memo (overseas): Sep30,2019

ex-chamber memo (overseas): Sep30,2019

T'ANG HAYWEN: T'ANG BOOGIE: FILM D'ARTISTE & FEATURED RARE PAINTINGS
@de Sarthe
20/F, Global Trade Square, No. 21 Wong Chuk Hang Road,
Hong Kong
JAN 26, 2019 - MAR 16, 2019

installation views









T'ang Haywen (1927-1991), Untitled, 1971-1973, ink on Kyro card, diptych, unsigned, 70 x 100 cm. From a private collection.


T'ang Haywen (1927-1991), Untitled, c. 1970, ink and watercolor on Kyro card, diptych, signed 'T'ang'; signed in Chinese 'Haywen (Haiwan)', lower right, 70 x 100 cm. From a private collection.


T'ang Haywen (1927-1991), Untitled, 1971-1973, ink on Kyro card, diptych, unsigned, 70 x 100 cm. From a private collection.


T'ang Haywen (1927-1991), Untitled, 1971-1973, ink on Kyro card, diptych, unsigned, 70 x 100 cm.


T'ang Haywen (1927-1991), Ceil Interieur (Inner Sky), 1971, ink on Kyro card, diptych, Signed middle right Inscribed by the artist on verso: 'ciel interieur', 70 x 100 cm. From a private collection.


T'ang Haywen (1927-1991), Untitled, 1973, ink on Kyro card, diptych, signed 'T'ang'; Signed in Chinese 'Haywen (Haiwan)', lower right; inscribed by the artist, verso, right side: "Incella 73", 70 x 100 cm. From a private collection.


T'ang Haywen (1927-1991), Untitled, before 1973, ink on Kyro card, diptych, unsigned, 70 x 100 cm. From a private collection.


T'ang Haywen (1927-1991), Untitled, 1971-1973, ink on Kyro card, diptych, unsigned, 70 x 100 cm.


T'ang Haywen (1927-1991), Untitled, 1972, acrylic ink and watercolor on Kyro card, diptych, signed 'T'ang'; signed in Chinese 'Haywen (Haiwan)', lower right, 70 x 100 cm. From a private collection.





Blair Thurman: Exquisite Course
@Peres Projects
Karl-Marx-Allee 82
10243 Berlin, Germany
November 16 – December 21, 2018

installation views









































Blair Thurman
Mr. Salty, 2018
Painting - Acrylic on canvas on wood
218 x 155 x 21 cm (85.5 x 60.75 x 8 in)


Blair Thurman
Crazy 8, 2018
Painting - Acrylic on canvas on wood
224 x 127 x 18 cm (88 x 50 x 7 in)


Blair Thurman
Winter Skies, 2018
Painting - Acrylic on canvas on wood
234 x 153 x 5 cm (92 x 60 x 2 in)





JOE FYFE: BUT A FLAG HAS FLOWN AWAY
@NATHALIE KARG GALLERY
291 GRAND STREET
NEW YORK
United States
JANUARY 4 - FEBRUARY 10, 2019

installation views















Joe Fyfe, Le Jet d’eau, 2018, cotton, acrylic, canvas, vinyl, 80h x 68w in (203.20h x 172.72w cm)


Joe Fyfe, Tour Eiffel, 2018, acrylic, cotton, nylon, 80h x 68w in (203.20h x 172.72w cm)


Joe Fyfe, Éventail des Saveurs, 2018, Acrylic, cotton, nylon, 80h x 68w in (203.20h x 172.72w cm)


Joe Fyfe, Coeur, couronne et miroir, 2018, acrylic, cotton, nylon, 80h x 68w in (203.20h x 172.72w cm)


Joe Fyfe, Paysage, 2018, acrylic, cotton, vinyl, canvas, burlap, nylon, muslin, 80 x 68 in (203.20 x 172.72 cm)


Joe Fyfe, La Cravate, 2018, acrylic, cotton, canvas, nylon, 80h x 68w in (203.20h x 172.72w cm)


Joe Fyfe, Il Pleut, 2018, canvas, nylon, cotton, linen, acrylic, 108h x 64w in (274.32h x 162.56w cm)


Joe Fyfe, Visée, 2018, canvas, nylon, cotton, acrylic, 108h x 64w in (274.32h x 162.56w cm)


Joe Fyfe, Loin du pigeonnier, 2018, canvas, ink, acrylic, cotton, nylon, 108h x 70 3/4w in (274.32h x 179.71w cm)


Joe Fyfe, Éventail des Saveurs, 2018, acrylic, cotton, nylon, 80h x 68w in (203.20h x 172.72w cm)


Joe Fyfe, Coeur, couronne et miroir, 2018, acrylic, cotton, nylon, 80h x 68w in (203.20h x 172.72w cm)


Joe Fyfe, La Cravate, 2018, acrylic, cotton, canvas, nylon, 80h x 68w in (203.20h x 172.72w cm)


Joe Fyfe, Le Jet d’eau, 2018, cotton, acrylic, canvas, vinyl, 80h x 68w in (203.20h x 172.72w cm)


Joe Fyfe, Paysage, 2018, acrylic, cotton, vinyl, canvas, burlap, nylon, muslin, 80 x 68 in (203.20 x 172.72 cm)


Joe Fyfe, Tour Eiffel, 2018, acrylic, cotton, nylon, 80h x 68w in (203.20h x 172.72w cm)


Joe Fyfe, Loin du pigeonnier, 2018, canvas, ink, acrylic, cotton, nylon, 108h x 70 3/4w in (274.32h x 179.71w cm), Nathalie Karg Gallery, New York


Joe Fyfe, Visée, 2018, canvas, nylon, cotton, acrylic, 108h x 64w in (274.32h x 162.56w cm)


Joe Fyfe, Il Pleut, 2018, Canvas, nylon, cotton, linen, acrylic, 108h x 64w in (274.32h x 162.56w cm)





Ulrike Müller: Container Contained
@Galerie Meyer Kainer
Eschenbachgasse 9, A-1010 Vienna
Austria
15.3. - 13.4. 2019

installation views















Rug (con tacón), 2018
wool, handwoven
260 x 300 cm


Rug (con tacónes), 2018
wool, handwoven
260 x 200 cm


Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm


Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm


Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm


Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm


Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm


Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm


Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm


Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm


Container, 2018
Vitreous enamel on steel
39,4 x 30,5 cm


Dog and Pony, 2018
Monotype, printed with 10 Grand Press in Santa Fe, New Mexico
73,7 x 56,5 cm


Flutterby, 2018
Monotype mit Chine-collé,
printed with 10 Grand Press in Santa Fe, New Mexico
73,7 x 56,5 cm


Grammatik, 2018
Monotype with Chine-collé,
printed with 10 Grand Press in Brooklyn, New York
73,7 x 55,9 cm


Green Pitcher, 2018
Monotype with Chine-collé,
printed with 10 Grand Press in Santa Fe, New Mexico
73,7 x 56,5 cm


Tove, 2018
Monotype with Chine-collé,
printed with 10 Grand Press in Santa Fe, New Mexico
73,7 x 56,5 cm


Cut and Paste, 2018
Graphite and papier collé on paper
28 x 22 cm


Cut and Paste, 2018
Acrylic and papier collé on paper
28 x 22 cm


Cut and Paste, 2018
Papier collé on paper
28 x 22 cm


Cut and Paste, 2018
Papier collé on paper
28 x 22 cm


Cut and Paste, 2018
Papier collé on paper
28 x 22 cm





Juan Antonio Olivares: Naufragios
@BORTOLAMI, 55 Walker
55 Walker Street
New York, NY 10013
USA
6 September – 5 October 2019

installation views



































Juan Antonio Olivares, Fermi Paradox III, 2019, Echinocrepis rostrata shell, Cassis madagascariensis shells, Charonia tritonis shells, Lambis lambis shells, Nautilus pompilius shells, Melo aethiopica shell, Murex Ramosus shell, Syrinx aruanus shell, Triplofusus papillosus shells, Porifera Demospongiae, surface-transducers, micro-speakers, stereo-amps, coaxial cables, polyolefin-coated-speaker-wire, SD-cards, media-players, 24-channel audio file (13:34), Dimensions variable


Juan Antonio Olivares, Untitled (Spermatozoa), 2019, Graphite on paper, Framed: 50 3/4 x 38 3/4 in (128.9 x 98.4cm), Unframed: 48 x 36 in (121.9 x 91.4cm)


Juan Antonio Olivares, Untitled (Fertilization), 2019, Graphite on paper, Framed: 50 3/4 x 38 3/4 in (128.9 x 98.4cm), Unframed: 48 x 36 in (121.9 x 91.4cm)


Juan Antonio Olivares, Untitled (Spermatozoa), 2019, Graphite on paper, Framed: 50 3/4 x 38 3/4 in (128.9 x 98.4cm), Unframed: 48 x 36 in (121.9 x 91.4cm)


Juan Antonio Olivares, Untitled (Spermatozoa on Mucus Lining), 2019, Graphite on paper, Framed: 50 3/4 x 38 3/4 in (128.9 x 98.4cm), Unframed: 48 x 36 in (121.9 x 91.4cm)

memo (overseas): Sep29,2019

ex-chamber memo (overseas): Sep29,2019

BERNAR VENET: IN RELATION: PERFORMANCE / SCULPTURE / PAINTING
@de Sarthe
20/F, Global Trade Square, No. 21 Wong Chuk Hang Road,
Hong Kong
MAR 27, 2019 - MAY 18, 2019

installation views






































Beth Letain: ultrapath
@Peres Projects
Karl-Marx-Allee 82
10243 Berlin, Germany
April 26 – June 21, 2019

installation views

















Beth Letain
Eine Geschichte, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)


Beth Letain
Antidote, 2019
Painting - Oil on canvas
250 x 225 cm (99 x 89 in)


Beth Letain
today the sun rose at six fourteen, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)


Beth Letain
Parhelion, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)


Beth Letain
Dayfall, 2019
Painting - Oil on canvas
250 x 225 cm (99 x 89 in)


Beth Letain
Clouds in Houses, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)


Beth Letain
Romantic Love, 2019
Painting - Oil on canvas
250 x 225 cm (99 x 89 in)


Beth Letain
Dayfall, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)


Beth Letain
Tree Agreement, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)


Beth Letain
Lifeform, 2019
Painting - Oil on canvas
250 x 225 cm (99 x 89 in)


Beth Letain
Blushing Invaders, 2019
Painting - Oil on canvas
190 x 170 cm (75 x 67 in)





SETH CAMERON: SUNLESS
@NATHALIE KARG GALLERY
291 GRAND STREET
NEW YORK
United States
FEBRUARY 20 - APRIL 7, 2019

installation views













Seth Cameron, No 46, watercolor, 56 3/4 x 28 3/4 in, (144.15 x 73.03 cm)


No 54, 2019, watercolor on paper, 35 x 35 x 3 in, (88.90 x 88.90 x 7.62 cm)


No 51, 2019, watercolor on paper, 56 x 28 1/2 x 2 1/2 in, (142.24 x 72.39 x 6.35 cm)


Study of a sunset, 2019, oil on panel, 9 x 12 in, (22.86 x 30.48 cm)


Study of a storm, 2019, oil on panel, 5 x 7 1/2 in, (12.70 x 19.05 cm)


Study of the sun, 2019, oil on panel, 9 x 12 in, (22.86 x 30.48 cm)





Dan Graham
@Galerie Meyer Kainer
Eschenbachgasse 9, A-1010 Vienna
Austria
26.4. - 15.6. 2019

installation views





















Céline – Printemps-Eté 2017
Catwalk-design with S-shaped pavilion by Dan Graham
Video, 11:37 min
Céline/Videopolis - Oct 2016






Little Perforated Cylinder inside Big Two-Way Mirror Cylinder, 2019
Outdoor Pavilion
Two-way mirror glass, stainless steel, punched stainless steel sheets
230 (h) x 360 x 360 cm






Moongate Pavilion, 2019
Two-way mirror glass, aluminum, wood, acrylic, corian
Model: 92 (h) x 125 x 125 cm
Pedestal: 90 (h) x 125 x 125 xm




Little Perforated Cylinder inside Big Two-Way Mirror Cylinder, 2019
Two-way mirror glass, aluminum, wood, acrylic, corian
Model: 92 (h) x 125 x 125 cm
Pedestal: 90 (h) x 125 x 125 xm






Round and Around, 2019
Two-way mirror glass, aluminum, wood, acrylic, corian
Model: 92 (h) x 125 x 125 cm
Pedestal: 90 (h) x 125 x 125 xm




Going Nowhere, 2019
Two-way mirror glass, aluminum, wood, acrylic, corian
Model: 92 (h) x 175 x 100 cm
Pedestal: 90 (h) x 175 x 100 cm


Don’t Trust Anyone Over 30
2004, Video, 35:57 min
Concept: Dan Graham, Visual Conception: Tony Oursler, Recorded Music: Rodney Graham,
Marionettes: Phillip Huber, Live Band: Japanther / Commissioned and produced by TRANS> (Sandra
Antelo-Suarez), co-produced by Thyssen-Bornemisza Art Contemporary Vienna, Foundation 20 21
New York, Walker Art Center Minneapolis and Voom/LAB New York





Nicolás Guagnini: Asociación Psicoanalítica Argentina
@BORTOLAMI
39 Walker Street
New York, NY 10013
USA
6 September – 5 October 2019

installation views



















Nicolás Guagnini, Self-Palindrome (For Tunga), 2019, Vitrified glazed ceramic, 7 x 8 3/4 x 9 in (17.8 x 22.2 x 22.9cm)


Nicolás Guagnini, Mother Maze 1, 2019, Vitrified glazed ceramic, steel, acrylic on linen, 45 1/8 x 38 x 7 1/2 in (114.6 x 96.5 x 19.1cm)


Nicolás Guagnini, Mother Maze 2, 2019, Vitrified glazed ceramic, steel, acrylic on linen, 41 3/4 x 35 x 6 1/2 in (106 x 88.9 x 16.5cm)


Nicolás Guagnini, The Fourth Man, 2019, Vitrified glazed ceramic, 13 3/4 x 9 3/4 x 9 in (34.9 x 24.8 x 22.9cm)


Nicolás Guagnini, Superego Enigma, 2019, Vitrified glazed ceramic, 28 1/2 x 22 1/2 x 8 1/2 in (72.4 x 57.2 x 21.6cm)


Nicolás Guagnini, Ego Enigma, 2019l, Vitrified glazed ceramic, 22 7/8 x 21 1/2 x 10 1/2 in (58.1 x 54.6 x 26.7cm)


Nicolás Guagnini, Totem and Taboo, 2019, Vitrified glazed ceramic, 10 1/2 x 10 x 13 in (26.7 x 25.4 x 33cm), 14 1/2 x 6 1/2 x 13 in (36.8 x 16.5 x 33cm)


Nicolás Guagnini, Master Father Knot, 2019, Vitrified glazed ceramic, 18 x 16 3/4 x 10 3/4 in (45.7 x 42.5 x 27.3cm)


Nicolás Guagnini, Board Father Knot, 2019, Vitrified glazed ceramic, 9 1/2 x 13 1/4 x 17 1/4 in (24.1 x 33.7 x 43.8cm)


Nicolás Guagnini, The Etruscan Job, 2019, Vitrified glazed ceramic, 13 3/4 x 12 x 6 in (34.9 x 30.5 x 15.2cm)


Nicolás Guagnini, Council Father Knot, 2019, Vitrified glazed ceramic, 13 1/8 x 18 x 8 in (33.3 x 45.7 x 20.3cm)


Nicolás Guagnini, Exploded Father Knot, 2019, Vitrified glazed ceramic, 11 1/2 x 13 x 11 in (29.2 x 33 x 27.9cm)


Nicolás Guagnini, Moses, 2019, Vitrified glazed ceramic, 16 3/4 x 6 3/4 x 10 1/4 in (42.5 x 17.1 x 26cm)


Nicolás Guagnini, Mother Maze 3, 2019, Vitrified glazed ceramic, steel, acrylic on linen, 43 1/2 x 37 3/8 x 8 in (110.5 x 94.9 x 20.3cm)


Nicolás Guagnini, Mother Maze 4, 2019, Vitrified glazed ceramic, steel, acrylic on linen, 41 1/2 x 39 3/4 x 8 in (105.4 x 101 x 20.3cm)

memo (overseas): Sep28,2019

ex-chamber memo (overseas): Sep28,2019

BUDD HOPKINS: Third Street Red
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
May 01 – Jun 10, 2018

installation views











Budd Hopkins, White City Wall, 1974. Oil on canvas, 81 x 77 in. / 205.7 x 195.6 cm


Budd Hopkins, Sun Tondo, 1972. Oil on canvas, ø 20 in. / 50.8 cm


Budd Hopkins, Third Street Red, 1974. Acrylic and oil on canvas, 37 1/2 × 32 inches / 95.2 × 81.3 cm


Budd Hopkins, Grey Wall, 1971. Oil on canvas, 96 × 155 in. / 243.8 × 393.7 cm


Budd Hopkins, Grey Wall, 1971 (detail). Oil on canvas, 96 × 155 in. / 243.8 × 393.7 cm


Budd Hopkins, Tropaz, 1969. Oil on canvas, 80 × 65 in. / 203.2 × 165.1 cm


Budd Hopkins, Scorpio III, 1972. Oil on canvas, 57 x 70 in. / 144.7 x 177.8 cm


Budd Hopkins, Sun Mobile, 1972. Oil on canvas and wood, ø 16 in. / 40.6 cm central canvas (total dimensions variable)


Budd Hopkins, Hera’s Wall Temple, 1978. Acrylic on canvas, 81 × 104 x 4 in. / 205.74 × 264.16 x 10.16 cm





SHEN FAN: WORKS IN ABSTRACTION, 1992 - 2017
@Eli Klein Gallery
398 West Street
New York, NY 10014
USA
November 29, 2018 – February 16, 2019

installation views

































Shen Fan
92-013, 1992
Oil on xuan paper mounted on xuan paper
55 1/8 x 27 1/2 inches (140 x 70 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery


Shen Fan
93-60-1, 1993
Oil on xuan paper mounted on xuan paper
46 x 46 inches (117 x 117 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery


Shen Fan
ShanShui-C-31, 2004
Oil on canvas
54 3/8 x 46 1/2 inches (138 x 118 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery


Shen Fan
River-C-02, 2007
Oil on canvas
37 3/4 x 37 3/4 inches (96 x 96 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery


Shen Fan
River-C-03, 2007
Oil on canvas
37 3/4 x 37 3/4 inches (96 x 96 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery


Shen Fan
ShanShui-C-22a, 2007
Oil on canvas
54 3/8 x 27 1/8 inches (138 x 69 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery


Shen Fan
ShanShui-C-31, 2008
Oil on canvas
54 3/8 x 27 1/8 inches (138 x 69 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery


Shen Fan
ShanShui-C-06, 2009
Oil on canvas
37 3/4 x 37 3/4 inches (96 x 96 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery


Shen Fan
Punctuation-Landscape-001-3, 2014-2015
Acrylic on newspaper mounted on wood in three (3) parts
Overall: 47 1/4 x 141 3/4 inches (120 x 360 cm)
Each: 47 1/4 x 47 1/4 inches (120 x 120 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery


Shen Fan
Punctuation-Inverted Image-001, 2017
Acrylic on newspaper mounted on wood in three (3) parts
Overall: 23 5/8 x 106 1/4 inches (60 x 270 cm)
Each: 23 5/8 x 35 3/8 inches (60 x 90 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery


Shen Fan
Punctuation-17-001, 2017
Acrylic on newspaper mounted on wood in three (3) parts
Overall: 35 3/8 x 70 7/8 inches (90 x 180 cm)
Each: 35 3/8 x 23 5/8 inches (90 x 60 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery


Shen Fan
Punctuation-Landscape-001-3, 2017
Acrylic on newspaper mounted on wood in three (3) parts
Overall: 47 1/4 x 141 3/4 inches (120 x 360 cm)
Each: 47 1/4 x 47 1/4 inches (120 x 120 cm)
Courtesy of Shen Fan, ShanghART Gallery, and Eli Klein Gallery





LIN JINGJING: LOV-LOV SHOP
@de Sarthe
20/F, Global Trade Square, No. 21 Wong Chuk Hang Road,
Hong Kong
MAY 25, 2019 - JUL 13, 2019

installation views















Lin Jingjing, Better Than Winning the Lottery, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, Sensitive to Your Needs, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, With Every Challenge Comes Excitement, 2019, Archival pigment on canvas, 160 x 100 cm


Lin Jingjing, Perfection is Attainable Here, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, Light Up Your Soul Like No One Else, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, Emotionally and Spiritually In Love, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, The Affection You Deserve, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, Unconditional Love and Companionship On Call, 2019, Archival pigment print on canvas, 200 x 300 cm


Lin Jingjing, Falling In Love With A Star Instead Of A Human, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, Fall In Love A Thousand Times, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, If You Are Tired Of Being Straight, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, Falling In Love With A Tree Instead Of A Human, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, Fall In Love With Yourself Instead Of With Another Human, 2019, Archival pigment on canvas, 160 x 100 cm"


Lin Jingjing, Embrace Mysteries, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, Awaken Divinity, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, Goodbye Loneliness, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, Transcendent Beauty, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, Unsurpassed Joy, 2019, Archival pigment print on canvas, 160 x 100 cm


Lin Jingjing, Irresistible Charm, 2019, Archival pigment print on canvas, 160 x 100 cm





Manuel Solano: Portraits
@Peres Projects
Karl-Marx-Allee 82
10243 Berlin, Germany
September 13 – October 25, 2019

installation views











Manuel Solano
Fred, 2019
Painting - Oil pastels and acrylic on canvas
56 x 42 cm (22 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)


Manuel Solano
Meg, 2019
Painting - Oil pastels and acrylic on canvas
56 x 42 cm (22 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)


Manuel Solano
Gabriel 1, 2019
Painting - Oil pastels and acrylic on canvas
56 x 42 cm (22 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)


Manuel Solano
Damien 2, 2019
Painting - Oil pastels and acrylic on canvas
60 x 46 cm (24 x 18 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)


Manuel Solano
Gabriel 2, 2019
Painting - Oil pastels and acrylic on canvas
60 x 46 cm (24 x 18 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)


Manuel Solano
Jake, 2019
Painting - Oil pastels and acrylic on canvas
60 x 46 cm (24 x 18 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)


Manuel Solano
Johnny, 2019
Painting - Oil pastels and acrylic on canvas
59 x 41 cm (23 x 16 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)


Manuel Solano
Santa, 2019
Painting - Oil pastels and acrylic on canvas
59 x 42 cm (23 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)


Manuel Solano
Black Phillip, 2019
Painting - Oil pastels and acrylic on canvas
59 x 42 cm (23 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)


Manuel Solano
Shelley, 2019
Painting - Oil pastels and acrylic on canvas
59 x 42 cm (23 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)


Manuel Solano
The hottie from Starbucks, 2019
Painting - Oil pastels and acrylic on canvas
59 x 42 cm (23 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)


Manuel Solano
Valerie, 2019
Painting - Oil pastels and acrylic on canvas
59 x 42 cm (23 x 17 in)
Framed Dimensions:
70 x 50 x 4 cm (28 x 20 x 2 in)


Manuel Solano
CAPPUCCINO, 2019
Video
Duration: 3:46 min, loop, without sound
Edition of 3 + 1 AP


Manuel Solano
PARCO, 2019
Video
Duration: 1:31 min, loop, with sound
Edition of 3 + 1 AP


Manuel Solano
PORTRAIT, 2019
Video
Duration: 6:21 min, loop, without sound
Edition of 3 + 1 AP





JESSE MOCKRIN: THE MARKS OF A STRANGER
@NATHALIE KARG GALLERY
291 GRAND STREET
NEW YORK
United States
SEPTEMBER 13 - OCTOBER 27, 2019

installation views













Jesse Mockrin, Between desire and dread, 2019, oil on cotton, overall 62 x 86 in, (157.48 x 218.44 cm)


Jesse Mockrin, The marks of a stranger, 2019 Oil on cotton, overall 85 x 118 in, (215.9 x 299.72 cm)


Jesse Mockrin, Weep into my eyes, 2019, oil on cotton, overall 52 x 72 in, (132.08 x 182.88 cm)


Jesse Mockrin, Embracing flames, 2019, oil on cotton 14 1/2 x 10 in, 36.83h x (25.40w cm)


Jesse Mockrin, Brain-sick rude desire, 2019, oil on cotton, 23 x 16 in, (58.42 x 40.64 cm)


Jesse Mockrin, The touch of a stranger hand, 2019, oil on cotton, 40 1/2 x 28 in, (102.87 x 71.12 cm)


Jesse Mockrin, Repetition cannot make it less, 2019, oil on cotton, overall 26 x 54 in, (66.04 x 137.16 cm)


Jesse Mockrin, The gaping wound was exposed for all to see, 2019, oil on cotton, overall 19 x 39 in, (48.26 x 99.06 cm)

memo (overseas): Sep27,2019

ex-chamber memo (overseas): Sep27,2019

MATTEO CALLEGARI: Dropouts and Fluids
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Jun 20 – Aug 03, 2018

installation views









Matteo Callegari, dropouts, 2018. Oil on canvas, 66 × 51 inches / 168 × 130 cm


Matteo Callegari, structures, models, perspectives, 2018. Oil on canvas, 66 × 51 inches / 168 × 130 cm


Matteo Callegari, ENY, 2018. Charcoal and pencil on paper, 24 × 18 inches / 60.96 × 45.72 cm


Matteo Callegari, amass, 2018. Oil on canvas, 44 × 34 inches / 112 × 86 cm


Matteo Callegari, fluids, 2018. Oil on canvas, 44 × 34 inches / 112 × 86 cm





SARAH FAUX: PUCKER
@CAPSULE SHANGHAI
1st Floor, Building 16, Anfu Lu 275 Nong, Xuhui District, Shanghai, China – 200031
23 JUNE - 23 JULY 2018

installation views





























Sarah Faux
Broad daylight and thin air 白日的喘息, 2018
oil on canvas 布面油画
182.9 x 142.2 cm
72 x 56 in


Sarah Faux
Pucker 撅, 2018
oil on canvas 布面油画
182.9 x 142.2 cm
72 x 56 in


Sarah Faux
Self-like construct (in red-orange) 自我建構（橘红间）, 2018
oil on canvas 布面油画
127 x 91.4 cm
50 x 36 in


Sarah Faux
Untitled (comb) 无题（梳发）, 2018
oil on canvas 布面油画
38.1 x 30.5 cm
15 x 12 in


Sarah Faux
Untitled (gray hand) 无题（灰手）, 2018
oil on canvas 布面油画
38.1 x 30.5 cm
15 x 12 in


Sarah Faux
Untitled (hoop) 无题（圈）, 2018
oil on canvas 布面油画
38.1 x 30.5 cm
15 x 12 in


Sarah Faux
Wet mirror 雾镜, 2018
oil on canvas 布面油画
182.9 x 142.2 cm
72 x 56 in


Sarah Faux
Comedown 往下, 2018
oil on canvas 布面油画
182.9 x 142.2 cm
72 x 56 in


Sarah Faux
For new Lovers 致新欢, 2017
oil on canvas 布面油画
127 x 91.4 cm
50 x 36 in


Sarah Faux
Gutter insides 隐藏之垢, 2018
oil on canvas 布面油画
127 x 91.4 cm
50 x 36 in


Sarah Faux
Untitled (lashes) 无题（睫毛）, 2018
oil on canvas 布面油画
38.1 x 30.5 cm
15 x 12 in


Sarah Faux
Untitled (smear) 无题（涂抹）, 2018
oli on canvas 布面油画
40.6 x 30.5 cm
16 x 12 in


Sarah Faux
White smoke rose 烟白玫瑰, 2018
oil on canvas 布面油画
127 x 91.4 cm
50 x 36 in


Dirt Sole 脚底, 2018
dye, pigment and oil stick on cut canvas 布面拼贴，染剂、颜料、油画棒
180 x 142 cm


Sarah Faux
Grape affair 紫色情事, 2018
dye, pigment and oil stick on cut canvas 布面拼贴，染剂、颜料、油画棒
141 x 47 cm






Sarah Faux
Blueish black 蓝�K色, 2018
dye, pigment and oil stick on cut canvas 布面拼贴，染剂、颜料、油画棒
128 x 61 cm






Sarah Faux
Black spot 暗处, 2018
oil on canvas 布面油画
127 x 91.4 cm
50 x 36 in




Sarah Faux
Absorption fantasy 着迷的幻想, 2018
oil on canvas 布面油画
182.9 x 142.2 cm
72 x 56 in





Jin Shan: Evaporate
@166 ART SPACE
No. 166 Zhenning Road , 405 Lane Shanghai 200050
China
6 November, 2018 – 2 March, 2019

installation views



































































Residue
2018
Sand, high-strength gypsum, steel, cement
79 x 218 cm


Residue
2018
Sand, high-strength gypsum, steel, cement
79 x 218 cm


Residue
2018
Sand, high-strength gypsum, steel, cement
79 x 218 cm


Stacked
2018
Plastic, stainless steel
37.5 x 25 x 19.8 cm


Construction
2018
Plastic, silica gel, wire, wire mesh
34 x 37.5 x 26 cm


Construction
2018
Plastic, silica gel, wire, wire mesh
34 x 37.5 x 26 cm


The Way it Goes
2018
Aluminum, nutritious soil, grass
25.5 x 17.5 x 30 cm


Evaporate
2018
Wire mesh, jute, gypsum, plastic, steel bar
155 x 95 x 117 cm


Evaporate
2018
Wire mesh, jute, gypsum, plastic, steel bar
155 x 95 x 117 cm


Evaporate
2018
Wire mesh, jute, gypsum, plastic, steel bar
155 x 95 x 117 cm


Laid Bare
2018
Plastic, stainless steel, silica gel
181 x 90 x 65 cm


Laid Bare
2018
Plastic, stainless steel, silica gel
181 x 90 x 65 cm




light
2018
Concrete，smoke ash
eye(21.5x17.5x13.5cm) candle(3x14cm)







MIAO XIAOCHUN: GYRO DANCE
@Eli Klein Gallery
398 West Street
New York, NY 10014
USA
May 25 – July 28, 2019

installation views



















Miao Xiaochun
Gyro Dance, 2017
3D computer animation
10’30”


Miao Xiaochun
Gyro Dance No. 1, 2019
Acrylic on linen
39 3/8 x 39 3/8 inches (100 x 100 cm)


Miao Xiaochun
Gyro Dance No. 2, 2019
Acrylic on linen
39 3/8 x 39 3/8 inches (100 x 100 cm)


Miao Xiaochun
Ah, time!, 2019
3D print photopolymer resin
16 1/2 x 6 3/4 x 5 1/2 inches (42 x 17 x 17 cm)


Miao Xiaochun
Extrude milk equal to a quarter hour, 2019
3D print photopolymer resin
14 1/4 x 13 3/4 x 17 inches (36 x 35 x 43 cm)


Miao Xiaochun
Make an hour with a week of life, 2019
3D print photopolymer resin
11 3/4 x 5 1/2 x 17 1/2 inches (30 x 14 x 44 cm)


Miao Xiaochun
Crossing this vast earth at the moment of ten seconds, 2019
3D print photopolymer resin
11 1/2 x 32 x 5 1/2inches (29 x 81 x 14 cm)





WING PO SO: FROM THE BODY TO THE BODY THROUGH THE BODY
@de Sarthe
20/F, Global Trade Square, No. 21 Wong Chuk Hang Road,
Hong Kong
SEP 07, 2019 - SEP 21, 2019


Wing Po So, From the Body to the Body Through the Body, 2019, Corn silk, thread, iron, sound, motors, 630 x 1170 x 378 cm


Wing Po So, Habitat No. 1, 2019, Clay, corn cob, steel, 82 x 35 x 40 cm


Wing Po So, Habitat No. 2, 2019, Clay, corn cob, 47 x 54 x 54 cm


Wing Po So, Habitat No. 3, 2019, Clay, corn cob, 50 x 25 x 26 cm


Wing Po So, Partial Skeleton, 2019, Unfired clay, Dimensions variable


Wing Po So, Changing States Phase 1, 2019, Plaster on wood, 170 x 122 cm


Wing Po So, Changing States Phase 2, 2019, Plaster on wood, 170 x 122 cm


Wing Po So, Changing States Phase 3, 2019, Plaster on wood, 170 x 122 cm

memo (overseas): Sep26,2019

ex-chamber memo (overseas): Sep26,2019

IVY HALDEMAN: The Interesting Type
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Sep 05 – Oct 21, 2018

installation views











Ivy Haldeman, Colossus, Ankles Cross, Hand Hooks Heel, Finger Tips Press Bun, 2018. Acrylic on canvas, 58 × 84 inches / 147.3 × 213.4 cm


Ivy Haldeman, Hand, Index Linger Back, 2018. Acrylic on canvas, 24 × 16 1/2 inches / 61 × 41.9 cm


Ivy Haldeman, Pink Suit, Peach Suit, 2018. Acrylic on canvas, 67 × 64 inches / 170.2 × 162.5 cm


Ivy Haldeman, Chartreuse Suit, 2018. Acrylic on canvas, 67 × 64 inches / 170.2 × 162.5 cm


Ivy Haldeman, Hand, Index Forward Left, 2018. Acrylic on canvas, 24 × 16 1/2 inches / 61 × 41.9 cm


Ivy Haldeman, Blue Suit, Blue Suit, 2018. Acrylic on canvas, 73 × 73 inches / 185.4 × 185.4 cm


Ivy Haldeman, Colossus, Knee to Elbow, Wrist Bent, Four Fingers Edge Out, 2018. Acrylic on canvas, 84 × 58 inches / 213.4 × 147.3 cm


Ivy Haldeman, Colossus, Two Knees Down, Pinch, Hand Held Back, 2018. Acrylic on canvas, 84 × 58 inches / 213.4 × 147.3 cm


Ivy Haldeman, Mauve Suit, Tan Suit, 2018. Acrylic on canvas, 67 × 64 inches / 170.2 × 162.5 cm





MAYA KRAMER: DECOY
@CAPSULE SHANGHAI
1st Floor, Building 16, Anfu Lu 275 Nong, Xuhui District, Shanghai, China – 200031
21 SEPTEMBER - 25 OCTOBER 2018

installation views







































Maya Kramer
Decoy 圈套, 2018
dimensions variable






Maya Kramer
Grey Zone 灰色地带, 2018
Aluminum, enamel, plexiglass, pump, fans, water 铝、搪瓷、有机玻璃、泵、风扇、水
100.5 x 70 x 15.5 cm
Edition of 3 plus 1 artist's proof










Maya Kramer
Flashpoint 闪点, 2018
Aluminum 铝
146.6 x 58.7 x 29.5 cm; 63.5 x 32 x 20 cm




Maya Kramer
Slow Swirl 微旋, 2017
Aluminum, coal, paint, plexiglass, resin, wire, wood 铝、煤、油漆、有机玻璃、树脂、电线、木材
127.5 x 81.6 x 74.8 cm










Maya Kramer
Twilight Ramblers 暮光漫步, 2017
Acrylic, aluminum, copper, hydrochloric acid, ink, iron, resin, paper 丙烯、铝、铜、盐酸、油墨、铁、树脂、纸张
115 x 135 x 41.5 cm






Maya Kramer
Lemon Scented Demise 柠檬香之终, 2017
Aluminum, ammonium, copper, ink, iron, resin, paper, plexiglass, wire, wood 铝、铵、铜、墨水、铁、树脂、纸、有机玻璃、电线、木材
48.2 x 145 x 39 cm




Maya Kramer
History Isn’t Natural, 历史不自然, 2016
Iron and copper powder, binder 铜和铁粉，粘结剂，铁丝, 木头，有机玻璃， 纸
140 x 100 cm










Maya Kramer
Empire Violet 紫罗兰帝国, 2018
Aluminum, copper, hydrochloric acid, ink, iron, resin, paper, plexiglass, wire, wood 铝、铜、盐酸、油墨、铁、树脂、纸、有机玻璃、电线、木材
71.2 x 31.6 x 36.3 cm






Maya Kramer
Crosswinds 横风飞翔, 2017
Acrylic, aluminum board, coal, paper 丙烯、铝板、煤、纸张
66 x 90 x 10 cm






Maya Kramer
Cascade 倾泻而下, 2017
Acrylic, aluminum board, coal, paper 丙烯，铝板，煤，纸张
90 x 66 x 10 cm






Maya Kramer
Closed Circuit 回圈, 2018
Silicone, coal, wire 硅胶、煤、电线
55 x 34 x 27 cm




Maya Kramer
Corroded Flows II 锈色的流动 II, 2018
Rust, glue, plaster, ink, wood 铁锈、胶水、石膏、墨水、木材
44.5 x 70 cm


Maya Kramer
Apparition 幻影, 2018
Carbon paper, ink, paper 复写纸、墨水、纸张
44.6 x 69 cm






Maya Kramer
!Acirema, ！国美, 2015
Coal dust, pigment, ink, gold and silver leaf 煤粉、颜料、墨、金银箔
123 x 84 cm








Maya Kramer
There is Nothing You Can Measure Anymore, 没有什么可以再测量的, 2010-2013
Transparency on LED board (framed), 在LED板上的透明片，框架
3 pcs., each 52 x 39.2 x 2 cm
Edition of 5 plus 1 artist's proof





Richard Frater: Indifference
@Michael Lett
312B Karangahape Rd, Auckland CBD, Auckland 1010
New Zealand
23 January − 23 February 2019


Richard Frater, Indifference, Installation view


Richard Frater, Stop Shell (Live rock version), 2019, fossilised coral, 3D printed macroscopic graphs, coral organism, marine aquarium, bio-media, plexiglass, 1460 x 400 x 400mm


Richard Frater, Stop Shell (Live rock version), 2019, fossilised coral, 3D printed macroscopic graphs, coral organism, marine aquarium, bio-media, plexiglass, 1460 x 400 x 400mm


Richard Frater, Stop Shell (Live rock version), 2019, fossilised coral, 3D printed macroscopic graphs, coral organism, marine aquarium, bio-media, plexiglass, 1460 x 400 x 400mm


Richard Frater, Stop Shell (Live rock version), 2019, fossilised coral, 3D printed macroscopic graphs, coral organism, marine aquarium, bio-media, plexiglass, 1460 x 400 x 400mm


Richard Frater, Stop Shell (Live rock version), 2019, fossilised coral, 3D printed macroscopic graphs, coral organism, marine aquarium, bio-media, plexiglass, 1460 x 400 x 400mm


Richard Frater, Indifference, Installation view


Richard Frater, Stop Shell (oyster Filter version), 2017, Living oyster, Brita water Filter pitcher, modified oyster shell, marine aquarium, water pumps, chiller, bio-media filter, plexiglass, 1500 x 400 x 400mm


Richard Frater, Stop Shell (oyster Filter version), 2017, Living oyster, Brita water Filter pitcher, modified oyster shell, marine aquarium, water pumps, chiller, bio-media filter, plexiglass, 1500 x 400 x 400mm


Richard Frater, Stop Shell (ghost fishing version), 2018, Modified recycled jacket; fishing nets and plastics retrieved from ocean; crayfish trap parts, 1285 x 400 x 400mm


Richard Frater, Stop Shell (ghost fishing version), 2018, Modified recycled jacket; fishing nets and plastics retrieved from ocean; crayfish trap parts, 1285 x 400 x 400mm


Richard Frater, Stop Shell (ghost fishing version), 2018, Modified recycled jacket; fishing nets and plastics retrieved from ocean; crayfish trap parts, 1285 x 400 x 400mm


Richard Frater, Stop Shell (ghost fishing version), 2018, Modified recycled jacket; fishing nets and plastics retrieved from ocean; crayfish trap parts, 1285 x 400 x 400mm


Richard Frater, Indifference, Installation view


Richard Frater, Social Cryptomnesia, 2018, two-channel digital slideshow projection, loop


Richard Frater, Social Cryptomnesia, 2018, two-channel digital slideshow projection, loop





曾梵志 Zeng Fanzhi
@166 ART SPACE
No. 166 Zhenning Road , 405 Lane Shanghai 200050
China
2019/3/15 - 8/10

installation views







































































Swimming
2006
Oil on canvas
215 x 330 cm


Mask series
1995
Oil on canvas
150 x 130 cm


Potrait No. 2
2002
Oil on canvas
160 x 235 cm


Potrait
2009
Oil on canvas
31 x 25 cm


We , set of four
2002
110 x 110 cm


Untitled
2018
Works on paper
14.8 x 10 cm * 3


Untitled
2018
Works on paper
15 x 15 cm * 4


Untitled
2009
Bronze
117 x 61 x 42 cm 129.5 x 26 x 26 cm


In Search of Plum Through Snowscape II
2014
Cast iron
193 x 52 x 260 cm


9
2018
Oil on canvas
100 x 100 cm


Potrait
2001
Works on paper
55 x 40 cm





PAINTING FROM TAIWAN
@Eli Klein Gallery
398 West Street
New York, NY 10014
USA
August 1 – October 6, 2019

installation views



























Yang Mao-Lin
Wanderers of the Abyssal Darkness. The Bigeye L1802, 2018
Oil and acrylic on canvas
85 7/8 x 57 inches (218 x 145 cm)


Yang Mao-Lin
Wanderers of the Abyssal Darkness. Crestfish L1904, 2019
Oil and acrylic on canvas
85 7/8 x 57 inches (218 x 145 cm)


Wang Liang-Yin
Desolate Octopod, 2018
Acrylic on canvas
55 1/8 x 76 3/8 inches (140 x 194 cm)


Su Wong-Shen
Chinese Valentine’s Day, 2017
Oil on linen
47 1/4 x 76 3/4 inches (120 x 195 cm)


Liu Chih-Hung
Greenhouse, 2018
Oil on canvas
13 3/4 x 19 5/8 inches (35 x 50 cm)


Liu Chih-Hung
Lintou, 2018
Oil on canvas
27 1/2 x 39 3/8 inches (70 x 100 cm)


Huang Hai-Hsin
Blondes, circa 2018, 2018
Oil on canvas
40 1/4 x 50 inches (102 x 127 cm)


Huang Hai-Hsin
Gothic Picnic, 2018
Oil on canvas
40 1/4 x 29 7/8 inches (102 x 76 cm)


Hu Chau-Tsung
Home - Private Island, 2015
Acrylic on canvas mounted on wood
63 7/8 x 51 1/4 inches (162.4 × 130.3 cm)


Hu Chau-Tsung
Progressing - 4, 2018
Acrylic on canvas mounted on wood
51 3/8 x 64 inches (130.5 × 162.5 cm)


Ho Kan
Abstract 2017-044, 2017
Oil on canvas
39 3/8 x 31 1/2 inches (100 x 80 cm)


Ho Kan
Abstract 2017-030, 2017
Oil on canvas
35 7/8 x 28 1/2 inches (91 x 72.5 cm)


Chou Tai-Chun
Back to - Isolated Territory, 2017
Acrylic on canvas
37 3/8 x 57 inches (95 x 145 cm)


Chou Tai-Chun
Back to - Pandora, 2017
Acrylic on canvas
57 x 37 3/8 inches (145 × 95 cm)


Hsiao Chin
Due Universi, 2004
Acrylic on canvas
55 1/8 x 43 1/4 inches (140 x 110 cm)


Hsiao Chin
Cuore nell’Universo-4, 2005
Acrylic on canvas
43 1/4 x 55 1/8 inches (110 x 140 cm)

installation views: 鈴木知佳・鈴木のぞみ「Monologue of the Blank」 @ ex-chamber museum（3 Apr.〜29 Apr. 2019）

鈴木知佳・鈴木のぞみ「Monologue of the Blank」
@ex-chamber museum
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
070-5567-1513
9/7（土）〜9/29（日）月火水休（9/16、9/23祝日開廊）
12:00〜18:00
※4/19（金）は16:00〜
協力：rin art association

Chika Suzuki, Nozomi Suzuki “Monologue of the Blank”
@ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, CHiyoda-ku, Tokyo, Japan
81-70-5567-1513
7 Sep.（Sat）〜29 Sep.（Mon）closed on Mondays to Wednesdays (16 Sep. and 23 Sep are open)
※13 Sep.(Fri)：14:00〜, 20 Sep.(Fri)：16:00〜
12:00〜18:00
cooperation: rin art association

installation views




























鈴木のぞみ / Nozomi Suzuki
Letters of the Light, Belfast
乾式ブルネオジアゾ感光紙、封筒 / diazo photosensitive paper, envelope
292×205mm×5+封筒×1 / 292×205mm×5 sheets & 1 envelope
2019



鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 028 / blank drawing - memorandum 028
アクリル凹面彫刻 / acrylic
378×287×2mm
395×305×30mm (frame size)
2019



鈴木のぞみ / Nozomi Suzuki
Monologue of the Light : TEAPOND ドアの鍵穴から 東京 / From a keyhole, Tokyo
ゼラチンシルバープリント / gelatin silver print
203×254mm
2018



鈴木のぞみ / Nozomi Suzuki
Monologue of the Light : TEAPOND 旧枌所小学校 一輪車の錆びた穴から 香川 / From a rusty hole in a unicycle wheelbarrow at ex-Sogisho elementary school, Kagawa
ゼラチンシルバープリント / gelatin silver print
203×254mm
2018



鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 027 / blank drawing - memorandum 027
アクリル凹面彫刻 / acrylic
298×211×10mm
306×229×40mm (frame size)
2019





鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 026 / blank drawing - memorandum 026
アクリル凹面彫刻 / acrylic
211×298×10mm
229×306×40mm (frame size)
2019



鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 018 / blank drawing - memorandum 018
アクリル凹面彫刻 / acrylic
253×202×2mm
277×222×34mm (frame size)
2018



鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 019 / blank drawing - memorandum 019
アクリル凹面彫刻 / acrylic
253×202×2mm
277×222×34mm (frame size)
2018



鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 020 / blank drawing - memorandum 020
アクリル凹面彫刻 / acrylic
253×202×2mm
277×222×34mm (frame size)
2018



鈴木知佳 / Chika Suzuki
空白のドローイング - memorandum 014 / blank drawing - memorandum 014
アクリル凹面彫刻 / acrylic
253×202×2mm
305×397×35mm (frame size)
2018









鈴木知佳 / Chika Suzuki
空白のドローイング - F0 / blank drawing - F0
アクリル凹面彫刻 / acrylic
318×410×25mm
450×349×44mm (frame size)
2019






鈴木知佳 / Chika Suzuki
名付けられた色の終わり 名付けられない色のはじまり / The end of the named colors, the beginning of the unnamed colors
砂、海岸（甑島 N 31°51' 1" E 129°53' 8"）2016 / sand at the coast (Koshiki-Jima, N 31°51' 1" E 129°53' 8") 2016
100×100mm (frame size)
2019







鈴木知佳 / Chika Suzuki
計り知れない時を計る / Measuring immeasurable times
砂、海岸（甑島 N 31°51' 1" E 129°53' 8"）2016、ガラス / sand at the coast (Koshiki-Jima, N 31°51' 1" E 129°53' 8") 2016, glass
2019

memo (overseas): Sep25,2019

ex-chamber memo (overseas): Sep25,2019

Imogen Taylor: Betwixt and Between
@Michael Lett
312B Karangahape Rd, Auckland CBD, Auckland 1010
New Zealand
19 June − 20 July 2019

installation views











Imogen Taylor, Another Word for Abyss, 2019, acrylic on hessian, 1200 x 2800mm


Imogen Taylor, Ripe, 2019, acrylic on hessian, 1200 x 1400mm


Imogen Taylor, Southern Comfort, 2019, acrylic on hessian, 450 x 440mm


Imogen Taylor, Southern Comfort, 2019, acrylic on hessian, 450 x 440mm


Imogen Taylor, Power Bottom, 2019, acrylic on hessian, 450 x 440mm


Imogen Taylor, Self Help, 2019, acrylic on hessian, 450 x 440mm


Imogen Taylor, Rock & a Hard Place, 2019, acrylic on hessian, 1200 x 1400mm


Imogen Taylor, Dripping, 2019, acrylic on hessian, 450 x 440mm





Le feu des hérétiques
ALEXANDRA METCALF, FABIEN GIRAUD & RAPHAËL SIBONI, TYLER THACKER, TOM WARING
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Nov 03 – Dec 16, 2018

installation views













Alexandra Metcalf, Bad Labor, 2018. Wood, tights, apoxy sculpt, wire, metal, eyeshadow, photograph 51/2 × 59 × 30 inches / 14 × 149.9 × 76.2 cm


Tom Waring, Dulo so Lo, 2018. Oil on linen, 11 3/4 × 7 3/4 inches / 30 × 20 cm


Tyler Thacker, Ganzfeld carried downstream in a dirty, libidinal river, 2018. Oil on canvas, 42 × 96 inches / 106.7 × 243.8 cm


Tyler Thacker, Ganzfeld carried downstream in a dirty, libidinal river, 2018 (detail). Oil on canvas, 42 ×


Tyler Thacker, Ganzfeld carried downstream in a dirty, libidinal river, 2018 (detail). Oil on canvas, 42 × 96 inches / 106.7 × 243.8 cm


Tom Waring, Phunke, 2017. Oil on linen, 75 × 50 inches / 191 × 127 cm


Tyler Thacker, A Dirty River, 2018. Oil on canvas, 48 × 30 inches / 121.9 × 76.2 cm


Tom Waring, Dhollarig, 2018. Oil on linen, 65 × 51 inches / 165 × 130 cm


Tyler Thacker, Right Handed Vanitas, 2017. Oil on canvas, 52 × 72 inches / 132.1 × 182.9 cm


Alexandra Metcalf, Crutch, 2018. Wood, rubber, nails, resin, chalk, tights, 51 × 7 × 6 inches / 129.5 × 17.8 × 15.2 cm





WANG HAIYANG
@CAPSULE SHANGHAI
1st Floor, Building 16, Anfu Lu 275 Nong, Xuhui District, Shanghai, China – 200031
3 NOVEMBER - 25 DECEMBER 2018

installation views























































Wang Haiyang 王海洋
Party in the Anus, 2018
View video here
single-channel video 单频道录像
2'15'' on loop 循环
Edition of 5 plus 2 artist's proofs














Wang Haiyang 王海洋
Skins 01-06 皮囊 01-06, 2017-2018
pastel on paper 纸上色粉
66.5 x 51.5 cm (framed)












Wang Haiyang 王海洋
Skins 皮囊 , 2018
View video here
single-channel video 单频道录像
3'08''
Edition of 5 plus 2 artist's proofs


Wang Haiyang 王海洋
The City of Dionysus 狄俄尼索斯之城, 2018
View video here
single-channel video 单频道录像
8'20"
Edition of 8 plus 2 artist's proofs




Wang Haiyang 王海洋
Untitled 无题, 2018
watercolour on paper 纸本水彩
126 x 195 cm










































Wang Haiyang 王海洋
Untitled 无题, 2018
watercolour on paper 纸本水彩
20 pcs.: 45.5 x 30.5 (16 pcs.) 30.5 x 23 cm (4 pcs.)




































Wang Haiyang 王海洋
Untitled 无题, 2018
watercolour on paper 纸本水彩
14 pcs.: 30.5 x 23 cm (11 pcs.); 45.5 x 30.5 cm (3 pcs.)


Wang Haiyang 王海洋
Untitled 无题, 2018
pastel on paper 纸上色粉
45.5 x 30.5 cm


Wang Haiyang 王海洋
Untitled 无题, 2018
pastel on paper 纸上色粉
45.5 x 30.5 cm





UDO SELLBACH: SELECTED WORKS 1965-68
@Milani Gallery
270 Montague Road
West End
Brisbane QLD 4101
Australia
08/08/2019 - 31/08/2019

installation views













Untitled (May)
1968
Acrylic on linen
122 x 122 cm


Untitled (April-May)
1968
Acrylic on linen
173 x 168 cm


The Double Journey
1967
Acrylic on linen
152 x 121 cm


Eye for Eye, Tooth for Tooth
1967
Acrylic on linen
130 x 101 cm


City Night, Country Day
1967
Acrylic on linen
122 x 122cm


Untitled
ca.1967
Acrylic on linen
147 x 122 cm


City in Flames
ca.1967
Acrylic on linen
152 x 122 cm


Middle East
ca.1967
Acrylic on linen
129.5 x 99 cm





Gorels!
@166 ART SPACE
No. 166 Zhenning Road , 405 Lane Shanghai 200050
China
7 September - 31 October, 2019

installation views

































































Wang Jiaxue
Tired Romantic
2014
Oil on Canvas
44 x 51 cm


Qin Qi
Wind
2017
Oil on Canvas
100 x 110 cm


Shen Ling
Sad
1999
Oil on Canvas
180 x 170 cm


He Sen
Make up 1
2000
Acrylic on canvas
100 x 80 cm


Liang Manxue
Little Princess
2014
Oil on canvas
60 x 100 cm


He An
One of the fifteen reasons about fashion - show off
2000
Photography
50 x 100 cm


Wu Di
Twin Sisters
2014
Acrylic on woodboard
45 × 60 cm


Yu Youhan
Andy Warhol and Mao
1999
Acrylic on canvas
150 x 150 cm


Yuan Yuan
Can not swallow her
2008
Oil on linen
200 x 170 cm


Liu Jianhua
Painted Sculpture Series - Memory of infatuation
1999
Porcelain
60 x 42 x 41 cm


Yang Fudong
International Hotel No.2
2010
Photograph
180 x 120 cm


Yu Hong
Red Fog
2013
Glass, glass pigment color
38 × 34 x 8 cm


Yu Hong
Red Fog
2013
Glass, glass pigment color
38 × 34 x 8 cm


Yu Hong
Red Fog
2013
Glass, glass pigment color
38 × 34 x 8 cm


Yu Hong
Red Fog
2013
Glass, glass pigment color
38 × 34 x 8 cm


Yu Hong
Red Fog
2013
Glass, glass pigment color
38 × 34 x 8 cm


Yu Hong
Red Fog
2013
Glass, glass pigment color
38 × 34 x 8 cm

memo (overseas): Sep24,2019

ex-chamber memo (overseas): Sep24,2019

Alex Kwartler: Snowflake
@Magenta Plains
94 Allen St, New York, NY 10002
USA
May 16–June 17 2018

installation views











Alex Kwartler, Schleppers (snowflake, star, badge), 2018, flashe and oil on canvas, 48h x 36w in.


Alex Kwartler, Penny III, 2018, oil on canvas, 24h x 20w in.


Alex Kwartler, Penny II, 2018, oil on canvas, 24h x 20w in.


Alex Kwartler, Snowflake (I'm Nobody! Who are you?, for MA), 2018, oil and pumice on canvas, 14h x 11w in.


Alex Kwartler, Snowflake (To the Harbormaster, for ML), 2018, oil and pumice on canvas, 14h x 11w in.


Alex Kwartler, Celebration! (After Childe Hassam), 2018, oil on canvas board, aluminum can, 14h x 11w in.


Alex Kwartler, Schleppers (snowflake) I, 2018, oil on canvas board, 20h x 16w in.


Alex Kwartler, Untitled, 2018, oil on canvas board, 20h x 16w in.


Alex Kwartler, Snowflake (((The Werld, for DA))), 2018, oil and pumice on canvas, 14h x 11w in.


Alex Kwartler, Snowflake (The Seaside Cemetery, for CVH), 2018, oil and pumice on canvas, 20h x 20w in.


Alex Kwartler, Unititled (with popcorn), 2018, oil on canvas board, popcorn, 14h x 11w in.





GUY CHURCH: And the things speak with their own voice
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Jan 13 – Feb 24, 2019

installation views













Guy Church, The Edge, 2019. Colored pencil on paper, 20 3/4 x 17 3/4 inches / 52.7 x 45.1 cm (framed), 17 x 14 inches / 43.2 x 35.5 cm (unframed)


Guy Church, Old Noah builds himself an Ark, 2018. Colored pencil on orange sandpaper, 14 1/2 x 16 1/2 inches / 36.8 x 41.9 cm (framed), 9 x 11 inches / 22.8 x 27.9 cm (unframed)


Guy Church, House on Sand, 2018. Colored pencil on orange sandpaper, 14 1/2 x 16 1/2 inches / 36.8 x 41.9 cm (framed), 9 x 11 inches / 22.8 x 27.9 cm (unframed)


Guy Church, The Drop Off, 2016. Charcoal on paper, 30 3/4 x 38 inches / 78.1 x 96 1/2 cm (framed), 22 1/2 x 30 inches / 57.1 x 76.2 cm (unframed)


Guy Church, The Feathered Friend, 1992. Colored pencil on paper, 29 1/2 x 37 1/2 inches / 74.9 x 95.2 cm (framed), 22 x 30 inches / 55.8 x 76.2 cm (unframed)


Guy Church, The end of the train, 1987. Colored pencil on paper, 35 3/4 x 44 inches / 90.8 x 111.7 cm (framed), 33 x 40 inches / 83.8 x 101.6 cm (unframed)


Guy Church, Not enough shade, 1995. Graphite on paper, 10 3/4 x 10 3/4 inches / 27.3 x 27.3 cm (framed), 4 3/4 x 4 3/4 inches / 12 x 12 cm (unframed)


Guy Church, Call of the back woods, 1997. Graphite on paper, 15 1/2 x 13 inches / 39.4 x 33 cm (framed), 14 x 11 inches / 35.5 x 27.9 cm (unframed)


Guy Church, Fido cannot play ball, 2014. Charcoal on paper, 15 1/4 × 18 1/2 inches / 38.7 × 47 cm (framed), 14 × 11 inches / 35.6 × 27.9 cm (unframed)


Left: Guy Church, The Great Outside World, 2017. Graphite on paper, 22 3/4 × 19 1/2 inches / 57.8 × 49.5 cm (framed), 16 1/2 × 13 inches / 41.9 × 33 cm (unframed)
Right: Guy Church, The Backdoor, 2018. Colored pencil on paper, 17 3/4 × 15 1/4 inches / 45.1 × 38.7 cm (framed), 14 × 11 inches / 35.6 × 27.9 cm (unframed)


Guy Church, A Pile of Books, 2018. Colored pencil on paper, 18 1/4 × 15 1/4 inches / 46.3 × 38.7 cm (framed), 13 1/2 × 10 1/2 inches / 34.3 × 26.6 cm (unframed)


Guy Church, The Den Tree, 2015. Graphite on paper, 18 1/4 × 15 inches / 46.3 × 38.1 cm (framed), 14 × 11 inches / 35.6 × 27.9 cm (unframed)


Guy Church, And the Things Speak with Their Own Voice, 2017. Charcoal on paper, 38 × 30 1/2 inches / 96.5 × 77.5 cm (framed), 30 × 22 inches / 76.2 × 55.9 cm (unframed)


Guy Church, A Study for Janie, 1997. Graphite on paper, 15 1/2 × 13 inches / 39.4 × 33 cm (framed), 14 × 11 inches / 35.5 × 27.94 cm (unframed)







He An: Jade Branch
Curated by Lee Ambrozy
@Tang Contemporary Art, Beijing 2nd Space
B01, 798 Art District, No.2 Jiuxianqiao Road
Chaoyang Dst. Beijing, China
12.22, 2018 - 02.20, 2019

installation views





Dark Purple, 2018,
Resin, refrigeration coil, 100 × 80 × 25 cm


Cold II, 2018,
Galvanized metal, 157 × 130 × 8 cm


Cold I, 2018, Steel, resin, glass, 90 × 20 × 20 cm


Cold III, 2018,
Glass, concrete, Steel, machine oil, 120 × 210 × 8 cm


Jade Branch, 2015, Installation, LED lightbox, 70 × 170 × 16 cm


Dark Purple, 2018,
Air conditioner compressor, steel pipes, copper powder, Dimensions variable





LEELEE CHAN: CORE SAMPLE
@CAPSULE SHANGHAI
1st Floor, Building 16, Anfu Lu 275 Nong, Xuhui District, Shanghai, China – 200031
16 FEBRUARY - 5 APRIL 2019

installation views













































Leelee Chan 陳麗同
Pallet in Repose (Marine) 凝伫之盘 (海洋), 2019
scavenged plastic pallet, found polystyrene packaging, resin, concrete, pigment, metal hardware, zip-ties 拾得塑料托盘、塑料泡沫、树脂、混凝土、色素、金屬零件、捆带
150 x 130 x 15 cm














Leelee Chan 陳麗同
Barnacles 藤壶, 2019
ca. 380 pieces: concrete, metal hardware, resin, pigment, zip ties 总数约380件：混凝土、金屬零件、树脂、色素、捆带
dimensions variable 尺寸可变






Leelee Chan 陳麗同
Orange Moon #2 橘色月亮 II , 2019
galvanised steel vent well, spray paint, window glass, clip-on LED light 喷漆、窗户玻璃、LED夹灯、镀锌钢 通风管 配件
66 x 31 x 22 cm


Leelee Chan 陳麗同
Sunchaser 追阳的人, 2017
charcoal, acrylic and oil on canvas 布上木炭，丙烯与油画
35.5 x 28.2 cm


Leelee Chan 陳麗同
Good Bait 不错的诱饵, 2013
acrylic, oil paint and spray paint on canvas 丙烯，布上油画与喷漆
45.7 x 38.1 cm






Leelee Chan 陳麗同
Transmitter 传送者, 2017
Found umbrella ribs, found broken tea lid, seashells, stones, polystyrene foams, concrete, glue 拾得伞骨、拾得茶壶盖、贝壳、石头、聚苯乙烯泡沫、混凝土、胶水
30 x 11 x 9 cm






Leelee Chan 陳麗同
Halo 光轮, 2019
scavenged light, foam packagings. spinning wheel, concrete, pigment, zip ties 拾得灯具、拾得泡棉包材、转轮、混凝土、色素、捆带
19.5 x 15 x 8.5 cm






Leelee Chan 陳麗同
Squeezer #1 紧握 I, 2018
scavenged objects including dish sponge, hair claw clip and towel bar part, concrete 拾得洗碗海绵、发夹、毛巾架零件、混凝土
18.5 x 11 x 7 cm






Leelee Chan 陳麗同
Spinner 编造者, 2019
Wheel metal part, concrete, pigment, metal hardware, zip ties 金属轮零件、混凝土、色素、金屬零件、捆带
20 x 17.5 x 10.5 cm






Leelee Chan 陳麗同
Squeezer #2 紧握 II, 2018
scavenged objects including dish sponge, hair claw clip and vacuum cleaner part, concrete, metal
拾得洗碗海绵、发夹、吸尘器零件；混凝土、金属
20 x 10 x 10 cm


Leelee Chan 陳麗同
Catcher 捕捉者, 2015-2017
Found broken ceramic tea lid, styrofoam, plaster, pigment dispersion and plexi mirror
拾得的碎陶瓷茶壶盖 ，石膏，泡沫塑料，色素和镜子
15.5 x 12 x 5.5 cm














Leelee Chan 陳麗同
Endless Consumption 无尽的消耗, 2015-2017
Found polystyrene packagings, seashell, cosmetic compact mirror, artificial plant, Aqua-Resin, fiberglass, plaster, wood, mirror, metal, epoxy putty and pigment dispersion 拾得聚苯乙烯包装、贝壳、掌上化妆镜、人造植物、液态树脂、玻璃钢、石膏、木头、镜子、金属、环氧油灰和色素
218.4 x 17.8 x 12.7 cm


Leelee Chan 陳麗同
Triple Wishes 三重愿望, 2016
oil paint on canvas 布上油画
45.7 x 38.1 cm


Leelee Chan 陳麗同
Seashell Game 贝壳戏法, 2016
Collage, acrylic, matte medium, watercolour on Arches paper 阿奇斯艺术纸上水彩、拼贴、喷漆、丙烯、哑光调和剂
80.5 x 65.5 cm (framed 含框)


















Leelee Chan 陳麗同
Protector 守护者, 2018
Found materials including car windshield, seashells, a bag of chandelier crystal balls and polystyrene packagings. Mother of Pearl tiles, egg packagings, Aqua-Resin, resin, fiberglass, concrete, wood, metal hardware, pigment 拾得汽车挡风板、贝壳、水晶灯饰、塑料泡沫；贝母马赛克贴片、蛋盒、水性树脂、树脂、玻璃钢、混凝土、木、金屬零件、色素
179 x 77.5 x 54 cm










Leelee Chan 陳麗同
House of Leaves 叶屋, 2017
Found objects: stone effect plastic frame, leaf skeletons, wood, stone tiles, grout, mirrors, glass, silicone glue, metal 拾得物：石头纹路的塑料相框、叶子残骸、木头、石头瓦片、浆液、镜子、玻璃、硅酮胶水、金属
60 x 35.6 x 40.6 cm






Leelee Chan 陳麗同
Spine 脊, 2019
wheels, clay, metal, spray paint 滑轮、土、金属、喷漆
189 x 6.5 x 16 cm










Leelee Chan 陳麗同
Sunset Capsule - The Queen, 2019
Construction lights, metal stands, crystal pieces from a scavenged chandelier, concrete, fibreglass, metal hardware, gel filters 三防灯、铁架、拾得水晶灯零件、混凝土、玻璃纤维、金屬零件、滤光片
146 x 38 x 38 cm












Leelee Chan 陳麗同
Navel 脐, 2018
scavenged polystyrene packaging and cosmetic container, found seashell, jesmonite, fiberglass, resin, pigment, epoxy putty 拾得塑料泡沫、护肤品罐子、贝壳、水性树脂、玻璃钢、树脂、色素、塑钢土
151 x 30 x 30 cm


Leelee Chan 陳麗同
Mapmaker 绘图者, 2016
Collage, gouache, acrylic, matte medium, watercolour on Arches paper 阿奇斯艺术纸上水彩、拼贴、水粉、丙烯、哑光调和剂
81 x 65.5 cm (framed 含框)














Leelee Chan 陳麗同
Pallet in Repose (Portal) 凝伫之盘 (引道), 2019
Painting: magazine collages, acrylic medium, acrylic paint and oil paint on linen
绘画：亚麻布面拼贴、亚克力材料、亚克力颜料、油画
Sculpture: found materials including: wood pallet, moon-shape glass and foam packagings. wood, mirror, resin, Aqua-Resin, fiberglass, concrete, pigment, metal bars, felt fabric
雕塑：拾得木托盘、半圆形玻璃、泡棉材料；木、镜子、树脂、水性树脂、玻璃钢、混凝土、色素、金属架、无纺布
Painting 绘画: 162 x 121 x 4 cm
Sculpture 雕塑: 22 x 127 x 131 cm


















Leelee Chan 陳麗同
Sunset Capsule 日暮胶囊, 2019
Site-specific sculptural installation for Capsule Shanghai 特别为胶囊上海场地制作
Construction lights, metal stands, crystal pieces from a scavenged chandelier. Concrete, fibreglass, metal hardware, gel filters 三防灯, 铁架, 拾得水晶灯零件、混凝土、 玻璃纤维、金屬零件、滤光片
Installation dimensions variable 尺寸可变
Each light ranges from 146 x 38 x 38 to 150 x 38 x 38 cm
每件燈尺寸由 146 x 38 x 38 cm 至 150 x 38 x 38 cm





SINTA TANTRA: YOUR PRIVATE SKY
@Kristin Hjellegjerde, London
2 Melior Place
London
SE1 3SZ
UK
27 JULY - 1 SEPTEMBER 2018

installation views































SINTA TANTRA
DO YOU WANNA FUNK WITH ME? II (SYLVESTER) , 2018
Tempera on linen
150 x 150 cm
59 1/8 x 59 1/8 in


SINTA TANTRA
POLARISED SKY, ROTATING SCREENS (BUCKMINSTER FULLER) , 2018
Tempera on linen | Triptych Screen, Freestanding
Triptych Screen
180 x 210 cm
70 7/8 x 82 5/8 in


SINTA TANTRA
DO YOU WANNA FUNK WITH ME? I (SYLVESTER) , 2018
Tempera on linen
150 x 150 cm
59 1/8 x 59 1/8 in


SINTA TANTRA
DO YOU WANNA FUNK WITH ME? II (SYLVESTER), 2018
Giclee Print
20 x 20 cm
7 7/8 x 7 7/8 in


SINTA TANTRA
FOLLOW CONSTELLATIONS AND STAR PATHS (BUCKMINSTER FULLER) , 2018
Acrylic and brass
Unique


SINTA TANTRA
I HAVE PUT COLOR AND KNOTTED IT. SWIM! (KASIMIR MALEVICH), 2018
Tempera on linen
60 x 45 cm
23 5/8 x 17 3/4 in


SINTA TANTRA
SECTIONS OF GLOBAL MAP (BUCKMINSTER FULLER) , 2018
Brass wall relief
Unique
110 x 110 x 5 cm
43 1/4 x 43 1/4 x 2 in
Approx


Sinta Tantra
Orientated Accurately to the North (Buckminster Fuller) , 2018, 2018
Tempera on linen and lithograph dated 1948
53 x 40 cm
20 7/8 x 15 3/4 in


SINTA TANTRA
STAR CLOCK AT NIGHT (BUCKMINSTER FULLER) , 2018
Tempera on linen
180 x 180 cm | 70 7/8 x 70 7/8 in (180 x 90 cm | 70 7/8 x 35 3/8 in Per Panel)


SINTA TANTRA
SUN CLOCK IN DAY (BUCKMINSTER FULLER) , 2018
Tempera on linen
180 x 180 cm
70 7/8 x 70 7/8 in
2 panels
180 x 90 cm
70 7/8 x 35 3/8 in


SINTA TANTRA
THERE IS MOVEMENT AND MOVEMENT (KASIMIR MALEVICH), 2018
Tempera on linen
60 x 45 cm
23 5/8 x 17 3/4 in


SINTA TANTRA
YOU MAKE ME FEEL, MIGHTY REAL I (SYLVESTER) , 2018
Tempera on Linen
100 x 120 cm
39 3/8 x 47 1/4 in


SINTA TANTRA
YOU MAKE ME FEEL, MIGHTY REAL II (SYLVESTER) , 2018
Tempera on linen
100 x 120 cm
39 3/8 x 47 1/4 in


SINTA TANTRA
YOU MAKE ME FEEL, MIGHTY REAL III (SYLVESTER), 2018
Tempera on linen
60 x 50 cm
23 5/8 x 19 3/4 in


SINTA TANTRA
YOUR PRIVATE SKY (BUCKMINSTER FULLER) , 2018
Tempera on linen and wall
180 x 180 cm
70 7/8 x 70 7/8 in


SINTA TANTRA
YOUR SKY MAY BE SURFACED INSIDE (BUCKMINSTER FULLER) , 2018
Tempera on Linen
120 x 100 cm
47 1/4 x 39 3/8 in


SINTA TANTRA
ZENITH OF SKY (BUCKMINSTER FULLER) , 2018
Tempera on linen
127 x 150 cm
50 x 59 1/8 in

memo (overseas): Sep23,2019

ex-chamber memo (overseas): Sep23,2019

CELINA TEAGUE: NOT FOR THE KID'S ROOM
@Kristin Hjellegjerde, London
2 Melior Place
London
SE1 3SZ
UK
16 NOVEMBER - 20 DECEMBER 2018

installation views





































CELINA TEAGUE
NOT FOR THE KID'S ROOM, PANEL 1, 2018
Oil and acrylic on linen
180 x 160 cm
70 7/8 x 63 in


CELINA TEAGUE
NOT FOR THE KID'S ROOM, PANEL 2, 2018
Oil and acrylic on linen
180 x 160 cm
70 7/8 x 63 in


CELINA TEAGUE
NOT FOR THE KID'S ROOM, PANEL 3, 2018
Oil and acrylic on linen
180 x 160 cm
70 7/8 x 63 in


CELINA TEAGUE
NOT FOR THE KID'S ROOM, PANEL 4, 2018
Oil and acrylic on linen
180 x 160 cm
70 7/8 x 63 in


CELINA TEAGUE
THE PHYSICAL IMPOSSIBILITY OF IMAGINING 5 MINUTES IN THE SEA, 2017/ 18
Oil and acrylic on canvas
130 x 222 cm
51 1/8 x 87 3/8 in


CELINA TEAGUE
ONE YEAR IN THE BUSH, 2017
Oil and oil stick on linen
150 x 130 cm
59 1/8 x 51 1/8 in


CELINA TEAGUE
0.01 SECONDS OF PLASTIC , 2017
Oil and acrylic on canvas
170 x 150 cm
66 7/8 x 59 1/8 in


CELINA TEAGUE
BOTTLED, 2018
Oil and acrylic on canvas
155 x 140 cm
61 1/8 x 55 1/8 in


CELINA TEAGUE
FROM THE COMFORT OF YOUR LIVING-ROOM, 2018
Oil and acrylic on canvas
180 x 120 cm
70 7/8 x 47 1/4 in


CELINA TEAGUE
PROFILE, 2018
Oil and acrylic on canvas
100 x 70 cm
39 3/8 x 27 1/2 in


CELINA TEAGUE
PALM SPOILS, 2018
Oil and acrylic on canvas
150 x 130 cm
59 1/8 x 51 1/8 in


CELINA TEAGUE
PUBLIC ENEMY, 2018
Oil and acrylic on canvas
130 x 150 cm
51 1/8 x 59 1/8 in


CELINA TEAGUE
THE THIN HISTORICAL DIVIDE, 2018
Oil and acrylic on canvas
150 x 130 cm
59 1/8 x 51 1/8 in





MARY MITO: Sifts, restores
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Feb 27 – Apr 12, 2019

installation views















Mary Mito, Sifts, restores (1), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm


Mary Mito, Sifts, restores (2), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm


Mary Mito, Sifts, restores (3), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm


Mary Mito, Sifts, restores (4), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm


Mary Mito, Sifts, restores (5), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm


Mary Mito, Sifts, restores (6), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm


Mary Mito, Sifts, restores (7), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm


Mary Mito, Sifts, restores (8), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm


Mary Mito, Sifts, restores (9), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm


Mary Mito, Sifts, restores (10), 2013-19. Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm

, restores (10), 2013-19 (alternate view). Oil on panel, 28 × 42 inches / 71.1 × 106.7 cm





Nathaniel Robinson: No One's Things
@Magenta Plains
94 Allen St, New York, NY 10002
USA
May 16–June 17 2018

installation views









Nathaniel Robinson, Unit (introvert, dented), 2017-2018, fiberglass-reinforced gypsum cement, paint, 11h x 24w x 12d in.


Nathaniel Robinson, Tire, 2018, fiberglass-reinforced gypsum cement, paint, 8h x 30w x 30d in.


Nathaniel Robinson, Tent, 2017, fiberglass-reinforced gypsum cement, paint, 21h x 34w x 25d in.


Nathaniel Robinson, Cup (1), 2018, fiberglass-reinforced gypsum cement, paint, 20h x 30w x 27d in.


Nathaniel Robinson, Jug, 2017-18, fiberglass-reinforced gypsum cement over XPS foam, paint, 20h x 12w x 12d in.


Nathaniel Robinson, Tent, 2017, fiberglass-reinforced gypsum cement, paint, 21h x 34w x 25d in.


Nathaniel Robinson, Cup (2), 2018, fiberglass-reinforced gypsum cement, paint, 20h x 30w x 27d in.


Nathaniel Robinson, Umbrella, 2017-18, fiberglass-reinforced gypsum cement, paint, 14.50h x 37w x 37d in.





Shen Ling: Intensity of Concreteness
@Tang Contemporary Art, Hong Kong
10/F, H Queen's, 80 Queen's Road Central,
Hong Kong
4.1 -9.2, 2019

installation views







Autumnal Wind and Rain on a Moody Day
200 x 200 cm x 3
oil on canvas
2016


Jealous Night in Flowery Wind No.1
200 x 200 cm
oil on canvas
2017


Sleepwalking
200 x 200 cm
oil on canvas
2017


Unique Fragrance
75 x 60 cm
oil on canvas
2015


Black Crows on a Tree
100 x 100 cm
oil on canvas
2018


Winter Star
100 x 100 cm
oil on canvas
2018


Cold Moon
100 x 100 cm
oil on canvas
2018


Drifting No.1
200 x 200 cm
oil on canvas
2017


Drifting No.2
200 x 200 cm
oil on canvas
2017


Drifting No.3
200 x 200 cm
oil on canvas
2017


Ephemeral
29.7 x 21 cm
pencil on paper
2015 - 2018


Ephemeral
29.7 x 21 cm
pencil on paper
2015 - 2018


29.7 x 21 cm
pencil on paper
2015 - 2018


Ephemeral
29.7 x 21 cm
pencil on paper
2015 - 2018


Ephemeral
29.7 x 21 cm
pencil on paper
2015 - 2018


Smog
29.7 x 21 cm
pencil on paper
2015 - 2018


Smog
29.7 x 21 cm
pencil on paper
2015 - 2018


Smog
29.7 x 21 cm
pencil on paper
2015 - 2018


Smog
29.7 x 21 cm
pencil on paper
2015 - 2018


Smog
29.7 x 21 cm
pencil on paper
2015 - 2018





FENG CHEN: MOMENT BY MOMENT
@CAPSULE SHANGHAI
1st Floor, Building 16, Anfu Lu 275 Nong, Xuhui District, Shanghai, China – 200031
20 APRIL - 16 JUNE 2019

installation views







































Feng Chen 冯晨
Moment by Moment 瞬间的瞬间, 2019
View video #1 here
View video #2 here
HD video, arduino, servomotor, metronom 高清视频，arduino，舵机，节奏器
dimensions variable 尺寸可变
Edition of 5 plus 2 artist's proofs












Feng Chen 冯晨
The Darker Side of Light: Moment 光的背面：瞬间, 2019
LED neon lights, LED light bulb, light stand, light switches, programming RGB controller, camera, sofa LED灯，LED灯泡，灯架，开关，RGB程序控制器，摄像机，沙发
dimensions variable 尺寸可变
Edition of 3 plus 1 artist's proof






Feng Chen 冯晨
He She 他她 , 2019
carbon fiber 碳纤维
180 x 220 x 80 cm


Feng Chen 冯晨
He 他 , 2019
carbon fiber 碳纤维
140 x 250 x 200 cm




Feng Chen 冯晨
Him 祂 , 2019
carbon fiber 碳纤维
250 x 30 x 2 cm




Feng Chen 冯晨
It 它, 2019
carbon fiber 碳纤维
210 x 50 x 2 cm




Feng Chen 冯晨
She 她 , 2019
carbon fiber 碳纤维
150 x 140 x 100 cm






Feng Chen 冯晨
Light Puzzle - Trio 光的缠绕−三重奏, 2019
2D laser scanner, speaker, midi controller, amp 2D激光测距仪、音箱、midi发声器、功放
dimensions variable 尺寸可变
Edition of 6 plus 2 artist's proofs


Feng Chen 冯晨
48hz 48赫兹, 2018
gelatin silver print �K白银盐相纸
119.5 x 89.5 cm (framed 含框)


Feng Chen 冯晨
46Hz 46赫兹, 2018
gelatin silver print �K白银盐相纸
119.5 x 89.5 cm (framed 含框)


Feng Chen 冯晨
Between 20hz-30hz (10) 赫兹 20hz-30hz之间 (10), 2019
ultra giclee archival print on aluminium 铝塑板艺术微喷
159 x 129 cm
Edition of 3 plus 2 artist's proofs


Feng Chen 冯晨
Between 20hz-30hz (11) 赫兹 20hz-30hz之间 (11), 2019
ultra giclee archival print on aluminium 铝塑板艺术微喷
159 x 129 cm
Edition of 3 plus 2 artist's proofs


Feng Chen 冯晨
Between 20hz-30hz (02) 赫兹 20hz-30hz之间 (02), 2019
ultra giclee archival print 艺术微喷
50.5 x 40.5 cm (framed 含框)
Edition of 5 plus 2 artist's proofs


Feng Chen 冯晨
Between 20hz-30hz (06) 赫兹 20hz-30hz之间 (06), 2019
ultra giclee archival print 艺术微喷
50.5 x 40.5 cm (framed 含框)
Edition of 5 plus 2 artist's proofs

memo (overseas): Sep22,2019

ex-chamber memo (overseas): Sep22,2019

AUDUN ALVESTAD: IT’S MY PARTY AND I’LL CRY IF I WANT TO
@Kristin Hjellegjerde, London
2 Melior Place
London
SE1 3SZ
UK
11 JANUARY - 2 FEBRUARY 2019

installation views

































AUDUN ALVESTAD
A PECULIAR PRESENTIMENT, 2019
Acrylic on canvas
70 x 60 cm
27 1/2 x 23 5/8 in


AUDUN ALVESTAD
BEST OF TIMES, 2018
Acrylic on Canvas
50 x 40 cm
19 3/4 x 15 3/4 in


AUDUN ALVESTAD
DIFFICULT DECISIONS, 2018
Acrylic on canvas
120 x 100 cm
47 1/4 x 39 3/8 in


AUDUN ALVESTAD
DOCTORAL BREAKDOWN, 2018
Acrylic on canvas
45 x 40 cm
17 3/4 x 15 3/4 in


AUDUN ALVESTAD
ED'S AFTERPARTY, 2018
Acrylic on canvas
95 x 75 cm
37 3/8 x 29 1/2 in


AUDUN ALVESTAD
EVERY ROSE HAS ITS THORN, 2018
Acrylic on canvas
40 x 33 cm
15 3/4 x 13 in


AUDUN ALVESTAD
EXPERIENCED DUDES, 2018
Acrylic on canvas
60 x 50 cm
23 5/8 x 19 3/4 in


AUDUN ALVESTAD
FRENCH VIEW, 2018
Acrylic on canvas
60 x 50 cm
23 5/8 x 19 3/4 in


AUDUN ALVESTAD
I THOUGHT WE HAD A VIBE, 2018
Acrylic on canvas
50 x 40 cm
19 3/4 x 15 3/4 in


Audun Alvestad
I’m Gonna Drive Like I've Never Been Hurt , 2018
Acrylic on canvas
40 x 33 cm
15 3/4 x 13 in


AUDUN ALVESTAD
KEEPING QUIET, 2018
Acrylic on canvas
150 x 120 cm
59 1/8 x 47 1/4 in


AUDUN ALVESTAD
LA PAUSE SUR L'HERBE, 2019
Acrylic on Canvas
150 x 120 cm
59 1/8 x 47 1/4 in


AUDUN ALVESTAD
LOVE TRIANGLE, 2018
Acrylic on canvas
160 x 140 cm
63 x 55 1/8 in


AUDUN ALVESTAD
MYCELEIC MYSTERIES, 2018
Acrylic on canvas
120 x 100 cm
47 1/4 x 39 3/8 in


AUDUN ALVESTAD
NIGHTWATCHERS, 2018
Acrylic on canvas
95 x 75 cm
37 3/8 x 29 1/2 in


AUDUN ALVESTAD
PASSING RIDDLES AS POETRY, 2018
Acrylic on canvas
60 x 50 cm
23 5/8 x 19 3/4 in


AUDUN ALVESTAD
ROCKAWAY BEACH, 2018
Acrylic on canvas
75 x 62 cm
29 1/2 x 24 3/8 in


AUDUN ALVESTAD
SHIRIN YOKU SAN, 2018
Acrylic on canvas
95 x 75 cm
37 3/8 x 29 1/2 in


AUDUN ALVESTAD
THE END OF A PERFECT DAY, 2019
Acrylic on Canvas
120 x 100 cm
47 1/4 x 39 3/8 in


AUDUN ALVESTAD
THE MASQUARADE, 2018
Acrylic on canvas
120 x 100 cm
47 1/4 x 39 3/8 in


AUDUN ALVESTAD
THE SITUATION, 2018
Acrylic on canvas
150 x 120 cm
59 1/8 x 47 1/4 in


AUDUN ALVESTAD
THE THERAPIST, 2018
Acrylic on canvas
120 x 100 cm
47 1/4 x 39 3/8 in


AUDUN ALVESTAD
TOP TEN THINGS TO SEE IN LISBON, 2018
Acrylic on canvas
140 x 120 cm
55 1/8 x 47 1/4 in


AUDUN ALVESTAD
WIENERVALSING, 2018
Acrylic on canvas
150 x 120 cm
59 1/8 x 47 1/4 in


AUDUN ALVESTAD
YOU NEVER LEFT AND I NEVER CRIED, 2019
Acrylic on canvas
140 x 120 cm
55 1/8 x 47 1/4 in


AUDUN ALVESTAD
THE NEO SHAMAN, 2018
Acrylic in canvas
95 x 75 cm
37 3/8 x 29 1/2 in





Painting and Existence
Ding Yi, Shang Yang, Yu Youhan, Chen Wenji, Tan Ping, Zhu Jinshi, Kazuo Shiraga, Shozo Shimamoto, Atsuko Tanaka, Tsuyoshi Maekawa, Yun Hyong-Keun
@Tang Contemporary Art, Hong Kong
10/F, H Queen's, 80 Queen's Road Central,
Hong Kong
02.15. - 03.16, 2019

installation views









Chen Wenji
Left | Right (Pink)
oil on aluminum-plastic panel
109.5 x 72 cm
2018


Chen Wenji
Black ・ Chroma (left)
Bright Red ・ Chroma (right)
oil on canvas
40.5 x 50 cm each
2018


Zhu Jinshi
Four Noblemen of New Year's Eve 2
oil on canvas
180 x 160 cm
2014


Zhu Jinshi
Thick Painting 2014
oil on canvas
180 x 160 cm
2014


Shang Yang
Cataract - Section No. 5
mixed media on canvas
173 x 242 cm
2018


Tan Ping
Untitled
200 x 300 cm
acrylic
2017


Ding Yi
Appearance of Crosses 2018-7
mixed media on basswood
120 x 120 cm
2018


Yu Youhan
Circle Series
oil on canvas
91 x 115 cm
1991


Yu Youhan
Abstract 2018 ・ 7 -2
acrylic on canvas
127 x 154 cm
2018


Yu Youhan
Abstract 2018 ・ 9 -2
acrylic on canvas
162 x 156 cm
2018


Kazuo Shiraga
YOU (#124)
oil on canvas
45.8 x 33.5 cm
1992


Kazuo Shiraga
Fragrance
130 x 97 cm
oil on canvas
1975


Atsuko Tanaka
Work
Vinyl paint on canvas
72.5 x 60.4 cm
1970


Tsuyoshi Maekawa
Untitled 110110
acrylic and sewing on
cotton cloth
97 x 130.5 cm
2011


Tsuyoshi Maekawa
Untitled 170333
acrylic and sewing on
cotton cloth
116.5 x 91 cm
2012


Shozo Shimamoto
Untitled
acrylic, glass‒fragments on fabric
79.3 x 84.6 cm
2010


Shozo Shimamoto
Untitled
mixed media on cloth
100 x 73 cm
1980s


Yun Hyong-Keun
Burnt Umber and Ultramarine Blue
oil on linen
130.4 x 162.4 cm
1992


Yun Hyong-Keun
Burnt Umber and Ultramarine
oil on linen
130.3 x 97 cm
1996





RUTENE MERK: Sprites
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Apr 28 – Jun 09, 2019

installation views













Rutene Merk, Scribe, 2019. Oil on canvas, 17.5 × 15.5 inches / 45 × 40 cm


Rutene Merk, Kamea, 2019. Oil on canvas, 69 × 58.6 inches / 175 × 149 cm


Rutene Merk, Cosmolite, 2019. Oil on canvas, 40 × 23.5 inches / 86 × 60 cm


Rutene Merk, David at Night, 2018. Oil on canvas, 55.5 × 35.5 inches / 141 × 90 cm


Rutene Merk, Danni, 2019. Oil on canvas, 32.5 × 53 inches / 83 × 135 cm


Rutene Merk, Cameo, 2019. Oil on canvas, 67.7 × 51.6 inches / 172 × 131 cm


Rutene Merk, Lotte, 2019. Oil on canvas, 35 × 54 inches / 90 × 139 cm


Rutene Merk, Aki, 2019. Oil on canvas, 55 × 63 inches / 140 × 161 cm


Rutene Merk, David, 2019. Oil on canvas, 51 × 45 inches / 130 × 115 cm





Snarl Of Twine
Robert Bordo, Shirley Irons, Kathryn Kerr, Becky Kolsrud, Israel Lund, Annabeth Marks, Donald Moffett, Dona Nelson, Nikholis Planck, Lucien Smith, Roger White
@Magenta Plains
94 Allen St, New York, NY 10002
USA
June 21–July 27 2018

installation views

















Israel Lund, Untitled (SEVERED HEAD DESTROY YOURSELVES) (left), 2018, acrylic on raw canvas, 88h x 68w in.
Dona Nelson, By The Yard (right), 2016, collage, dyed cheesecloth, muslin, and acrylic mediums on linen panel mounted on plywood base, panel: 81.5 x 36 in, base: 38 x 32 in.


Israel Lund, Untitled (SEVERED HEAD DESTROY YOURSELVES), 2018, acrylic on raw canvas, 88h x 68w in.


Donald Moffett, Lot 092517 (faccia, titanium white), 2017, oil on linen, wood panel, steel, 12.50h x 7.50w x 6.50d in. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. c Donald Moffett. Photo Credit: Christopher Burke Studios.


Donald Moffett, Lot 092517 (faccia, titanium white), 2017, oil on linen, wood panel, steel, 12.50h x 7.50w x 6.50d in. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. c Donald Moffett. Photo Credit: Christopher Burke Studios.


Becky Kolsrud, Untitled Study (Bather with Rocks), 2017, oil on canvas, 20h x 16w in.


Roger White, Oval Mirror with Counter, 2015, oil on canvas, 43h x 35w in.


Nikholis Planck, Blue Venus Fly Trap Limb Study, 2018, water soluble oil on wax on canvas mounted to wood, 14h x 37.25w in.


Robert Bordo, Split, 2017, oil on canvas, 28h x 22w in.


Roger White, Chicken, 2012, oil on canvas, 11h x 15w in.


Shirley Irons, Barbara's Light, 2014, oil on canvas, 11h x 14w in.


Lucien Smith, Untitled 003 (Joseph Beuys), 2017, oil on linen, 13.25h x 10w in.


Kathryn Kerr, The Country, 2018, acrylic and oil on canvas, 28h x 32w in.


Annabeth Marks, Heat Extender, 2018, oil on canvas with tape and thread, 80h x 56w in.


Nikholis Planck, Walk, Talk, 2018, water soluble oil on wax on canvas mounted to wood, 12h x 25w in.


Shirley Irons, Fluorescence, 2008, oil on wood, 18h x 18w in.


Becky Kolsrud, Untitled Study (Heads), 2017, oil on canvas, 20h x 16w in.


Donald Moffett, Lot 040117 (45° hole, pewter), 2017, oil on linen, wood panel, steel, 12.25h x 7.50w x 6.25d in. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. c Donald Moffett. Photo Credit: Christopher Burke Studios.


Donald Moffett, Lot 040117 (45° hole, pewter), 2017, oil on linen, wood panel, steel, 12.25h x 7.50w x 6.25d in. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. c Donald Moffett. Photo Credit: Christopher Burke Studios.


Lucien Smith, Lili Swimming, 2017, oil on linen, 17h x 11.50w in.


Robert Bordo, Red Eye, 2015, oil on canvas on panel, 32h x 40w in.


Nickholis Planck, Poster design for A Snarl of Twine, 2018





IVY HALDEMAN: (HESITATE)
@CAPSULE SHANGHAI
1st Floor, Building 16, Anfu Lu 275 Nong, Xuhui District, Shanghai, China – 200031
31 AUGUST - 16 OCTOBER 2019

installation views



























HALF SUIT, BACK FORWARD, SLEEVE BEHIND WAIST, ELBOW OUT 半身套装，背后，袖口藏于后腰，肘部向外；HALF SUIT, CUFF TO HIP, TILTED 半身套装，袖口到胯部，倾斜, 2019
LED Lights, Plexiglass
LED灯，有机玻璃
(L): 153 x 55 x 4.5 cm
(R): 153 x 47.5 x 4.5 cm


FULL FIGURE, FINGER ALONG FACE, SHINS CROSS, HAND PRESSES OPEN BOOK 全身，手指托脸，胫骨交叉，一手按着打开的书, 2019
acrylic on canvas 布面丙烯
147.3 x 213.4 cm
58 x 84 in


FULL FIGURE, KNEE UP, HAND PRESSES BUN, HEAD LIFTS 全身，膝盖向上，手部压按面包，发髻，抬头, 2019
acrylic on canvas 布面丙烯
213.4 x 147.3 cm
84 x 58 in


HEELS, PEEL 鞋跟，果皮, 2019
acrylic on canvas 布面丙烯
61 x 41.9 cm
24 x 16 1/2 in


CROP, OPEN BOOK, OPEN BUN, FINGER TUGS DO, BANANA PHONE 裁切，打开的书，打开的面包，手指拖曳，香蕉电话, 2019
acrylic on canvas 布面丙烯
41.9 x 61 cm
16 1/2 x 24 in


CROP, ELBOW IN BOOK, HAND DANGLES DOWN, FINGER TIP OFF EDGE 裁切，手肘置于书本，手臂下垂，指尖伸出边缘, 2019
acrylic on canvas 布面丙烯
61 x 41.9 cm
24 x 16 1/2 in


INDEX UP, TWO HANDS 食指向上，双手, 2019
acrylic on canvas 布面丙烯
61 x 41.9 cm
24 x 16 1/2 in


CROP, FEET TOUCH, PINKY ALONG FRAME 裁切，脚部碰触，小指贴近边缘, 2019
acrylic on canvas 布面丙烯
61 x 41.9 cm
24 x 16 1/2 in


TWO SUITS, WRIST BENT, CUFF TO POCKET (MAUVE, PEACH) 两件西装，曲腕，袖口入袋（淡紫，桃色）, 2019
acrylic on canvas 布面丙烯
170.2 x 152.4 cm
67 x 60 in

memo (overseas): Sep21,2019

ex-chamber memo (overseas): Sep21,2019

MAHA AHMED: AN ISLAND OF TRUTHS
@Kristin Hjellegjerde Gallery, Berlin
Linienstr. 130
10115
Berlin
19 JANUARY - 9 MARCH 2019

installation views













Maha Ahmed
An Island of Truth, 2018
Gouache on paper
51 x 36 cm
20 1/8 x 14 1/8 in


Maha Ahmed
Water From Stone, 2018
Gouache on paper
20 x 20 cm
7 7/8 x 7 7/8 in


Maha Ahmed
Portrait of a Fish That Could Not Swim, 2018
Gouache on paper
51 x 36 cm
20 1/8 x 14 1/8 in


Maha Ahmed
A Raven in a Fish Coat, 2018
Gouache on paper
23 x 17 cm
9 1/8 x 6 3/4 in


Maha Ahmed
A Beast That Grew Wings, 2018
Gouache on paper
10 x 15 cm
4 x 5 7/8 in


Maha Ahmed
Portrait of a Bear That Could Not Eat Fish, 2018
Gouache on paper
51 x 36 cm
20 1/8 x 14 1/8 in


Maha Ahmed
A Beast That Grew a Tale, 2018
Gouache on paper
15 x 10 cm
5 7/8 x 4 in


Maha Ahmed
Aesthetics of Doubt, 2018
Gouache on paper
15 x 10 cm
5 7/8 x 4 in


Maha Ahmed
Portrait of a Bird That Could Not Fly, 2018
Gouache on paper
51 x 36 cm
20 1/8 x 14 1/8 in


Maha Ahmed
A Devine Huntress on a Mountain, 2018
Gouache on paper
15 x 10 cm
5 7/8 x 4 in


Maha Ahmed
An Unlikely Friendship, 2018
Gouache on paper
28,5 x 21 cm
11 1/4 x 8 1/4 in


Maha Ahmed
A Piece of Stolen Sky, 2018
Gouache on paper
15 x 10 cm
5 7/8 x 4 in


Maha Ahmed
Demon Plans a Ruse, 2018
Gouache on paper
51 x 36 cm
20 1/8 x 14 1/8 in





Chen Yujun
Curated by Cui Cancan
@Tang Contemporary Art, Beijing 1st & 2nd Space
D06, 798 Art District, No.2 Jiuxianqiao Road
Chaoyang Dst. Beijing, China
&
B01, 798 Art District, No.2 Jiuxianqiao Road
Chaoyang Dst. Beijing, China
03.09. - 04.28, 2019

installation views











The Rite No.080222
Mixed media on paper
27 × 39 cm
2008


Room 502 No.170615
Acrylic on canvas
195 × 97 cm
2017


Vacillating Faith No.190106
Mixed media on paper
260 × 165 cm
2017- 2019


Continued Scene No.171225
Mixed media on paper
75 × 55 cm
2017


Map of Asia No.190120
Mixed media on paper, old door
209 × 91.5 cm
2019





Nikholis Planck: Tempo House
@Magenta Plains
94 Allen St, New York, NY 10002
USA
September 16–October 28 2018

installation views









Nikholis Planck, Drum Kit (A), 2018, wood pencil, collage and water soluble oil on wax on canvas, 78.50h x 60w in.


Nikholis Planck, Family Tree, 2018, water soluble oil and collage on wax on canvas, 45h x 58.25w in.


Nikholis Planck, Apartment therein, Dreams, 2018, water soluble oil and collage on wax on canvas in artist frame, 56.75h x 47.50w in.


Nikholis Planck, Drum Kit (B), 2018, oil pastel, collage, and water soluble oil on wax on canvas, 80.25h x 60w in.

Flyer for Nikholis Planck’s Tempo House














installations and performances


































GERHARD RICHTER, MICHAEL SCHMIDTDIE: FARBE GRAU
@GALERIE THOMAS ZANDER
Schönhauser Straße 8
50968 Cologne / Germany
December 01, 2018 - March 06, 2019

installation views







































Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
diptych, gelatin silver bromide print, toned gold
each 29.25 x 15.2 inch / 48,9 x 38,7 cm
c Stiftung für Fotografie und Medienkunst mit Archiv Michael Schmidt Courtesy: Galerie Nordenhake Berlin/Stockholm and Galerie Thomas Zander, Cologne


Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
gelatin silver bromide print


Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
gelatin silver bromide print


Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
gelatin silver bromide print


Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
gelatin silver bromide print


Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
gelatin silver bromide print
19.69 x 15.75 inch / 50 x 40 cm
c Stiftung für Fotografie und Medienkunst mit Archiv Michael Schmidt Courtesy: Galerie Nordenhake Berlin/Stockholm and Galerie Thomas Zander, Cologne


Michael Schmidt
Untitled, 1985-87
From the series Waffenruhe
gelatin silver bromide print





JACKY CONNOLLY: Ariadne
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Jun 19 – Aug 02, 2019


Exhibition view of Jacky Connolly: Ariadne, 2019. Downs & Ross, New York.


Something Strange is a Soul on the Earth, 2019. Hand-painted stained glass, hand-forged steel, cast brass, 30 × 14 1/4 × 14 1/4 inches / 76.2 × 36.2 × 36.2 cm


Something Strange is a Soul on the Earth, 2019 (alternate view). Hand-painted stained glass, hand-forged steel, cast brass, 30 × 14 1/4 × 14 1/4 inches / 76.2 × 36.2 × 36.2 cm


Exhibition view of Jacky Connolly: Ariadne, 2019. Downs & Ross, New York.


The Lightning Flower, 2019. Hand-painted stained glass, hand-forged steel, cast brass, 28 × 14 × 14 inches / 71.1 × 35.5 × 35.5 cm.


The Lightning Flower, 2019 (alternate view). Hand-painted stained glass, hand-forged steel, cast brass, 28 × 14 × 14 inches / 71.1 × 35.5 × 35.5 cm.


Exhibition view of Jacky Connolly: Ariadne, 2019. Downs & Ross, New York.


Our Lady of the Highways, 2019. Hand-painted stained glass, hand-forged steel, cast brass, 31 1/4 × 14 × 14 inches / 79.4 × 35.5 × 35.5 cm


Our Lady of the Highways, 2019 (alternate view). Hand-painted stained glass, hand-forged steel, cast brass, 31 1/4 × 14 × 14 inches / 79.4 × 35.5 × 35.5 cm


How to Disappear (Autumn in Lonely Rooms), 2019. Hand-painted stained glass, hand-forged steel, cast brass, 26 3/4 × 14 1/4 × 14 1/4 inches / 67.9 × 36.2 × 36.2 cm


How to Disappear (Autumn in Lonely Rooms), 2019 (alternate view). Hand-painted stained glass, hand-forged steel, cast brass, 26 3/4 × 14 1/4 × 14 1/4 inches / 67.9 × 36.2 × 36.2 cm


Exhibition view of Jacky Connolly: Ariadne, 2019. Downs & Ross, New York.


Exhibition view of Jacky Connolly: Ariadne, 2019. Downs & Ross, New York.


Jacky Connolly: Ariadne, 2019 (still). HD video, color, sound, 50m13s.

memo (overseas): Sep20,2019

ex-chamber memo (overseas): Sep20,2019

JAMES ALEC HARDY: YGGDRASIL
@Kristin Hjellegjerde, London
2 Melior Place
London
SE1 3SZ
UK
26 JANUARY - 30 MARCH 2019

installation views






























































Adel Abdessemed: Unlock
@Tang Contemporary Art, Hong Kong
10/F, H Queen's, 80 Queen's Road Central,
Hong Kong
03.23. - 04.22, 2019

installation views







Unlock
Helicopter and mixed media installation
300 x 350 x 350 cm
2018


Forbidden Colours
270 x 180 x 3.5 cm x 4
mixed media on canvas
2018


Forbidden Colours
41 x 33.2 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
41 x 33.2 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
41 x 33.2 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
41 x 33.2 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
92 x 73.5 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
92 x 73.5 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
92 x 73.5 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
92 x 73.5 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
92 x 73.5 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
270 x 180 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
270 x 180 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
270 x 180 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
320 x 200 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
320 x 200 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
320 x 200 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
320 x 200 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
320 x 200 x 3.5 cm
mixed media on canvas
2018


Forbidden Colours
85 x 115 x 3.5 cm
mixed media on canvas
2018





Anne Libby: The Golden Door
@Magenta Plains
94 Allen St, New York, NY 10002
USA
November 4–December 16 2018

installation views















Anne Libby, Sunset Gates, 2018, polyester satin, batting, 80.50h x 129w in.


Anne Libby, City of Fire, 2018, plywood, pigmented urethane, venetian blinds, formica, 31h x 23w x 7d in.


Anne Libby, Moloch to Heaven, 2018, plywood, pigmented urethane, venetian blinds, formica, 45.25h x 36.50w x 36d in.


Anne Libby, Radiolaria, 2018, plywood, pigmented urethane, venetian blinds, formica, 36h x 23.50w x 7d in.


Anne Libby, The Cannibal Dynamic, 2018, plywood, pigmented urethane, venetian blinds, formica, overall: 30.5 x 32 x 46 in; larger piece: 30.5 x 30 x 29 in; smaller piece: 18.75 x 32 x 15 in.


Anne Libby, Sunset Gates (submerged), 2018, polyester satin, batting, 102h x 128w in.


Anne Libby, Dilated Sky, 2018, plywood, pigmented urethane, venetian blinds, formica, 24.75h x 41.50w x 6.50d in.


Anne Libby, Thirteenth, 2018, plywood, pigmented urethane, venetian blinds, formica, 42h x 32.25w x 34.25d in.





GÜNTER UMBERG, JAMES WHITE: CONVERSATION
@GALERIE THOMAS ZANDER
Schönhauser Straße 8
50968 Cologne / Germany
March 16 - May 24, 2019

installation views











































James White
Knife, 2018
Oil and varnish on acrylic faced panel in Perspex box
55 x 67 x 3 inch / 140 x 170 x 7 cm


Günter Umberg
Untitled, 2017-2019
Poliment, pigment, damar on wood
16 x 15 inch / 40.5 x 37.5 cm


Günter Umberg
Untitled, 2019
Poliment, pigment, damar on wood
20 x 19 inch / 49.7 x 46.5 cm


Günter Umberg
Untitled, 2018-2019
Poliment, pigment, damar on wood
14 x 8 inch / 34.5 x 19.5 cm


James White
I.A.R. No. 5, 2019
Archival pigment print and acrylic
46 x 61 x 2 inch / 118 x 154 x 4 cm


James White
Small Flame, 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
24 x 28 x 2 inch / 62 x 72 x 5.5 cm


Günter Umberg
Untitled, 2017
Poliment, pigment, damar on MDF
22 x 21 inch / 57 x 53.5 cm


James White
Tap, 2018
Oil and varnish on acrylic faced panel in Perspex box
49 x 49 x 3 inch / 124 x 124 x 7 cm


Günter Umberg
PLAN No. 7, 2018
Poliment, pigment, damar on MDF
91 x 63 x 2 inch / 230 x 160 x 5 cm


James White
The Wine, 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
24 x 28 x 2 inch / 62 x 72 x 5.5 cm


James White
Water / Anadin, 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
14 x 16 x 2 inch / 36 x 41 x 5.5 cm


James White
Tap (Hot Water), 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
14 x 16 x 2 inch / 36 x 41 x 5.5 cm


James White
Raid, 2013
Oil and varnish on acrylic faced panel in Perspex box
35 x 35 x 2 inch / 88 x 88 x 6 cm


Double Tap, 2018
Oil and varnish on acrylic faced panel in Perspex box
49 x 49 x 3 inch / 124 x 124 x 7 cm


Günter Umberg
Untitled, 1976
Pigment, damar on wood
79 x 25 x 2 inch / 200 x 63 x 4 cm


James White
Reflect 1, 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
24 x 28 x 2 inch / 62 x 72 x 5.5 cm


James White
Mind Your Head, 2013
Oil and varnish on wooden panel in Perspex box
19 x 24 x 2 inch / 47 x 62 x 5 cm


Günter Umberg
Untitled, 2018-2019
Poliment, pigment, damar on wood
10 x 8 inch / 25 x 19.5 cm


Günter Umberg
Untitled, 2018-2019
Poliment, pigment, damar on wood
10 x 8 inch / 25 x 19.5 cm


James White
Double Candle, 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
41 x 50 x 3 inch / 105 x 128 x 7 cm


James White
Tap (Cold Water), 2018
Oil and varnish on acrylic faced honeycomb panel in Perspex box
14 x 16 x 2 inch / 36 x 41 x 5.5 cm


James White
Trajectories No. 6, 2013
aluminium tape on c-print
8 x 11 inch / 21 x 28 cm


James White
Trajectories No. 8, 2013
aluminium tape on c-print
8 x 11 inch / 21 x 28 cm


James White
Trajectories No. 3, 2013
aluminium tape on c-print
8 x 11 inch / 21 x 28 cm





hysteresis
LEELEE CHAN, KRISTIN WALSH, WILLA WASSERMAN, COCO YOUNG
@Downs & Ross
96 Bowery, 2nd Fl.
New York, NY 10013
USA
Sep 06 – Oct 13, 2019


Exhibition view of hysteresis, 2019. Downs & Ross, New York.


Leelee Chan, Sky Passage, 2019 (detail). Construction lighting, steel, concrete, fiberglass, hardware, gel, Dimensions variable


Leelee Chan, Sky Passage, 2019 (detail). Construction lighting, steel, concrete, fiberglass, hardware, gel, Dimensions variable


Willa Wasserman, Umbrella in pond, 2019. Metalpoint on linen, 80 × 71 inches / 203,2 × 180,3 cm


Leelee Chan, Barnacles, 2019 (detail). Concrete, metal hardware, resin, pigment, zip ties, Dimensions variable


Leelee Chan, Barnacles, 2019 (detail). Concrete, metal hardware, resin, pigment, zip ties, Dimensions variable


Exhibition view of hysteresis, 2019. Downs & Ross, New York.


Willa Wasserman, Park with three figures and inflatable castle, 2019. Metalpoint on linen, 8 1/4 × 11 1/2 inches / 21 × 29,2 cm


Willa Wasserman, Convex still life (poppies, milkweed, roses) no. 3, 2019. Oil on poplar, 15 × 15 × 2 inches / 15 × 15 × 2 inches / 38,1 × 38,1 × 5,1 cm


Willa Wasserman, Convex still life (poppies, milkweed, roses) no. 3, 2019 (alternate view). Oil on poplar, 15 × 15 × 2 inches / 15 × 15 × 2 inches / 38,1 × 38,1 × 5,1 cm


Exhibition view of hysteresis, 2019. Downs & Ross, New York.


Exhibition view of hysteresis, 2019. Downs & Ross, New York.


Kristin Walsh, Engine No. 2, 2019. Aluminum, 22 × 32 1/2 × 12 inches / 55,9 × 82,5 × 30,5 cm


Kristin Walsh, Engine No. 2, 2019 (alternate view). Aluminum, 22 × 32 1/2 × 12 inches / 55,9 × 82,5 × 30,5 cm


Willa Wasserman, Still life with lettuce, shaving mirror, 2019. Metalpoint on linen, 24 × 51 inches / 61 × 129,5 cm


Exhibition view of hysteresis, 2019. Downs & Ross, New York.


Kristin Walsh, Engine No. 1, 2019. Aluminum, 25 × 28 × 24 1/2 inches / 63,5 × 71,1 × 62,2 cm


Kristin Walsh, Engine No. 1, 2019 (alternate view). Aluminum, 25 × 28 × 24 1/2 inches / 63,5 × 71,1 × 62,2 cm


Coco Young, Inanna’s Fate, 2019. Bronze, lead, foam, ink, LEDs, wiring, 17 × 57 × 39 inches / 43,2 × 144,8 × 99 cm


Coco Young, Inanna’s Fate, 2019 (alternate view). Bronze, lead, foam, ink, LEDs, wiring, 17 × 57 × 39 inches / 43,2 × 144,8 × 99 cm


Exhibition view of hysteresis, 2019. Downs & Ross, New York.


Coco Young, Messages from an Ambiguous Past, 2019 (detail). Rockite, steel, 157 × 29 × 1 1/2 inches / 398,8 × 73,6 × 3,8 cm


Coco Young, Messages from an Ambiguous Past, 2019 (detail). Rockite, steel, 157 × 29 × 1 1/2 inches / 398,8 × 73,6 × 3,8 cm


Leelee Chan, Barnacles, 2019 (detail). Concrete, metal hardware, resin, pigment, zip ties, Dimensions variable


Leelee Chan, Barnacles, 2019 (detail). Concrete, metal hardware, resin, pigment, zip ties, Dimensions variable

memo (overseas): Sep19,2019

ex-chamber memo (overseas): Sep19,2019

GERALD CHUKWUMA: WRINKLES
@Kristin Hjellegjerde, London
2 Melior Place
London
SE1 3SZ
UK
8 FEBRUARY - 23 MARCH 2019

installation views