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ex-chamber museum
http://ex-chamber.seesaa.net
〒101-0021 東京都千代田区外神田6-11-14 3331 Arts Chiyoda 205a
MORITAKAとシェア)(google map
tel: 070-5567-1513
mail: exchamber@yahoo.co.jp
インフォメーション

ex-chamber museum
3331 Arts Chiyoda 205a, 6-11-14, Soto-Kanda, Chiyoda-ku, Tokyo, Japan
(sharing the space with MORITAKA)(google map
mail: exchamber@yahoo.co.jp
information

artists
伊藤航 Wataru Ito
小野川直樹 Naoki Onogawa
佐藤明日香 Asuka Satow
勢藤明紗子 Asako Setoh
田島大介 Daisuke Tajima
鶴友那 Yuna Tsuru
照井譲 Yuzuru Terui
平山紗代  Sayo Hirayama
山口英紀 Hidenori Yamaguchi

new articles

2018年07月16日

memo (overseas): Jul16,2018

ex-chamber memo (overseas): Jul16,2018

RYAN MROZOWSKI ≫SHADOW NOR PREY≪
@Galerie Nordenhake GmbH, Berlin
Lindenstrasse 34, DE-10969 Berlin
Germany
March 10, 2018 - April 21, 2018

installation views
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Untitled, 2018, acrylic on linen, wood, 76.2 x 91.4 cm

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Untitled (Pair), 2018, acrylic on linen, 2 parts, 127 x 101,6 cm

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Untitled (Floating Leaves), 2018, acrylic on linen, 76.2 x 58.5 cm

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Untitled, 2018, oil stick on paper, three parts: 76.2 x 56.5 cm

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Untitled, 2018, acrylic on linen, wood, 76.2 x 91.5 cm

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Untitled, 2018, detail

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Untitled, 2018, acrylic on linen, wood, 58.5 x 28 cm

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Untitled, 2018, detail

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Untitled (Pair), 2018, acrylic on linen, 2 parts, 127 x 101.6 cm

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Untitled (Pair), 2018, acrylic on linen, 2 parts, 50.8 x 40.7 cm

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Untitled, 2018, acrylic on linen, 101.6 x 76.2 cm





ELEMENTAL
@L.A. Louver
45 North Venice Boulevard
Venice, California 90291
USA
24 Jan 2018 - 3 Mar 2018

installation views
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Peter Alexander / Flo Lime Needle, 2017 / urethane / 100 x 5 x 5 in. (254 x 12.7 x 12.7 cm)

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Peter Alexander / I Remember When it Was All Orange Groves, 2017 / urethane / Overall: 77 x 44 x 1 1/4 in. (195.6 x 111.8 x 3.2 cm) / Individual: 77 x 6 1/2 x 1 14 in. (195.6 x 16.5 x 289.6 cm)

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Carl Andre / Carbon Quarry, 2004 / carbon, 20 units / each: 3 15/16 x 3 15/16 x 3 15/16 in. (10 x 10 x 10 cm) / overall: 15 3/4 x 15 3/4 x 15 3/4 in. (40 x 40 x 40 cm)

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Josh Callaghan / Monument to World Peace, 2017 / altered refrigerator / 60 x 30 x 24 1/2 in. (152.4 x 76.2 x 62.2 cm)

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Richard Deacon / Siamese Metal #6, 2012 / Stainless steel / 74 1/4 x 88 1/2 x 77 1/2 in. (188.6 x 224.8 x 196.9 cm)

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Toshikatsu Endo / Epitaph (E1), 1993 / wood, water, glass, acrylic, fire / 16 x 19 x 19 in. (40.6 x 48.3 x 48.3 cm)

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Richard Long / Trastevere Spring Line, 2012 / serpentine stones / 23 5/8 x 147 5/8 in. (60 x 375 cm)

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Nathan Mabry / Heavy Handed (Flesh and Blood), 2014 / cor-ten steel, aluminum base / 55 x 63 1/2 x 110 in. (139.7 x 161.3 x 279.4 cm)

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John McCracken / Neptune, 1988 / polyester resin and fiberglass / 96 1/8 x 24 x 20 1/4 in. (244.2 x 61 x 51.4 cm)

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Richard Nonas / Untitled, 1995 / Steel and oil paint / 6 3/4 x 3 3/4 x 2 1/4 in. (17.1 x 9.5 x 5.7 cm)

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Richard Nonas / Untitled, 2002 / Steel and oil paint / 6 1/2 x 6 x 1 1/4 in. (16.5 x 15.2 x 3.2 cm)

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Yoko Ono / Disappearing Piece (Bronze, cast of 1965 version), 1988 / Bronze / 1 1/4 x 7 x 4 in. (3.2 x 17.8 x 10.2 cm) / Edition 6 of 9

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Adrian Paules / Stacked Column 7, 2016 / concrete blocks, paint / 96 x 26 x 21 in. (243.8 x 66 x 53.3 cm)

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Fabrice Samyn / Dust of Breath, 2010 / mirror, glass and dust / 15.75 x 12.99 in. (40 x 33 cm)

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Fabrice Samyn / Toward Total Eclipse, 2014 / Chinese antique bronze mirror partially polished / 20 in. (50.8 cm)

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Peter Shelton / cheese, 2017-2018 / 22 karat gold leaf over bole, steel and mixed media / 24 x 24 x 30 in. (61 x 61 x 76.2 cm)

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Peter Shelton / sundog, 2002-2017 / sterling silver leaf over mixed media, stainless steel, and aluminum / 60 x 60 x 30 in. (152.4 x 152.4 x 76.2 cm)

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John Zane Zappas / M L 10, 2016 / oil stick on Melamine panel / 44 x 24 in. (111.8 x 61 cm)

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John Zane Zappas / A S H T R Æ 2, 2017 / carved and burned eucalyptus, lacquer finish / 10 x 6 x 6 in. (25.4 x 15.2 x 15.2 cm)





The Mediated Image: Simon Denny, Laeh Glenn and Christopher Williams
@Altman Siegel
1150 25th Street
San Francisco, CA 94107
USA
May 10 - June 22, 2018

installation views
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Laeh Glenn
Little Pic, 2018
Oil on canvas, wood frame
171.4 x 141 cm
67 1/2 x 55 1/2 in

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Laeh Glenn
Sorry, Not Sorry, 2018
Oil on canvas, wood frame
171.4 x 141 cm
67 1/2 x 55 1/2 in

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Laeh Glenn
New Landscape, 2018
Oil on canvas, wood frame
171.4 x 141 cm
67 1/2 x 55 1/2 in

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Christopher Williams
Blasing G 2000, Blasing GmbH, Essen Model: Christoph Boland November 15, 2010, 2010
Archival pigment print on cotton rag paper
83.8 x 94 x 1.3 cm
33 x 37 x 1/2 in Framed

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Christopher Williams
Linhof Technika V fabricated in Munich, Germany. Salon Studio Stand fabricated in Florence, Italy. Dual cable release.
Prontor shutter. Symar-s lens 150mmm/f 5.6 Schneider kreuznach. Sinar fresnel lens placed with black tape on the ground glass.
(White) Dirk Schaper Studio, Berlin, June 19, 2007, 2008
C-print
85.7 x 74.3 x 3.8 cm
33 3/4 x 29 1/4 x 1 1/2 in framed

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Simon Denny
Formalised Org Chart/ Architectural Model: Apple Campus 2 MacPro, 2015
CNC cut MDF, Apple Mac Pro Quad Core 3.7, UV print on Revostage platform, powder coated steel
200 x 200 x 100 cm
78 3/4 x 78 3/4 x 39 3/8 in

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Simon Denny
Formalised Org Chart/ Architectural Model: Apple Campus 2 under construction, 2015
CNC cut MDF, UV print on Plexiglas,
metal chain, UV print on Revostage
platform, powder coated steel
200 x 200 x 100 cm
78 3/4 x 78 3/4 x 39 3/8 in

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Christopher Williams
Untitled (Beauty, happiness at ground level. A carpet of pure new wool embellishes everything that it touches. If you have never seen your furniture on a beautiful carpet, then you have never seen it. If you have never walked barefoot, in your house, on the softness of wool, then you are ignoring a great pleasure. Because a good carpet, of true, vibrant, natural wool, makes life more beautiful. Strict laboratory tests have verified all the qualities of the velvet, 100% pure new wool carpets that merit the Woolmark label: purity, strength, comfort, sound- and thermal-insulation, resistance of colors, non-inflammability, easy maintenance, permanent moth-proof treatment. Choosing a carpet is a serious matter. A matter of happiness. So, always check the Woolmark label. You will be certain to have a carpet of 100% pure new wool. You will be certain that you are making the best business. In pure new wool, it's a real carpet. Ask for Woolmark.) Studio Rhein Verlag, Dusseldorf February 29, 2016, 2016
Inkjet print on cotton rag paper
96.8 x 84.5 x 3.8 cm
38 1/8 x 33 1/4 x 1 1/2 in Framed

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Simon Denny
Modded Server Rack Display: Hacking Trust [Narrative by Matt Goerzen, suggested product title by Emily Segal], 2015
Custom printed books in Revostage platform, powder coated 19” server rack, Cisco Systems WS-C2948G switch, LAN cables, Bachmann power strip, steel trays, Bitmain Antminer Golden Sample S3+, handmade Bitcoin Miner Asic Block Erupter Blade SET, UV print on laminated cardboard, UV print on cardboard, laser cut Plexiglas letters, powder coated steel components, UV print on sandblasted laminated safety glass, LED strips
245 x 100 x 100 cm
96 1/2 x 39 3/8 x 39 3/8 in





Matt Connors: Look Up
@Xavier Hufkens, 6 rue St-Georges | St-Jorisstraat
6 rue St-Georges | St-Jorisstraat
1050 Brussels, Belgium
8 June−20 July 2018

installation views
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keita miyazaki: a mirage of ruins
@rosenfeld porcini
37 Rathbone Street, London W1T 1NZ
UK
7 june - 13 july 2018

installation views
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a mirage of ruins, 2018
car parts, felt and paper
207x64x98cm

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a prophecy, 2018
car parts and paper
142x68x29cm

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barren land, 2018
car parts and paper
190x118x38cm

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perpetual dream, 2018
76x23x21cm
car parts, felt and paper

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vanitas: bird cage, 2018
car light, steel, glass, paper, ceramic, wood, set square, lantern, cigar case, weaving yarn instrument and oil paint
86x62x32cm

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vanitas: forest, 2018
car light, steel, glass, paper, ceramic, sew, wood, sand and oil paint
122x102x40cm
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