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ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
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tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
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ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
佐藤明日香 Asuka Satow
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
照井譲 Yuzuru Terui
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2019年04月08日

memo (overseas): Apr08,2019

ex-chamber memo (overseas): Apr08,2019

Georg Herold: ado less sense
@Galerie Bärbel Grässlin
Schäfergasse 46 B
60313 Frankfurt, Germany
May 12−Jun 23 2018

installation views
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Georg Herold, Olympia, 2018, roof lath, screws, canvas, threat, 106 x 390 x 125 cm

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Georg Herold, Forest of Signs, 2011, 2017, group of 20 sculptures, polyurethane foam, lacquer, wood, canvas, thread, aluminium, steel, size variable

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Georg Herold, Wohltemperierte Aussicht, 2010, aluminium, roof lath, canvas, thread, 218 x 82 cm, 200 x 200 cm, 183 x 92 cm

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Georg Herold, What we know so far, 2017, canvas, thread, 170 x 120 cm

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Georg Herold, Untitled, 2018, brick and acrylic on canvas, 170 x 120 cm

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Georg Herold, Untitled, 1990, brick on synthetic fur, 260 x 210 cm

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Georg Herold, Untitled, 2018, brick, acrylic on canvas, 60 x 40 cm

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Georg Herold, Daimler , 1988, thread, dispersion paint on canvas, 20 x 30 cm

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Georg Herold, Untitled, 2014, aluminium, lacquer, 17 x 17,5 x 35 cm (edition of 9)





DAVID HOCKNEY: TIME AND MORE, SPACE AND MORE...
@GRAY WAREHOUSE, CHICAGO
2044 WEST CARROLL AVENUE
CHICAGO, IL 60612
USA
SEPTEMBER 13 - NOVEMBER 30, 2018

installation views
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David Hockney
The Four Seasons, Woldgate Woods (Spring 2011, Summer 2010, Autumn 2010, Winter 2010), 2010-2011
36 digital videos synchronized and presented on 36 55-inch monitors to comprise a single artwork
Duration: 4:21
c David Hockney

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David Hockney
Seven Trollies, Six and a Half Stools, Six Portraits, Eleven Paintings, and Two Curtains, 2018
Photographic drawing printed on 7 sheets of paper, mounted on 7 sheets of Dibond
9 1/8 x 24 7/8 feet
c David Hockney; Assisted by Jonathan Wilkinson.

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David Hockney
Pictures at an Exhibition, 2018
Photographic drawing printed on 8 sheets of paper (107 1/2 x 43" each), mouonted on 8 panels of Dibond
107 1/2 x 344 inches
c David Hockney; Assisted by Jonathan Wilkinson.

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David Hockney
In the Studio, December 2017
Photographic drawing printed on 7 sheets of paper (109 1/2 x 42 3/4" each), mounted on 7 sheets of Dibond
109 1/2 x 299 1/4 inches
c David Hockney; Assisted by Jonathan Wilkinson

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David Hockney
Inside It Opens Up As Well, 2018
Photographic drawing printed on 7 sheets of paper, mounted on 7 sheets of Dibond
109 1/2 x 299 1/4 inches
c David Hockney; Assisted by Jonathan Wilkinson. PC: Richard Schmidt





RICHARD HAWKINS: BAIT PAINTINGS
@Greene Naftali
508 West 26th Street
Ground Floor & 8th Floor
New York, NY 10001
USA
MARCH 8 – APRIL 19, 2019

installation views
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Richard Hawkins
All the Young Cunanans, 2019
Acrylic and oil on panel
79 x 61 x 2 1/4 inches (200.7 x 154.9 x 5.7 cm)

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Richard Hawkins
Coming to Grips with Dick Pic Addiction, 2019
Acrylic and oil on panel
79 1/4 x 61 x 2 1/4 inches (201.3 x 154.9 x 5.7 cm)

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Richard Hawkins
A Lure Painting #5, 2019
Oil stick and collage on panel
48 3/4 x 36 3/4 x 1 1/2 inches (123.8 x 93.3 x 3.8 cm)

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Richard Hawkins
A Lure Painting #1, 2019
Oil stick and collage on panel
48 3/4 x 36 3/4 x 1 1/2 inches (123.8 x 93.3 x 3.8 cm)

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Richard Hawkins
Proposal for a monument, 2019
Oil on panel
51 x 49 x 11/2 inches (129.5 x 124.5 x 3.8 cm)

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Richard Hawkins
A Region-Specific Vision, 2019
Oil and collage on panel
47 3/4 x 36 3/4 x 1 1/2 inches (123.8 x 93.3 x 3.8 cm)

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Richard Hawkins
Or, Rather, the Adored’s Resistance to the Incorporating Undertow of the One Who Adores, 2019
Acrylic, oil stick and collage on panel
51 x 49 x 1 1/2 inches (129.5 x 124.5 x 3.8 cm)

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Richard Hawkins
A Lure Painting #2, 2019
Oil stick and collage on panel
48 3/4 x 36 3/4 x 1 1/2 inches (123.8 x 93.3 x 3.8 cm)

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Richard Hawkins
Dandy Spirit Guide Lecture on Ancient Feeds, Ever–Refreshed, 2019
Oil and collage on panel
49 x 50 3/4 x 1 1/2 inches (124.5 x 128.9 x 3.8 cm)

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Richard Hawkins
Death to Mike Kelley (in an attemptedly Peter Saul manner), 2019
Oil, acrylic and collage on panel
61 x 79 x 2 1/4 inches (154.9 x 200.7 x 5.7 cm)

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Richard Hawkins
Emptied, Lost and Swallowed Up in Thee (Quietism), 2019
Oil on panel
79 1/2 x 61 1/2 x 3 inches (201.9 x 156.2 x 7.6 cm)

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Richard Hawkins
After Artaud: The Sexual Awkwardness of God, Sperm Traps, 2019
Concrete, air-dry clay, cardboard tube, boxes, office hardware, cow’s blood and collage on panel
27 x 23 x 6 inches (68.6 x 58.4 x 15.2 cm)

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Richard Hawkins
After Artaud: The Sexual Awkwardness of God, Stages of Succubal Development, 2019
Acrylic and collage on panel
25 3/4 x 22 3/4 x 1 1/2 inches (65.4 x 57.8 x 3.8 cm)

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Richard Hawkins
After Artaud, The sexual awkwardness of god, Rape Table, 2019
Plastic, air-dry clay, cardboard tube, boxes, razors, matches, mousetrap, office hardware, cow’s blood and collage on table
37 x 46 x 32 inches (94 x 116.8 x 81.3 cm)

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Richard Hawkins
After Artaud, The sexual awkwardness of god, Rape Table, 2019 (detail)
Plastic, air-dry clay, cardboard tube, boxes, razors, matches, mousetrap, office hardware, cow’s blood and collage on table
37 x 46 x 32 inches (94 x 116.8 x 81.3 cm)

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Richard Hawkins
After Artaud, The sexual awkwardness of god, Rape Table, 2019 (detail)
Plastic, air-dry clay, cardboard tube, boxes, razors, matches, mousetrap, office hardware, cow’s blood and collage on table
37 x 46 x 32 inches (94 x 116.8 x 81.3 cm)

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Richard Hawkins
After Artaud: The sexual awkwardness of god, Ass Cannon, 2019
Concrete, cardboard tube, boxes, razors, tacks, matches, mousetrap, corkscrew, office hardware, pubic hair, cow’s blood and collage on table
36 x 45 x 32 inches (91.4 x 114.3 x 81.3 cm)

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Richard Hawkins
After Artaud: The sexual awkwardness of god, Ass Cannon, 2019 (detail)
Concrete, cardboard tube, boxes, razors, tacks, matches, mousetrap, corkscrew, office hardware, pubic hair, cow’s blood and collage on table
36 x 45 x 32 inches (91.4 x 114.3 x 81.3 cm)

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Richard Hawkins
After Artaud: The sexual awkwardness of god, Ass Cannon, 2019 (detail)
Concrete, cardboard tube, boxes, razors, tacks, matches, mousetrap, corkscrew, office hardware, pubic hair, cow’s blood and collage on table
36 x 45 x 32 inches (91.4 x 114.3 x 81.3 cm)

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Richard Hawkins
The Collage Killer #10, 2018
Fake blood and collage on paper
15 3/4 x 11 7/8 inches (40 x 30.2 cm)
Frame: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)

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Richard Hawkins
The Collage Killer #4, 2018
Fake blood and collage on paper
15 3/4 x 11 7/8 inches (40 x 30.2 cm)
Frame: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)

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Richard Hawkins
The Collage Killer #3, 2018
Fake blood and collage on paper
15 3/4 x 11 7/8 inches (40 x 30.2 cm)
Frame: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)

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Richard Hawkins
The Collage Killer #6, 2018
Fake blood and collage on paper
15 3/4 x 11 7/8 inches (40 x 30.2 cm)
Frame: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)





Janice Kerbel
@greengrassi
1a Kempsford Road
London SE11 4NU
UK
28 Sep - 03 Nov 2018

installation views
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Brawl 2018
silkscreen on paper
226 × 146 cm (89" × 57 ½")

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Brawl 2018
silkscreen on paper
226 × 146 cm (89" × 57 ½")

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details. Brawl 2018
silkscreen on paper
226 × 146 cm (89" × 57 ½")

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details. Brawl 2018
silkscreen on paper
226 × 146 cm (89" × 57 ½")

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details. Brawl 2018
silkscreen on paper
226 × 146 cm (89" × 57 ½")

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Pool 2018
Mosaic
37.8 × 55.5 × 2.2 cm (14 ⅞" × 21 ⅞" × ⅞")
Edition of 1 plus I AP

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Pool 2018
Mosaic
27.5 × 58 × 2.2 cm (10 ⅞" × 22 ⅞" × ⅞")
Edition of 1 plus I AP

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Pool 2018
Mosaic
33 × 54.2 × 2.2 cm (13" × 21 ⅜" × ⅞")
Edition of 1 plus I AP

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Pool 2018
Mosaic
32.5 × 56.3 × 2.2 cm (12 ¾" × 22 ⅛" × ⅞")
Edition of 1 plus I AP





Matt Mullican: What do they feel?
@Cristina Guerra Contemporary Art
Rua Santo António à Estrela, 33
1350-291 Lisboa I Portugal
21 Set 2018 - 17 Nov 2018

installation views
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posted by makuuchi at 21:00| Comment(0) | memo | このブログの読者になる | 更新情報をチェックする

exhibition: 勢藤明紗子「コンポジション、水平線のリズム」 @ ex-chamber museum(3 Apr.〜29 Apr. 2019)

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勢藤明紗子「コンポジション、水平線のリズム」
@ex-chamber museum
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
070-5567-1513
4/13(土)〜4/29(月祝)月火水休(4/29祝日開廊)
12:00〜18:00
※4/19(金)は16:00〜

Asako Setoh “Compositions: Rhythm of Horizons”
@ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, CHiyoda-ku, Tokyo, Japan
81-70-5567-1513
13 Apr.(Sat)〜29 Apr.(Mon)closed on Mondays to Wednesdays (29 Apr. is open)
※19 Apr.(Fri):16:00〜
12:00〜18:00

4月13日土曜日より、拙ギャラリーでの勢藤明紗子の初個展「コンポジション、水平線のリズム」を開催いたします。
整然と紡ぎ込まれる微細なストロークを、自ら設定したグリッドとパターンに沿ってひたすら淡々と積み重ね、極めて華麗かつ可憐、ときに荘厳ささえ発する圧巻の密度を備えたヴィジュアルを創出します。
今展では継続的に制作している描画面が20×20cmのシリーズの新作、描画密度を維持して描き上げられる約60×90cmの大作などを発表いたします。
ぜひともご高覧いただけますようお願いいたします。
posted by makuuchi at 10:00| Comment(0) | exhibitions | このブログの読者になる | 更新情報をチェックする