻 / acrylic
298×211×10mm
306×229×40mm (frame size)
2019


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鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 026 / blank drawing - memorandum 026
アクリル凹面彫刻 / acrylic
211×298×10mm
229×306×40mm (frame size)
2019


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鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 018 / blank drawing - memorandum 018
アクリル凹面彫刻 / acrylic
253×202×2mm
277×222×34mm (frame size)
2018


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鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 019 / blank drawing - memorandum 019
アクリル凹面彫刻 / acrylic
253×202×2mm
277×222×34mm (frame size)
2018


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鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 020 / blank drawing - memorandum 020
アクリル凹面彫刻 / acrylic
253×202×2mm
277×222×34mm (frame size)
2018


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鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 014 / blank drawing - memorandum 014
アクリル凹面彫刻 / acrylic
253×202×2mm
305×397×35mm (frame size)
2018


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鈴木知佳 / Chika Suzuki
空白のドローイング - F0 / blank drawing - F0
アクリル凹面彫刻 / acrylic
318×410×25mm
450×349×44mm (frame size)
2019

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鈴木知佳 / Chika Suzuki
名付けられた色の終わり 名付けられない色のはじまり / The end of the named colors, the beginning of the unnamed colors
砂、海岸(甑島 N 31°51' 1" E 129°53' 8")2016 / sand at the coast (Koshiki-Jima, N 31°51' 1" E 129°53' 8") 2016
100×100mm (frame size)
2019


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鈴木知佳 / Chika Suzuki
計り知れない時を計る / Measuring immeasurable times
砂、海岸(甑島 N 31°51' 1" E 129°53' 8")2016、ガラス / sand at the coast (Koshiki-Jima, N 31°51' 1" E 129°53' 8") 2016, glass
2019
posted by makuuchi at 10:00| Comment(0) | installation views | このブログの読者になる | 更新情報をチェックする

2019年09月25日

memo (overseas): Sep25,2019

ex-chamber memo (overseas): Sep25,2019

Imogen Taylor: Betwixt and Between
@Michael Lett
312B Karangahape Rd, Auckland CBD, Auckland 1010
New Zealand
19 June − 20 July 2019

installation views
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Imogen Taylor, Another Word for Abyss, 2019, acrylic on hessian, 1200 x 2800mm

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Imogen Taylor, Ripe, 2019, acrylic on hessian, 1200 x 1400mm

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Imogen Taylor, Southern Comfort, 2019, acrylic on hessian, 450 x 440mm

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Imogen Taylor, Southern Comfort, 2019, acrylic on hessian, 450 x 440mm

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Imogen Taylor, Power Bottom, 2019, acrylic on hessian, 450 x 440mm

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Imogen Taylor, Self Help, 2019, acrylic on hessian, 450 x 440mm

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Imogen Taylor, Rock & a Hard Place, 2019, acrylic on hessian, 1200 x 1400mm

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Imogen Taylor, Dripping, 2019, acrylic on hessian, 450 x 440mm





Le feu des hérétiques
ALEXANDRA METCALF, FABIEN GIRAUD & RAPHAËL SIBONI, TYLER THACKER, TOM WARING
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Nov 03 – Dec 16, 2018

installation views
1Le_feu_des_heretiques.jpg

2Le_feu_des_heretiques.jpg

3Le_feu_des_heretiques.jpg

4Le_feu_des_heretiques.jpg

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Alexandra Metcalf, Bad Labor, 2018. Wood, tights, apoxy sculpt, wire, metal, eyeshadow, photograph 51/2 × 59 × 30 inches / 14 × 149.9 × 76.2 cm

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Tom Waring, Dulo so Lo, 2018. Oil on linen, 11 3/4 × 7 3/4 inches / 30 × 20 cm

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Tyler Thacker, Ganzfeld carried downstream in a dirty, libidinal river, 2018. Oil on canvas, 42 × 96 inches / 106.7 × 243.8 cm

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Tyler Thacker, Ganzfeld carried downstream in a dirty, libidinal river, 2018 (detail). Oil on canvas, 42 ×

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Tyler Thacker, Ganzfeld carried downstream in a dirty, libidinal river, 2018 (detail). Oil on canvas, 42 × 96 inches / 106.7 × 243.8 cm

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Tom Waring, Phunke, 2017. Oil on linen, 75 × 50 inches / 191 × 127 cm

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Tyler Thacker, A Dirty River, 2018. Oil on canvas, 48 × 30 inches / 121.9 × 76.2 cm

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Tom Waring, Dhollarig, 2018. Oil on linen, 65 × 51 inches / 165 × 130 cm

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Tyler Thacker, Right Handed Vanitas, 2017. Oil on canvas, 52 × 72 inches / 132.1 × 182.9 cm

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Alexandra Metcalf, Crutch, 2018. Wood, rubber, nails, resin, chalk, tights, 51 × 7 × 6 inches / 129.5 × 17.8 × 15.2 cm





WANG HAIYANG
@CAPSULE SHANGHAI
1st Floor, Building 16, Anfu Lu 275 Nong, Xuhui District, Shanghai, China – 200031
3 NOVEMBER - 25 DECEMBER 2018

installation views
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Wang Haiyang 王海洋
Party in the Anus, 2018
View video here
single-channel video 单频道录像
2'15'' on loop 循环
Edition of 5 plus 2 artist's proofs

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Wang Haiyang 王海洋
Skins 01-06 皮囊 01-06, 2017-2018
pastel on paper 纸上色粉
66.5 x 51.5 cm (framed)

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Wang Haiyang 王海洋
Skins 皮囊 , 2018
View video here
single-channel video 单频道录像
3'08''
Edition of 5 plus 2 artist's proofs

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Wang Haiyang 王海洋
The City of Dionysus 狄俄尼索斯之城, 2018
View video here
single-channel video 单频道录像
8'20"
Edition of 8 plus 2 artist's proofs

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Wang Haiyang 王海洋
Untitled 无题, 2018
watercolour on paper 纸本水彩
126 x 195 cm

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49wang-haiyang.jpg

50wang-haiyang.jpg

51wang-haiyang.jpg

52wang-haiyang.jpg

53wang-haiyang.jpg

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56wang-haiyang.jpg

57wang-haiyang.jpg

58wang-haiyang.jpg

59wang-haiyang.jpg

60wang-haiyang.jpg

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63wang-haiyang.jpg

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65wang-haiyang.jpg
Wang Haiyang 王海洋
Untitled 无题, 2018
watercolour on paper 纸本水彩
20 pcs.: 45.5 x 30.5 (16 pcs.) 30.5 x 23 cm (4 pcs.)

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Wang Haiyang 王海洋
Untitled 无题, 2018
watercolour on paper 纸本水彩
14 pcs.: 30.5 x 23 cm (11 pcs.); 45.5 x 30.5 cm (3 pcs.)

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Wang Haiyang 王海洋
Untitled 无题, 2018
pastel on paper 纸上色粉
45.5 x 30.5 cm

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Wang Haiyang 王海洋
Untitled 无题, 2018
pastel on paper 纸上色粉
45.5 x 30.5 cm





UDO SELLBACH: SELECTED WORKS 1965-68
@Milani Gallery
270 Montague Road
West End
Brisbane QLD 4101
Australia
08/08/2019 - 31/08/2019

installation views
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Untitled (May)
1968
Acrylic on linen
122 x 122 cm

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Untitled (April-May)
1968
Acrylic on linen
173 x 168 cm

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The Double Journey
1967
Acrylic on linen
152 x 121 cm

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Eye for Eye, Tooth for Tooth
1967
Acrylic on linen
130 x 101 cm

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City Night, Country Day
1967
Acrylic on linen
122 x 122cm

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Untitled
ca.1967
Acrylic on linen
147 x 122 cm

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City in Flames
ca.1967
Acrylic on linen
152 x 122 cm

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Middle East
ca.1967
Acrylic on linen
129.5 x 99 cm





Gorels!
@166 ART SPACE
No. 166 Zhenning Road , 405 Lane Shanghai 200050
China
7 September - 31 October, 2019

installation views
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Wang Jiaxue
Tired Romantic
2014
Oil on Canvas
44 x 51 cm

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Qin Qi
Wind
2017
Oil on Canvas
100 x 110 cm

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Shen Ling
Sad
1999
Oil on Canvas
180 x 170 cm

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He Sen
Make up 1
2000
Acrylic on canvas
100 x 80 cm

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Liang Manxue
Little Princess
2014
Oil on canvas
60 x 100 cm

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He An
One of the fifteen reasons about fashion - show off
2000
Photography
50 x 100 cm

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Wu Di
Twin Sisters
2014
Acrylic on woodboard
45 × 60 cm

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Yu Youhan
Andy Warhol and Mao
1999
Acrylic on canvas
150 x 150 cm

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Yuan Yuan
Can not swallow her
2008
Oil on linen
200 x 170 cm

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Liu Jianhua
Painted Sculpture Series - Memory of infatuation
1999
Porcelain
60 x 42 x 41 cm

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Yang Fudong
International Hotel No.2
2010
Photograph
180 x 120 cm

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Yu Hong
Red Fog
2013
Glass, glass pigment color
38 × 34 x 8 cm

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Yu Hong
Red Fog
2013
Glass, glass pigment color
38 × 34 x 8 cm

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Yu Hong
Red Fog
2013
Glass, glass pigment color
38 × 34 x 8 cm

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Yu Hong
Red Fog
2013
Glass, glass pigment color
38 × 34 x 8 cm

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Yu Hong
Red Fog
2013
Glass, glass pigment color
38 × 34 x 8 cm

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Yu Hong
Red Fog
2013
Glass, glass pigment color
38 × 34 x 8 cm
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2019年09月24日

memo (overseas): Sep24,2019

ex-chamber memo (overseas): Sep24,2019

Alex Kwartler: Snowflake
@Magenta Plains
94 Allen St, New York, NY 10002
USA
May 16–June 17 2018

installation views
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Alex Kwartler, Schleppers (snowflake, star, badge), 2018, flashe and oil on canvas, 48h x 36w in.

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Alex Kwartler, Penny III, 2018, oil on canvas, 24h x 20w in.

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Alex Kwartler, Penny II, 2018, oil on canvas, 24h x 20w in.

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Alex Kwartler, Snowflake (I'm Nobody! Who are you?, for MA), 2018, oil and pumice on canvas, 14h x 11w in.

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Alex Kwartler, Snowflake (To the Harbormaster, for ML), 2018, oil and pumice on canvas, 14h x 11w in.

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Alex Kwartler, Celebration! (After Childe Hassam), 2018, oil on canvas board, aluminum can, 14h x 11w in.

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Alex Kwartler, Schleppers (snowflake) I, 2018, oil on canvas board, 20h x 16w in.

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Alex Kwartler, Untitled, 2018, oil on canvas board, 20h x 16w in.

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Alex Kwartler, Snowflake (((The Werld, for DA))), 2018, oil and pumice on canvas, 14h x 11w in.

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Alex Kwartler, Snowflake (The Seaside Cemetery, for CVH), 2018, oil and pumice on canvas, 20h x 20w in.

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Alex Kwartler, Unititled (with popcorn), 2018, oil on canvas board, popcorn, 14h x 11w in.





GUY CHURCH: And the things speak with their own voice
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Jan 13 – Feb 24, 2019

installation views
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Guy Church, The Edge, 2019. Colored pencil on paper, 20 3/4 x 17 3/4 inches / 52.7 x 45.1 cm (framed), 17 x 14 inches / 43.2 x 35.5 cm (unframed)

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Guy Church, Old Noah builds himself an Ark, 2018. Colored pencil on orange sandpaper, 14 1/2 x 16 1/2 inches / 36.8 x 41.9 cm (framed), 9 x 11 inches / 22.8 x 27.9 cm (unframed)

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Guy Church, House on Sand, 2018. Colored pencil on orange sandpaper, 14 1/2 x 16 1/2 inches / 36.8 x 41.9 cm (framed), 9 x 11 inches / 22.8 x 27.9 cm (unframed)

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Guy Church, The Drop Off, 2016. Charcoal on paper, 30 3/4 x 38 inches / 78.1 x 96 1/2 cm (framed), 22 1/2 x 30 inches / 57.1 x 76.2 cm (unframed)

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Guy Church, The Feathered Friend, 1992. Colored pencil on paper, 29 1/2 x 37 1/2 inches / 74.9 x 95.2 cm (framed), 22 x 30 inches / 55.8 x 76.2 cm (unframed)

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Guy Church, The end of the train, 1987. Colored pencil on paper, 35 3/4 x 44 inches / 90.8 x 111.7 cm (framed), 33 x 40 inches / 83.8 x 101.6 cm (unframed)

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Guy Church, Not enough shade, 1995. Graphite on paper, 10 3/4 x 10 3/4 inches / 27.3 x 27.3 cm (framed), 4 3/4 x 4 3/4 inches / 12 x 12 cm (unframed)

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Guy Church, Call of the back woods, 1997. Graphite on paper, 15 1/2 x 13 inches / 39.4 x 33 cm (framed), 14 x 11 inches / 35.5 x 27.9 cm (unframed)

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Guy Church, Fido cannot play ball, 2014. Charcoal on paper, 15 1/4 × 18 1/2 inches / 38.7 × 47 cm (framed), 14 × 11 inches / 35.6 × 27.9 cm (unframed)

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Left: Guy Church, The Great Outside World, 2017. Graphite on paper, 22 3/4 × 19 1/2 inches / 57.8 × 49.5 cm (framed), 16 1/2 × 13 inches / 41.9 × 33 cm (unframed)
Right: Guy Church, The Backdoor, 2018. Colored pencil on paper, 17 3/4 × 15 1/4 inches / 45.1 × 38.7 cm (framed), 14 × 11 inches / 35.6 × 27.9 cm (unframed)

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Guy Church, A Pile of Books, 2018. Colored pencil on paper, 18 1/4 × 15 1/4 inches / 46.3 × 38.7 cm (framed), 13 1/2 × 10 1/2 inches / 34.3 × 26.6 cm (unframed)

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Guy Church, The Den Tree, 2015. Graphite on paper, 18 1/4 × 15 inches / 46.3 × 38.1 cm (framed), 14 × 11 inches / 35.6 × 27.9 cm (unframed)

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Guy Church, And the Things Speak with Their Own Voice, 2017. Charcoal on paper, 38 × 30 1/2 inches / 96.5 × 77.5 cm (framed), 30 × 22 inches / 76.2 × 55.9 cm (unframed)

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Guy Church, A Study for Janie, 1997. Graphite on paper, 15 1/2 × 13 inches / 39.4 × 33 cm (framed), 14 × 11 inches / 35.5 × 27.94 cm (unframed)

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He An: Jade Branch
Curated by Lee Ambrozy
@Tang Contemporary Art, Beijing 2nd Space
B01, 798 Art District, No.2 Jiuxianqiao Road
Chaoyang Dst. Beijing, China
12.22, 2018 - 02.20, 2019

installation views
1he-an.jpg

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Dark Purple, 2018,
Resin, refrigeration coil, 100 × 80 × 25 cm

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Cold II, 2018,
Galvanized metal, 157 × 130 × 8 cm

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Cold I, 2018, Steel, resin, glass, 90 × 20 × 20 cm

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Cold III, 2018,
Glass, concrete, Steel, machine oil, 120 × 210 × 8 cm

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Jade Branch, 2015, Installation, LED lightbox, 70 × 170 × 16 cm

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Dark Purple, 2018,
Air conditioner compressor, steel pipes, copper powder, Dimensions variable





LEELEE CHAN: CORE SAMPLE
@CAPSULE SHANGHAI
1st Floor, Building 16, Anfu Lu 275 Nong, Xuhui District, Shanghai, China – 200031
16 FEBRUARY - 5 APRIL 2019

installation views
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Leelee Chan 陳麗同
Pallet in Repose (Marine) 凝伫之盘 (海洋), 2019
scavenged plastic pallet, found polystyrene packaging, resin, concrete, pigment, metal hardware, zip-ties 拾得塑料托盘、塑料泡沫、树脂、混凝土、色素、金屬零件、捆带
150 x 130 x 15 cm

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Leelee Chan 陳麗同
Barnacles 藤壶, 2019
ca. 380 pieces: concrete, metal hardware, resin, pigment, zip ties 总数约380件:混凝土、金屬零件、树脂、色素、捆带
dimensions variable 尺寸可变

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Leelee Chan 陳麗同
Orange Moon #2 橘色月亮 II , 2019
galvanised steel vent well, spray paint, window glass, clip-on LED light 喷漆、窗户玻璃、LED夹灯、镀锌钢 通风管 配件
66 x 31 x 22 cm

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Leelee Chan 陳麗同
Sunchaser 追阳的人, 2017
charcoal, acrylic and oil on canvas 布上木炭,丙烯与油画
35.5 x 28.2 cm

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Leelee Chan 陳麗同
Good Bait 不错的诱饵, 2013
acrylic, oil paint and spray paint on canvas 丙烯,布上油画与喷漆
45.7 x 38.1 cm

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Leelee Chan 陳麗同
Transmitter 传送者, 2017
Found umbrella ribs, found broken tea lid, seashells, stones, polystyrene foams, concrete, glue 拾得伞骨、拾得茶壶盖、贝壳、石头、聚苯乙烯泡沫、混凝土、胶水
30 x 11 x 9 cm

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Leelee Chan 陳麗同
Halo 光轮, 2019
scavenged light, foam packagings. spinning wheel, concrete, pigment, zip ties 拾得灯具、拾得泡棉包材、转轮、混凝土、色素、捆带
19.5 x 15 x 8.5 cm

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Leelee Chan 陳麗同
Squeezer #1 紧握 I, 2018
scavenged objects including dish sponge, hair claw clip and towel bar part, concrete 拾得洗碗海绵、发夹、毛巾架零件、混凝土
18.5 x 11 x 7 cm

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Leelee Chan 陳麗同
Spinner 编造者, 2019
Wheel metal part, concrete, pigment, metal hardware, zip ties 金属轮零件、混凝土、色素、金屬零件、捆带
20 x 17.5 x 10.5 cm

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Leelee Chan 陳麗同
Squeezer #2 紧握 II, 2018
scavenged objects including dish sponge, hair claw clip and vacuum cleaner part, concrete, metal
拾得洗碗海绵、发夹、吸尘器零件;混凝土、金属
20 x 10 x 10 cm

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Leelee Chan 陳麗同
Catcher 捕捉者, 2015-2017
Found broken ceramic tea lid, styrofoam, plaster, pigment dispersion and plexi mirror
拾得的碎陶瓷茶壶盖 ,石膏,泡沫塑料,色素和镜子
15.5 x 12 x 5.5 cm

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Leelee Chan 陳麗同
Endless Consumption 无尽的消耗, 2015-2017
Found polystyrene packagings, seashell, cosmetic compact mirror, artificial plant, Aqua-Resin, fiberglass, plaster, wood, mirror, metal, epoxy putty and pigment dispersion 拾得聚苯乙烯包装、贝壳、掌上化妆镜、人造植物、液态树脂、玻璃钢、石膏、木头、镜子、金属、环氧油灰和色素
218.4 x 17.8 x 12.7 cm

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Leelee Chan 陳麗同
Triple Wishes 三重愿望, 2016
oil paint on canvas 布上油画
45.7 x 38.1 cm

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Leelee Chan 陳麗同
Seashell Game 贝壳戏法, 2016
Collage, acrylic, matte medium, watercolour on Arches paper 阿奇斯艺术纸上水彩、拼贴、喷漆、丙烯、哑光调和剂
80.5 x 65.5 cm (framed 含框)

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Leelee Chan 陳麗同
Protector 守护者, 2018
Found materials including car windshield, seashells, a bag of chandelier crystal balls and polystyrene packagings. Mother of Pearl tiles, egg packagings, Aqua-Resin, resin, fiberglass, concrete, wood, metal hardware, pigment 拾得汽车挡风板、贝壳、水晶灯饰、塑料泡沫;贝母马赛克贴片、蛋盒、水性树脂、树脂、玻璃钢、混凝土、木、金屬零件、色素
179 x 77.5 x 54 cm

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Leelee Chan 陳麗同
House of Leaves 叶屋, 2017
Found objects: stone effect plastic frame, leaf skeletons, wood, stone tiles, grout, mirrors, glass, silicone glue, metal 拾得物:石头纹路的塑料相框、叶子残骸、木头、石头瓦片、浆液、镜子、玻璃、硅酮胶水、金属
60 x 35.6 x 40.6 cm

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Leelee Chan 陳麗同
Spine 脊, 2019
wheels, clay, metal, spray paint 滑轮、土、金属、喷漆
189 x 6.5 x 16 cm

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Leelee Chan 陳麗同
Sunset Capsule - The Queen, 2019
Construction lights, metal stands, crystal pieces from a scavenged chandelier, concrete, fibreglass, metal hardware, gel filters 三防灯、铁架、拾得水晶灯零件、混凝土、玻璃纤维、金屬零件、滤光片
146 x 38 x 38 cm

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Leelee Chan 陳麗同
Navel 脐, 2018
scavenged polystyrene packaging and cosmetic container, found seashell, jesmonite, fiberglass, resin, pigment, epoxy putty 拾得塑料泡沫、护肤品罐子、贝壳、水性树脂、玻璃钢、树脂、色素、塑钢土
151 x 30 x 30 cm

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Leelee Chan 陳麗同
Mapmaker 绘图者, 2016
Collage, gouache, acrylic, matte medium, watercolour on Arches paper 阿奇斯艺术纸上水彩、拼贴、水粉、丙烯、哑光调和剂
81 x 65.5 cm (framed 含框)

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Leelee Chan 陳麗同
Pallet in Repose (Portal) 凝伫之盘 (引道), 2019
Painting: magazine collages, acrylic medium, acrylic paint and oil paint on linen
绘画:亚麻布面拼贴、亚克力材料、亚克力颜料、油画
Sculpture: found materials including: wood pallet, moon-shape glass and foam packagings. wood, mirror, resin, Aqua-Resin, fiberglass, concrete, pigment, metal bars, felt fabric
雕塑:拾得木托盘、半圆形玻璃、泡棉材料;木、镜子、树脂、水性树脂、玻璃钢、混凝土、色素、金属架、无纺布
Painting 绘画: 162 x 121 x 4 cm
Sculpture 雕塑: 22 x 127 x 131 cm

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Leelee Chan 陳麗同
Sunset Capsule 日暮胶囊, 2019
Site-specific sculptural installation for Capsule Shanghai 特别为胶囊上海场地制作
Construction lights, metal stands, crystal pieces from a scavenged chandelier. Concrete, fibreglass, metal hardware, gel filters 三防灯, 铁架, 拾得水晶灯零件、混凝土、 玻璃纤维、金屬零件、滤光片
Installation dimensions variable 尺寸可变
Each light ranges from 146 x 38 x 38 to 150 x 38 x 38 cm
每件燈尺寸由 146 x 38 x 38 cm 至 150 x 38 x 38 cm





SINTA TANTRA: YOUR PRIVATE SKY
@Kristin Hjellegjerde, London
2 Melior Place
London
SE1 3SZ
UK
27 JULY - 1 SEPTEMBER 2018

installation views
1sintatantra.jpg

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6sintatantra.jpg

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SINTA TANTRA
DO YOU WANNA FUNK WITH ME? II (SYLVESTER) , 2018
Tempera on linen
150 x 150 cm
59 1/8 x 59 1/8 in

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SINTA TANTRA
POLARISED SKY, ROTATING SCREENS (BUCKMINSTER FULLER) , 2018
Tempera on linen | Triptych Screen, Freestanding
Triptych Screen
180 x 210 cm
70 7/8 x 82 5/8 in

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SINTA TANTRA
DO YOU WANNA FUNK WITH ME? I (SYLVESTER) , 2018
Tempera on linen
150 x 150 cm
59 1/8 x 59 1/8 in

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SINTA TANTRA
DO YOU WANNA FUNK WITH ME? II (SYLVESTER), 2018
Giclee Print
20 x 20 cm
7 7/8 x 7 7/8 in

20sintatantra.jpg
SINTA TANTRA
FOLLOW CONSTELLATIONS AND STAR PATHS (BUCKMINSTER FULLER) , 2018
Acrylic and brass
Unique

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SINTA TANTRA
I HAVE PUT COLOR AND KNOTTED IT. SWIM! (KASIMIR MALEVICH), 2018
Tempera on linen
60 x 45 cm
23 5/8 x 17 3/4 in

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SINTA TANTRA
SECTIONS OF GLOBAL MAP (BUCKMINSTER FULLER) , 2018
Brass wall relief
Unique
110 x 110 x 5 cm
43 1/4 x 43 1/4 x 2 in
Approx

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Sinta Tantra
Orientated Accurately to the North (Buckminster Fuller) , 2018, 2018
Tempera on linen and lithograph dated 1948
53 x 40 cm
20 7/8 x 15 3/4 in

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SINTA TANTRA
STAR CLOCK AT NIGHT (BUCKMINSTER FULLER) , 2018
Tempera on linen
180 x 180 cm | 70 7/8 x 70 7/8 in (180 x 90 cm | 70 7/8 x 35 3/8 in Per Panel)

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SINTA TANTRA
SUN CLOCK IN DAY (BUCKMINSTER FULLER) , 2018
Tempera on linen
180 x 180 cm
70 7/8 x 70 7/8 in
2 panels
180 x 90 cm
70 7/8 x 35 3/8 in

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SINTA TANTRA
THERE IS MOVEMENT AND MOVEMENT (KASIMIR MALEVICH), 2018
Tempera on linen
60 x 45 cm
23 5/8 x 17 3/4 in

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SINTA TANTRA
YOU MAKE ME FEEL, MIGHTY REAL I (SYLVESTER) , 2018
Tempera on Linen
100 x 120 cm
39 3/8 x 47 1/4 in

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SINTA TANTRA
YOU MAKE ME FEEL, MIGHTY REAL II (SYLVESTER) , 2018
Tempera on linen
100 x 120 cm
39 3/8 x 47 1/4 in

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SINTA TANTRA
YOU MAKE ME FEEL, MIGHTY REAL III (SYLVESTER), 2018
Tempera on linen
60 x 50 cm
23 5/8 x 19 3/4 in

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SINTA TANTRA
YOUR PRIVATE SKY (BUCKMINSTER FULLER) , 2018
Tempera on linen and wall
180 x 180 cm
70 7/8 x 70 7/8 in

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SINTA TANTRA
YOUR SKY MAY BE SURFACED INSIDE (BUCKMINSTER FULLER) , 2018
Tempera on Linen
120 x 100 cm
47 1/4 x 39 3/8 in

32sintatantra.jpg
SINTA TANTRA
ZENITH OF SKY (BUCKMINSTER FULLER) , 2018
Tempera on linen
127 x 150 cm
50 x 59 1/8 in
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2019年09月23日

memo (overseas): Sep23,2019

ex-chamber memo (overseas): Sep23,2019

CELINA TEAGUE: NOT FOR THE KID'S ROOM
@Kristin Hjellegjerde, London
2 Melior Place
London
SE1 3SZ
UK
16 NOVEMBER - 20 DECEMBER 2018

installation views
1celinateague.jpg

2celinateague.jpg

3celinateague.jpg

4celinateague.jpg

5celinateague.jpg

6celinateague.jpg

7celinateague.jpg

8celinateague.jpg

9celinateague.jpg

10celinateague.jpg

11celinateague.jpg

12celinateague.jpg

13celinateague.jpg

14celinateague.jpg

15celinateague.jpg

16celinateague.jpg

17celinateague.jpg

18celinateague.jpg

19celinateague.jpg
CELINA TEAGUE
NOT FOR THE KID'S ROOM, PANEL 1, 2018
Oil and acrylic on linen
180 x 160 cm
70 7/8 x 63 in

20celinateague.jpg
CELINA TEAGUE
NOT FOR THE KID'S ROOM, PANEL 2, 2018
Oil and acrylic on linen
180 x 160 cm
70 7/8 x 63 in

21celinateague.jpg
CELINA TEAGUE
NOT FOR THE KID'S ROOM, PANEL 3, 2018
Oil and acrylic on linen
180 x 160 cm
70 7/8 x 63 in

22celinateague.jpg
CELINA TEAGUE
NOT FOR THE KID'S ROOM, PANEL 4, 2018
Oil and acrylic on linen
180 x 160 cm
70 7/8 x 63 in

23celinateague.jpg
CELINA TEAGUE
THE PHYSICAL IMPOSSIBILITY OF IMAGINING 5 MINUTES IN THE SEA, 2017/ 18
Oil and acrylic on canvas
130 x 222 cm
51 1/8 x 87 3/8 in

24celinateague.jpg
CELINA TEAGUE
ONE YEAR IN THE BUSH, 2017
Oil and oil stick on linen
150 x 130 cm
59 1/8 x 51 1/8 in

25celinateague.jpg
CELINA TEAGUE
0.01 SECONDS OF PLASTIC , 2017
Oil and acrylic on canvas
170 x 150 cm
66 7/8 x 59 1/8 in

26celinateague.jpg
CELINA TEAGUE
BOTTLED, 2018
Oil and acrylic on canvas
155 x 140 cm
61 1/8 x 55 1/8 in

27celinateague.jpg
CELINA TEAGUE
FROM THE COMFORT OF YOUR LIVING-ROOM, 2018
Oil and acrylic on canvas
180 x 120 cm
70 7/8 x 47 1/4 in

28celinateague.jpg
CELINA TEAGUE
PROFILE, 2018
Oil and acrylic on canvas
100 x 70 cm
39 3/8 x 27 1/2 in

29celinateague.jpg
CELINA TEAGUE
PALM SPOILS, 2018
Oil and acrylic on canvas
150 x 130 cm
59 1/8 x 51 1/8 in

30celinateague.jpg
CELINA TEAGUE
PUBLIC ENEMY, 2018
Oil and acrylic on canvas
130 x 150 cm
51 1/8 x 59 1/8 in

31celinateague.jpg
CELINA TEAGUE
THE THIN HISTORICAL DIVIDE, 2018
Oil and acrylic on canvas
150 x 130 cm
59 1/8 x 51 1/8 in





MARY MITO: Sifts, restores
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Feb 27 – Apr 12, 2019

installation views
1mary-mito.jpg

2mary-mito.jpg

3mary-mito.jpg

4mary-mito.jpg

5mary-mito.jpg

6mary-mito.jpg

7mary-mito.jpg

8mary-mito.jpg
Mary Mito, Sifts, restores (1), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm

9mary-mito.jpg
Mary Mito, Sifts, restores (2), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm

10mary-mito.jpg
Mary Mito, Sifts, restores (3), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm

11mary-mito.jpg
Mary Mito, Sifts, restores (4), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm

12mary-mito.jpg
Mary Mito, Sifts, restores (5), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm

13mary-mito.jpg
Mary Mito, Sifts, restores (6), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm

14mary-mito.jpg
Mary Mito, Sifts, restores (7), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm

15mary-mito.jpg
Mary Mito, Sifts, restores (8), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm

16mary-mito.jpg
Mary Mito, Sifts, restores (9), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm

17mary-mito.jpg
Mary Mito, Sifts, restores (10), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm

18mary-mito.jpg, restores (10), 2013-19 (alternate view). Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm





Nathaniel Robinson: No One's Things
@Magenta Plains
94 Allen St, New York, NY 10002
USA
May 16–June 17 2018

installation views
1nathaniel-robinson.jpg

2nathaniel-robinson.jpg

3nathaniel-robinson.jpg

4nathaniel-robinson.jpg

5nathaniel-robinson.jpg
Nathaniel Robinson, Unit (introvert, dented), 2017-2018, fiberglass-reinforced gypsum cement, paint, 11h x 24w x 12d in.

6nathaniel-robinson.jpg
Nathaniel Robinson, Tire, 2018, fiberglass-reinforced gypsum cement, paint, 8h x 30w x 30d in.

7nathaniel-robinson.jpg
Nathaniel Robinson, Tent, 2017, fiberglass-reinforced gypsum cement, paint, 21h x 34w x 25d in.

8nathaniel-robinson.jpg
Nathaniel Robinson, Cup (1), 2018, fiberglass-reinforced gypsum cement, paint, 20h x 30w x 27d in.

9nathaniel-robinson.jpg
Nathaniel Robinson, Jug, 2017-18, fiberglass-reinforced gypsum cement over XPS foam, paint, 20h x 12w x 12d in.

10nathaniel-robinson.jpg
Nathaniel Robinson, Tent, 2017, fiberglass-reinforced gypsum cement, paint, 21h x 34w x 25d in.

11nathaniel-robinson.jpg
Nathaniel Robinson, Cup (2), 2018, fiberglass-reinforced gypsum cement, paint, 20h x 30w x 27d in.

12nathaniel-robinson.jpg
Nathaniel Robinson, Umbrella, 2017-18, fiberglass-reinforced gypsum cement, paint, 14.50h x 37w x 37d in.





Shen Ling: Intensity of Concreteness
@Tang Contemporary Art, Hong Kong
10/F, H Queen's, 80 Queen's Road Central,
Hong Kong
4.1 -9.2, 2019

installation views
1Shen-Ling.jpg

2Shen-Ling.jpg

3Shen-Ling.jpg

4Shen-Ling.jpeg
Autumnal Wind and Rain on a Moody Day
200 x 200 cm x 3
oil on canvas
2016

5Shen-Ling.jpg
Jealous Night in Flowery Wind No.1
200 x 200 cm
oil on canvas
2017

7Shen-Ling.jpg
Sleepwalking
200 x 200 cm
oil on canvas
2017

7Shen-Ling.jpg
Unique Fragrance
75 x 60 cm
oil on canvas
2015

8Shen-Ling.jpeg
Black Crows on a Tree
100 x 100 cm
oil on canvas
2018

9Shen-Ling.jpeg
Winter Star
100 x 100 cm
oil on canvas
2018

10Shen-Ling.jpeg
Cold Moon
100 x 100 cm
oil on canvas
2018

11Shen-Ling.jpg
Drifting No.1
200 x 200 cm
oil on canvas
2017

12Shen-Ling.jpg
Drifting No.2
200 x 200 cm
oil on canvas
2017

13Shen-Ling.jpg
Drifting No.3
200 x 200 cm
oil on canvas
2017

14Shen-Ling.jpg
Ephemeral
29.7 x 21 cm
pencil on paper
2015 - 2018

15Shen-Ling.jpg
Ephemeral
29.7 x 21 cm
pencil on paper
2015 - 2018

16Shen-Ling.jpg
29.7 x 21 cm
pencil on paper
2015 - 2018

17Shen-Ling.jpg
Ephemeral
29.7 x 21 cm
pencil on paper
2015 - 2018

18Shen-Ling.jpg
Ephemeral
29.7 x 21 cm
pencil on paper
2015 - 2018

19Shen-Ling.jpg
Smog
29.7 x 21 cm
pencil on paper
2015 - 2018

20Shen-Ling.jpg
Smog
29.7 x 21 cm
pencil on paper
2015 - 2018

21Shen-Ling.jpg
Smog
29.7 x 21 cm
pencil on paper
2015 - 2018

22Shen-Ling.jpg
Smog
29.7 x 21 cm
pencil on paper
2015 - 2018

23Shen-Ling.jpg
Smog
29.7 x 21 cm
pencil on paper
2015 - 2018





FENG CHEN: MOMENT BY MOMENT
@CAPSULE SHANGHAI
1st Floor, Building 16, Anfu Lu 275 Nong, Xuhui District, Shanghai, China – 200031
20 APRIL - 16 JUNE 2019

installation views
1feng-chen.jpg

2feng-chen.jpg

3feng-chen.jpg

4feng-chen.jpg

5feng-chen.jpg

6feng-chen.jpg

7feng-chen.jpg

8feng-chen.jpg

9feng-chen.jpg

10feng-chen.jpg

11feng-chen.jpg

12feng-chen.jpg

13feng-chen.jpg

14feng-chen.jpg

15feng-chen.jpg

16feng-chen.jpg

17feng-chen.jpg

18feng-chen.jpg

19feng-chen.jpg

20feng-chen.jpg
Feng Chen 冯晨
Moment by Moment 瞬间的瞬间, 2019
View video #1 here
View video #2 here
HD video, arduino, servomotor, metronom 高清视频,arduino,舵机,节奏器
dimensions variable 尺寸可变
Edition of 5 plus 2 artist's proofs

21feng-chen.jpg

22feng-chen.jpg

23feng-chen.jpg

24feng-chen.jpg

25feng-chen.jpg

26feng-chen.jpg
Feng Chen 冯晨
The Darker Side of Light: Moment 光的背面:瞬间, 2019
LED neon lights, LED light bulb, light stand, light switches, programming RGB controller, camera, sofa LED灯,LED灯泡,灯架,开关,RGB程序控制器,摄像机,沙发
dimensions variable 尺寸可变
Edition of 3 plus 1 artist's proof

27feng-chen.jpg

28feng-chen.jpg

29feng-chen.jpg
Feng Chen 冯晨
He She 他她 , 2019
carbon fiber 碳纤维
180 x 220 x 80 cm

30feng-chen.jpg
Feng Chen 冯晨
He 他 , 2019
carbon fiber 碳纤维
140 x 250 x 200 cm

31feng-chen.jpg

32feng-chen.jpg
Feng Chen 冯晨
Him 祂 , 2019
carbon fiber 碳纤维
250 x 30 x 2 cm

33feng-chen.jpg

34feng-chen.jpg
Feng Chen 冯晨
It 它, 2019
carbon fiber 碳纤维
210 x 50 x 2 cm

35feng-chen.jpg

36feng-chen.jpg
Feng Chen 冯晨
She 她 , 2019
carbon fiber 碳纤维
150 x 140 x 100 cm

37feng-chen.jpg

38feng-chen.jpg

39feng-chen.jpg
Feng Chen 冯晨
Light Puzzle - Trio 光的缠绕−三重奏, 2019
2D laser scanner, speaker, midi controller, amp 2D激光测距仪、音箱、midi发声器、功放
dimensions variable 尺寸可变
Edition of 6 plus 2 artist's proofs

40feng-chen.jpg
Feng Chen 冯晨
48hz 48赫兹, 2018
gelatin silver print K白银盐相纸
119.5 x 89.5 cm (framed 含框)

41feng-chen.jpg
Feng Chen 冯晨
46Hz 46赫兹, 2018
gelatin silver print K白银盐相纸
119.5 x 89.5 cm (framed 含框)

42feng-chen.jpg
Feng Chen 冯晨
Between 20hz-30hz (10) 赫兹 20hz-30hz之间 (10), 2019
ultra giclee archival print on aluminium 铝塑板艺术微喷
159 x 129 cm
Edition of 3 plus 2 artist's proofs

43feng-chen.jpg
Feng Chen 冯晨
Between 20hz-30hz (11) 赫兹 20hz-30hz之间 (11), 2019
ultra giclee archival print on aluminium 铝塑板艺术微喷
159 x 129 cm
Edition of 3 plus 2 artist's proofs

44feng-chen.jpg
Feng Chen 冯晨
Between 20hz-30hz (02) 赫兹 20hz-30hz之间 (02), 2019
ultra giclee archival print 艺术微喷
50.5 x 40.5 cm (framed 含框)
Edition of 5 plus 2 artist's proofs

45feng-chen.jpg
Feng Chen 冯晨
Between 20hz-30hz (06) 赫兹 20hz-30hz之间 (06), 2019
ultra giclee archival print 艺术微喷
50.5 x 40.5 cm (framed 含框)
Edition of 5 plus 2 artist's proofs
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2019年09月22日

memo (overseas): Sep22,2019

ex-chamber memo (overseas): Sep22,2019

AUDUN ALVESTAD: IT’S MY PARTY AND I’LL CRY IF I WANT TO
@Kristin Hjellegjerde, London
2 Melior Place
London
SE1 3SZ
UK
11 JANUARY - 2 FEBRUARY 2019

installation views
1Audun-Alvestad.jpg

2Audun-Alvestad.jpg

3Audun-Alvestad.jpg

4Audun-Alvestad.jpg

5Audun-Alvestad.jpg

6Audun-Alvestad.jpg

7Audun-Alvestad.jpg

8Audun-Alvestad.jpg

9Audun-Alvestad.jpg

10Audun-Alvestad.jpg

11Audun-Alvestad.jpg

12Audun-Alvestad.jpg

13Audun-Alvestad.jpg

14Audun-Alvestad.jpg

15Audun-Alvestad.jpg

16Audun-Alvestad.jpg

17Audun-Alvestad.jpg
AUDUN ALVESTAD
A PECULIAR PRESENTIMENT, 2019
Acrylic on canvas
70 x 60 cm
27 1/2 x 23 5/8 in

18Audun-Alvestad.jpg
AUDUN ALVESTAD
BEST OF TIMES, 2018
Acrylic on Canvas
50 x 40 cm
19 3/4 x 15 3/4 in

19Audun-Alvestad.jpg
AUDUN ALVESTAD
DIFFICULT DECISIONS, 2018
Acrylic on canvas
120 x 100 cm
47 1/4 x 39 3/8 in

20Audun-Alvestad.jpg
AUDUN ALVESTAD
DOCTORAL BREAKDOWN, 2018
Acrylic on canvas
45 x 40 cm
17 3/4 x 15 3/4 in

21Audun-Alvestad.jpg
AUDUN ALVESTAD
ED'S AFTERPARTY, 2018
Acrylic on canvas
95 x 75 cm
37 3/8 x 29 1/2 in

22Audun-Alvestad.jpg
AUDUN ALVESTAD
EVERY ROSE HAS ITS THORN, 2018
Acrylic on canvas
40 x 33 cm
15 3/4 x 13 in

23Audun-Alvestad.jpg
AUDUN ALVESTAD
EXPERIENCED DUDES, 2018
Acrylic on canvas
60 x 50 cm
23 5/8 x 19 3/4 in

24Audun-Alvestad.jpg
AUDUN ALVESTAD
FRENCH VIEW, 2018
Acrylic on canvas
60 x 50 cm
23 5/8 x 19 3/4 in

25Audun-Alvestad.jpg
AUDUN ALVESTAD
I THOUGHT WE HAD A VIBE, 2018
Acrylic on canvas
50 x 40 cm
19 3/4 x 15 3/4 in

26Audun-Alvestad.jpg
Audun Alvestad
I’m Gonna Drive Like I've Never Been Hurt , 2018
Acrylic on canvas
40 x 33 cm
15 3/4 x 13 in

27Audun-Alvestad.jpg
AUDUN ALVESTAD
KEEPING QUIET, 2018
Acrylic on canvas
150 x 120 cm
59 1/8 x 47 1/4 in

28Audun-Alvestad.jpg
AUDUN ALVESTAD
LA PAUSE SUR L'HERBE, 2019
Acrylic on Canvas
150 x 120 cm
59 1/8 x 47 1/4 in

29Audun-Alvestad.jpg
AUDUN ALVESTAD
LOVE TRIANGLE, 2018
Acrylic on canvas
160 x 140 cm
63 x 55 1/8 in

30Audun-Alvestad.jpg
AUDUN ALVESTAD
MYCELEIC MYSTERIES, 2018
Acrylic on canvas
120 x 100 cm
47 1/4 x 39 3/8 in

31Audun-Alvestad.jpg
AUDUN ALVESTAD
NIGHTWATCHERS, 2018
Acrylic on canvas
95 x 75 cm
37 3/8 x 29 1/2 in

32Audun-Alvestad.jpg
AUDUN ALVESTAD
PASSING RIDDLES AS POETRY, 2018
Acrylic on canvas
60 x 50 cm
23 5/8 x 19 3/4 in

33Audun-Alvestad.jpg
AUDUN ALVESTAD
ROCKAWAY BEACH, 2018
Acrylic on canvas
75 x 62 cm
29 1/2 x 24 3/8 in

34Audun-Alvestad.jpg
AUDUN ALVESTAD
SHIRIN YOKU SAN, 2018
Acrylic on canvas
95 x 75 cm
37 3/8 x 29 1/2 in

35Audun-Alvestad.jpg
AUDUN ALVESTAD
THE END OF A PERFECT DAY, 2019
Acrylic on Canvas
120 x 100 cm
47 1/4 x 39 3/8 in

36Audun-Alvestad.jpg
AUDUN ALVESTAD
THE MASQUARADE, 2018
Acrylic on canvas
120 x 100 cm
47 1/4 x 39 3/8 in

37Audun-Alvestad.jpg
AUDUN ALVESTAD
THE SITUATION, 2018
Acrylic on canvas
150 x 120 cm
59 1/8 x 47 1/4 in

38Audun-Alvestad.jpg
AUDUN ALVESTAD
THE THERAPIST, 2018
Acrylic on canvas
120 x 100 cm
47 1/4 x 39 3/8 in

39Audun-Alvestad.jpg
AUDUN ALVESTAD
TOP TEN THINGS TO SEE IN LISBON, 2018
Acrylic on canvas
140 x 120 cm
55 1/8 x 47 1/4 in

40Audun-Alvestad.jpg
AUDUN ALVESTAD
WIENERVALSING, 2018
Acrylic on canvas
150 x 120 cm
59 1/8 x 47 1/4 in

41Audun-Alvestad.jpg
AUDUN ALVESTAD
YOU NEVER LEFT AND I NEVER CRIED, 2019
Acrylic on canvas
140 x 120 cm
55 1/8 x 47 1/4 in

42Audun-Alvestad.jpg
AUDUN ALVESTAD
THE NEO SHAMAN, 2018
Acrylic in canvas
95 x 75 cm
37 3/8 x 29 1/2 in





Painting and Existence
Ding Yi, Shang Yang, Yu Youhan, Chen Wenji, Tan Ping, Zhu Jinshi, Kazuo Shiraga, Shozo Shimamoto, Atsuko Tanaka, Tsuyoshi Maekawa, Yun Hyong-Keun
@Tang Contemporary Art, Hong Kong
10/F, H Queen's, 80 Queen's Road Central,
Hong Kong
02.15. - 03.16, 2019

installation views
1Painting_and_Existence.jpg

2Painting_and_Existence.jpg

3Painting_and_Existence.jpg

4Painting_and_Existence.jpg

5Painting_and_Existence.jpg
Chen Wenji
Left | Right (Pink)
oil on aluminum-plastic panel
109.5 x 72 cm
2018

6Painting_and_Existence.jpg
Chen Wenji
Black ・ Chroma (left)
Bright Red ・ Chroma (right)
oil on canvas
40.5 x 50 cm each
2018

7Painting_and_Existence.jpg
Zhu Jinshi
Four Noblemen of New Year's Eve 2
oil on canvas
180 x 160 cm
2014

8Painting_and_Existence.jpg
Zhu Jinshi
Thick Painting 2014
oil on canvas
180 x 160 cm
2014

9Painting_and_Existence.jpg
Shang Yang
Cataract - Section No. 5
mixed media on canvas
173 x 242 cm
2018

10Painting_and_Existence.jpg
Tan Ping
Untitled
200 x 300 cm
acrylic
2017

11Painting_and_Existence.jpg
Ding Yi
Appearance of Crosses 2018-7
mixed media on basswood
120 x 120 cm
2018

12Painting_and_Existence.jpeg
Yu Youhan
Circle Series
oil on canvas
91 x 115 cm
1991

13Painting_and_Existence.jpg
Yu Youhan
Abstract 2018 ・ 7 -2
acrylic on canvas
127 x 154 cm
2018

14Painting_and_Existence.jpg
Yu Youhan
Abstract 2018 ・ 9 -2
acrylic on canvas
162 x 156 cm
2018

15Painting_and_Existence.jpg
Kazuo Shiraga
YOU (#124)
oil on canvas
45.8 x 33.5 cm
1992

16Painting_and_Existence.jpg
Kazuo Shiraga
Fragrance
130 x 97 cm
oil on canvas
1975

17Painting_and_Existence.jpg
Atsuko Tanaka
Work
Vinyl paint on canvas
72.5 x 60.4 cm
1970

18Painting_and_Existence.jpg
Tsuyoshi Maekawa
Untitled 110110
acrylic and sewing on
cotton cloth
97 x 130.5 cm
2011

19Painting_and_Existence.jpg
Tsuyoshi Maekawa
Untitled 170333
acrylic and sewing on
cotton cloth
116.5 x 91 cm
2012

20Painting_and_Existence.jpg
Shozo Shimamoto
Untitled
acrylic, glass‒fragments on fabric
79.3 x 84.6 cm
2010

21Painting_and_Existence.jpg
Shozo Shimamoto
Untitled
mixed media on cloth
100 x 73 cm
1980s

22Painting_and_Existence.jpeg
Yun Hyong-Keun
Burnt Umber and Ultramarine Blue
oil on linen
130.4 x 162.4 cm
1992

23Painting_and_Existence.jpeg
Yun Hyong-Keun
Burnt Umber and Ultramarine
oil on linen
130.3 x 97 cm
1996





RUTENE MERK: Sprites
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Apr 28 – Jun 09, 2019

installation views
1rutene-merk.jpg

2rutene-merk.jpg

3rutene-merk.jpg

4rutene-merk.jpg

5rutene-merk.jpg

6rutene-merk.jpg

7rutene-merk.jpg
Rutene Merk, Scribe, 2019. Oil on canvas, 17.5 × 15.5 inches / 45 × 40 cm

8rutene-merk.jpg
Rutene Merk, Kamea, 2019. Oil on canvas, 69 × 58.6 inches / 175 × 149 cm

9rutene-merk.jpg
Rutene Merk, Cosmolite, 2019. Oil on canvas, 40 × 23.5 inches / 86 × 60 cm

10rutene-merk.jpg
Rutene Merk, David at Night, 2018. Oil on canvas, 55.5 × 35.5 inches / 141 × 90 cm

11rutene-merk.jpg
Rutene Merk, Danni, 2019. Oil on canvas, 32.5 × 53 inches / 83 × 135 cm

12rutene-merk.jpg
Rutene Merk, Cameo, 2019. Oil on canvas, 67.7 × 51.6 inches / 172 × 131 cm

13rutene-merk.jpg
Rutene Merk, Lotte, 2019. Oil on canvas, 35 × 54 inches / 90 × 139 cm

14rutene-merk.jpg
Rutene Merk, Aki, 2019. Oil on canvas, 55 × 63 inches / 140 × 161 cm

15rutene-merk.jpg
Rutene Merk, David, 2019. Oil on canvas, 51 × 45 inches / 130 × 115 cm





Snarl Of Twine
Robert Bordo, Shirley Irons, Kathryn Kerr, Becky Kolsrud, Israel Lund, Annabeth Marks, Donald Moffett, Dona Nelson, Nikholis Planck, Lucien Smith, Roger White
@Magenta Plains
94 Allen St, New York, NY 10002
USA
June 21–July 27 2018

installation views
1Snarl_Of_Twine.jpg

2Snarl_Of_Twine.jpg

3Snarl_Of_Twine.jpg

4Snarl_Of_Twine.jpg

5Snarl_Of_Twine.jpg

6Snarl_Of_Twine.jpg

7Snarl_Of_Twine.jpg

8Snarl_Of_Twine.jpg

9Snarl_Of_Twine.jpg
Israel Lund, Untitled (SEVERED HEAD DESTROY YOURSELVES) (left), 2018, acrylic on raw canvas, 88h x 68w in.
Dona Nelson, By The Yard (right), 2016, collage, dyed cheesecloth, muslin, and acrylic mediums on linen panel mounted on plywood base, panel: 81.5 x 36 in, base: 38 x 32 in.

10Snarl_Of_Twine.jpg
Israel Lund, Untitled (SEVERED HEAD DESTROY YOURSELVES), 2018, acrylic on raw canvas, 88h x 68w in.

11Snarl_Of_Twine.jpg
Donald Moffett, Lot 092517 (faccia, titanium white), 2017, oil on linen, wood panel, steel, 12.50h x 7.50w x 6.50d in. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. c Donald Moffett. Photo Credit: Christopher Burke Studios.

12Snarl_Of_Twine.jpg
Donald Moffett, Lot 092517 (faccia, titanium white), 2017, oil on linen, wood panel, steel, 12.50h x 7.50w x 6.50d in. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. c Donald Moffett. Photo Credit: Christopher Burke Studios.

13Snarl_Of_Twine.jpg
Becky Kolsrud, Untitled Study (Bather with Rocks), 2017, oil on canvas, 20h x 16w in.

14Snarl_Of_Twine.jpg
Roger White, Oval Mirror with Counter, 2015, oil on canvas, 43h x 35w in.

15Snarl_Of_Twine.jpg
Nikholis Planck, Blue Venus Fly Trap Limb Study, 2018, water soluble oil on wax on canvas mounted to wood, 14h x 37.25w in.

16Snarl_Of_Twine.jpg
Robert Bordo, Split, 2017, oil on canvas, 28h x 22w in.

17Snarl_Of_Twine.jpg
Roger White, Chicken, 2012, oil on canvas, 11h x 15w in.

18Snarl_Of_Twine.jpg
Shirley Irons, Barbara's Light, 2014, oil on canvas, 11h x 14w in.

19Snarl_Of_Twine.jpg
Lucien Smith, Untitled 003 (Joseph Beuys), 2017, oil on linen, 13.25h x 10w in.

20Snarl_Of_Twine.jpg
Kathryn Kerr, The Country, 2018, acrylic and oil on canvas, 28h x 32w in.

21Snarl_Of_Twine.jpg
Annabeth Marks, Heat Extender, 2018, oil on canvas with tape and thread, 80h x 56w in.

22Snarl_Of_Twine.jpg
Nikholis Planck, Walk, Talk, 2018, water soluble oil on wax on canvas mounted to wood, 12h x 25w in.

23Snarl_Of_Twine.jpg
Shirley Irons, Fluorescence, 2008, oil on wood, 18h x 18w in.

25Snarl_Of_Twine.jpg
Becky Kolsrud, Untitled Study (Heads), 2017, oil on canvas, 20h x 16w in.

26Snarl_Of_Twine.jpg
Donald Moffett, Lot 040117 (45° hole, pewter), 2017, oil on linen, wood panel, steel, 12.25h x 7.50w x 6.25d in. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. c Donald Moffett. Photo Credit: Christopher Burke Studios.


Donald Moffett, Lot 040117 (45° hole, pewter), 2017, oil on linen, wood panel, steel, 12.25h x 7.50w x 6.25d in. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. c Donald Moffett. Photo Credit: Christopher Burke Studios.

26Snarl_Of_Twine.jpg
Lucien Smith, Lili Swimming, 2017, oil on linen, 17h x 11.50w in.

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Robert Bordo, Red Eye, 2015, oil on canvas on panel, 32h x 40w in.

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Nickholis Planck, Poster design for A Snarl of Twine, 2018





IVY HALDEMAN: (HESITATE)
@CAPSULE SHANGHAI
1st Floor, Building 16, Anfu Lu 275 Nong, Xuhui District, Shanghai, China – 200031
31 AUGUST - 16 OCTOBER 2019

installation views
1ivyhaldeman.jpg

2ivyhaldeman.jpg

3ivyhaldeman.jpg

4ivyhaldeman.jpg

5ivyhaldeman.jpg

6ivyhaldeman.jpg

7ivyhaldeman.jpg

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9ivyhaldeman.jpg

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11ivyhaldeman.jpg

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14ivyhaldeman.jpg
HALF SUIT, BACK FORWARD, SLEEVE BEHIND WAIST, ELBOW OUT 半身套装,背后,袖口藏于后腰,肘部向外;HALF SUIT, CUFF TO HIP, TILTED 半身套装,袖口到胯部,倾斜, 2019
LED Lights, Plexiglass
LED灯,有机玻璃
(L): 153 x 55 x 4.5 cm
(R): 153 x 47.5 x 4.5 cm

15ivyhaldeman.jpg
FULL FIGURE, FINGER ALONG FACE, SHINS CROSS, HAND PRESSES OPEN BOOK 全身,手指托脸,胫骨交叉,一手按着打开的书, 2019
acrylic on canvas 布面丙烯
147.3 x 213.4 cm
58 x 84 in

16ivyhaldeman.jpg
FULL FIGURE, KNEE UP, HAND PRESSES BUN, HEAD LIFTS 全身,膝盖向上,手部压按面包,发髻,抬头, 2019
acrylic on canvas 布面丙烯
213.4 x 147.3 cm
84 x 58 in

17ivyhaldeman.jpg
HEELS, PEEL 鞋跟,果皮, 2019
acrylic on canvas 布面丙烯
61 x 41.9 cm
24 x 16 1/2 in

18ivyhaldeman.jpg
CROP, OPEN BOOK, OPEN BUN, FINGER TUGS DO, BANANA PHONE 裁切,打开的书,打开的面包,手指拖曳,香蕉电话, 2019
acrylic on canvas 布面丙烯
41.9 x 61 cm
16 1/2 x 24 in

19ivyhaldeman.jpg
CROP, ELBOW IN BOOK, HAND DANGLES DOWN, FINGER TIP OFF EDGE 裁切,手肘置于书本,手臂下垂,指尖伸出边缘, 2019
acrylic on canvas 布面丙烯
61 x 41.9 cm
24 x 16 1/2 in

20ivyhaldeman.jpg
INDEX UP, TWO HANDS 食指向上,双手, 2019
acrylic on canvas 布面丙烯
61 x 41.9 cm
24 x 16 1/2 in

21ivyhaldeman.jpg
CROP, FEET TOUCH, PINKY ALONG FRAME 裁切,脚部碰触,小指贴近边缘, 2019
acrylic on canvas 布面丙烯
61 x 41.9 cm
24 x 16 1/2 in

22ivyhaldeman.jpg
TWO SUITS, WRIST BENT, CUFF TO POCKET (MAUVE, PEACH) 两件西装,曲腕,袖口入袋(淡紫,桃色), 2019
acrylic on canvas 布面丙烯
170.2 x 152.4 cm
67 x 60 in
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2019年09月21日

memo (overseas): Sep21,2019

ex-chamber memo (overseas): Sep21,2019

MAHA AHMED: AN ISLAND OF TRUTHS
@Kristin Hjellegjerde Gallery, Berlin
Linienstr. 130
10115
Berlin
19 JANUARY - 9 MARCH 2019

installation views
1maha-ahmed.jpg

2maha-ahmed.jpg

3maha-ahmed.jpg

4maha-ahmed.jpg

5maha-ahmed.jpg

6maha-ahmed.jpg

7maha-ahmed.jpg
Maha Ahmed
An Island of Truth, 2018
Gouache on paper
51 x 36 cm
20 1/8 x 14 1/8 in

8maha-ahmed.jpg
Maha Ahmed
Water From Stone, 2018
Gouache on paper
20 x 20 cm
7 7/8 x 7 7/8 in

9maha-ahmed.jpg
Maha Ahmed
Portrait of a Fish That Could Not Swim, 2018
Gouache on paper
51 x 36 cm
20 1/8 x 14 1/8 in

10maha-ahmed.jpg
Maha Ahmed
A Raven in a Fish Coat, 2018
Gouache on paper
23 x 17 cm
9 1/8 x 6 3/4 in

11maha-ahmed.jpg
Maha Ahmed
A Beast That Grew Wings, 2018
Gouache on paper
10 x 15 cm
4 x 5 7/8 in

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Maha Ahmed
Portrait of a Bear That Could Not Eat Fish, 2018
Gouache on paper
51 x 36 cm
20 1/8 x 14 1/8 in

13maha-ahmed.jpg
Maha Ahmed
A Beast That Grew a Tale, 2018
Gouache on paper
15 x 10 cm
5 7/8 x 4 in

14maha-ahmed.jpg
Maha Ahmed
Aesthetics of Doubt, 2018
Gouache on paper
15 x 10 cm
5 7/8 x 4 in

15maha-ahmed.jpg
Maha Ahmed
Portrait of a Bird That Could Not Fly, 2018
Gouache on paper
51 x 36 cm
20 1/8 x 14 1/8 in

16maha-ahmed.jpg
Maha Ahmed
A Devine Huntress on a Mountain, 2018
Gouache on paper
15 x 10 cm
5 7/8 x 4 in

17maha-ahmed.jpg
Maha Ahmed
An Unlikely Friendship, 2018
Gouache on paper
28,5 x 21 cm
11 1/4 x 8 1/4 in

18maha-ahmed.jpg
Maha Ahmed
A Piece of Stolen Sky, 2018
Gouache on paper
15 x 10 cm
5 7/8 x 4 in

19maha-ahmed.jpg
Maha Ahmed
Demon Plans a Ruse, 2018
Gouache on paper
51 x 36 cm
20 1/8 x 14 1/8 in





Chen Yujun
Curated by Cui Cancan
@Tang Contemporary Art, Beijing 1st & 2nd Space
D06, 798 Art District, No.2 Jiuxianqiao Road
Chaoyang Dst. Beijing, China
&
B01, 798 Art District, No.2 Jiuxianqiao Road
Chaoyang Dst. Beijing, China
03.09. - 04.28, 2019

installation views
1chen-yujun.jpg

2chen-yujun.jpg

3chen-yujun.jpg

4chen-yujun.jpg

5chen-yujun.jpg

6chen-yujun.jpg
The Rite No.080222
Mixed media on paper
27 × 39 cm
2008

7chen-yujun.jpg
Room 502 No.170615
Acrylic on canvas
195 × 97 cm
2017

8chen-yujun.jpg
Vacillating Faith No.190106
Mixed media on paper
260 × 165 cm
2017- 2019

9chen-yujun.jpg
Continued Scene No.171225
Mixed media on paper
75 × 55 cm
2017

10chen-yujun.jpg
Map of Asia No.190120
Mixed media on paper, old door
209 × 91.5 cm
2019





Nikholis Planck: Tempo House
@Magenta Plains
94 Allen St, New York, NY 10002
USA
September 16–October 28 2018

installation views
1nikholis.jpg

2nikholis.jpg

3nikholis.jpg

4nikholis.jpg

5nikholis.jpg
Nikholis Planck, Drum Kit (A), 2018, wood pencil, collage and water soluble oil on wax on canvas, 78.50h x 60w in.

6nikholis.jpg
Nikholis Planck, Family Tree, 2018, water soluble oil and collage on wax on canvas, 45h x 58.25w in.

7nikholis.jpg
Nikholis Planck, Apartment therein, Dreams, 2018, water soluble oil and collage on wax on canvas in artist frame, 56.75h x 47.50w in.

8nikholis.jpg
Nikholis Planck, Drum Kit (B), 2018, oil pastel, collage, and water soluble oil on wax on canvas, 80.25h x 60w in.

Flyer for Nikholis Planck’s Tempo House
1tempohouse_flyer.jpg

2tempohouse_flyer.jpg

3tempohouse_flyer.jpg

4tempohouse_flyer.jpg

5tempohouse_flyer.jpg

6tempohouse_flyer.jpg

7tempohouse_flyer.jpg

installations and performances
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3dscn.jpg

4dscn.jpg

5dscn.jpg

6dscn.jpg

7dscn.jpg

8dscn.jpg

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10dscn.jpg

11dscn.jpg

12dscn.jpg

13dscn.jpg

14dscn.jpg

15dscn.jpg





GERHARD RICHTER, MICHAEL SCHMIDTDIE: FARBE GRAU
@GALERIE THOMAS ZANDER
Schönhauser Straße 8
50968 Cologne / Germany
December 01, 2018 - March 06, 2019

installation views
1FARBE_GRAU.jpg

2FARBE_GRAU.jpg

3FARBE_GRAU.jpg

4FARBE_GRAU.jpg

5FARBE_GRAU.jpg

6FARBE_GRAU.jpg

7FARBE_GRAU.jpg

8FARBE_GRAU.jpg

9FARBE_GRAU.jpg

10FARBE_GRAU.jpg

11FARBE_GRAU.jpg

12FARBE_GRAU.jpg

13FARBE_GRAU.jpg

14FARBE_GRAU.jpg

15FARBE_GRAU.jpg

16FARBE_GRAU.jpg

17FARBE_GRAU.jpg

18FARBE_GRAU.jpg

19FARBE_GRAU.jpg

20FARBE_GRAU.jpg
Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
diptych, gelatin silver bromide print, toned gold
each 29.25 x 15.2 inch / 48,9 x 38,7 cm
c Stiftung für Fotografie und Medienkunst mit Archiv Michael Schmidt Courtesy: Galerie Nordenhake Berlin/Stockholm and Galerie Thomas Zander, Cologne

21FARBE_GRAU.jpg
Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
gelatin silver bromide print

22FARBE_GRAU.jpg
Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
gelatin silver bromide print

23FARBE_GRAU.jpg
Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
gelatin silver bromide print

24FARBE_GRAU.jpg
Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
gelatin silver bromide print

25FARBE_GRAU.jpg
Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
gelatin silver bromide print
19.69 x 15.75 inch / 50 x 40 cm
c Stiftung für Fotografie und Medienkunst mit Archiv Michael Schmidt Courtesy: Galerie Nordenhake Berlin/Stockholm and Galerie Thomas Zander, Cologne

26FARBE_GRAU.jpg
Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
gelatin silver bromide print





JACKY CONNOLLY: Ariadne
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Jun 19 – Aug 02, 2019

1jackyconnolly.jpg
Exhibition view of Jacky Connolly: Ariadne, 2019. Downs & Ross, New York.

2jackyconnolly.jpg
Something Strange is a Soul on the Earth, 2019. Hand-painted stained glass, hand-forged steel, cast brass, 30 × 14 1/4 × 14 1/4 inches / 76.2 × 36.2 × 36.2 cm

3jackyconnolly.jpg
Something Strange is a Soul on the Earth, 2019 (alternate view). Hand-painted stained glass, hand-forged steel, cast brass, 30 × 14 1/4 × 14 1/4 inches / 76.2 × 36.2 × 36.2 cm

4jackyconnolly.jpg
Exhibition view of Jacky Connolly: Ariadne, 2019. Downs & Ross, New York.

5jackyconnolly.jpg
The Lightning Flower, 2019. Hand-painted stained glass, hand-forged steel, cast brass, 28 × 14 × 14 inches / 71.1 × 35.5 × 35.5 cm.

6jackyconnolly.jpg
The Lightning Flower, 2019 (alternate view). Hand-painted stained glass, hand-forged steel, cast brass, 28 × 14 × 14 inches / 71.1 × 35.5 × 35.5 cm.

7jackyconnolly.jpg
Exhibition view of Jacky Connolly: Ariadne, 2019. Downs & Ross, New York.

8jackyconnolly.jpg
Our Lady of the Highways, 2019. Hand-painted stained glass, hand-forged steel, cast brass, 31 1/4 × 14 × 14 inches / 79.4 × 35.5 × 35.5 cm

9jackyconnolly.jpg
Our Lady of the Highways, 2019 (alternate view). Hand-painted stained glass, hand-forged steel, cast brass, 31 1/4 × 14 × 14 inches / 79.4 × 35.5 × 35.5 cm

10jackyconnolly.jpg
How to Disappear (Autumn in Lonely Rooms), 2019. Hand-painted stained glass, hand-forged steel, cast brass, 26 3/4 × 14 1/4 × 14 1/4 inches / 67.9 × 36.2 × 36.2 cm

11jackyconnolly.jpg
How to Disappear (Autumn in Lonely Rooms), 2019 (alternate view). Hand-painted stained glass, hand-forged steel, cast brass, 26 3/4 × 14 1/4 × 14 1/4 inches / 67.9 × 36.2 × 36.2 cm

12jackyconnolly.jpg
Exhibition view of Jacky Connolly: Ariadne, 2019. Downs & Ross, New York.

13jackyconnolly.jpg
Exhibition view of Jacky Connolly: Ariadne, 2019. Downs & Ross, New York.

14jackyconnolly.jpg
Jacky Connolly: Ariadne, 2019 (still). HD video, color, sound, 50m13s.
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2019年09月20日

memo (overseas): Sep20,2019

ex-chamber memo (overseas): Sep20,2019

JAMES ALEC HARDY: YGGDRASIL
@Kristin Hjellegjerde, London
2 Melior Place
London
SE1 3SZ
UK
26 JANUARY - 30 MARCH 2019

installation views
1jamesalechardy.jpg

2jamesalechardy.jpg

3jamesalechardy.jpg

4jamesalechardy.jpg

5jamesalechardy.jpg

6jamesalechardy.jpg

7jamesalechardy.jpg

8jamesalechardy.jpg

9jamesalechardy.jpg

10jamesalechardy.jpg

11jamesalechardy.jpg

12jamesalechardy.jpg

13jamesalechardy.jpg

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15jamesalechardy.jpg

16jamesalechardy.jpg

17jamesalechardy.jpg

18jamesalechardy.jpg

19jamesalechardy.jpg

20jamesalechardy.jpg

21jamesalechardy.jpg

22jamesalechardy.jpg

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26jamesalechardy.jpg

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28jamesalechardy.jpg

29jamesalechardy.jpg





Adel Abdessemed: Unlock
@Tang Contemporary Art, Hong Kong
10/F, H Queen's, 80 Queen's Road Central,
Hong Kong
03.23. - 04.22, 2019

installation views
1adel-abdessemed.jpg

2adel-abdessemed.jpg

3adel-abdessemed.jpg

4adel-abdessemed.jpeg
Unlock
Helicopter and mixed media installation
300 x 350 x 350 cm
2018

5adel-abdessemed.jpg
Forbidden Colours
270 x 180 x 3.5 cm x 4
mixed media on canvas
2018

6adel-abdessemed.jpg
Forbidden Colours
41 x 33.2 x 3.5 cm
mixed media on canvas
2018

7adel-abdessemed.jpg
Forbidden Colours
41 x 33.2 x 3.5 cm
mixed media on canvas
2018

8adel-abdessemed.jpg
Forbidden Colours
41 x 33.2 x 3.5 cm
mixed media on canvas
2018

9adel-abdessemed.jpg
Forbidden Colours
41 x 33.2 x 3.5 cm
mixed media on canvas
2018

10adel-abdessemed.jpg
Forbidden Colours
92 x 73.5 x 3.5 cm
mixed media on canvas
2018

11adel-abdessemed.jpg
Forbidden Colours
92 x 73.5 x 3.5 cm
mixed media on canvas
2018

12adel-abdessemed.jpg
Forbidden Colours
92 x 73.5 x 3.5 cm
mixed media on canvas
2018

13adel-abdessemed.jpg
Forbidden Colours
92 x 73.5 x 3.5 cm
mixed media on canvas
2018

14adel-abdessemed.jpg
Forbidden Colours
92 x 73.5 x 3.5 cm
mixed media on canvas
2018

15adel-abdessemed.jpg
Forbidden Colours
270 x 180 x 3.5 cm
mixed media on canvas
2018

16adel-abdessemed.jpg
Forbidden Colours
270 x 180 x 3.5 cm
mixed media on canvas
2018

17adel-abdessemed.jpg
Forbidden Colours
270 x 180 x 3.5 cm
mixed media on canvas
2018

18adel-abdessemed.jpg
Forbidden Colours
320 x 200 x 3.5 cm
mixed media on canvas
2018

19adel-abdessemed.jpg
Forbidden Colours
320 x 200 x 3.5 cm
mixed media on canvas
2018

20adel-abdessemed.jpg
Forbidden Colours
320 x 200 x 3.5 cm
mixed media on canvas
2018

21adel-abdessemed.jpg
Forbidden Colours
320 x 200 x 3.5 cm
mixed media on canvas
2018

22adel-abdessemed.jpg
Forbidden Colours
320 x 200 x 3.5 cm
mixed media on canvas
2018

23adel-abdessemed.jpg
Forbidden Colours
85 x 115 x 3.5 cm
mixed media on canvas
2018





Anne Libby: The Golden Door
@Magenta Plains
94 Allen St, New York, NY 10002
USA
November 4–December 16 2018

installation views
1annelibby.jpg

2annelibby.jpg

3annelibby.jpg

4annelibby.jpg

5annelibby.jpg

6annelibby.jpg

7annelibby.jpg

8annelibby.jpg
Anne Libby, Sunset Gates, 2018, polyester satin, batting, 80.50h x 129w in.

9annelibby.jpg
Anne Libby, City of Fire, 2018, plywood, pigmented urethane, venetian blinds, formica, 31h x 23w x 7d in.

10annelibby.jpg
Anne Libby, Moloch to Heaven, 2018, plywood, pigmented urethane, venetian blinds, formica, 45.25h x 36.50w x 36d in.

11annelibby.jpg
Anne Libby, Radiolaria, 2018, plywood, pigmented urethane, venetian blinds, formica, 36h x 23.50w x 7d in.

12annelibby.jpg
Anne Libby, The Cannibal Dynamic, 2018, plywood, pigmented urethane, venetian blinds, formica, overall: 30.5 x 32 x 46 in; larger piece: 30.5 x 30 x 29 in; smaller piece: 18.75 x 32 x 15 in.

13annelibby.jpg
Anne Libby, Sunset Gates (submerged), 2018, polyester satin, batting, 102h x 128w in.

14annelibby.jpg
Anne Libby, Dilated Sky, 2018, plywood, pigmented urethane, venetian blinds, formica, 24.75h x 41.50w x 6.50d in.

15annelibby.jpg
Anne Libby, Thirteenth, 2018, plywood, pigmented urethane, venetian blinds, formica, 42h x 32.25w x 34.25d in.





GÜNTER UMBERG, JAMES WHITE: CONVERSATION
@GALERIE THOMAS ZANDER
Schönhauser Straße 8
50968 Cologne / Germany
March 16 - May 24, 2019

installation views
1CONVERSATION.jpg

2CONVERSATION.jpg

3CONVERSATION.jpg

4CONVERSATION.jpg

5CONVERSATION.jpg

6CONVERSATION.jpg

7CONVERSATION.jpg

8CONVERSATION.jpg

9CONVERSATION.jpg

10CONVERSATION.jpg

11CONVERSATION.jpg

12CONVERSATION.jpg

13CONVERSATION.jpg

14CONVERSATION.jpg

15CONVERSATION.jpg

16CONVERSATION.jpg

17CONVERSATION.jpg

18CONVERSATION.jpg

19CONVERSATION.jpg

20CONVERSATION.jpg

21CONVERSATION.jpg

22CONVERSATION.jpg
James White
Knife, 2018
Oil and varnish on acrylic faced panel in Perspex box
55 x 67 x 3 inch / 140 x 170 x 7 cm

23CONVERSATION.jpg
Günter Umberg
Untitled, 2017-2019
Poliment, pigment, damar on wood
16 x 15 inch / 40.5 x 37.5 cm

24CONVERSATION.jpg
Günter Umberg
Untitled, 2019
Poliment, pigment, damar on wood
20 x 19 inch / 49.7 x 46.5 cm

25CONVERSATION.jpg
Günter Umberg
Untitled, 2018-2019
Poliment, pigment, damar on wood
14 x 8 inch / 34.5 x 19.5 cm

26CONVERSATION.jpg
James White
I.A.R. No. 5, 2019
Archival pigment print and acrylic
46 x 61 x 2 inch / 118 x 154 x 4 cm

27CONVERSATION.jpg
James White
Small Flame, 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
24 x 28 x 2 inch / 62 x 72 x 5.5 cm

28CONVERSATION.jpg
Günter Umberg
Untitled, 2017
Poliment, pigment, damar on MDF
22 x 21 inch / 57 x 53.5 cm

29CONVERSATION.jpg
James White
Tap, 2018
Oil and varnish on acrylic faced panel in Perspex box
49 x 49 x 3 inch / 124 x 124 x 7 cm

30CONVERSATION.jpg
Günter Umberg
PLAN No. 7, 2018
Poliment, pigment, damar on MDF
91 x 63 x 2 inch / 230 x 160 x 5 cm

31CONVERSATION.jpg
James White
The Wine, 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
24 x 28 x 2 inch / 62 x 72 x 5.5 cm

32CONVERSATION.jpg
James White
Water / Anadin, 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
14 x 16 x 2 inch / 36 x 41 x 5.5 cm

33CONVERSATION.jpg
James White
Tap (Hot Water), 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
14 x 16 x 2 inch / 36 x 41 x 5.5 cm

34CONVERSATION.jpg
James White
Raid, 2013
Oil and varnish on acrylic faced panel in Perspex box
35 x 35 x 2 inch / 88 x 88 x 6 cm

35CONVERSATION.jpg
Double Tap, 2018
Oil and varnish on acrylic faced panel in Perspex box
49 x 49 x 3 inch / 124 x 124 x 7 cm

36CONVERSATION.jpg
Günter Umberg
Untitled, 1976
Pigment, damar on wood
79 x 25 x 2 inch / 200 x 63 x 4 cm

37CONVERSATION.jpg
James White
Reflect 1, 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
24 x 28 x 2 inch / 62 x 72 x 5.5 cm

38CONVERSATION.jpg
James White
Mind Your Head, 2013
Oil and varnish on wooden panel in Perspex box
19 x 24 x 2 inch / 47 x 62 x 5 cm

39CONVERSATION.jpg
Günter Umberg
Untitled, 2018-2019
Poliment, pigment, damar on wood
10 x 8 inch / 25 x 19.5 cm

40CONVERSATION.jpg
Günter Umberg
Untitled, 2018-2019
Poliment, pigment, damar on wood
10 x 8 inch / 25 x 19.5 cm

41CONVERSATION.jpg
James White
Double Candle, 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
41 x 50 x 3 inch / 105 x 128 x 7 cm

42CONVERSATION.jpg
James White
Tap (Cold Water), 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
14 x 16 x 2 inch / 36 x 41 x 5.5 cm

43CONVERSATION.jpg
James White
Trajectories No. 6, 2013
aluminium tape on c-print
8 x 11 inch / 21 x 28 cm

44CONVERSATION.jpg
James White
Trajectories No. 8, 2013
aluminium tape on c-print
8 x 11 inch / 21 x 28 cm

45CONVERSATION.jpg
James White
Trajectories No. 3, 2013
aluminium tape on c-print
8 x 11 inch / 21 x 28 cm





hysteresis
LEELEE CHAN, KRISTIN WALSH, WILLA WASSERMAN, COCO YOUNG
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Sep 06 – Oct 13, 2019

1hysteresis.jpg
Exhibition view of hysteresis, 2019. Downs & Ross, New York.

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Leelee Chan, Sky Passage, 2019 (detail). Construction lighting, steel, concrete, fiberglass, hardware, gel, Dimensions variable

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Leelee Chan, Sky Passage, 2019 (detail). Construction lighting, steel, concrete, fiberglass, hardware, gel, Dimensions variable

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Willa Wasserman, Umbrella in pond, 2019. Metalpoint on linen, 80 × 71 inches / 203,2 × 180,3 cm

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Leelee Chan, Barnacles, 2019 (detail). Concrete, metal hardware, resin, pigment, zip ties, Dimensions variable

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Leelee Chan, Barnacles, 2019 (detail). Concrete, metal hardware, resin, pigment, zip ties, Dimensions variable

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Exhibition view of hysteresis, 2019. Downs & Ross, New York.

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Willa Wasserman, Park with three figures and inflatable castle, 2019. Metalpoint on linen, 8 1/4 × 11 1/2 inches / 21 × 29,2 cm

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Willa Wasserman, Convex still life (poppies, milkweed, roses) no. 3, 2019. Oil on poplar, 15 × 15 × 2 inches / 15 × 15 × 2 inches / 38,1 × 38,1 × 5,1 cm

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Willa Wasserman, Convex still life (poppies, milkweed, roses) no. 3, 2019 (alternate view). Oil on poplar, 15 × 15 × 2 inches / 15 × 15 × 2 inches / 38,1 × 38,1 × 5,1 cm

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Exhibition view of hysteresis, 2019. Downs & Ross, New York.

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Exhibition view of hysteresis, 2019. Downs & Ross, New York.

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Kristin Walsh, Engine No. 2, 2019. Aluminum, 22 × 32 1/2 × 12 inches / 55,9 × 82,5 × 30,5 cm

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Kristin Walsh, Engine No. 2, 2019 (alternate view). Aluminum, 22 × 32 1/2 × 12 inches / 55,9 × 82,5 × 30,5 cm

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Willa Wasserman, Still life with lettuce, shaving mirror, 2019. Metalpoint on linen, 24 × 51 inches / 61 × 129,5 cm

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Exhibition view of hysteresis, 2019. Downs & Ross, New York.

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Kristin Walsh, Engine No. 1, 2019. Aluminum, 25 × 28 × 24 1/2 inches / 63,5 × 71,1 × 62,2 cm

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Kristin Walsh, Engine No. 1, 2019 (alternate view). Aluminum, 25 × 28 × 24 1/2 inches / 63,5 × 71,1 × 62,2 cm

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Coco Young, Inanna’s Fate, 2019. Bronze, lead, foam, ink, LEDs, wiring, 17 × 57 × 39 inches / 43,2 × 144,8 × 99 cm

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Coco Young, Inanna’s Fate, 2019 (alternate view). Bronze, lead, foam, ink, LEDs, wiring, 17 × 57 × 39 inches / 43,2 × 144,8 × 99 cm

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Exhibition view of hysteresis, 2019. Downs & Ross, New York.

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Coco Young, Messages from an Ambiguous Past, 2019 (detail). Rockite, steel, 157 × 29 × 1 1/2 inches / 398,8 × 73,6 × 3,8 cm

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Coco Young, Messages from an Ambiguous Past, 2019 (detail). Rockite, steel, 157 × 29 × 1 1/2 inches / 398,8 × 73,6 × 3,8 cm

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Leelee Chan, Barnacles, 2019 (detail). Concrete, metal hardware, resin, pigment, zip ties, Dimensions variable

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Leelee Chan, Barnacles, 2019 (detail). Concrete, metal hardware, resin, pigment, zip ties, Dimensions variable
posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

2019年09月19日

memo (overseas): Sep19,2019

ex-chamber memo (overseas): Sep19,2019

GERALD CHUKWUMA: WRINKLES
@Kristin Hjellegjerde, London
2 Melior Place
London
SE1 3SZ
UK
8 FEBRUARY - 23 MARCH 2019

installation views
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