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ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
Gallery Jinとシェア)(google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
(sharing the space with Gallery Jin)(google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
佐藤明日香 Asuka Satow
須賀悠介 Yusuke Suga
勢藤明紗子 Asako Setoh
鶴友那 Yuna Tsuru
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2016年08月25日

memo (overseas): Aug25,2016

ex-chamber memo (overseas): Aug25,2016

Ben Cauchi: Echo Chamber
@Ingleby Gallery
6 Carlton Terrace
Edinburgh
EH7 5DD
Scotland
UK
30 May 2015 - 4 July 2015

installation views
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Dead letter
2015
Ambrotype, 1 of 2 plates made
25 x 20 cm (plate size); 44.8 x 33.8 cm (framed size)

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Cipher
2015
Ambrotype, 1 of 3 plates made
17.5 x 12.5 cm (plate size); 36.3 x 30.3 cm (framed size)

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Black light
2015
Ambrotype, 1 of 2 plates made
17.5 x 12.5 cm (plate size); 36.3 x 30.3 cm (framed size)

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The watcher
2013
Ambrotype, unique
17.5 x 12.5 cm (plate size); 36.3 x 30.3 cm (framed size)

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White light
2013
wet-collodion on acrylic sheet
25 x 20 cm (plate size); 44.8 x 33.8 cm (framed size)

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The echo chamber
2015
Ambrotype, 1 of 2 plates made
25 x 20 cm (plate size); 44.8 x 33.8 cm (framed size)

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All will come to nothing
2015
Ambrotype, 1 of 2 plates made
25 x 20 cm (plate size); 44.8 x 33.8 cm (framed size)

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The idle argument
2015
Ambrotype, unique
20 x 25 cm (plate size); 33.8 x 44.8 cm (framed size)





A.N.T.H.R.O.P.O.C.E.N.E
@MSSNDCLRCQ - Meessen De Clercq
Abdijstraat 2a Rue de l'Abbaye
1000 Brussels, Belgium
december 12, 2015 - february 6, 2016

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Peinture de nuages indexée 2015 #8 - Benoît Maire
2015. Oil on canvas, 144 x 98 cm

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Exhibition view - Leon Vranken - Benoît Maire - Fabrice Samyn

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Exhibition view - Ryan Foerster - Jorge Méndez Blake - Ignasi Aballí

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Hurrican Series, 2006-2013 - Ryan Foerster

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Exhibition view - Evariste Richer - Leon Vranken

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La grèle, 2012 - Evariste Richer

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Exhibition view

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Exhibition view

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Exhibition view

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Can you tell if this is Rome or Macao? "The Rocking Guru" - Filip Gilissen
2015

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Exhibition view

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La locura de ver, 2015 - José María Sicilia

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Second thoughts, 2015 - Chaim Van Luit

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Exhibition view

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Exhibition view

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Exhibition view

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Untilted - Hreinn Fridfinnsson

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Zarba Lonsa, 2015 - Katinka Bock

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Exhibition view - Jordi Colomer - Ryan Gander

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Exhibition view - Evariste Richer - Aurélien Froment





Frances Goodman: RAPACIOUSLY YOURS
@Richard Taittinger Gallery
154 Ludlow St, New York, NY 10002
USA
FEBRUARY 26 - APRIL 17, 2016

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ADAM SILVERMAN: BODY LANGUAGE
@2732 Cherry and Martin
2732 S. La Cienega Boulevard
Los Angeles, California
90034
USA
March 19 - May 14, 2016

installation views
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Adam Silverman
'Untitled'
2016
Stoneware, wood
62 x 36 x 14 in, 157.48h x 91.44w x 35.56d cm

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Adam Silverman
'Untitled'
2016
Denim, stoneware
110 x 160.5 x 52 in, 279.4h x 407.67w x 132.08d cm

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Adam Silverman
'Untitled'
2016
Denim, stoneware
110 x 160.5 x 52 in, 279.4h x 407.67w x 132.08d cm

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Detail view of
Adam Silverman
'Untitled'
2016
Denim, stoneware
110 x 160.5 x 52 in, 279.4h x 407.67w x 132.08d cm

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Adam Silverman
'Untitled'
2016
Stoneware, wood
14.5 x 12 x 11.25 in, 36.83 x 30.48 x 28.58 cm

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Adam Silverman
'Untitled'
2016
Stoneware, wood
14.5 x 12 x 11.25 in, 36.83 x 30.48 x 28.58 cm

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Adam Silverman
'Untitled'
2016
Stoneware, wood
12.5 x 12 x 11.5 in, 31.75 x 30.48 x 29.21 cm

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Adam Silverman
'Untitled'
2016
Stoneware, wood
11 x 12 x 11.5 in, 27.94 x 30.48 x 29.21 cm

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Adam Silverman
'Untitled'
2016
Stoneware, wood
13.5 x 15 x 11 in, 34.29 x 38.1 x 27.94 cm

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Adam Silverman
'Untitled'
2016
Stoneware, wood
38.5 x 16 x 16 in, 97.79 x 40.64 x 40.64 cm

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Adam Silverman
'Untitled'
2016
Stoneware, wood
38.5 x 16 x 16 in, 97.79 x 40.64 x 40.64 cm

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Adam Silverman
'Untitled'
2016
Stoneware, wood
50.5 x 18 x 17 in, 128.27 x 45.72 x 43.18 cm

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Adam Silverman
'Untitled'
2016
Stoneware, wood
50.5 x 18 x 17 in, 128.27 x 45.72 x 43.18 cm

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Adam Silverman
'Untitled'
2016
Stoneware, wood
25.5 x 12.5 x 12 in, 64.77 x 31.75 x 30.48 cm

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Adam Silverman
'Untitled'
2016
Stoneware, wood
11.5 x 12 x 11.25 in, 29.21 x 30.48 x 28.58 cm

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Adam Silverman
'Untitled'
2016
Stoneware, wood
14.5 x 12 x 11.25 in, 36.83h x 30.48w x 28.58d cm





Julieta Aranda: Swimming in Rivers of Glue (an exercise in counterintuitive empathy)
@James Fuentes
55 DELANCEY STREET
NEW YORK, NY 10002
USA
May 1 – June 19, 2016

installation views
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Stealing one’s own corpse (an alternative set of footholds for an ascent into the dark) Part 2 – Swimming in rivers of glue – The perspective of perspective. 2016, digital video projection, 9 minutes 57 seconds, dimensions variable

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22V – PLACEMENT (JAPAN) There is no substitute for a man on the ground. 2016, plaster, dimensions variable

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1V - PRODUCED (A point of reference slowly draws in semantic meaning to provide the world with a fixed border, fixed dimensions, fixed weight.) 2016, black paint and white adhesive vinyl on wall, dimensions variable

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22V – PLACEMENT (GUANGZHOU) There is no substitute for a man on the ground. 2016, plaster, dimensions variable

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32H – EXISTENCE Passing through, being marked and to some extent damaged by the geography of the present. 2016, plaster, foam, wood and latex, 21 x 73 x 30 inches

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22V – PLACEMENT (JAPAN VARIATION) There is no substitute for a man on the ground. 2016, plaster, resin and coins, dimensions variable

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5H – MEMORY A nostalgic trace of all that was and now is only partially. 2016, plastic bags, plaster, resin and coins, dimensions variable

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37V – RELATIONSHIPS Expect to be changed a lot: a real interaction is more akin to demonic possession than to data collection. 2016, cord, 125 x 90 inches

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19H – DAMAGING Attention! Danger! It’s a trick, an ambush! Fight! Bite! Parry! Thrust! Help!, 2016 cast glass, wood, latex, wax, 26 x 38 x 31 inches

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22V – PLACEMENT (LONDON) There is no substitute for a man on the ground. 2016, plaster, dimensions variable

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6V – RECOGNITION In the movement from a kind of knowledge to its refusal we see the real contours of things. 2016, glass, plaster, and found book wrapped in latex, 11 x 26 x 10 inches

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6V – RECOGNITION In the movement from a kind of knowledge to its refusal we see the real contours of things., 2016, glass, plaster, and found book wrapped in latex, 10 x 43.5 x 10 inches

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22V – PLACEMENT (LONDON VARIATION) There is no substitute for a man on the ground. 2016 plaster, dimensions variable

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54H – SURVIVABILITY I had no idea of what I was supposed to want, but knew better than to admit it. 2016, black cold glaze on air cured clay, 23.5 x 19 x 2 inches

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54H – SURVIVABILITY I had no idea of what I was supposed to want, but knew better than to admit it. 2016, black cold glaze on air cured clay, 23.5 x 19 x 2 inches

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54H – SURVIVABILITY I had no idea of what I was supposed to want, but knew better than to admit it., 2016, black cold glaze on air cured clay, 19 x 23.5 x 2 inches

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54H – SURVIVABILITY I had no idea of what I was supposed to want, but knew better than to admit it., 2016, black cold glaze on air cured clay, 19 x 23.5 x 2 inches
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