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ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
MORITAKAとシェア)(google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
(sharing the space with MORITAKA)(google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
佐藤明日香 Asuka Satow
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
照井譲 Yuzuru Terui
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2018年07月09日

memo (overseas): Jul09,2018

ex-chamber memo (overseas): Jul09,2018

Simon Denny: Games of Decentralized Life
@Galerie Buchholz, Köln
Neven-DuMont-Str. 17 50667 Köln
Germany
18 April – 16 June 2018

installation views
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Simon Denny
“Centralization vs Decentralization hardware display: zEnterprise/Ethereum/GoL A Jedi’s Path”, 2018
IBM zEnterprise server rack door, found DIY GPU Ether cryptocurrency miner, laser cut Milton Bradley Game of Life: A Jedi’s Path boxes, steel, aluminium
165 x 100 x 83 cm

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Simon Denny
“Centralized vs Decentralized Conway’s Game of Life Box Lid Overprint: A Jedi’s Path”, 2018
UV print on Game of Life: A Jedi’s Path box lid
50 x 60 cm

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Simon Denny
“Crypto Futures Game of Life Overprint Collage: A Jedi’s Path”, 2018
digital print on Milton Bradley’s Game of Life A Jedi’s Path board, powder-coated server rack shelving, laser cut Plexiglas, various server rack hardware components
72 x 100 x 23 cm

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Simon Denny
“Centralization vs Decentralization hardware display: Fujitsu/Bitcoin Gold/GoL 1960”, 2018
Fujitsu Primecenter server rack side panel, found DIY GPU Bitcoin Gold cryptocurrency miner, laser cut Milton Bradley Game of Life 1960 boxes, steel, aluminium
187 x 123 x 86 cm
&
“Crypto Futures Game of Life Board Overprint Collage: Twists and Turns”, 2018
digital print on Milton Bradley’s Game of Life Twists and Turns board, spinner and bank cards, powder-coated server rack shelving, laser cut Plexiglas, various server rack hardware components
72 x 100 x 23 cm

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Simon Denny
“Crypto Futures Game of Life Board Overprint Collage: Twists and Turns”, 2018
digital print on Milton Bradley’s Game of Life Twists and Turns board, spinner and bank cards, powder-coated server rack shelving, laser cut Plexiglas, various server rack hardware components
72 x 100 x 23 cm

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Simon Denny
“Crypto Futures Game of Life Board Overprint Collage: 1976 Vintage”, 2018
digital print on Milton Bradley’s Game of Life 1976 vintage board, powder-coated server rack shelving, laser cut Plexiglas, various server rack hardware components
72 x 100 x 23 cm

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Simon Denny
“Crypto Futures Game of Life Board Overprint Collage: zAPPed”, 2018
digital print on Hasbro Game of Life zAPPed Edition board, UV print I Apple iPad, powder-coated server rack shelving, laser cut Plexiglas, various server rack hardware components
72 x 100 x 23 cm

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Simon Denny
“Centralization vs Decentralization hardware display: Cray Urika-GX/Zcash/GoL Twists & Turns”, 2018
Cray Urika-GX server rack door, found DIY GPU Zcash cryptocurrency miner, laser cut Milton Bradley Game of Life: Twists & Turns boxes, steel, aluminium
177.5 x 65 x 90 cm
&
“Crypto Futures Game of Life Board Overprint Collage: zAPPed”, 2018
digital print on Hasbro Game of Life zAPPed Edition board, UV print I Apple iPad, powder-coated server rack shelving, laser cut Plexiglas, various server rack hardware components
72 x 100 x 23 cm

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Simon Denny
“Centralized vs Decentralized Conway’s Game of Life Box Lid Overprint: 1960”, 2018
UV print on 1960 Game of Life
box lid
47 x 60 cm

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Simon Denny
“Crypto Futures Game of Life Overprint Collage: Despicable Me”, 2018
digital print on Hasbro Game of Life Despicable Me board, powder-coated server rack shelving, laser cut Plexiglas, various server rack hardware components
72 x 100 x 23 cm

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Simon Denny
“Crypto Futures Game of Life Board Overprint Collage: 1960”, 2018
digital print on Milton Bradley’s Game of Life 1960 Edition board, powder-coated server rack shelving, laser cut Plexiglas, various server rack hardware components
72 x 100 x 23 cm

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Simon Denny
“Centralized vs Decentralized Conway’s Game of Life Box Lid Overprint: Twists & Turns”, 2018
UV print on Twists & Turns Game of Life box lid
39.5 x 53 cm

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Simon Denny
“Centralization vs Decentralization hardware display: IBM PureFlex/Zcash/GoL Pirates of the Caribbean Dead Man’s Chest”, 2018
IBM PureFlex server rack door, found DIY GPU Zcash cryptocurrency miner, laser cut Milton Bradley Game of Life: Pirates of the Caribbean Dead Man’s Chest boxes, steel, aluminium
177 x 66 x 100 cm
&
“Centralized vs Decentralized Conway’s Game of Life Box Lid Overprint: Pirates of the Caribbean Dead Man’s Chest”, 2018
UV print on on Game of Life: Pirates of the Caribbean Dead Man’s Chest box lid
39.5 x 53 cm
&
“Crypto Futures Game of Life Board Overprint Collage: Pirates of the Caribbean Dead Man’s Chest”, 2018
digital print on Milton Bradley’s Game of Life Pirates of the Caribbean - Dead Man’s Chest board, powder-coated server rack shelving, laser cut Plexiglas, various server rack hardware components
72 x 100 x 23 cm

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Simon Denny
“Crypto Futures Game of Life Board Overprint Collage: Pirates of the Caribbean Dead Man’s Chest”, 2018
digital print on Milton Bradley’s Game of Life Pirates of the Caribbean - Dead Man’s Chest board, powder-coated server rack shelving, laser cut Plexiglas, various server rack hardware components
72 x 100 x 23 cm

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Simon Denny
“Centralized vs Decentralized Conway’s Game of Life Box Lid Overprint: Pirates of the Caribbean Dead Man’s Chest”, 2018
UV print on on Game of Life: Pirates of the Caribbean Dead Man’s Chest box lid
39.5 x 53 cm

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Simon Denny
“Crypto Futures Game of Life Overprint Collage: Fame”, 2018
digital print on Hasbro Game of Life Fame Edition board, powder-coated server rack shelving, laser cut Plexiglas, various server rack hardware components
72 x 100 x 23 cm





Delia Gonzalez: The Last Days of Pompeii
@Galleria FONTI
via chiaia n 229
cap 80132
napoli, italy
November 17 - December 23, 2017

installation views
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Delia Gonzalez
The Osiris Gate I & II
2017
drywall
cm. 145 x 320 x 57 each

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Delia Gonzalez
The Last Days of Pompeii
2017
neon
cm. 120 x 20
Vesuvius
audio 7'23''

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Delia Gonzalez
The Flowering of the Crone
2017
graphite, acrylic paint, gold leaf on paper
cm. 75 x 75

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Delia Gonzalez
The N° Five
2017
graphite, acrylic paint, gold leaf on paper
cm. 75 x 75

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Delia Gonzalez
Duelle (Leni)
2017
graphite, acrylic paint, gold leaf on paper
cm. 75 x 75

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Delia Gonzalez
Jupiter
2017
graphite, acrylic paint, gold leaf on paper
cm. 75 x 75

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Delia Gonzalez
The Hour of Departure
2017
graphite, acrylic paint, gold leaf on paper
cm. 75 x 75

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Delia Gonzalez
Conjurer
2017
graphite, acrylic paint, gold leaf on paper
cm. 75 x 75

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Delia Gonzalez
Don't Exclude the Moon
2017
graphite, acrylic paint, gold leaf on paper
cm. 75 x 75





RAFFAELLA DELLA OLGA, ALINEA
@Galerie Laurent Godin
36 bis rue Eugène Oudiné
75013
Paris - FR
April 8th - June 2nd, 2018

installation views
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Freccia, 2018
Tissu découpé, tube fluorescent, 74 x 150 cm, unique (ref. del07)

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T11, 2018
Tapuscrit sur papier calque et papier cristal, frottage avec papier carbone, 29.7 x 42 cm, unique (ref. del06)

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Alinea (Rosso), 2018
Tissu découpé, 59 x 59 cm, unique (ref. del02)

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Alinea (Rosso), 2018 (détail)

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Alinea, 2017
Tissu découpé, tube fluorescent, 147 x 150 cm, unique (ref. del00)

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Alinea, 2017 (détail)

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Stoffe (Céleste), 2016
Tissu découpé, 114 x 173 cm, unique (ref. del04)

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T9, 2017
Tapuscrit sur papier calque, papier carbone, transfert sur papier de soie, 21.7 x 29 cm, unique (ref. del05)





on Solstice
Adam Secore
Kelly Lamb
Ed Ruscha
Joe Goode
Objects for Others
Thomas Linder
Flora Hauser
Emerson Woelffer
@Ibid Los Angeles
670 S Anderson Street
Los Angeles, CA 90023
USA
23 June – 18 August 2018

installation views
1On-Solstice.jpg

2On-Solstice.jpg

3On-Solstice.jpg

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Ed Ruscha
Cheese Mold Standard with Olive, 1969
Color screenprint
65.4 x 101.7 cm
25 3/4 x 40 1/8 in
Edition 75 of 150
c Ed Ruscha

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Ed Ruscha
Ghost Station, 2011
MixografíaR print on handmade paper
69.2 x 116.8 cm
27 1/4 x 46 in
Edition 63 of 85 + 2 AP
c Ed Ruscha

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Ed Ruscha
An Extremely Ordinary Person, 1978
3-color lithograph on Rives BFK
38.1 x 76.2 cm
15 x 30 in
Edition 4 of 20
c Ed Ruscha

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Adam Secore
Gravity, 2013
Archival pigment print
80 x 106.7 cm; 31 1/2 x 42 in (image)
90.2 x 123.8 cm; 35 1/2 x 48 3/4 in (frame)
Edition 1 of 25

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Adam Secore
Isla Raza de Buena Gente, 2012
Archival pigment print
80 x 106.7 cm; 31 1/2 x 42 in (image)
90.2 x 124.5 cm; 35 1/2 x 49 in (frame)
Edition 1 of 25

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Objects for Others
Pendant, 2018
Hand polished raw brass, hand cut stained glass, maple wood, LED lights, and braided line
94 x 25.4 x 12.7 cm
37 x 10 x 5 in

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Objects for Others
The Delicate Infinite Holding Space, 2018
Hand polished raw brass, hand cut stained glass, maple wood, black marble, and braided line
162.6 x 50.8 x 25.4 cm
64 x 20 x 10 in

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Objects for Others
Prism Lantern, 2018
Hand polished raw brass, hand cut stained glass, maple wood, LED lights, black marble, and braided line
Dimension variable

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Emerson Woelffer
Untitled, 1953
Oil and enamel on Luan panel
121.4 x 83.8 cm
47 3/4 x 33 in

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Kelly Lamb
Cosmic Cluster Fuck, 2018
Polished stainless steel
91.4 x 86.4 x 86.4 cm
36 x 34 x 34 in

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Joe Goode
Untitled, 1986
Oil on canvas
137.2 x 121.9 cm
54 x 48 in

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Joe Goode
Untitled (Ocean Blue Series), 1988
Oil pastel on paper
41.6 x 38.1 cm
16 3/8 x 15 in

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Joe Goode
Untitled (Torn Cloud Series), 1973
Watercolor on Strathmore paper
36.8 x 58.4 cm
14 1/2 x 23 in

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Flora Hauser
Sensible Aussichten (Delicate Prospects), 2018
Pencil on canvas
50.8 x 30.5 x 5.1 cm
20 x 12 x 2 in

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Flora Hauser
Obacht guter Sündenzeit (Caution Fair Sin Times), 2018
Pencil on canvas
50.8 x 30.5 x 5.1 cm
20 x 12 x 2 in

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Adam Secore
Surf, 2009
Archival pigment print
80 x 106.7 cm; 31 1/2 x 42 in (image)
90.2 x 117.5 cm; 35 1/2 x 46 1/4 in (frame)
Edition 3 of 25

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Thomas Linder
Sapphire Sediment, 2018
Basswood, polyester resin, pigment
96.5 x 62.2 cm
38 x 24 1/2 in

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Thomas Linder
Concrete Banks Flower at Sunset, 2018
Basswood, polyester resin, pigment
127 x 96.5 cm
50 x 38 in

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Thomas Linder
Ride the Eddy, 2018
Basswood, polyester resin, pigment
96.5 x 62.2 cm
38 x 24 1/2 in

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Ed Ruscha
Rusty Signs – Dead End 1, 2014
MixografíaR print on handmade paper
61 x 61 cm
24 x 24 in
Edition 30 of 50 + 10 AP
c Ed Ruscha





Martha Tuttle, Oracles
@LUCE GALLERY
Largo Montebello, 40
10124 Torino Italy
04 May 2018 - 14 July 2018

installation views
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WEIGHT WITHOUT MOTION (1) | 2018, WOOL, SILK, PIGMENT, 117.8 X 79.3 CM

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WEIGHT WITHOUT MOTION (2) | 2018, WOOL, SILK, PIGMENT, 117.8 X 79.3 CM

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WEIGHT WITHOUT MOTION (3) | 2018, WOOL, SILK, PIGMENT, 117.8 X 79.3 CM

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WONDERER | 2018, WOOL, SILK, PIGMENT, BRONZE, 136.3 X 145.3 X 11.5 CM APPROX.

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WONDERER | DETAIL

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A SPELL FOR EVERY CIRCUMSTANCE | 2018, WOOL, SILK, PIGMENT, 35.5 X 30.7 CM EACH ONE, VARIABLE DIMENSIONS

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WEIGHT WITHOUT MOTION (5) | 2018, WOOL, SILK, PIGMENT, 117.8 X 79.3 CM

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WEIGHT WITHOUT MOTION (4) | 2018, WOOL, SILK, PIGMENT, 117.8 X 79.3 CM

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DIVIDED SUBSTANCE (1) | 2018, WOOL, SILK, PIGMENT, STONE, CAST STEEL, 75.5 X 64.1 CM

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DIVIDED SUBSTANCE (1) | ANGLED VIEW

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DIVIDED SUBSTANCE (3) | 2018, WOOL, SILK, PIGMENT, STONE, CAST STEEL, 75.5 X 64.1 CM

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ORACLES | 2018, INSTALLATION OF STONES AND CAST STONES (APPROX. 600), VARIABLE DIMENSIONS, ED. OF 2 AND 1 AP

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ORACLES | DETAIL

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UNTITLED | 2018, CAST BRONZE, ELEMENT 1: 2.4 X 11.1 X 4.5 CM, ELEMENT 2: 2.4 X 9.8 X 3.5 CM, VARIABLE DIMENSIONS

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FINDING | 2018, WOOL, SILK, PIGMENT, 35.5 X 30.7 CM

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BINDING | 2018, WOOL, SILK, PIGMENT, 35.5 X 30.7 CM

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UNSEALING, REVEALING, | 2018, WOOL, SILK, PIGMENT, 35.5 X 30.7 CM
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