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ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
MORITAKAとシェア)(google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
(sharing the space with MORITAKA)(google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
佐藤明日香 Asuka Satow
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
照井譲 Yuzuru Terui
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2018年08月10日

memo (overseas): Aug10,2018

ex-chamber memo (overseas): Aug10,2018

Brie Ruais: Attempting to Hold the Landscape 2016-2017
@COOPER COLE
1134 Dupont Street
Toronto, ON M6H 2A2
Canada
January 26 - February 24, 2018

installation views
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Affirmation Pot: Me TOO, 2018
Porcelain, glaze
13.5" X 13" X 9.5"
34.29cm X 33.02cm X 24.13cm

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Affirmation Pot: Me TOO, 2018

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Affirmation Pot: Grab Back, 2018
18" X 9" X 8"
45.72cm X 22.86cm X 20.32cm

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Affirmation Pot: Grab Back, 2018

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Affirmation Pot: I Decide What Goes Inside, 2018
Porcelain, glaze
17" X 12.5" X 12"
43.18cm X 31.75cm X 30.48cm

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Affirmation Pot: I Decide What Goes Inside, 2018

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Affirmation Pot: Me Too, 2018
Porcelain, glaze
19" X 6.5" X 7"
48.26cm X 16.51cm X 17.78cm

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Affirmation Pot: Me Too, 2018

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Affirmation Pot: My Body My Choice, 2018
Porcelain, glaze
22" X 10" X 10"
55.88cm X 25.4cm X 25.4cm

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Affirmation Pot: My Body My Choice, 2018

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Affirmation Pot: Nasty Womyn, 2018
Porcelain, glaze
21" X 13" X 12"
53.34cm X 33.02cm X 30.48cm

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Affirmation Pot: Nasty Womyn, 2018

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Gutted, 2017
Paper pulp, fibrous roots
18" X 17" X 6"
45.72cm X 43.18cm X 15.24cm

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Gutted, 2017

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Gutted, 2017

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Gutted, 2017

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Scalped, 2017
Paper pulp, horse hair
18" X 17.5" X 2.5"
45.72cm X 44.45cm X 6.35cm

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Scalped, 2017

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Scalped, 2017

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Holding the center, 2017
Paper pulp, wintered organics from the artist's garden
27" X 23" X 4"
68.58cm X 58.42cm X 10.16cm

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Holding the center, 2017

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Holding the center, 2017

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Holding the center, 2017

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Landscape Painting with 130lbs of Clay (Dark Sky Law), 130lbs (AKA Black Horizon), 2016
Glazed ceramic, hardware
34" X 69"
86.36cm X 175.26cm

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Landscape Painting with 130lbs of Clay (Dark Sky Law), 130lbs (AKA Black Horizon), 2016

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Landscape Painting with 130lbs of Clay (Dark Sky Law), 130lbs (AKA Black Horizon), 2016

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Landscape Painting with 130lbs of Clay (Dark Sky Law), 130lbs (AKA Black Horizon), 2016

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Cornered, 125lbs, 2016
Glazed ceramic, hardware
57" X 19.5"
144.78cm X 49.53cm

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Cornered, 125lbs, 2016

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Cornered, 125lbs, 2016

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Cornered, 125lbs, 2016

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Cornered, 125lbs, 2016

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Cornered, 125lbs, 2016

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Cornered, 125lbs, 2016

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Cornered, 125lbs, 2016

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Spreading Out from Center in Five Directions (Left Arm, Left Leg, Right Arm, Right Leg), 130lbs, 2016
Fired clay, glaze, hardware
59" X 55" X 3.5"
149.86cm X 139.7cm X 8.89cm

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Spreading Out from Center in Five Directions (Left Arm, Left Leg, Right Arm, Right Leg), 130lbs, 2016

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Spreading Out from Center in Five Directions (Left Arm, Left Leg, Right Arm, Right Leg), 130lbs, 2016

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Spreading Out from Center in Five Directions (Left Arm, Left Leg, Right Arm, Right Leg), 130lbs, 2016

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Spreading Out from Center in Five Directions (Left Arm, Left Leg, Right Arm, Right Leg), 130lbs, 2016

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Spreading Out from Center in Five Directions (Left Arm, Left Leg, Right Arm, Right Leg), 130lbs, 2016

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Spreading Out from Center in Five Directions (Left Arm, Left Leg, Right Arm, Right Leg), 130lbs, 2016

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Spreading Out from Center in Five Directions (Left Arm, Left Leg, Right Arm, Right Leg), 130lbs, 2016

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Star I Made by Punching the Sky (4), 2018
Fired clay, glaze
11.5" X 10" X 1.3"
29.21cm X 25.4cm X 3.3cm

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Star I Made by Punching the Sky (5), 2018
Fired clay, glaze
6" X 8" X 1.3"
15.24cm X 20.32cm X 3.3cm

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Star I Made by Punching the Sky (7), 2018
Fired clay, gaze
10.5" X 9.8" X 1.4"
26.67cm X 24.89cm X 3.56cm





Twist the Spine
Organized by Third Object
Philip Hanson, Liz McCarthy, Kameelah Janan Rasheed
@Ghebaly Gallery
2245 E Washington Blvd.
Los Angeles, CA 90021
USA
June 1 – June 30, 2018

installation views
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Philip Hanson, I Like a Look of Agony (Dickinson), 2017. Oil on canvas. 18 x 12 inches.

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Philip Hanson, Voices of Children (Blake), 2017. Oil on canvas. 18 x 12 inches.

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Liz McCarthy, Whistle Built for Three, 2017. Earthenware, lipstick. 19 x 14 x 15 inches.

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Liz McCarthy, Whistle Built for Two, 2017. Earthenware, lipstick. 11 x 7 x 10 inches.

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Liz McCarthy, Whistle Built for Three, 2017. Earthenware, lipstick. 19 x 14 x 15 inches.

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Kameelah Janan Rasheed, an accretion made a mistake (but fish, we must know), 2018. Blue paint, drywall. Installation dimensions variable, with text dimensions 4 x 122 inches.

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Liz McCarthy, Whistle Built for Two, 2017. Earthenware, lipstick. 29 x 12 x 10 inches.

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Liz McCarthy, Whistle Built for Two, 2017. Earthenware, lipstick. 2.5 x 16 x 3 inches.

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Liz McCarthy, Whistle Built for Three, 2017. Earthenware, lipstick. 30 x 21 x 16 inches.

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Philip Hanson, My life closed twice before its close (Dickinson), 2017. Oil on canvas. 18 x 12 inches.

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Philip Hanson, Safe in their Alabaster Chambers (Dickinson), 2017. Oil on canvas. 18 x 12 inches.

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Kameelah Janan Rasheed, an accretion made a mistake (your analogy), 2018. Blue paint, drywall. Installation dimensions variable, with text dimensions 4 x 62 inches.

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Kameelah Janan Rasheed, an accretion made a mistake (an autocorrect algorithm), 2018. Blue paint, drywall. Installation dimensions variable, with text dimensions 4 x 149 inches.

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Kameelah Janan Rasheed, an accretion made a mistake (into your moist arrangement), 2018. Blue paint, drywall. Installation dimensions variable, with text dimensions 4 x 88 inches.





AFTER HOURS IN A CALIFORNIA ART STUDIO
Gene Beery
Robert Colescott
Roe Ethridge
Douglas Huebler
Frances Stark​
@Andrew Kreps Gallery, 537 West 22nd Street
537/535 W. 22nd Street
New York, NY 10011
USA
July 12 - August 10, 2018

installation views
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Robert Colescott
Walking Man and Woman (After Hours in a California Art Studio), March 1982
Acrylic on canvas
84 x 72 in (213.4 x 182.9 cm)

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Roe Ethridge
Studio Wall (White), 2008
C-print
30 1/2 x 24 1/2 in (77.47 x 62.23 cm)

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Gene Beery
A Nice Painting, c. 1970s
Acrylic on canvas
38 x 22 in (96.5 x 55.9cm)

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Frances Stark
Relaxing Revolutionary with My Rolls, 2013
Matte laminated inkjet print mounted on aluminum
44 x 32.5 in (111.8 x 82.6cm)

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Frances Stark
I went through my bin (again), 2008
Collage on paper
40 x 26 in (101.6 x 66cm)

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Gene Beery
Painted Outside Under a Canopy, 2007
Acrylic on canvas
20 x 16 in (50.8 x 40.6cm)

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Douglas Huebler
Variable Piece #70: 1971 (In Process) Global, Crocodile Tears: Great Corrector (Mondrian VI), 1990
Oil on canvas, photograph, text

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Gene Beery
Experience Shows, c. 1960
Acrylic on canvas
14 x 26 in (35.6 x 66cm)





NICK DOYLE: Soft Arrest
@Mrs.
60-40 56th Drive
Maspeth, NY 11378
USA
February 3 - March 31, 2018

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Nicolás Paris: between tomorrow and yesterday or the paths of a detour
@Galeria Luisa Strina
Rua Padre João Manuel 755
Cerqueira César 01411-001
São Paulo SP Brazil
April 07 − May 19 2018

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Nicolás Paris, Elements of a classroom for improvisation, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Classroom for improvisation, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Classroom for improvisation, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Elements of a classroom for improvisation, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, entre mañana y ayer o los caminos del desvío (exhibition view), 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Pretexts to start a conversation (detail), 2018

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Nicolás Paris, Pretexts to start a conversation (detail), 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Pretexts to start a conversation (detail), 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Pretexts to start a conversation (detail), 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Dry equilateral triangles, 2013
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Entrance or fragments for a corrected edition, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, nicolas-paris-fm-10edouardfraipont17042018, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, nicolas-paris-vistas-fm-7edouardfraipont17042018, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, nicolas-paris-fm-3edouardfraipont17042018, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, nicolas-paris-vistas-fm-4edouardfraipont17042018, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, nicolas-paris-vistas-fm-5edouardfraipont17042018, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Studies for pedagogical material or table #2 for a scientific learning (detail), 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Studies for pedagogical material or table #1 for a scientific learning (detail), 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Classroom for curiosity #2 or thoughts in yellow, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Classroom for curiosity #2 or thoughts in yellow (detail), 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Classroom for curiosity #2 or thoughts in yellow, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Classroom for curiosity #2 or thoughts in yellow, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, 30° e 60° o los caminos del desvío, 2018
Foto [Photo] Edouard Fraipont

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Nicolás Paris, Leaves a trace, 2018
Foto [Photo] Edouard Fraipont
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